Poems praising Wang Zhaojun

Wang Zhaojun, whose real name is Zhaojun, was a maid-in-waiting in the Han and Yuan Dynasties, and taboo Si Mazhao in the Jin Dynasty, also known as "Fei Ming". It is said that when Zhao Jun went to the fortress, he played Pipa. When the geese in the sky heard the music, they forgot to flap their wings and fell from the sky, so Wang Zhaojun got the reputation of "Goose". Wang Zhaojun is one of the four famous beauties. She and Shi are also called "sinking fish and falling geese". Ancient poets like to praise beautiful women, which can't be helped. Male poets are many orders of magnitude more than female poets! Hu Shi once said: "Lu Xiaoman is a must-see scenery." In the nearly 2000 years after Zhaojun, Wang Zhaojun was a must-see in the hearts of ancient male poets. According to incomplete statistics, more than 500 poets wrote more than 700 poems for her. Among these poems, the best one is Du Fu's Ode to Monuments:

Thousands of mountains and valleys are close to Jingmen, and girls grow up here.

She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk.

Her face! Can you imagine the spring wind? Huan Peikong is the soul of jathyapple.

The Tatar song on her jade guitar tells her eternal sadness.

Poetry of the Tang and Song Dynasties says: "If you chant the princess of Ming Dynasty, this song is the first." Shen Deqian, a poetry critic in the Qing Dynasty, also said: "Singing Zhaojun's poems is a swan song, and the rest are mediocre." The first couplet in this poem explains the birth of Zhaojun. It is in response to that sentence that all extraordinary people have extraordinary origins. The place where Zhaojun was born and raised is surrounded by the extraordinary "mountain canyon".

The couplet "She left the Purple Palace and entered the desert, and now she has become a green grave in the dusk" has been read through the ages, which embodies the consistent style of Du Fu's regular poems-vigorous and powerful, a combination of vigorous and open. Going out of the Great Wall is the beginning of Zhao Jun's tragic life, and the grave outside the Great Wall is the end of her tragic life. "Lian Shuo Mo" tells the vastness of the desert in space, and "Dawn" tells the loneliness after Zhao Jun's death in time. These two simple sentences are the most favorable evidence of the theme of the whole poem "resentment"

The "Spring Breeze Face" and "Pei Huan" in necklace couplets, like other poems, do not forget to praise Wang Zhaojun's prosperous appearance, but under this prosperous appearance, there is a sad past. Emperor Han and Yuan knew people by painting, and finally Zhao Jun "lost his appearance". "I'd rather not know the whole city and country, and it's hard to get another beauty." This is also a rebuke to the emperor. Even if Wang Zhaojun was not "born in Yumenguan" and returned to his hometown during his lifetime, the author imagined that Zhao Jun's soul would return to his hometown on a moonlit night. Only this "emptiness" of "emptiness" can also show Du Fu's heartache for Zhaojun.

The couplet "The Tatar's song is on her jade piano, telling her eternal sorrow" makes people cry, and points out the theme of this poem "Showing resentment". There is nothing to say about this poem, but the author's point of view is obvious. This poem contains a lot of information and is full of vitality. It is worthy of being the best poem to praise Wang Zhaojun. I wonder when someone can write this poem better than Du Fu? Is it really "unprecedented, no one will come after"?