How to learn China's calligraphy well?

Question 1: How can I write Chinese calligraphy well? The "strokes" mentioned here refer to strokes written in accordance with traditional statutes, rather than casually written with a brush. It is the first stage of learning calligraphy. How to write China's calligraphy well is a very complicated and specific problem, which cannot be thoroughly explained in a thousand words. This paper only puts forward some basic essentials of writing China's calligraphy conceptually.

If you want to write China's calligraphy well, you must master the brushwork and calligraphy.

The first is writing. Su Dongpo said: "There is no fixed way to put pen to paper, but it should be open-minded." This paper introduces the commonly used "five-finger pen holding method": that is, hold the pen holder with the fingertips of thumb and forefinger (appropriate height) to ensure that the pen holder does not fall off; The middle finger is placed on the outside of the pen under the index finger, which not only strengthens the power of the index finger to pinch the pen, but also plays the role of hooking the pen in; When the nail of the ring finger touches the inside of the pen, it plays the role of pushing the pen outward; The little finger is attached to the lower part of the finger belly of the ring finger to help the ring finger push the pen outward. When holding a pen, as the ancients said, it is convenient to carry a pen. When learning books, you should often practice holding the pen, returning the hook, pushing out and rotating the pen holder (plus the role of the wrist) and drawing straight lines and arcs. The level of writing and whether to hang your wrist or elbow depends on the size of the written words. Small print low, wrist pillow. Hold high the big characters and hang your wrists; No matter how big you are, you need to hang your elbow.

Calligraphy is a line modeling art. The so-called brushwork mainly talks about how to shape ideal lines (stippling).

News. When the pen is pressed, the strokes are thick, and when it is lifted, it is thin. Just like a person's walking feet, one falls and the other rises, constantly alternating, and the pen keeps pressing in the process of writing. Only in this way can lines with different thicknesses be produced.

Every time you write a stroke, there are three processes: input, writing and receiving. There is a method of "exposing the front" to make the pen tip sharp or square; There is a method of "hiding the front", in which the front enters the pen, the horizontal painting wants to be straight first, and the vertical painting wants to be down first, so that the front of the pen is hidden in the stroke, and the beginning of the stroke is basically round. Learn to "use the pen from the middle" when writing, so that the front tip often runs in the middle of the strokes. In order to make strokes more powerful, we should learn to use the pen unsmiling, leaving lines in the middle and lines in the middle to avoid glitz. There are "exposed front" (the pen is gradually lifted off the paper, drawing a sharp point, such as hanging the needle vertically, skimming, pressing and hooking) and "hidden front" (the pen tip is retracted into the painting, such as hanging vertically, and the pen tail is round).

Knot is also called knot structure or shelf structure. Mr. Qi Gong once pointed out that to write a brush, it is necessary to grasp the structure of the pen holder and practice the characteristics of strokes. Frame structure is more important than stippling. Words with good spacing are not prominent in stroke characteristics and pleasing to the eye; Not the other way around. Therefore, it is very important to study and master the structural rules of words carefully. The so-called "beginner distribution, but seeking fairness".

Learning to write should start with regular script or official script. After mastering all kinds of brushwork, you will have the foundation to learn other calligraphy styles. Sticking is a necessary means to practice good handwriting. If you don't stick to your post, you can't write it yourself Learning to write Chinese calligraphy requires perseverance, perseverance, arrogance and rashness, and it can't get cold all at once. People often say: "As long as you work hard, the iron pestle is ground into a needle". As long as you stick to the law of learning, you will certainly learn something.

Question 2: How to learn China's calligraphy well (self-study)? There are five forms of calligraphy: seal script, official script, regular script, running script and cursive script. Many people who teach themselves calligraphy don't know where to start, what kind of regular script to learn, what kind of font to learn and what kind of copybook to learn.

Most people and I think that beginners should focus on regular script, but some people think that they should learn official script. The arrangement of regular script structure is only an intermediate stage. It evolved from official script. If regular script is flat and even, then dennis gabor's brushwork is official script. Simple writing is running script, simple writing is cursing, and now it is grass. If we start with official script, it is difficult to master the brushwork of regular script, because the brushwork of regular script is richer and more complicated than official script. It can be seen that practicing the basic skills of regular script can be used as the basis for practicing calligraphy and writing various styles.

