Du Fu's Poems Describing Wang Zhaojun's Embankment

Du Fu's poem about Wang Zhaojun is 1. What are Du Fu's poems about Wang Zhaojun?

There are many poems about Wang Zhaojun, the most famous of which is the seven-character poem written by Du Fu:

Thousands of mountains and valleys are close to Jingmen, and girls grow up here.

She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk.

Her face! Can you imagine the spring wind? Huan Peikong is the soul of jathyapple.

The Tatar song on her jade guitar tells her eternal sadness.

"Fei Ming" is Wang Zhaojun. Zhong Qing is the tomb of Wang Zhaojun. It is said that every autumn, all the fields are yellow, but the grass on Zhaojun's tomb is green, hence the name "Qingling". This poem focuses on the word "resentment"-"Singing a Tatar song on her jade guitar to tell her eternal sorrow." According to the poet, it was certainly a "tragedy" for Zhaojun to leave the fortress. The dramas of Yuan people in later generations; They all follow the viewpoint of Du Fu's poems, writing Wang Zhaojun as crying, and even writing her ending as jumping off a cliff. This, of course, goes against historical facts. The fact is that she married Attila Uhaanyehe, not Hu Ning E Shi. After Hu died, she married the son of Hu's ex-wife. She died of natural causes and was lost in the territory of Xiongnu. But there are also different views, represented by Wang Anshi's two Fermin Songs.

2. What poems did Du Fu write about Zhaojun?

There is only one poem about "Wang Zhaojun" by Du Fu, and the other poem about "Wang Zhaojun" is as follows:

1, "Yonghuai Historic Sites III" Tang Du Fu

Thousands of mountains and valleys are close to Jingmen, and girls grow up here.

She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk.

Her face! Can you imagine the spring wind? Huan Peikong is the soul of jathyapple.

The Tatar song on her jade guitar tells her eternal sadness.

2, "Zhao Jun accused" Tang Jianwu

Don't hate futility at once, it is always like jade.

It can be seen that the concubine has gone and never returned, and the empty king has regrets.

3, "Xie Zhaojun's resentment" Wang Tangrui

Don't blame the workers for their ugly tattoos, and don't blame the master for sending relatives.

At that time, if you didn't marry Land Rover, you were just a dancer in the palace.

4. Fu Zhaojun's Tomb

Wanli Guan Hanzhong, Fei Ming gave up. Hate is late autumn, and sorrow is cloudy.

The wind blew at night, the sky was high and the clouds were light, and the moon came. Why send gold when there is no jade known?

5, "Zhao Jun complained two songs" Hu

Wan Li border town is far away, so it's hard to go. Qian Shan is full of water. Look up at the sun, where is Chang 'an.

There is no big discussion in Hanting, and Rong Lu must make peace first. Don't envy the whole city, Zhao Jun hates it.

3. What is a poem about Wang Zhaojun written by Du Fu?

Original text;

Du Fu in Tang Dynasty: Five Poems about Epics (Ⅱ)

Thousands of mountains and valleys are close to Jingmen, and girls grow up here.

She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk.

Her face! Can you imagine the spring wind? Huan Peikong is the soul of jathyapple.

The Tatar song on her jade guitar tells her eternal sadness.

Explanation:

Wanling and Qianshan, as if a wave went to Jingmen, the village where Wang Zhaojun grew up still exists.

From Zitai to the desert beyond the Great Wall, the green grave left alone in the wilderness faces dusk.

Only by drawing pictures to identify Zhaojun's face, the ring at the foot of the mountain is worn and jingled, which is the return of Zhaojun's soul.

For thousands of years, the pipa has been playing the tone of Alakazam, and the music expressed obvious dissatisfaction with Zhaojun.

Creative background:

This group of poems is a work of praising historical sites and nostalgic people, and then cherishing their feelings. In the first year of Dali in Tang Daizong (766), the author visited Song Yuzhai, Yuxin Ancient House, Zhaojun Village, Yong 'an Palace, Ancestral Temple and Wuhou Temple from Kuizhou to Jiangling. He deeply respected the ancient talents, national colors, heroes and names, and wrote Five Poems on Monuments to express his feelings.

