Was this poem written by Tang Bohu? Please tell me the story!

Ming Tang Bohu

Peach Blossom Temple in Taohuawu, Peach Blossom Fairy under Peach Blossom Temple;

Peach Blossom Fairy breeds peach trees and picks them to sell wine.

When you wake up, you just sit in front of the flowers, and when you are drunk, you come to sleep under the flowers.

half awake and half drunk day after day, flowers bloom year after year.

I hope I die of old age, and I don't want to bow before the horses and chariots;

people who are rich in cars, dust and horses are interesting, while those who are poor in wine and flowers are destined.

if wealth is compared with the poor, one is on the ground and the other is in the sky;

if you compare poverty to horses and chariots, he will have to drive away my leisure.

others laugh at me for being crazy, and I laugh at others for not being able to see through it;

No flowers, no wine, no hoes, no fields.

Author's brief introduction

Tang Yin, Tang Bohu, brilliant, Wuyi tour, Dongting swing; Call him a gifted scholar, be romantic, hide in Suzhou, and pretend to be crazy. Chuanhua art, famous sound, solitary picture, clear meaning; Songsheng map, majestic and strong, pine and spring, singing together.

the famous painters of the Ming dynasty have always admired Tang Yin, Chou Ying, Shen Zhou and Wen Zhiming, and are known as the "four schools of Wu" in the world. Tang Yin, one of the "Four Masters of the Ming Dynasty", is known as the first gifted scholar in Ye Jiangnan in the middle of the Ming Dynasty. He is knowledgeable and versatile, reciting poems and composing music, being good at writing and painting, and experiencing ups and downs. He is an outstanding great painter in the history of Chinese painting. Tang Yin's word "Bohu", more word "Ziwei", is the owner of the Peach Blossom Temple, Tang Sheng of Lu, the immortal who escaped Zen, Jieyuan of Nanjing, and the first romantic genius in the south of the Yangtze River. In his later years, he believed in Buddhism, and there were other nicknames such as Liuyi Jushi. Wuxian (now Suzhou, Jiangsu) people. Born in Ming Xianzong Chenghua for six years (147), he died in Jiajing for two years of Ming Shizong (1523).

Tang Yin was born in a merchant's family, and his status was relatively low. Under the guidance of "making a name for himself", he studied hard, and at the age of 11, he was excellent in literary talent and wrote a good hand. At the age of 16, Zhong Xiucai took the Yingtian Township Examination in Nanjing at the age of 29 and won the first prize of "Xieyuan". The following year, he went to Beijing to take the exam, and "fame and wealth" was just around the corner. Xu Jing, a big landlord in Jiangyin, who was rushing to take the exam with him, secretly bribed the examiner's family and got the exam questions in advance. When the story came to light, Tang Yin was also implicated in prison and tortured and humiliated. Since then, Tang Yin, who is conceited, has had a strong antipathy to the "perversion" of officialdom. Character and behavior are unrestrained. Tang Yin made friends with fellow countryman "Crazy Life" Zhang Ling, and indulged in drinking regardless of various careers. Only after being persuaded by his good friend Zhu Yunming did he study hard and decided to spend his life with poetry, calligraphy and painting. After that, he traveled to Zhu Rong, Kuanglu, Tiantai and Wuyi famous mountains, and rowed in Dongting Lake and Peng Stupid, and then returned to Suzhou. In his later years, he believed in Buddhism, and he lived in the land since June 1. He once wrote a poem blaming himself, saying that although a gentleman is not famous, he should be generous, so why bother to be a prisoner? So he carved the seal of "the first romantic genius in Jiangnan". After being hired by Chen Hao, Ning Wang of Nanchang, he found that Ning Wang had an anti-intention, so he pretended to be crazy and returned to Suzhou. Since then, he has been bohemian and decadent.

Tang Yin is wild and uninhibited, but he is unique in painting. His brushwork is exquisite and meticulous, with a natural and unrestrained charm. Most of his landscape paintings show majestic and steep mountains and mountains, pavilions and bridges, beautiful scenery of the mountains and rivers all the time, and some describe pavilions and gardens and the leisurely life of literati. Landscape figure painting is magnificent, slightly clear and chic, with rich and diverse themes. Figure painting mostly describes the life and historical stories of ancient and modern ladies.

Note:

Horses and chariots: for powerful people.

te: too.

Appreciation:

Tang Bohu's generation of talented people are famous for their writings, laughing and cursing, all of which are articles, and they are natural. It is arrogant to regard the powerful people of chariots and horses as dust, and the people who divide the wine and flowers as heaven and man. Crazy or crazy, the flowers sit alone and drink and pour themselves, and they have their own romantic feelings.

The appreciation of this poem is still related to Tang Bohu's personal background. In the secular society of China, the name Tang Bohu is a household name. Tang Bohu's image is a folk stereotype with charming and unrestrained as its standard. Various versions of Tang Bohu's stories are also highlighted by his arrogance of talents and the true nature of a talented person in the game world. Whether it is the novel "Tang Jieyuan Laughs Marriage" by Feng Menglong of the Ming Dynasty or the film "Tang Bohu Dianqiuxiang" by contemporary Stephen Chow, it is all passed down in one vein that Tang talented people despise traditional morality and subvert secular norms.

For example, in this well-known Song of the Peach Blossom Temple, although Tang Bohu pretends to be "the Peach Blossom Fairy in the Peach Blossom Temple", he shows a broad-minded mind of being peaceful and happy, and a life realm of poetry and wine, but he finally regards time as a measure of all human hopes and desires, and its ending still inevitably comes down to nothingness and an irresistible fate of life.

Tang Bohu wrote in an article "Praise of the Tiger": "I asked who you are? You used to be me. I didn't recognize you, but you want to recognize me. Hey! I need you, but you need me. After you and me for a hundred years, you lost me. " We might as well regard it as a dialogue between folk Tang Bohu and realistic Tang Bohu.