With the basic skills of regular script, I have mastered the structure and brushwork of regular script, and then I will write regular script, official script, running script and cursive script. Even seal script can get twice the result with half the effort. Regular script can enrich and change the structure of Weibei and Lishu, such as Zhu Suiliang's regular script; The penetration of regular script into running script and cursive brushwork can increase agility, such as some inscriptions in regular script written by Zhao Meng.

Some beginners are eager to practice running script and cursive script. Because they don't have the basic skills of regular script, they don't have the basic font rules and punctuation skills, although they write like a dragon and a phoenix. As a result, they got twice the result with half the effort and took a detour.

The best way to practice regular script is to paste it. No matter whose copybook it is, it won't make people feel simple. If anyone were simpler, I'm afraid it's already the only preliminary practice of calligraphy. In fact, you can choose any kind of stickers such as Yan, Ou, Liu and Zhao according to your own preferences, but try to buy better quality copybooks when buying flat stickers.

If you want to do your job well, you must sharpen your knife first. It is very important for writing brush to practice calligraphy.

There are many kinds of brushes. Generally speaking, writing pens can be divided into three categories: soft pens, hard pens and gel pens. Soft pens, such as wool and chicken feathers. Hard pens include purple hair (rabbit hair), wolf hair, mouse hair and so on. Neutral (neither soft nor hard) pens are called "double brush", and there are two kinds: sheep purple and sheep wolf.

For beginners, if you use a hard brush from the beginning, it will be easier to pick up the pen without much skill, because the pen will help you a lot, but over time, you can only use the hard brush. Once you pick up the sheep's hair, you will feel unable to move. On the contrary, if you practice calligraphy with sheep's hair when you are a beginner, although it is difficult at first, you must change the front by lifting and pressing to write qualified strokes, but you also learn the method of using soft pen. With the increase of contact time, you will gradually become handy and use it freely. At this time, if you pick up a hard brush to write, you will feel relaxed.

The ancients also had a lot of experience in the use of pens. I don't think it is easy to buy a good and expensive pen when I am a beginner, but I advocate using a bad pen, because if you can write good words with a bad pen, you will be more comfortable and write better with a good pen. On the contrary, if you start with a good pen, you will only use a good pen all your life. Once you encounter a poor pen, you will not be able to write well. Of course, you can't practice calligraphy with a rotten pen, which will make it more difficult for beginners. Ou Yangxun, a great calligrapher in the early Tang Dynasty, recorded that "if you don't choose paper or pen, you will achieve your goal", which was praised by Yu Shinan of the same age.

In addition, from the economic point of view, the authentic wolf brush is very expensive, the good "big orchid bamboo" costs one or two hundred yuan, the ordinary sheep brush only costs two or three yuan, and a little better five or six yuan is enough. And because the pen is hard, easy to wear and tear, and the use time is not long, while the pen is soft and durable. It is economical for beginners to buy a wool pen.

Before buying a pen, you should also know the model of the brush. Brushes are divided into small letters, medium letters and large characters due to different styles, and the biggest ones are screen pens, couplet pens, bucket pens and planting pens. Because the name and brand of each pen factory are different, its size is also different. Beginners can buy a pen with a long front end, about four or five centimeters in length and about one centimeter in diameter. Such a brush can write in block letters 7 cm square. More suitable for people who have just learned calligraphy.

There are many kinds of writing brushes. When learning for the first time, I hope you can choose "double double brush" lake brush. Because it is difficult to master the brush strokes of double-stranded brush, it is very important for your future study. Let me talk about why Yang Hao and Wolf Hair are not used, because the former is soft and difficult to master, while the latter is hard and suitable for freehand brushwork.

When choosing a pen tip, you should choose an appropriate length, because the pen tip is too long to master, but the pen tip length can contain a lot of ink, which is suitable for cursive writing at one go, and the pen tip length can ensure enough ink. On the contrary, the short nib is suitable for writing regular script and easy to master.