About the author:

Du Fu (7 12-770), with beautiful words, is called "Du Gongbu" and "Du Shaoling" in the world. Born in Fugong County, Henan Province (now gongyi city, Henan Province), he was a great realistic poet in the Tang Dynasty. Du Fu is regarded as a "poet saint" by the world, and his poems are called "the history of poetry". Du Fu and Li Bai are called Du Li,

In order to distinguish them from the other two poets, Li Shangyin and Du Mu, namely "Little Du Li", Du Fu and Li Bai are also called "Big Du Li". He is concerned about the country and the people and has a noble personality. About 65,438+0,400 of his poems have been preserved, and his poetic skills are exquisite, and he is highly respected in Chinese classical poetry and has far-reaching influence. He lived in Chengdu from 759 to 766 and was commemorated by Du Fu's Caotang.

What is the name of a poem about Wang Zhaojun written by Du Fu?

Five Poems on Historic Sites (3)

Dynasty: Tang Dynasty

Author: Du Fu

Original text:

Thousands of mountains and valleys are close to Jingmen, and girls grow up here.

She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk.

Her face! Can you imagine the spring wind? Huan Peikong is the soul of jathyapple. (jathyapple

A work: a moonlit night. A work: Huan Pei)

The Tatar song on her jade guitar tells her eternal sadness.

This is the third poem in a series of "Five Historic Sites", and the poet expresses the meaning in his arms by chanting Zhaojun Village and remembering Wang Zhaojun. The poet felt what happened to Wang Zhaojun. While expressing deep sympathy, he showed Zhao Jun's yearning and resentment for his old country, praised Zhao Jun's spirit of returning home despite his death, and entrusted the poet with his own life experience and patriotic feelings. The whole poem is clear in narrative, prominent in image and profound in meaning.

What is the name of a poem about Wang Zhaojun written by Du Fu?

Thousands of mountains and valleys are close to Jingmen, and girls grow up here.

She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk. Her face! Can you imagine the spring wind? Back to the soul in the moonlight.

The Tatar song on her jade guitar tells her eternal sadness. Description: Five Poems Oded to a Monument is a set of seven-character metrical poems, written in the first year of Dali (766) by Du Fu on his way to Jiangling in Kuizhou and Zizhou.

This is the third song, written by Du Fu when he left Kuizhou East and passed Zhaojun Village, forty miles northeast of Jingzhou Prefecture (now Zigui, Hubei Province). Some people think that "eternal love" and "monument" are two topics, and later generations mistakenly combine them into one. If you read them together, you will fail. Some people think that chanting homesickness through historical sites means chanting homesickness, and a topic has two meanings.

From the content and theme of the poem, both views are reasonable, but from the semantic point of view, it is somewhat awkward to interpret "ode to monuments" as "ode to monuments". There are two objects under the word "ode", one is "ode to historic sites". However, it is accurate to interpret "chanting monuments" directly as "chanting monuments" to explain the content and theme of the poem, but it is far-fetched to explain the meaning of the topic.

In fact, the word "homesickness" means "nostalgia". The word "homesickness" is both a verb and means to praise homesickness. The title means to praise and miss historic sites. Go to Jingmen, the village where the goddess of light was born and raised.

The Three Gorges, connected by mountains and valleys, rushed to Jingmen together. In that area, there is still a mountain village where Fei Ming grew up.

The first link points out the location and environment of Zhaojun Village. "Jingmen" refers to Jingmen Mountain, which is located in the northwest of Yidu City, Hubei Province, on the south bank of the Yangtze River and in the mountainous area west of Jingmen.

Today there is Zhaojun Village in Zigui, Hubei. In Jingmen Mountain, which is connected with martial arts, it is said that Zhaojun was born. "Fei Ming", namely Wang Zhaojun, a native of Zigui, Hubei Province, was the maid-in-waiting of Emperor Han Yuan.

