Poetry that loves beauty

There is beauty in a person, and I will never forget it. I want to go crazy if I can't see you for a day.

The phoenix flies high, and the four seas seek to burn. Helpless beauty, not in the east wall.

-"Feng Qiu Qin Huang Ge"

Heroes love beautiful women since ancient times. Scholars in China have always had lofty ideals and regarded themselves as heroes of the times. But they put their feelings and efforts into literary works, but they deliberately create a beautiful and noble beauty. Beauty and hero have always been the favorite objects of China literati.

China, an ancient East Asian country with a history of 5,000 years, is rich in the water of the Yellow River, which nourishes hardworking and simple people and breeds elegant and calm Chinese culture. Brilliant flowers of civilization bloom here. Poetry and songs contain the poet's deep love for the nation, the country and the times. The Collection of Classics and History embodies the literati's wisdom and tolerant literary feelings of looking at heaven and man, making the past serve the present. The four great inventions and the Silk Road show the magnificence and high-spirited momentum of China. China is a beauty, leaning gracefully in the ancient and beautiful East, watching the ups and downs of several generations and calmly telling the mysterious story about the Chinese nation. She has the most passionate and sonorous feelings and the most tolerant and delicate mind. She is the most beautiful beauty in the hearts, paintings and articles of China literati. This kind of beauty is not only the virtuous monarch they have been longing for, but also the idealized self in their hearts-a nation with a noble heart, a long way to go, longing for the prosperity and strength of the motherland, and showing the beauty of pursuing spirit.

In Poem 300, beauty has become the most desirable pursuit of the broad masses of the people. Guan Ju, the first article in Three Hundred Poems, mentioned at the beginning that "Guan Ju is a happy lady to match a gentleman, especially to promote the virtuous, not to be lewd, to be sad and graceful, and to think of the virtuous without hurting the good heart". Beauty is a beautiful and dignified woman, a gentleman and a talented person. It is the ancient people's beautiful pursuit of ideals, so it is "not obscene" and values personal moral cultivation; Therefore, "mourning his gentleness and thinking about his talents without hurting his kindness" can be respected and pursued, but it must conform to the situation and cannot be ridiculed. This is what the theater wants to tell us. It tells us a story of men and women pursuing love and expresses men's yearning for beautiful women. Among them, the lady in My Fair Lady, Gentleman is Good, is not only a beautiful and dignified woman. He is also a talented and idealistic person, hoping to get the appreciation of the wise monarch in order to maximize the value of life. Similarly, the beauty of the water side in Jiaxu is always shrouded in a hazy mist. No matter how hard people try, it is always difficult to get close to it. Isn't it a portrayal of China literati's life in pursuit of ideals but repeated setbacks? From ancient times to the present, the people of China have united as one and worked hard for the bright future of the motherland, from which the national spirit has been born and has never stopped developing vigorously.

However, the road to chasing dreams has never been smooth sailing, and the rise of the nation is also based on the rise and fall of countless dynasties. "Qu Yuan's exile is a tribute to Li Sao; Zuo Qiu is blind and has "Mandarin"; Sun Tzu's stubbornness and the revision of Sun Tzu's Art of War are largely due to the behavior of angry saints. This person has a sense of stagnation and can't understand his way, so he tells the past and thinks about newcomers. " Qu Yuan was caught in a dilemma between the treacherous court official's slanders and the king's dishonesty. Seeing the country's decline, the people's poverty, and their inner anguish, they wrote Li Sao to express their firm and helpless ambitions. Qu Yuan did not express himself directly, but chose to describe himself with "vanilla" and "beauty". "Yesterday after three fine, solid side. The poet's heart is as pure and beautiful as a spiritual flower. I hope the monarch can see his talent, but "the vegetation is only scattered, and the beauty is afraid of death", and time waits for no one. Even though he was surprised and ambitious all his life, there was no wise monarch, and he could not fight the withering of vegetation and beauty.