......& gt& gt

Question 3: How do beginners write China's calligraphy well? The "brush character" mentioned here refers to the brush character written according to the traditional statutes, rather than the character written casually with a brush. How to write China's calligraphy well is a big problem, and only some conceptual hints can be given here.

For adults, the easiest way is to find a font you like, buy some celebrity copybooks and practice more; The key point is to practice the inter-frame structure of Chinese characters, otherwise the strokes will be well written, the structure of Chinese characters will not be well written, and China calligraphy will not be well written. Practice basic strokes first, and then practice shelf structure. And the latter is the key point, which needs time and understanding most. In other words, practice more, think more and summarize more, and you will continue to improve.

If you want to write calligraphy well, you must master brushwork and calligraphy.

First of all, talk about writing. Su Dongpo once said: "There is no fixed way to put pen to paper, but it should be empty and wide." Here, only the commonly used "five-finger pen-holding method" is introduced: hold the pen holder with the fingertips of thumb and forefinger (appropriate height) to ensure that the pen holder does not fall off; The middle finger is placed on the outside of the pen under the index finger, which not only strengthens the power of the index finger to pinch the pen, but also plays the role of hooking the pen in; When the nail of the ring finger touches the inside of the pen, it plays the role of pushing the pen outward; The little finger is attached to the lower part of the finger belly of the ring finger to help the ring finger push the pen outward. When holding a pen, as the ancients said, it is convenient to carry a pen. When learning books, you should often practice holding the pen, returning the hook, pushing out and rotating the pen holder (plus the role of the wrist) and drawing straight lines and arcs. The level of writing and hanging the wrist or elbow depend on the size of the words written, and the small words are low on the wrist; Chinese characters are held high and hung on the wrist; No matter how big you are, you need to hang your elbow.

Secondly, talk about brushwork. Calligraphy is a line modeling art. The so-called brushwork mainly talks about how to shape ideal lines (stippling). When the pen is pressed, the strokes are thick, and when it is lifted, it is thin. Just like a person's walking feet, one falls and the other rises, constantly alternating, and the pen keeps pressing in the process of writing. Only in this way can lines with different thicknesses be produced. Every time you write a stroke, there are three processes: input, writing and receiving. There is a method of "exposing the front" to make the pen tip sharp or square; There is a method of "hiding the front", in which the front enters the pen, the horizontal painting wants to be straight first, and the vertical painting wants to be down first, so that the front of the pen is hidden in the stroke, and the beginning of the stroke is basically round. Learn to "use the pen from the middle" when writing, so that the front tip often runs in the middle of the strokes. In order to make strokes more powerful, we should learn to use the pen unsmiling, leaving lines in the middle and lines in the middle to avoid glitz. There are "exposed front" (the pen is gradually lifted off the paper, drawing a sharp point, such as hanging the needle vertically, skimming, pressing and hooking) and "hidden front" (the pen tip is retracted into the painting, such as hanging vertically, and the pen tail is round).

Let's talk about the knot again. Knot is also called knot structure or shelf structure. Mr. Qi Gong once pointed out: To write brush strokes, we must master the structure of the pen holder and practice the characteristics of strokes. Shelf structure is more important than stippling features. Words with good spacing are not prominent in stroke characteristics and are pleasing to the eye; Not the other way around. Therefore, it is very important to study and master the structural rules of words carefully. The so-called "beginner distribution, but seeking fairness" is the truth.

To learn China's calligraphy well, it is best to start with regular script or official script. After mastering all kinds of brushwork, you will have a certain foundation for learning other calligraphy styles. Sticking is a necessary means to practice calligraphy. If you don't stick to your post, you can't write at will according to your own ideas, and your calligraphy is not good. Learning to write Chinese calligraphy requires perseverance, perseverance, arrogance and rashness, and it can't get cold all at once. As the saying goes, "as long as you work hard, the iron pestle is ground into a needle." As long as everyone can stick to the law of writing and keep doing it, they will certainly learn something and write a good brush calligraphy.