In the first year of Jingning (33 BC), Zhaojun was sent to marry Uhaanyehe, a Hun, and died in Xiongnu. Jin changed his name to Mingjun, also known as Mingjun, to avoid the taboo.

Talking about the place was originally a very ordinary beginning, and it was written with great momentum. The word "Qu" highlights the majestic and vivid trend and momentum of the Three Gorges and Jingmen, so the poems of Tang and Song Dynasties were rated as "unexpected, such as the unconstrained style and the bright pearl moving."

The reader's eyes were suddenly attracted to Jingmen, and then fixed in Zhaojun Village. Zhao Jun, though a woman, is in Wan Li, and her heart is with her old country, so her name is immortal.

People and things have a tragic color, as if the weather is as extraordinary as the place where she grew up. Therefore, in the poet's pen, the background color of this painting is not feminine beauty, but masculine greatness.

She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk. At that time, Wang Zhaojun left the Han Palace alone, married to the desert land in the north, and never came back. Finally, he died in a foreign country, leaving only a blue grave, shrouded in yellow sand.

Couplets create a bleak atmosphere, which is in sharp contrast with the first two sentences and summarizes Zhao Jun's life experience. According to "Biography of Southern Xiongnu in the Later Han Dynasty", when he died, Zhaojun wrote to ask him to return to China, which made the emperor obey Hu's custom, but it was not allowed. Zhao Jun finally died in Xiongnu.

"Going away" is the beginning of sadness, and "staying alone" is the end of sadness. "One" here means one person.

"Lian" refers to marriage, that is, "marriage". "Zitai", the Purple Palace, is the place where the emperor lived.

"Zhong Qing" refers to the tomb of Wang Zhaojun, which is located twenty miles south of Hohhot, Inner Mongolia Autonomous Region. Legend has it that the local area is rich in white grass, and only Wang Zhaojun's cemetery is rich in grass, so it is called "green tomb".

"Xiang" means "being" here. "Dusk", as "yellow sand", here refers to the yellow sand.

One is against the previous sentence "Shuo Mo", and the other is rhyming, so it is an inverted sentence, just like the famous sentence in Lin Bu's "Xiaomei in the Mountain Garden" in the Song Dynasty: "The shadow is shallow and the fragrance floats at dusk". Her face! Can you imagine the spring wind? Back to the soul in the moonlight.

How can you tell a youthful and beautiful face only by sketching? Xiongnu can't return after Zhaojun's death. I'm afraid only her ghost can come back with Pei Huan on a moonlit night. "Miscellanies of Xijing" contains: The Emperor of the Han and Yuan Dynasties was good because there were too many maids, so he asked the painter to draw portraits of maids in order to have fun with them.

The ladies-in-waiting rushed to bribe the painters, but Zhao Jun was so beautiful that he refused to bribe them, so the painters deliberately painted her ugly. After Yuan Di carried out the pro-marriage policy, Xiongnu went to Korea to seek beauty. Yuan Di sent Zhao Jun to Xiongnu with her portrait. I found her young, beautiful, elegant and generous when I left.

Yuan Di regretted it and ordered the painter to be put to death. These two sentences start with the turning point of Zhaojun's fate, write out the reasons why she didn't meet before her death, and compare her youthful beauty before her death with the ghosts under the moon after her death. The words are ingenious and contain endless feelings: she missed the opportunity to meet her before her death, and it is futile to return to her soul after her death! At the same time, the poet expressed his deep sympathy for Zhao Jun's being buried in the palace, the Great Wall and loneliness all his life, so as to express his talent feelings.

"provincial knowledge" is still a little knowledge, that is, it is not carefully identified. "Pei Huan" is an ornament of ancient women, which means Zhaojun here.

The Tatar song on her jade guitar tells her eternal sadness. For thousands of years, pipa has played the sound of Hu Di; Although Zhaojun is dead, his resentment is hard to calm down. What she pours out in pipa music is clearly her full resentment.

