Face poems

"Never tired of seeing each other, only looking at Jingting Mountain" expresses the deep feelings between the poet and Jingting Mountain. "Xiang" and "Liang" are synonymous in the poem, which closely connects the poet with Jingting Mountain and shows strong feelings. At the same time, Looking at each other also points out that at this moment, only the lonely scene of "mountain" and "me" is as important as the word "two", and the interdependence between mountains and people arises spontaneously. The word "only" in the conclusion is also tempered, which highlights the poet's love for Jingting Mountain.

From the Tang Dynasty poet Li Bai's Sitting Alone in Jingting Mountain.

The whole poem is:

The birds flew without a trace, leaving the lonely clouds free and unfettered.

You look at me, I look at you, and there are only my eyes and Jingting Mountain's eyes.

Explanation:

Birds fly high without a shadow, and lonely clouds go alone for fun.

You look at me and I look at you. They don't hate each other. It's just me and Jingting Mountain ahead.

Precautions:

① Jingting Mountain: In the north of Xuancheng, Anhui Province today.

② All: Nothing.

3 Go alone: Go alone, go alone.

Never tire: refers to poets and Jingting Mountain.

Appreciate:

The first two lines of this poem, "Birds fly high, and lonely clouds go to leisure alone", seem to describe the scene in front of us, but in fact they have written all the sad feelings: several birds fly high in the sky until they disappear; There is still a white cloud in the vast sky, but I don't want to stay and drift away slowly, as if everything in the world is rejecting poets. The words "exhausted" and "doing nothing" lead readers to a realm of "peace": it seems that after eliminating the noise of a mountain bird, it feels particularly peaceful; After the rolling thick clouds disappear, I feel particularly quiet and calm, which means disappearing and slowly disappearing into the sky. Leisure is mainly to express leisure, and it is to use the leisure of lonely clouds to set off the leisure of the author's mood. There is an artistic contrast between these two words and "independence". Mainly for the writer to sit alone at the moment and feel carefree, which is in line with Li Bai's own immortal thought.

The images of these two sentences are juxtaposed in the form of "the stars arch the moon". The central word "bird" in the previous sentence is the central image, and the word "fly" is added to form a compound image, which strengthens the dynamic expression meaning. Birds can remind readers of the quiet and peaceful scene in the mountains. Birds are singing euphemistically in the empty mountains, which makes them feel interesting. At present, birds fly high and get farther and farther away from people. The word "Gao" has played a role in expanding space. Looking up, in the empty blue sky, birds are flying away until they are out of sight. The word "gold" enhances the expressive force of this sentence and shows Li Bai's melancholy at this time. The last sentence "cloud" is the central word, which is compounded with "go", and the silent cloud is drifting away. And clouds are not all over the sky, just "solitary clouds" without companions, just drifting away leisurely and slowly. The poet used "leisure" to write the state of the solitary cloud, highlighting the process of leaving, so that readers can feel the poet's inner pain and helplessness when they taste the state of the solitary cloud leaving.

So these two sentences are written as "dynamic" to see "static", and "static" is defined by "dynamic". This "quietness" reflects the loneliness and loneliness of the poet's mind. This vivid writing can give readers association, and imply that the poet has been visiting Jingting Mountain for a long time, outlining his image of "sitting alone" and paving the way for the next couplet "never tired of looking at each other".

Three or four sentences, "Never tire of seeing it, only Jingting Mountain", personify Jingting Mountain in a romantic way. Although the bird flew away, the poet didn't go back, and he didn't want to go back. He stared at the quiet and beautiful Jingting Mountain for a long time and felt that Jingting Mountain seemed to be looking at himself affectionately. There is no need to say anything between them, and they have reached emotional communication.

"It is enough to have a confidant in life" (definition: it is enough for a person to have a real confidant in his life. ), the bird flying away is nothing to the poet. The artistic conception created by these two poems is still "quiet". On the surface, it is written that the poet looks at Jingting Mountain with deep affection. In fact, the more poets write about the "sentimentality" of mountains, the more they show people's "ruthlessness"; And his lonely and desolate situation is revealed in this quiet scene.