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If you want to write China's calligraphy well, you must master the brushwork and calligraphy.

The first is writing. Su Dongpo said: "There is no fixed way to put pen to paper, but it should be open-minded." This paper introduces the commonly used "five-finger pen holding method": that is, hold the pen holder with the fingertips of thumb and forefinger (appropriate height) to ensure that the pen holder does not fall off; The middle finger is placed on the outside of the pen under the index finger, which not only strengthens the power of the index finger to pinch the pen, but also plays the role of hooking the pen in; When the nail of the ring finger touches the inside of the pen, it plays the role of pushing the pen outward; The little finger is attached to the lower part of the finger belly of the ring finger to help the ring finger push the pen outward. When holding a pen, as the ancients said, it is convenient to carry a pen. When learning books, you should often practice holding the pen, returning the hook, pushing out and rotating the pen holder (plus the role of the wrist) and drawing straight lines and arcs. The level of writing and whether to hang your wrist or elbow depends on the size of the written words. Small print low, wrist pillow. Hold high the big characters ... >>

Question 4: How do adults practice calligraphy well? Be sure to copy. Do you think that the calligraphy experience summed up by calligraphers all their lives must be worth learning!

I suggest you practice with a brush and a hard pen, which will get twice the result with half the effort! Practice Yan Zhenqing's Diligence Monument in regular script, and select Wang Xizhi's Preface to Lanting and Preface to Saint Education as the running script. If you just want to practice pen writing, you can learn from Qian Peiyun, which is faster. If you practice every day, you can write it in a month. But if you want to practice writing, remember to write like that!

Pen writing and brush writing seem to have nothing to do, but practicing together will improve faster!

Question 5: How can we practice China's calligraphy well? Calligraphy is a persistent art, and fishing for three days and drying the net for two days are the most taboo.

Because of age, you can enter the stage of practicing Chinese characters without practicing strokes. Here are some simple ways:

1。 Tracing Red: It is to fill in the strokes in the word box outlined by the double hook brushwork, which is suitable for beginners and is available in general bookstores.

2。 Copying: Copying the previous law posts with white paper, which is suitable for beginners.

3。 Copy: refer to the previous legal post copy, suitable for people with a certain foundation.

4。 Back-to-back: First, learn to digest the legal posts of predecessors, writing is not reading, and then find out the shortcomings through comparison.

There are many more, so I won't list them here.

Beginners should start with real books (such as Kai, Li and Zhuan; Weibei, etc. ) I shouldn't practice cursive first.

Here I recommend some legal positions suitable for beginners:

Regular script includes Yan Zhenqing's Diligence Monument, Duobaota Monument and Magu Xiantan Record. Liu Gongquan's mysterious tower, Ce Shen Military Monument; Ou Yangxun Jiucheng Palace, etc.

Official script includes Shi Chenbei, Zhang Qianbei and so on;

Weibei has Zheng Wengong Monument, etc.

Because of the time, I only wrote so much. If you are interested, you can send me a message and we will study it together.

Some points to pay attention to when practicing Chinese characters at first: (You should learn common sense such as the structure of Chinese characters after practicing for a period of time)

(1) Keep your posture straight, with your feet flat on the ground, your hands pressed, your shoulders flat, your back straight, your head straight, and your eyes fixed on the paper.

(2) Holding a pen should refer to virtual palm, holding a pen with a wrist. I began to practice calligraphy and pillow my wrist, and gradually raised my wrist and lowered my wrist.

(3) The brushwork should be distinguished, generally divided into Fang Bi and round pen, and the application parts of the center, flank and front should be clearly defined.

④ Regular script is the basis of learning China's calligraphy. Learn regular script first, then running script, and finally cursive script. You can learn from Weibei first.

⑤ Don't be clear at a glance when posting, read the post first, understand the main points thoroughly, and then write word by word.

⑥ First, we should practice all kinds of radicals well, and then it will be easy to form all kinds of characters in the future.

