Read the full text carefully and tell me what the author wrote about the Wang Teng Pavilion.

The overall perception of writing characteristics The original title of this article is Preface to Teng Qiubie, and the full text is full of thoughts and articles, which are closely related to Teng's preface.

Eyes. The full text is divided into four paragraphs. The first paragraph (1) describes the magnificent terrain, playing time, exotic products, outstanding talents and distinguished guests of Hongdu, closely following the word "Hongfu" in the title. The second paragraph (2-3) shows the colorful Qiu Jingtu in Wang Teng Pavilion. Close-up, full of rich colors, the magnificent scenery of Wang Teng Pavilion is written, which is closely related to the words "autumn" and "Teng Teng Wang Ge"; The third paragraph (4-5) turns from the description of the banquet to the emotion of life, which is closely related to the word "truth" in the title; The last paragraph (6-7) is about my own experience, which means that when I meet a bosom friend, I should write a poem as a souvenir, which is tightly written with the words "don't" and "preface" in the title. From this perspective, the full text is clear; From the ground to people, from people to scenery, from scenery to emotion, it can be said that clues are connected and topics are interpreted layer by layer. According to some ideas, this article was written for farewell, but it only briefly described the prosperity and a few strokes of the banquet, and devoted all its energy to writing the scenery seen in the pavilion, born out of the scene, not sticking to the old pattern, and finding another way. The layout of local ideas and the choice of ideas are also regarded as the basis of the text. Take the fifth paragraph as an example to illustrate the author's emotional ups and downs: First, express a sigh with a series of short sentences: "Unfortunately, the road is long and Xiu Yuan is Xi. Feng Tang is easy to get old, but Li Guang is hard to seal. " Then combine the length with the length to express their anger and sadness: "Qu Jiayi is in Changsha, but there is no Lord; Loud in the sea, is it lack of time? " Finally, there is a set of duality, which shows the intention: "Meng has noble taste and he is free to serve the country;" Ruan Ji is crazy, and crying is effective? " The sonorous tone expressed his determination not to sink. Try to come up with wonderful sentences 1. Appreciation of "The water is cold and the pool is clear, and the smoke condenses the mountain purple": The author uses flexible brushwork to describe the water state of the mountain, showing the grandeur of terraced fields, climbing high and overlooking, and flying freely, thus bringing readers into an immersive aesthetic situation. The beauty of color change is written as "the water is cold and the pool is clear, and the smoke is purple." These two sentences are not limited to the static picture color, but focus on the color change of mountains and rivers: the water in the cold water pool is clear because of the retreat of accumulated water; The mountains in the evening are purple because of the twilight. The former sentence is elegant in color, while the latter sentence is strong in color. On the contrast of colors, it highlights the characteristics of autumn scenery, and is praised by predecessors as "writing the scenery in September". 2. Appreciation of "The sunset is lonely in Qi Fei, and the autumn water is the same as the sky": this sentence is known as the eternal swan song. The sky is clear, the sky is connected with the ground, and the upper and lower colors are the same: rosy clouds are from top to bottom, and lonely people are from bottom to top, adding luster to each other, forming a beautiful picture with bright colors and muddy up and down. These two sentences are not only opposite to each other in sentence structure, but also form their own duality in one sentence, forming the characteristics of "sunset versus loneliness" and "autumn water versus sky", which is a major feature of Wang Bo's parallel prose. 3. "When you are old and strong, would you rather be moved? If you are poor, you will change your mind, and you will never lose your ambition. "Appreciation: This is the most thoughtful warning in the full text and the crowning touch of this article. Throughout the ages, how many people with lofty ideals have always pursued their ideals in the face of all difficulties and obstacles, and will not give up even in gloomy adversity. Ma Yuan in the Eastern Han Dynasty said: "People should have ambition, be poor and strong, and be old and strong." Wang Bo used it here. The parting of life triggered the feeling of meeting in life, warning those "lost people" not to give up on themselves because of the fleeting time and difficulties. At this time, Wang Bo is not brilliant, but he still has such feelings, which is really commendable. Four characteristics of the scenery description in preface to Wang Teng-ting The scenery description in preface to Wang Teng-ting is quite distinctive. The author carefully constructs the picture, works hard and depicts the scenery in a flexible way, which embodies certain aesthetic characteristics. 1. The article noticed the color change of the scenery. For example, "Liu Dan" in "Flying Pavilion and Liu Dan" and "Jasper" in "Green Bird and Huanglong Axis" are all colorful and swaying. In particular, the phrase "flowing water is cold and clear, and smoke condenses into purple mountains" is not limited to the color of still pictures, but focuses on the changes of water, light and mountains. The former sentence is simple and elegant, and the latter sentence is dignified in color, which is praised by predecessors as "writing the scenery in September" 2. The author uses appropriate methods, just like the shooting technology of movies, from near to far, forming a panoramic view with a sense of hierarchy and depth. The scenery around the pavilion is written in four sentences, which is a close-up view; The second sentence "rivers and lakes in mountains and rivers" is the middle scene; Below the cloud selling rain Ji is the broad prospect of rice fields. This kind of writing is the most prominent feature of the scenery in the preface to Wang Teng's Songs, which embodies the author's three-dimensional aesthetic view and brings readers into the picturesque scenery of Jiangnan. Readers are integrated with the landscape, people are in the landscape, and there are people in the landscape. 3. Mix up and down into four sentences: "The mountains are green and the waters are green". By changing the perspective, the top and bottom set each other off into interest. Heaven and earth, inside and outside the city, are inseparable, which embodies the author's unified aesthetic view. And "The setting sun is lonely in Qi Fei, and the autumn water and the sky are the same color" is a famous sentence. Water and the sky are connected, forming a beautiful picture with bright colors. 4. "Fishing boats sing late" four sentences, the combination of reality and reality, that is, to convey the distant scenery with auditory association, so that readers can broaden their horizons and see through Wan Li. The real writing and the imaginary writing are in harmony, and the scenery is described as much as possible. In a word, Preface to Wang Tengting is quite ingenious, with exquisite words, wonderful sentences and gorgeous chapters, which makes people feel like they are in a water town in the south of the Yangtze River. No wonder Han couldn't help admiring: "There are many scenery in the south of the Yangtze River, and the pavilion is the first one. "The structure of writing skills is also unique in conception, thoughtful and deducing problems at different levels. The paragraphs are scientifically connected, the thinking is clear, from land to people, from people to scenery, from scenery to emotion, step by step. The full text gives full play to the characteristics of parallel prose, combines duality, rhyme and allusion in one furnace, shows rich content, reveals the author's true feelings and has strong artistic appeal. The first section topic-the second section is close to the scene-the third section is the combination of distance-the fourth section is the feeling of the distant scene-the fifth section is the expression of inspiration-the sixth section is self-introduction and the recovery of the topic meaning-the seventh section is thanks. This is a problem from shallow to deep. First, let readers know the situation at that time by asking questions. The next description of the near world, with the human eye as the fulcrum, from near to far, will naturally have the second, third and fourth paragraphs, which is a layered problem. This kind of treatment is clear and makes people feel natural. Similarly, the same is true for expressing feelings, from the first half of the fourth quarter to the fifth quarter, to the sixth quarter and then to the seventh quarter. Full of layers.