Why is it a tragedy to say goodbye and draw pears?

Goodbye, pear painting is about the romance of a madman.

To most outsiders, the vine is a madman like a mental patient, but goodbye painting pears will correct the name of the vine. Fujiki is no longer a mental patient. He may still be crazy, but he is no longer a mental patient.

But people will say I'm wrong. Fujiki is also a mental patient. How else do you explain the final explosion?

And the expression of the whole cartoon is very staggered. Is it a movie or a reality? Does painting pears really exist? Is it an ordinary pear painting or a bloodsucking pear painting?

Please come in for tea. I found the evidence that "the vine is not a mental patient" (I'm sure. Jpg), and I got a reasonable explanation for the plot. So note that my next analysis will be based on the reasonable motives of the author and the characters in the work.

First of all, we should understand the three creative core words of Fujiki's works: truth, love and death.

Vines write "truth", which is often manifested as "disguise" and "imagination". Yan Quan has a lot of confusion between truth and imagination, and has been criticized. In the end, the truth is mixed with painful fragments, which is difficult to distinguish.

Vines are not satisfied with revealing human hypocrisy to reconstruct the truth, but also indulge in deliberately confusing readers. Seeing Yan Quan and Goodbye Painting Pears will remind me of "Shadows in the Far Mountains" written by Lady Blackstone. In this book, memories are used to cover up the facts, and images are used to cover up the truth, deceive readers and satirize their deception.

In this novel, this confusion is manifested in the ambiguity of the reader's identity, that is, the comic reader from the perspective of God at the beginning has gradually become a movie viewer with limited perspective. Distinguishing whether you are a comic book reader or a movie viewer is the key to understanding this book.