No word, poem or idiom has the word "home"

Liu Yong

Southeast shape wins, Sanwu city, Qiantang has been prosperous since ancient times.

Smoke willow painting bridge, wind curtain and green curtain, interlaced with 100 thousand people.

Clouds and trees surround the bank and sand.

The raging waves roll with frost and snow, and the natural hazards are endless.

The city is full of jewels, and every household in Luo Qi is competing for beauty.

Thick lakes overlap and are clear.

There are Sanqiu cassia seed and Shili Lotus.

Qiang tube clear sky in Wan Li, night, enjoy the lotus.

A thousand riders have high teeth.

While listening to Xiao Gu's drunkenness, he enjoyed the clouds.

The map of the future will be good. I will go back to Fengchi to boast.

Appreciation of Liu Yong's Ci

Contrary to Liu Yong's consistent style, this poem describes the prosperity and magnificence of Hangzhou with great colors, which can be described as "calming the weather and describing the music to the end" (see Chen's "Solving the Problem of Supporting Houses"). This long and slow poem is a masterpiece handed down by Liu Yong.

The first three sentences, starting from the title, cover the whole article with great momentum.

First of all, it points out the importance and long history of Hangzhou's geographical location, and reveals the theme of singing. Sanwu, Old Finger, wujun and Huiji. Qiantang, namely Hangzhou. Known as the "Capital of the Three Wu Dynasties", it is said to be an important city in the southeast and the Three Wu Dynasties. Among them, the words "Xing Sheng" and "Xing" are the finishing touch. From the beginning of "Smoke Willow", it describes the success and prosperity of Hangzhou from all aspects. "Painting Willow Bridge" describes the beauty of street bridge and river bridge: "there are green curtains inside" and the elegance of residential buildings. The phrase "100,000 different families" has changed from weak to strong, showing the richness of hukou in the whole city. "Uneven" means about. From the city to the suburbs, I saw trees walking on the Qiantang River embankment, looking from a distance, gray and gloomy, like clouds. A word "around" describes the twists and turns of the long embankment. The two sentences of "Angry Waves" describe the surging and mighty Qiantang River. "Natural moat", originally meant as a natural deep ditch, moved here to describe Qiantang River. Watching the tide in Qiantang River in August has always been called a grand occasion. It is essential to describe the tides in Qiantang River. The three sentences of "city list" only grasp the two details of "Pearl" and "Luoqi", and then reflect the prosperity of the market and the prosperity of the citizens. Both Zhu Ji and Luo Qi are women's things, suggesting that Hang Cheng is full of lewdness. The word "striving for luxury" is obviously a dazzling array of goods among the four stores, while the word "striving for luxury" implicitly shows that businessmen win glory, reflecting the extravagant side of Hangzhou, a bustling city.

The next film focuses on the West Lake. The clean and quiet West Lake is as beautiful as a mirror. As for the early Song Dynasty, it was very beautiful. Sinking Lake refers to the inner lake and outer lake divided by Bai Causeway in the West Lake. Dieshan refers to the overlapping mountains such as Lingyin Mountain, Nanping Mountain and Huiri Peak. The beauty of lakes and mountains is first summed up by the word "Ting Anne", and then the laurel on the mountain and the lotus in the lake are written. These two kinds of flowers are also typical scenery of Hangzhou. Liu Yong described two kinds of flowers in different seasons with a neat couplet here. The phrase "Sanqiu Guizi, Shili Lotus" is indeed highly concise, summarizing the most beautiful scenery of the West Lake and even the whole of Hangzhou, with inspiring artistic power. "The tube is strong and sunny, and Lingge sings all night", and the antithesis is also very stable and melodious. The meanings of "pan-night" and "flirting" are different, indicating that the lake is rippling with beautiful flute and ling songs no matter day or night. The word "Pan" means that it is a flat boat in the lake, "playing with lotus dolls", which means that the fisherman who plays Qiangdi and the girl who sings Lotus are very happy. The word "frolic" vividly describes their happy demeanor and depicts a picture of the country, the country and the people.

Then the poet wrote scenes of entertaining dignitaries. Crowds of cavalry surrounded by high tooth flags came slowly and with great momentum. The brushwork is dripping and the style is rich, which seems to make people see a mighty and romantic local governor, drinking and having fun, standing proudly between mountains and rivers. "The map of the future will be good, and I will go back to Fengchi to boast." Is the conclusion of this word. Phoenix pond, or phoenix pond, was originally a pond in the forbidden garden of the emperor. During the Wei and Jin Dynasties, Chinese books were famous for saving land and being close to the palace. The word "good scenery" will cover everything written and not written on it. It means that when the dignitaries call back, they will draw a picture of the good scenery and present it to the court, boasting to their colleagues that there is such a fairyland on earth. The absence of dignitaries set off the beauty of the West Lake.

The tune of "Looking at the Sea Tide" first appeared in the Collection of Movements, which is a new sound created by Liu Yong. This word is about the richness and beauty of Hangzhou. Unique artistic conception. The first part is about Hangzhou, and the second part is about the West Lake. It is described appropriately, with a combination of point and surface, light and shade crossing, and a smooth narrative. The grandeur of his scenery and the agitation of his tone are not far from Dongpo. In particular, the use of phrases composed of numbers, such as "35 teams", "100,000 families", "Sanqiu devils", "ten-mile lotus flowers" and "a thousand-mile horse with high teeth", has exaggerated tone, which is helpful to form Liu Yong's bold and unconstrained ci style.