Question 6: How to write Chinese calligraphy well In order to learn calligraphy well, we must pay attention to the following points:

First of all, the key to learning calligraphy is to use a pen. Zhao Meng, a famous calligrapher, once said, "The foundation of calligraphy is to use a pen." Such as pens, pens, pens, pens, pens, pens, etc. The method of using pen can be divided into "square" and "circle". The so-called pen lifting means pen lifting against the wind. The so-called middle stroke is to leave the main peak of the pen in the middle of the strokes, hide the head and protect the tail, and make the pen heart hidden in the stippling. The middle stroke can make the stippling full, round, rich and textured. Grasp the main points and penetrate the back of the paper. When Fang Bi writes against the wind, he is destined to become a winger. The basic point is "writing horizontally, writing horizontally", which becomes a center immediately after writing and a winger at the pen-receiving place. Fang Bi quickly and repeatedly put pen to paper and folded it into a square, while the round pen slowly and gently held the pen and folded it into a circle. Learning to use a pen will also master the key to calligraphy. Secondly, the structure of words. The strokes are organized into characters according to certain rules. For the strokes of a word, we should pay attention to proper density, symmetry, back-to-back, appropriate changes, interspersed contact, neat arrangement, avoiding interference, mutual pressure, breaking meaning, echoing around, and the collocation between strokes can complement each other. The length, short, thick, thin, wide and narrow of strokes, like the theory of Yin and Yang, must be harmonious and interdependent in order to unite opposites and make the writing vivid. Thirdly, pay attention to the composition, you can write many words into chapters. The distribution of the whole work, such as word spacing, line spacing, font size, height, blank space, etc. Before writing, you must design well, know fairly well, and ensure that the size and density of words and lines are appropriate, that is, they are diverse and comprehensive. To understand the techniques and inherent charm of calligraphy, it is necessary to copy the copybook, write down all the techniques learned and compare them with the original, find out the gap, treat the copybook as a story book, and enhance the understanding of the techniques. Calligraphy was not built in a day. If you want to write calligraphy well, you must persevere and never stop practicing. Learning calligraphy is bound to achieve something.

Question 7: How to write "study hard" in calligraphy? Hope to adopt! ! ! !

Question 8: Do you have any tips to learn China's calligraphy well? If you want to write calligraphy well, you must master brushwork and calligraphy.

The beginning is calligraphy. Su Dongpo said: "There is no fixed way to put pen to paper, but it should be open-minded." Here I will introduce the commonly used "five-finger stroke": hold the pen with thumb and forefinger (appropriate height) to ensure that the pen does not fall off; The middle finger is placed on the outside of the pen under the index finger, which not only enhances the power of the index finger to pinch the pen, but also plays the role of hooking the pen in; When the nails of the four thumbs touch the inside of the pen holder, they play the role of pushing the pen outward; The little finger is attached to the lower part of the thumb to help the thumb push the pen out. When holding a pen, as the ancients said, "make the palm empty as an egg", so it is easy to carry a pen. When learning books, you should often practice holding the pen, hooking the back, pushing out, rotating the pen holder (plus the role of the wrist), and drawing straight lines and arcs. The height of the brush, whether it is hung on the wrist or the elbow, is determined by the size of the words written. Small print low, wrist pillow. Hold high the big characters and hang your wrists; No matter how big you are, you need to hang your elbow.

Calligraphy is a line shaping art, and the brushwork is first of all how to shape ideal lines (stippling).

News. When writing by the pen, the strokes will be thick and the teeth will be thin. Just like people's walking feet, one sinks and one touches, alternating constantly, and the pen is constantly pressed in the process of writing. Only in this way can we produce lines with the same thickness.

Every time you write a 1 stroke, there are three processes: input, writing and receiving. There is a method of "exposing the front" to enter the chicken, and the strokes are drawn in parallel, so that the beginning of the strokes is pointed or square; There is a method of "hiding the front", in which the front enters the pen, the horizontal painting wants to be straight first, and the vertical painting wants to be down first, so that the front of the pen is hidden in the stroke, and the beginning of the stroke is basically round. When writing, you should learn to use the pen from the center, so that the front tip often runs in the center of the strokes. If you want to make the strokes more powerful, you must learn to use the pen with astringency, leave the thread behind, don't be frivolous, don't be oily. There are "exposed front" (the pen is gradually lifted off the paper, drawing a sharp point, such as hanging the needle vertically, skimming, pressing and hooking) and "hidden front" (the pen tip is retracted into the painting, such as hanging vertically, and the pen tail is round).

