Stage space design

The design of stage space is a kind of aesthetics. The design of stage space directly affects the performance effect. So, how much do you know about stage space design? The following is the stage space design I arranged for you, I hope it will help you.

When dealing with stage space, there can be endless changes between realism and abstraction. In many plays, the stage designer will design different stage space shapes for each play. Sometimes layers of platforms and steps form various three-dimensional spaces, which are suitable for the performance of a play. Because it is designed for a drama, it can fully meet the needs of this drama. Needs include two aspects: first, the needs of internal rhythm. The tension, relaxation, ups and downs in the play can be combined through platforms and steps, especially through the shaping of lighting, which will naturally enrich the performance in form. The American performance Death of a Salesman, designed by Milzina, is set in a two-story building with several rooms upstairs and downstairs, and the space is close to realism. The performance of this play plays a dynamic role in lighting, and the performance area often changes? Become? 、? Pull it out? , like a movie, realize the freedom of time-space transformation. Hamlet was performed by the Soviet Union and designed by Jin Lun. The scenery is a pair of heavy iron gates, huge knockers and prominent iron thorns, giving people a feeling of coldness, gloom and fear. It is realistic, but generally speaking, it focuses on meaning rather than realism.

Therefore, art should have artistic conception, which can make people think deeply, generate imagination, expand the artistic realm, and achieve the spiritual communication between the author and the appreciator, that is? * * * Ming? . As the saying goes:? Can only understand, can't express? ,? Full of meaning between the lines? I always think more than I see. So how to deal with the relationship between reality and reality on the stage and achieve a richer artistic conception? This is a problem worthy of our study. In addition, we should handle the transition from reality to virtual. Close shot is the scenery in the performance area, or the scenery near the performance area. Therefore, it is required that the production of scenery should pay attention to texture, weight and color to avoid frivolity. Mid shot is a transitional stage from reality to emptiness, which is both real and imaginary, and it is the most difficult to deal with. The middle scene is the most prominent part of the image characteristics of the stage environment. Whether the modeling is handled well is conducive to the spatial connection with the ceiling slide scene and plays an extremely important role in the artistic conception and typicality of the environment. Then, when dealing with the relationship between reality and reality in stage space, we should also pay attention to the organic combination of character and specified situation.

Strengthening the dynamic characteristics of scenery modeling is helpful to form a good stage space. In the19th century, drama performance attached great importance to the authenticity of the venue. In fact, the concept of scenery at that time was more or less static, pursuing the material shell of a play. The scenery was complicated and it took a long time to end the scene. The audience waited patiently and became accustomed to it. In the twentieth century, the pace of life has become faster, and the attention to the dynamic characteristics of scenery has also increased. In some western performances, neutral platforms, steps and curtains are used to form a changeable space. Combined with the performance of the actors, the time and space on the stage can also be freely changed, which can fully meet the needs of realizing the flow of consciousness and the change of rhythm in comedy. In some plays, the scene can also be simplified, or the scene can be neutral and abstract, and the purpose of dynamic change can also be achieved. This dynamic change also lies in the audience's association and imagination, which is also very meaningful if used properly. Take twelfth night as an example. The scenery is simple. Only a few supporting bamboo poles and a wide white cloth curtain were used. Moving the bamboo pole will make the cloth curtain form various beautiful shapes. Combined with the performance of actors, it will also make the audience have endless imagination. The stage space design of the drama Sentinel under Neon Lights is also quite successful. Its entire stage space also shows the characteristics and atmosphere of Shanghai's bustling city, creating a typical environment stipulated in the play. Form always serves the content. The basic point and starting point of our design of stage space is to create performance space for the performance. Therefore, we should pay special attention to the form and content of the performance when designing the stage space.

Stage space is not a static picture, but a constantly changing dynamic structure.