Where did it come from?

The fragrance is foggy and the clouds are dense.

Penglai fairy road is clear and empty, and Qionghua Yushu is lush.

But laughing at him, the red dust and the blue sea,

How many love seedlings, how many infatuated species,

Sorrow, sorrow, and happiness are all acacia dreams.

I can't figure it out. It's a mirage. After all, the assembly is empty.

This is one of Huang Zi's Songs of Eternal Sorrow.

China's first oratorio was Song of Eternal Sorrow written by Wei and composed by a famous modern music educator and composer (1904- 1938).

Song of everlasting regret was written in the summer and autumn of 1932. This lyrical and dramatic oratorio is based on the long poems of the same name by Bai Juyi, a famous poet in the Tang Dynasty, and the poems in it are selected as the titles of each movement. In the plot structure and paragraph layout, it also refers to the legendary script "Fairy Palace" written by Hong Sheng in Qing Dynasty. Wei, a musician and poet in China, used songs as a weapon of struggle, and created the first oratorio "Song of Eternal Sorrow" with the theme of Bai Juyi, a poet in the Tang Dynasty. He made a powerful satire on the reactionary Kuomintang government by taking advantage of the fact that Emperor Ming of the Tang Dynasty ignored state affairs.