Knot is also called knot structure or shelf layout. Mr. Qi Gong once pointed out that in writing brush strokes, it is necessary to grasp the layout of shelving and practice the uniqueness of strokes. The layout of shelves is more important than the uniqueness of stippling. Words with good spacing have unique strokes, but they are also comfortable to look at; Not the other way around. Therefore, it is very important to study and master the structural rules of words carefully. I said, "I just started to learn diffusion, but I want to allow it."

Learning to write should start with block letters or official scripts. After mastering all kinds of brushwork, you will have the foundation to learn other calligraphy styles. Sticker is an indispensable hand-eye for practicing good handwriting. You can't finish writing without posting, just rely on your own ideas. Learning to write Chinese calligraphy requires perseverance, perseverance, arrogance and rashness, and you can't catch cold at once. People often say: "As long as you work hard, the iron pestle is ground into a needle". As long as you keep facing the pool according to the law of learning, you will certainly learn something.

Do more exercises and practice.

First find a good copybook you like and copy it from the strokes. It can also be copied once every 1 word. The more alike, the better. Find out what you don't like every 1 pen, and ponder over the reasons why you don't like it. Practice repeatedly, practice more, and you will succeed in the end. Don't listen to others fool you into going to this class or that class. This is all a scam. Some calligraphy classes cost thousands of dollars a week. I can't believe that I can't practice calligraphy if I buy all this money into paper and ink pens. Ou Yangxun and Wang Xizhi have never taken these calligraphy classes, so they can become everyone! Wish you success!

Generally speaking, at the beginning, it is relatively easy for scholars to master the double-row brush. Wool is too soft and wolf hair is too hard. The price is relatively high and it is easy to go bald. After writing, you don't have to pay attention to the copybook. The copybook is only used to practice writing. You can practice official script and seal script in block letters, but it is not as practical as block letters. You can choose Yan Zhenqing, Liu Gongquan, Ou Yangxun and Zhao Meng. In this case, Zhao Zixiang is not suitable for introductory exercises. Because there is no real print in Zhao Zi, the print in Ou Yangxun is the most special. This is the most difficult but also the most practical work. You can choose your own brush calligraphy. In fact, it is to write well. There is nothing particularly mysterious. The most important thing is patience.

Question 9: How do beginners learn Chinese brush well? Learning calligraphy should be persistent.

Some points to pay attention to when practicing Chinese characters at first: (You should learn common sense such as the structure of Chinese characters after practicing for a period of time)

The posture of 1 should be correct, with feet flat on the ground, hands according to the plan, shoulders flat, back straight, head straight, eyes looking at the paper.

Hold the pen with your hands, hold the pen with your fingers, and lift the pen with your wrists. I began to practice calligraphy and pillow my wrist, and gradually raised my wrist and lowered my wrist.

Three strokes should be distinguished, generally divided into Fang Bi and round pen, and the application parts of the center, flank and lying in front should also be clear.

Regular script is the basis of learning China's calligraphy. Learn regular script first, then running script, and finally cursive script. You can learn from Weibei first.

Don't be clear at a glance when posting, read the post first, understand the main points thoroughly, and then write a word at one go.

First of all, we should practice all kinds of radicals well, and then it is easy to form all kinds of words later.

Question 10: How to practice running script (calligraphy)?

To practice running script, you must first practice regular script, and then you can start to learn running script.

The basic skills of running script are: words should be scattered but not scattered, writing speed should be appropriate, and reality should be appropriate.

How to practice calligraphy well

1, copy combination

Copying is the most basic way to learn calligraphy, not only for beginners, but also after a certain foundation. Learning regular script requires copying, while learning seal script, official script, running script and cursive script still requires copying. Calligraphers spend their whole lives copying, learning, thinking and creating in copying.

