Do you know where there is "Mom, sit down and let's talk about confidence"?

There is also the theme song of Tom and Jerry in Henan Province, and an excerpt from Chaoyanggou in Henan Opera.

Chaoyanggou is a miracle. In the description of the creator Yang Lanchun, this song was only written for seven days and seven nights, but it has been sung for sixty years and is enduring. This drama, which is simple in plot and produced during the Great Leap Forward, is far from the current aesthetics.

In the face of this classic spanning 60 years, the theoretical circle must find the reason. Of course, success can't be copied, but the code of opera creation and development is probably hidden behind Chaoyanggou. When we lament that the new drama and modern drama are only superficial prosperity, but the fruits are difficult to survive under their fame, why did Chaoyanggou become a batch of dramas of that era and a classic?

Extended data:

The success of Chaoyanggou is not an individual success of the play, but a sample of an era, with a specific era behind it and a specific background of "transformation" and "generation" of the drama. When we discuss this drama, we should of course focus on the work itself, because as far as art is concerned, this work is not excessive as a masterpiece, but we should also see that this work has a meaning beyond itself.

In fact, it embodies a process of an era from improvement to transformation, from creation to innovation. "Drama modernization" is the most important proposition that runs through the development of China's drama in the 20th century, and it is an extension of the concept of "nationalization of drama and modernization of old drama" put forward by Mr. Zhang Geng 1938 in Yan 'an.