"Pipa" is a musical instrument of the Hu people in the Western Regions. Han Liuxi wrote in Ming Jie: "Pipa was originally played by Hu Zhong immediately. When you push your hand, you say pipa, and when you pull it, you say pipa. "

Therefore, the poet called his music "nonsense". Legend has it that Emperor Wu of the Han Dynasty married a princess (actually the daughter of Jiangdu) to King Wusun of the Western Regions. The princess was sad, and the conference semifinals immediately played pipa for entertainment.

Later generations mixed these with Zhao Jun's story and wrote piano music such as "Zhao Jun's Complain", so there was the saying that Wang Zhaojun once played the pipa. Zhao Jun's resentment is written on the front of the couplet.

Zhaojun's resentment is mainly the resentment and worry that a woman who has been married for a long time will always miss her homeland. Du Fu is in a different place, far away from home, just like Zhaojun. From the poem "Ode to Historic Sites", we can see that when the poet wrote his grievances, he pinned his feelings for his life, home and country.

Comment on the poem "Poems of Tang and Song Dynasties": "He who praises the princess is the first." Tang Ruxun, a Qing Dynasty poet, said in Ten Tang Poems, "This work is the best in Du Ji".

Shen Deqian's Collection of Tang Poems in the Qing Dynasty also said: "Singing Zhaojun's poems is a swan song." "Wang Shi Yuan Tang's Poems" echoed: "Pentium, tragic muddy into peace.

6. What is a poem about Wang Zhaojun written by Du Fu?

Original text; Five Poems about Historical Sites (III) Du Fu in Tang Dynasty, Wanzhongling Valley near Jingmen, a village where girls grew up in Sri Lanka.

She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk. Her face! Can you imagine the spring wind? Huan Peikong is the soul of jathyapple.

The Tatar song on her jade guitar tells her eternal sadness. Interpretation: Wanling, Qian Shan is like a wave rushing to Jingmen, and the village where Wang Zhaojun grew up still exists.

From Zitai to the desert beyond the Great Wall, the green grave left alone in the wilderness faces dusk. Only by drawing pictures to identify Zhaojun's face, the ring at the foot of the mountain is worn and jingled, which is the return of Zhaojun's soul.

For thousands of years, the pipa has been playing the tone of Alakazam, and the music expressed obvious dissatisfaction with Zhaojun. Creation background: This group of poems is a work that praises historical sites and people who are nostalgic, and then cherishes their feelings.

In the first year of Dali in Tang Daizong (766), the author visited Song Yuzhai, Yuxin Ancient House, Zhaojun Village, Yong 'an Palace, Ancestral Temple and Wuhou Temple from Kuizhou to Jiangling. He deeply respected the ancient talents, national colors, heroes and names, and wrote Five Poems on Monuments to express his feelings. About the author: Du Fu (7 12-770), with a beautiful word, is called "Shaoling Yelao" and "Du Gongbu" and "Du Shaoling" in the world. Born in Gongxian County, Henan Province (now gongyi city, Henan Province), he was a great realistic poet in the Tang Dynasty. Du Fu is regarded as a "poet saint" by the world, and his poems are called "the history of poetry".

Du Fu and Li Bai are called "Du Li" together. In order to distinguish them from the other two poets Li Shangyin and Du Mu, that is, "Little Du Li", Du Fu and Li Bai are also called "Big Du Li". He is concerned about the country and the people and has a noble personality. About 65,438+0,400 of his poems have been preserved, and his poetic skills are exquisite, and he is highly respected in Chinese classical poetry and has far-reaching influence.

He lived in Chengdu from 759 to 766 and was commemorated by Du Fu's Caotang.

7. What is the name of a poem about Wang Zhaojun written by Du Fu?

Five Poems on Historic Sites (3) Thousands of mountains and valleys are near Jingmen, and girls were brought up in the village where they grew up.