"Three Hundred Poems" praised the love between men and women, and expressed the affirmation and maintenance of ethical codes in line with social order. There are also many poems praising "beauty" in Chu Ci, which is a reflection and affirmation of individuals' pursuit of life ideals and realization of social values. "Beauty" is a metaphor for a scholar who is eager to gain the appreciation of a wise monarch by virtue of his own ability, and it is also a metaphor for being able to recognize Ren Xian's talent and develop the image of a wise monarch. In the pursuit of national ideals and the realization of the motherland's prosperity, whether it is Poems 300, Songs of the South or other classic works of China, they are similar to the ideal of carrying forward excellent traditional culture and realizing the great rejuvenation of the Chinese dream in contemporary China.

The "beauty" in China's classical culture is not only a fictional and idealized female image in the classics. Scholars are more willing to dig out attractive women from the long river of history, then paint their eyebrows with meticulous brushwork, reshape them with rich and profound cultural and historical details, and make up new makeup for them. The most famous are the stories of Shi, Wang Zhaojun, Di Xinhe and the four beauties. The four beauties in history may not lose their reputation for beauty, but there is no doubt that the patriotic feelings of Shi, Wang Zhaojun and Diophantu and the national feelings of putting the country first are the colorful embellishments of China literati. Scholars put the loyalty of "beauty" and the feelings of "hero" under the crisis background of the same nation, which can better reflect the unity of China literati and their concern for the country since ancient times.

"When I learned Chinese characters and went to Gusu, barbarians were chased." During wuyue's struggle, the State of Yue endured humiliation, and Gou Jian, the king of Yue, tried his best to save the country. Under the guidance of He Wenzhong, the lecherous prince was indulged in the gentle land, and "the emperor never listened earlier", which eventually led to the surrender of the overlord.

"Han family, Qin Diyue, the princess with flowing shadow lighting; Once on the jade pass, the end of the world is gone forever. " Wang Zhaojun was a "beauty" who had the deepest understanding of justice among ancient women in China and died for her country. With the decline of the Han Dynasty, the powerful ministers came to power, and they needed to get a country's peace through marriage. How unfortunate Zhao Jun was, because he was not loved by the king. He was sent to Alakazam and could never return to his hometown. How innocent Zhao Jun is, but a weak woman has a great responsibility and can't decide her own destiny. Scholars love this "beauty hero" deeply. Fei Ming Qu, Ci of Zhaojun, Autumn Moon in Han Palace, etc. are all praises to this national hero.

"Lilac tongue spits out a steel sword, to kill evil and confuse ministers." The story of Diusim in Romance of the Three Kingdoms is very beautiful. She is the hero of all walks of life who plotted to get rid of Dong Zhuo. This beautiful woman, as a weak woman, bravely stood up and sacrificed herself when everyone was suffering from Dong Zhuo's authority but could not get rid of it. Influenced by China literati and processed by Luo Guanzhong, the story of Diusim can become a heroine who gives her life and is not afraid of power. China literati's descriptions of "beauties" such as Wang Zhaojun and Diophantine not only reflect the deep connection between "beauties" and "heroes" in China's classical literary works-beauties can become heroes, and heroes are also the beauties pursued by literati, but also reflect the literary ideals of ancient China literati. They wrote this new classic masterpiece, not only for immortality, but also for realizing their life ideals at that time and shaping it with the pen of literature.

China has always been a country with dreams. When foreign scholars lament that China people always dwell on the prosperity of the past, they will not understand that they are eager to forge ahead and surpass because they once had it. The historical beauty once possessed by the Chinese nation has left a deep mark in the long river of years, enriched the national cultural heritage and become the source of strength for the people of China to bravely realize the great rejuvenation of the Chinese dream. This heavy history is both a mission and an inspiration.

"There is a beauty, I won't forget it. I don't see you for a day, I want to be crazy. " "Beauty" is the deepest sense of history and the most meaningful historical mission of China literati. Since ancient times, the individual self has been combined with the era self, and literati have reflected the historical features of social changes in their literary creation, considered the social motive force of national progress, actively demanded to be an official, and offered suggestions and suggestions for the monarch. They shoulder the great mission of realizing national rejuvenation. To realize the "Chinese Dream", we need to draw strength from the excellent literary classics of China traditional culture, China people have rich literary and cultural heritage, China culture needs to regain self-reliance and self-confidence, and China excellent culture needs to shine again.