Copying is to cover the copybook with thin paper, and then follow the shadow with a pen and write according to the exposed handwriting, which is also called "imitation" or delay writing. Another method of copying is called "tracing red", which is to fill in the words printed with red lines with double hooks.

The method of copying posts: the first step is to draw red. That is, select clear and complete words from posts and cover them with transparent and ink-tight tissue paper, such as typing paper, glossy paper and tracing paper. , and according to the outline of the word with a very thin line hook into a hollow word, known as the "double hook". Then use the marked words as red books, fill them in red ink, then fill them in blue ink, and finally fill them in ink. This writing can not only deepen memory, but also save paper.

When copying a post, you should pay attention to the pen that follows it, and never go out of shape. You should look at the ins and outs of strokes and try to figure out its brushwork and structure. Copying posts means "writing", and the strokes are full and accurate. Don't fill in the gourd painting.

Sticking a post is to have a basic understanding of the rules of using a pen and writing on the basis of copying a post, and then you can write a post. There are three ways to post: face to face, face to face and back.

Face to face, that is, put the copybook on the opposite shelf and write according to it. This is the most convenient and commonly used face-to-face method.

A glimpse, that is, make a grid with transparent paper (Tian Zige, Mi Zige, Jiugongge, etc. ) and write in style. Mainly used to master the structure of the post.

Back-to-back is to put away the post and write the words in the post by memory, seeking both its shape and its spirit. After the recitation, you can define the words as couplets or articles, and then enter the creative stage.

Copy a pen with a shadow, and we will write like the ancients did. Size, length, width, thickness, Fiona Fang and skew should be written according to the post requirements, and there are certain norms and constraints. The characteristic of copywriting is that it is easy to learn the structural position of the ancients, but because the norms are too dead, they lose the brushwork of the ancients, and the pen is rigid and inflexible, which makes people feel unbearable. Pro-posts or pro-posts, or pro-posts, or pro-posts, or pro-posts, plus many writers' own personality characteristics, it is easy to get the brushwork of the ancients and lose the structural position. Writing freely and casually, pursuing individuality, but gaining little.

Therefore, in copying, it is necessary to copy and combine, copy first and then present, which not only obtains the ancient brushwork, but also obtains the ancient construction method. When practicing, you can copy first, then copy in turn and then copy later. Or use the "double hook" method to study the structural law. Imitation and interpenetration, learn from each other's strong points, have excellent results. Read more, think more, ponder more, and then write. Writing must be accurate, similar first, and then similar, in order to have both form and spirit. After copying, we should repeatedly check and compare, sum up experience and lessons, improve in negation and mature in lessons.

2. First in and last out

Copying is the most basic and effective way to learn calligraphy. Copying is inheritance, that is, learning from the ancients, learning the beautiful brushwork, beautiful words, beautiful composition, beautiful charm and momentum in the excellent inscriptions of predecessors. However, there is another key problem with replication. If you don't enter the post, you can't write it, or if it doesn't look like it, you can't talk to the ancients and learn the beauty of ancient calligraphy. But if you don't post it, you can't get out if you go in. Too much like the ancients, you have become a book slave of the ancients, and you have no personality at all. Writing like this will eventually become your own book style.

Regarding posting, Yao, a man of the dynasty, put it well: "I can't be posted without me, and it is vulgar to have me"; When posting, "you can't live without me, it will be very complicated without me." "There is no me here", that is, to study the ancient law posts wholeheartedly and grasp the spiritual outlook of the posts, "every word must follow the ancient posts". If you don't enter the post, there will be no books. "You can't live without me" is to absorb the advantages of other inscriptions on the basis of images, integrate them, combine your artistic accomplishment and creative ability, gradually form your own style, personality and creativity, and gradually move towards a new realm of free creation.

3, I began to understand after reading the post.

Reading is very important, not only to be close, but also to learn books and be good at understanding, that is, to understand some excellent ancient calligraphy posts from reading posts does not have to be close. As long as you read them carefully, appreciate them repeatedly and appreciate their statutes and charm, they will naturally blend into your own book ... >>