She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk. Her face! Can you imagine the spring wind? Back to the soul in the moonlight.

The Tatar song on her jade guitar tells her eternal sadness. Description: Five Poems Oded to a Monument is a set of seven-character metrical poems, written in the first year of Dali (766) by Du Fu on his way to Jiangling in Kuizhou and Zizhou.

This is the third song, written by Du Fu when he left Kuizhou East and passed Zhaojun Village, forty miles northeast of Jingzhou Prefecture (now Zigui, Hubei Province). Some people think that "eternal love" and "monument" are two topics, and later generations mistakenly combine them into one. If you read them together, you will fail. Some people think that chanting homesickness through historical sites means chanting homesickness, and a topic has two meanings.

From the content and theme of the poem, both views are reasonable, but from the semantic point of view, it is somewhat awkward to interpret "ode to monuments" as "ode to monuments". There are two objects under the word "ode", one is "ode to historic sites". However, it is accurate to interpret "chanting monuments" directly as "chanting monuments" to explain the content and theme of the poem, but it is far-fetched to explain the meaning of the topic.

In fact, the word "homesickness" means "nostalgia". The word "homesickness" is both a verb and means to praise homesickness. The title means to praise and miss historic sites. Thousands of mountains and valleys are close to Jingmen, and girls grow up here.

The Three Gorges, connected by mountains and valleys, rushed to Jingmen together. In that area, there is still a mountain village where Fei Ming grew up.

The first link points out the location and environment of Zhaojun Village. "Jingmen" refers to Jingmen Mountain, which is located in the northwest of Yidu City, Hubei Province, on the south bank of the Yangtze River and in the mountainous area west of Jingmen.

Today there is Zhaojun Village in Zigui, Hubei. In Jingmen Mountain, which is connected with martial arts, it is said that Zhaojun was born. "Fei Ming", namely Wang Zhaojun, a native of Zigui, Hubei Province, was the maid-in-waiting of Emperor Han Yuan.

In the first year of Jingning (33 BC), Zhaojun was sent to marry Uhaanyehe, a Hun, and died in Xiongnu. Jin changed his name to Mingjun, also known as Mingjun, to avoid the taboo.

Talking about the place was originally a very ordinary beginning, and it was written with great momentum. The word "Qu" highlights the majestic and vivid trend and momentum of the Three Gorges and Jingmen, so the poems of Tang and Song Dynasties were rated as "unexpected, such as the unconstrained style and the bright pearl moving."

The reader's eyes were suddenly attracted to Jingmen, and then fixed in Zhaojun Village. Zhao Jun, though a woman, is in Wan Li, and her heart is with her old country, so her name is immortal.

People and things have a tragic color, as if the weather is as extraordinary as the place where she grew up. Therefore, in the poet's pen, the background color of this painting is not feminine beauty, but masculine greatness.

She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk. At that time, Wang Zhaojun left the Han Palace alone, married to the desert land in the north, and never came back. Finally, he died in a foreign country, leaving only a blue grave, shrouded in yellow sand.

Couplets create a bleak atmosphere, which is in sharp contrast with the first two sentences and summarizes Zhao Jun's life experience. According to "Biography of Southern Xiongnu in the Later Han Dynasty", when he died, Zhaojun wrote to ask him to return to China, which made the emperor obey Hu's custom, but it was not allowed. Zhao Jun finally died in Xiongnu.

"Going away" is the beginning of sadness, and "staying alone" is the end of sadness. "One" here means one person.

"Lian" refers to marriage, that is, "marriage". "Zitai", the Purple Palace, is the place where the emperor lived.

"Zhong Qing" refers to the tomb of Wang Zhaojun, which is located twenty miles south of Hohhot, Inner Mongolia Autonomous Region. Legend has it that the local area is rich in white grass, and only Wang Zhaojun's cemetery is rich in grass, so it is called "green tomb".

"Xiang" means "being" here. "Dusk", as "yellow sand", here refers to the yellow sand.

