Joke Collection Website - Mood Talk - What poems describe "I am too sad to speak"?
What poems describe "I am too sad to speak"?
Interpretation of vernacular Chinese: In the bleak autumn wind and bleak season, a couple who love each other are forced by life and have to say goodbye with bitterness. At this heartbreaking moment, the eyes of both of them were filled with tears. They looked at each other and wanted to say something to each other, but they cried before they opened their mouths.
There are thousands of words in my heart, but at this moment, I can't tell them because of my sadness. After parting, we live far apart. Who can tell us about lovesickness? The only thing we can do is to enjoy the moon in both places and place our worries about endless lovesickness.
2, the wind has stopped the dust and fragrant flowers, and I am tired of combing my hair at night. Things are people, not everything, and tears flow first. -From Song Dynasty: Wuling Spring Festival Evening by Li Qingzhao
Interpretation of the vernacular: the annoying wind and rain stopped, and all the flowers on the branches fell, only the dust stained with flowers had a slight fragrance. Looking up, it's already high, but I still don't want to freshen up. Spring goes to summer, flowers bloom and fall, as old as ever. Only sad people and sad things make me sad. When I think about this, I will burst into tears before I speak.
3, chilling, the pavilion was late, and the shower began to rest. Farewell outside Kyoto, but not in the mood to drink, reluctant to leave, the people on board have been urging to start. Holding hands and looking at each other, tears swirled in my eyes until there were no words at last, and a thousand words stuck in my throat and I couldn't say it. Thinking of returning to the south this time, this journey is another road. Thousands of miles away, it is misty, and the night sky is a vast night fog. -From the Song Dynasty: Liu Yong's "Yulin Chills"
Interpretation of vernacular Chinese: cicadas after autumn are so sad and urgent. Facing the pavilion, it was at night and a sudden rain had just stopped. Outside Kyoto, farewell dinner, but no mood to drink. When I was reluctant to go, the people on board had already urged me to start.
Holding hands, looking at each other, my eyes were full of tears, and I couldn't speak until the end, and I couldn't say a thousand words in my throat. Thinking about going back to the south, this journey is another journey. Thousands of miles away, there is a wave of smoke and the dark night sky is endless.
4, the beauty is crying, and the clothes are wet under the tears. Since then, the news has been sparse, and there are no geese flying in Lingnan. -From the Song Dynasty: Li Shizhong's "Bodhisattva Zi Gui Tiao Broken Tower Moon"
Interpretation of the vernacular: When I was leaving, I cried with the beautiful woman, and the brocade was wet with tears. Let's go, we live far apart, and we don't know when we can meet again. Lingnan is remote, the geese are hard to fly, and letters are essential.
5, meet without words, a hibiscus leads the autumn rain. A little dizzy red tide, a crooked heart only phoenix. Wait for the low voice, for fear that people will see it. To complain, turn around and knock on the jade hairpin. —— From the Qing Dynasty: Nalan Xingde's "Reducing Magnolia, Meeting Without Speaking"
Interpretation of vernacular Chinese: Meeting is silent, like a hibiscus, shivering in the autumn rain. The face is shy and rosy, and the phoenix is stuck in your room. Wait until I want to call you in a low voice, but I'm afraid to stare deeply and let others see me. I want to say goodbye, but you have turned around, so you can only pull out the Hosta and stand quietly in the back.
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