What are the poems about "Jianghu"?

Within ten steps, kill one person, cross a thousand miles, leave no one behind. Li Bai's chivalrous journey

Young chivalry, making friends with five men. Hepatobiliary cavity, hair shrinkage. He Zhu's Song of Six Kingdoms

Although I don't have the sword and I don't have the help of making many friends, why? "Noda oriole" Cao Zhi

Iron horses shine on mountains and rivers, cold clothes accompany Chu songs. ? Confucianism and chivalry

Casting swords like broken arrow, heroes me and Jun Jing Ke.

Leaning on the drunken road, lying in the imperial city with books. knight-errant

The rivers and lakes are full of flowers, and chivalrous feelings are romantic.

Lonely in Hunan, thinking about the sky, broken dreams, heroes crying.

There are not many chivalrous men in the Jianghu.

Fighting swords and wandering the rivers and lakes has made him famous several times. Huashan smoke waves chase flying clouds, people laugh together and spend their lives in wine.

Hekehang

Dynasty: Tang Dynasty

Author: Li Bai

The swordsmen of Zhao are dotted with tassels at will, and their swords are as bright as Shuang Shuang.

The silver saddle and the white horse set each other off and galloped.

Within ten steps, kill one person, cross a thousand miles, leave no one behind.

After you finish, brush off your clothes, don't show any sound, and hide in the depths.

Sometimes when I'm free, I walk through the county town, have a drink, and cross my sword over my knees.

Eat meat with the sea and drink with Hou Ying in a big bowl.

Three cups of spit, five mountains are light.

After drinking, my eyes were dizzy and energetic, and the rainbow was swallowed up by the air.

When Zhao was captured, the soldiers and civilians in the city were frightened.

Hai and Hou Yingcai are real warriors of the second century, and they are famous in the whole city.

As a knight, the death of chivalrous bone is also fragrant, and it is worthy of being a hero.

Who can learn Confucian scholars, stay in books all his life, have white hair, and still write the Xuanjing? .

Li Bai (70 1-762), whose real name is Taibai, also known as "purple laity" and "fallen fairy", was a great romantic poet in the Tang Dynasty, and was praised as "poetic fairy" by later generations, and was also called "Du Li" with Du Fu. In order to distinguish himself from two other poets, Li Shangyin and Du Mu, that is, "Little Du Li", Du Fu and Li Bai merged again. He is cheerful and generous, loves to drink and write poems, and likes to make friends. Li Bai was deeply influenced by Huang Lao's idea of sorting out villages. Li Taibai's poems have been handed down from generation to generation, and most of his poems were written when he was drunk. His representative works include Looking at Lushan Waterfall, it is hard to go, Difficult Road to Shu, Entering Wine, Liang, First Sending Baidicheng, etc. There are biographies of Li Bai's Ci and Fu in the Song Dynasty (such as Wen Ying's Xiang Ji). As far as its pioneering significance and artistic achievements are concerned, Li Bai's Ci Fu enjoys a high status.

Liu Tou Young Xia is the work of He Zhu, a poet in the Song Dynasty. This word begins with the memory of the author's charming life in Tokyo in 1967. The following words are always taken as "Xia" and "Xiong", followed by "Xia" and "Xiong", which are brave, just and generous, and then the specific pieces of "Xia" and "Xiong" are written. The last film is a bit dirty, showing the reader a vivid picture of alternating swords and shadows. We firmly accept the word "happy in a hurry" and use the word "like the dream of yellow sorghum" to change the meaning and artistic conception, pointing directly at the feudal ruling class that buried and stifled talents. The next six sentences of "instigating" are the climax of the whole word, which write out the grief and indignation of serving the country and patriotism, which is extremely touching. The last three sentences, turn intense into desolation, and write disillusioned sadness. The whole poem is desolate and tragic in style, full of emotion, and closely combined with narration, discussion and lyric, which expresses the author's feelings of helplessness in serving the country and worrying about the country and the people.

Ye Tian Huang que hang

Author: Cao Zhi

Tall trees are often hit by the wind, and the calm sea is also hit by the waves.

Although I don't have the sword and I don't have the help of making many friends, why?

Didn't you see the poor oriole on the fence, running into the net to avoid the fierce harrier?

Zhang set a net, how happy he was to see the oriole, and how sorry he was to see the teenagers struggling in Eurasia.

He drew his sword to block the net, and Siskin of Eurasia was able to fly away from the land of suffering.

Wings fly high into the sky, expressing gratitude to the rescued Eurasian Siskin.

Cao Zhi (192-232 65438+ February 27th) was born in Qiao County (now Bozhou City, Anhui Province), in Dongwuyang (now Shenxian County, called Juancheng City), the third son of Cao Cao and Wu Xuanbian, who was Chen Wang before his death.

Cao Zhi was a famous writer in the Three Kingdoms period. As one of the representatives and epitomizers of Jian 'an literature, he was promoted to the position of a model article in the Jin, Southern and Northern Dynasties. His representative works include Luo Shen Fu, White Horse, Seven Wounded Poems, etc. Because of his literary attainments, later generations are called "Three Caos" with Cao Cao and Cao Pi. His poems are good at vigorous brushwork and thrush, and have been lost in 30 volumes. Today, The Collection of Cao Zijian was compiled by Song people. Cao Zhi's prose also has the characteristics of "appealing to both refined and popular tastes and elegant style", and its genre is rich and diverse, which makes him make outstanding achievements in this respect. Xie Lingyun, a writer in the Southern Song Dynasty, commented that "there is only one stone in the world, and Cao Zijian monopolizes eight fights". Zhong Rong, a literary critic, also praised Cao Zhi for his "extraordinary personality, colorful words, elegant feelings, elegant posture and outstanding style of writing." He is listed as the poet with the highest quality of poetry. Wang Shizhen evaluated the poets who have lived for two thousand years since the Han and Wei Dynasties as "immortals", including Cao Zhi, Li Bai and Su Shi.