One is against the previous sentence "Shuo Mo", and the other is rhyming, so it is an inverted sentence, just like the famous sentence in Lin Bu's "Xiaomei in the Mountain Garden" in the Song Dynasty: "The shadow is shallow and the fragrance floats at dusk". Her face! Can you imagine the spring wind? Back to the soul in the moonlight.

How can you tell a youthful and beautiful face only by sketching? Xiongnu can't return after Zhaojun's death. I'm afraid only her ghost can come back with Pei Huan on a moonlit night. "Miscellanies of Xijing" contains: The Emperor of the Han and Yuan Dynasties was good because there were too many maids, so he asked the painter to draw portraits of maids in order to have fun with them.

The ladies-in-waiting rushed to bribe the painters, but Zhao Jun was so beautiful that he refused to bribe them, so the painters deliberately painted her ugly. After Yuan Di carried out the pro-marriage policy, Xiongnu went to Korea to seek beauty. Yuan Di sent Zhao Jun to Xiongnu with her portrait. I found her young, beautiful, elegant and generous when I left.

Yuan Di regretted it and ordered the painter to be put to death. These two sentences start with the turning point of Zhaojun's fate, write out the reasons why she didn't meet before her death, and compare her youthful beauty before her death with the ghosts under the moon after her death. The words are ingenious and contain endless feelings: she missed the opportunity to meet her before her death, and it is futile to return to her soul after her death! At the same time, the poet expressed his deep sympathy for Zhao Jun's being buried in the palace, the Great Wall and loneliness all his life, so as to express his talent feelings.

"provincial knowledge" is still a little knowledge, that is, it is not carefully identified. "Pei Huan" is an ornament of ancient women, which means Zhaojun here.

The Tatar song on her jade guitar tells her eternal sadness. For thousands of years, pipa has played the sound of Hu Di; Although Zhaojun is dead, his resentment is hard to calm down. What she pours out in pipa music is clearly her full resentment.

"Pipa" is a musical instrument of the Hu people in the Western Regions. Han Liuxi wrote in Ming Jie: "Pipa was originally played by Hu Zhong immediately. When you push your hand, you say pipa, and when you pull it, you say pipa. "

Therefore, the poet called his music "nonsense". Legend has it that Emperor Wu of the Han Dynasty married a princess (actually the daughter of Jiangdu) to King Wusun of the Western Regions. The princess was sad, and the conference semifinals immediately played pipa for entertainment.

Later generations mixed these with Zhao Jun's story and wrote piano music such as "Zhao Jun's Complain", so there was the saying that Wang Zhaojun once played the pipa. Zhao Jun's resentment is written on the front of the couplet.

Zhaojun's resentment is mainly the resentment and worry that a woman who has been married for a long time will always miss her homeland. Du Fu is in a different place, far away from home, just like Zhaojun. From the poem "Ode to Historic Sites", we can see that when the poet wrote his grievances, he pinned his feelings for his life, home and country.

Comment on the poem "Poems of Tang and Song Dynasties": "He who praises the princess is the first." Tang Ruxun, a Qing Dynasty poet, said in Ten Tang Poems, "This work is the best in Du Ji".

Shen Deqian's Collection of Tang Poems in the Qing Dynasty also said: "Singing Zhaojun's poems is a swan song." Tang poetry in Netscape.

8. Poems about Wang Zhaojun

Du Fu:

Thousands of mountains and valleys are close to Jingmen, and girls grow up here.

She walked out of the Purple Palace, went to the desert and stayed at home alone until dusk.

Her face! Can you imagine the spring wind? Back to the soul in the moonlight.

The Tatar song on her jade guitar tells her eternal sadness.

Li Bai:

Qin Diyue, the Han family, projected the princess;

Once on the jade pass, the end of the world is gone forever.

Both of them gave infinite pity and sigh to Zhaojun's fortress and city wall. And:

John also went out from the East China Sea, and Fei Ming had no future when he married the West.