The moving images of "birds" and "lonely clouds" are opposite to the static images of "Jingting Mountain". There is only quantitative change in the dimensions of time and space, but qualitative change in the psychological dimension: literati with ideals and talents who are suppressed by politics are often particularly sensitive to "passing away" and "dissipation", with short personnel and eternal universe. The poet introduced the eternal mountain as his confidant, probably because he had no choice but to do it after Chang 'an was invisible. Even if Chang 'an attracts him, he doesn't know whether he will follow the "birds flying high".

In the poet's pen, Jingting Mountain has no beautiful mountains, no beautiful streams and no beautiful bridges. It is not that there is nothing to write about Jingting Mountain, because Jingting Mountain is picturesque. From the perspective of poetry, it is impossible to know the position of the poet relative to the mountain, perhaps at the top of the mountain or in the open area, but these are not important. The purpose of writing this poem is not to praise the scenery, but to express feelings through the scenery and the quiet scenery here. The poet found solace in the anthropomorphic Jingting Mountain and seemed to feel less lonely. However, it is here that the poet's inner loneliness is more prominent. The deep loneliness in the world and the tragic atmosphere of the poet's life are full of the whole poem. The whole poem seems to be full of scenery, but it has no emotion. But because the scenery is composed of emotion, every sentence is emotion, just like Wang Fuzhi said, "There is a scene in love, and there is love in the scene."

Creative background:

This poem was written in Tianbao, Emperor Xuanzong of the Tang Dynasty (744), a year after Li Bai's political career was frustrated. Zhan E's Chronicle of Li Bai's Poems was written in the 12th year of Tianbao (753), and it is considered that it was written before and after Deng Jingting's visit to the south of the mountain and his nostalgia for Dou Zhushu. In the twelfth year of Tianbao, Li Bai went south to Xuancheng. Li Bai has been wandering for a long time since he was released from the Hanlin ten years ago. The long-term wandering life made Li Bai taste the bitterness of the world and see through the coldness of the world, thus deepening his dissatisfaction with reality and increasing his sense of loneliness. However, his arrogance and stubbornness remain the same as before. I have been depressed because I have no talent. Physical and mental fatigue needs comfort. During this period, he wrote a lot of poems to relieve his depression by wandering around immortals and drinking, and also wrote a lot of poems to express his feelings and feelings. Sitting alone in Jingting Mountain is one of them.

Some people also put forward different views that the writing age of Sitting Alone in Jingting Mountain is debatable. In which year this poem was written, there is no indication in Li Bai's manuscript, but it is concluded that this poem was written in the twelfth year of Tianbao. Perhaps this poem was not written in the 12th year of Tianbao, but by Tang Suzong in the 2nd year of Shangyuan (76 1). In the late Yuan Dynasty, Li Bai was in his sixties. After wandering after the Anshi Rebellion, going through unjust imprisonment and humiliation of being exiled with crimes, when Li Bai came to Xuancheng for the seventh and last time, there was no scene of welcoming guests like clouds, and there was no elegance in drinking and talking about poetry in the North Building. He hobbled up Jingting Mountain and sat alone for a long time. He felt moved by the scene before him, very sad, lonely and desolate, and couldn't help singing the poem "Sitting alone in Jingting Mountain". This is more in line with the time and space background of Li Bai's creation of this poem.

About the author:

Li Bai (70 1-762), whose real name is Taibai, was named a violet layman. He is the most unique and greatest romantic poet after Qu Yuan. He has the reputation of "poetic immortal" and is also called "Du Li" with Du Fu. His poems are mainly lyrical, showing the arrogant spirit of contempt for powerful people, expressing sympathy for people's sufferings, being good at depicting natural scenery and expressing his love for the mountains and rivers of the motherland. The poetic style is magnificent and bold, the imagination is rich, the language flows naturally, the melody is harmonious and changeable, and it is good at absorbing nutrients and materials from folk literature and myths and legends, which constitutes its unique magnificent and gorgeous color and reaches the peak of poetic art in the prosperous Tang Dynasty. There are more than 1000 poems, including 30 volumes of Li Taibai's Collection.