Swallows often make flowers in cold snow, and moths are haggard and have no sand;

Life is short of money, painting is wasted, and staying at home makes people feel uncomfortable.

Wang Anshi also sang poems about Wang Zhaojun. His innovation is unconventional, and he thinks that Wang Zhaojun is not necessarily a bad thing, such as:

Fei Ming married Hu for the first time, and both felt cars were Hu Ji;

Passion has nothing to say, and it reaches the pipa's heart and self-knowledge.

Jin Chang took the hand and played wine to persuade Hu;

The maid-in-waiting in the Han palace wept, and the pedestrians on the sand looked back.

Hann is shallow and deep, and life is happy to know each other;

The poor green house is gone, and there are still mourning strings.

In addition, Ouyang Xiu's "Look, Nagato is not close to Gillian, and there is no north or south in life." Just like Wang Anshi's meaning, thinking about the past and thinking about the future, convincing people by reasoning, and writing from the perspective of human nature, so that people can better understand Wang Zhaojun's suffering before and after leaving the fortress, and there is no other confusion, which is another realization of the value of life. "Green Home" tombstone is also engraved with:

A body belongs to Shuo Mo, and several generations of Jing Rongbing;

If you talk about fame, you are almost like Huo Wei.

This poem includes "Love and affection make the border lighthouse disappear, who can make it in Luge?" Finally made a fair judgment on Wang Zhaojun.

9. Du Fu's comment on Wang Zhaojun's departure from the fortress.

Du Fu's comments and sentences on Wang Zhaojun's departure from the fortress are from Three Poems on Monuments written by Du Fu, a great poet in the Tang Dynasty, in Kuizhou (Fengjie, Chongqing) in the first year of Tang Daizong Dali (766). The contents are as follows:

Thousands of mountains and valleys are close to Jingmen, and girls grow up here.

She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk.

Her face! Can you imagine the spring wind? Huan Peikong is the soul of jathyapple.

The Tatar song on her jade guitar tells her eternal sadness.

Wanling in Qianshan seems like the waves rushing to Jingmen, and the village where Wang Zhaojun grew up still exists today. From Zitai to the desert beyond the Great Wall, the green grave left alone in the wilderness faces dusk. Only by drawing pictures to identify Zhaojun's face, the ring at the foot of the mountain is worn and jingled, which is the return of Zhaojun's soul. For thousands of years, the pipa has been playing the tone of Alakazam, and the music expressed obvious dissatisfaction with Zhaojun.

Extended data:

The poem Ode to Monuments: Part III is titled Ode to Monuments, with the emphasis on chanting. If it is only Zhao Jun's resentment in the end, it can only praise history. This not only does not understand Du Fu's feelings, but also leads to misunderstanding. In the past, Wu Ruoben, Li Dingjie and others mistakenly divided this group of poems into Mourning Chapter and Four Monuments, which is an example. In fact, as long as the situation of Du Fu's poetry creation is combined with his political experience, such a conclusion will never be reached. Because his motivation to borrow ancient lyrics is obvious, and five poems are also closely related. His political setbacks made him deeply feel that it was not easy to meet the monarch and his subjects; Those years of wandering southwest and living by people made him miserable. And Zhongyuan disturbed him and wanted to return. Therefore, he chanted Yu Xin and pinned his thoughts on the local customs of his hometown.

Recite Song Yu and sigh his talent; Yong Zhaojun, condemning Wang Mei's evil; Praise Liu Bei and Kong Ming and admire their close relationship. He watered the bricks in his chest with ancient wine glasses. It can be seen that the grievances poured out in this song belong only to Zhao Jun, which is clearly Du Fu's resentment; The monarch who doesn't distinguish between good and evil is not only the Han and Yuan emperors, but also how many talents are still expressing their feelings of being out of touch with the world! This feud has been circulating for thousands of years. Who can say it won't continue? This knot, to the point, has a far-reaching impact, which is precisely "mixed feelings at the end of the article."

Baidu Encyclopedia-Five Poems about Historic Sites