Joke Collection Website - Mood Talk - Introduction to the types of mystery novels
Introduction to the types of mystery novels
I have developed a relatively perfect and universally applicable genre classification system of mystery novels according to taxonomy. 1. Puzzle School
1- 1 Classical Enlightenment School
1-2 Bengopai
1-2- 1 pseudo-social school
1-2-2 pseudo-tough guy school
1-2-3 Imitate the Classical Enlightenment School
1-2-4 ancient and elegant school
1-2-5 Bengya School
1-2-5- 1 pure logic solution system (Quinn flow)
1-2-5-2 Comfort Reasoning Department (sofa flow)
1-2-5-3 impossible crime series
1-2-5-3- 1 Karl branch (Karl flow)
1-2-5-3-2 Xuanxue Branch (Liu Xiaoli)
1-2-6 generalized metamorphism
1-2-7 this sub-faction of combat intelligence
1-3 New Benguer School
1-3- 1 Narrative Paradox (Asian School)
1-3-2 Teru Shimada River (Yapai)
1-3-3 Xiao Liu (Yapai)
1-3-4 paranormal flow (secondary school)
1-3-5 Animation Stream (Asian School) (Light Fiction Department)
1-3-6 School of Daily Reasoning
1-3-7 Divya school (intelligence fighting school, high IQ crime school)
2. The narrow school of general variation
2- 1 Historical Reasoning School
2-2 thriller suspense school
2-2- 1 escape and kill the Asian faction
2-2-2 spy novel genre
2-2-3 traditional thriller suspense school
2-3 narrow sense variance school
3. Realistic school
3- 1 Court School
3-2 tough guy school
3-2- 1 localization suboperation
3-2-2 Wisdom School (Robinia pseudoacacia School)
3-2-3 Police Procedure School
3-2-4 traditional tough guy branch
3-3 Social School
3-3- 1 localization suboperation
3-3-2 Xinben Gehua Campus
3-3-3 School of Travel Reasoning
Stream of consciousness school
3-3-5 Asian Schools in Traditional Society
3-3-6 Description of the key list of decadent schools/*: The "-x" at the back indicates the works that meet the above conditions. For further classification of genres, see Article 10.
For example, the division of plants:
1. Spore reproduction -2
2. No vascular bundles-algae and bryophytes.
2. Forming vascular bundles-ferns
1. Seed propagation -3
3. Naked seeds and ovules-gymnosperms
3. The seed coat has seeds and the ovule has integuments-angiosperms.
Here, "1" is divided into spore propagation and seed propagation, and all plants can be classified into one of these two categories. If it meets the requirements of "spore propagation", skip to "2" for further inspection; if it meets the requirements of "seed propagation", skip to "3" for further inspection. Then all plants that reproduce with seeds, seeds and ovules are either naked or not. The second half of 1 is further divided according to whether the seeds and ovules are bare or not. */
1. The novel takes reasoning and solving puzzles as the first element. The theme of the novel is more entertaining than other attributes; Usually downplays the blood of murder. -2 puzzle school
2. Detectives use Sherlock Holmes to collect clues and solve problems. That is, search first and then assume, and immediately arrest and convict. ——3
3. The case serves the shaping of the detective's personal image, and the focus of the story is the detective's own actions. ——4
4. It's a bit like tough guy writing. Realism and realism are very strong, which has a prominent position in the story and strong action. -Benguer school.-Pseudo-tough guy school.
Representative writer: Kraft et al. The masterpiece "Dou".
4. The essence is not the writing style of the tough guy school. ——5
This case was initiated by detective action. Realism is relatively unimportant, and there are actions such as fighting, but it is not very important. -Classical Enlightenment School
Representative writers: Poe, Conan Doyle and so on. The masterpiece Sherlock Holmes.
The case was initiated by police action. The narrative style and investigation methods are similar to those of the social school, but without the profound conception of the social school, the main purpose is still to entertain and solve puzzles. There is a strong sense of reality, and there are few violent elements such as fighting. -Benguer School.-Pseudo-social school, Asian school
Representative writers: Tetsuya Ogawa and Binguang Takagi (part).
3. The image of the detective and other roles serves the case, and the case itself (murderer and means) becomes the first element. -Benguer School-a sub-school that imitates the classical Enlightenment (see some transformation works or early works of Benguer writers)
Representative writers: Fordler, Gao Luopei, etc. The masterpiece "Escape from Cell 13".
2. Detectives use Poirot to collect clues and solve problems. That is to say, suppose first, then search, first suspect one by one, then find evidence: make various hypotheses one by one, each hypothesis corresponds to the suspect, then find clues by hypothesis, and finally convict. ——6
6. Emphasize the supremacy of absolute fairness, the supremacy of logical puzzles, and never overhead reality. Never allow illegal scientific settings. -7 Ben Ghor schools
7. Blizzard Mountain Villa or isolated island, all killed, or no more than two survivors. -Benguer School or New Benguer School-Gudaoya School (Blizzard Villa School or "uninhabited mode")
There is no specific representative writer. An uninhabited masterpiece.
7. It is not a blizzard villa, nor an island, or it has the conditions of a blizzard villa, but there is no characteristic continuous killing or more people are still alive. ——8
8. Guess the murderer, take guessing the means of committing crimes or solving strange mysteries as the main means to create accidents, and pay attention to it. -9 Benguer schools.-Benguer schools
9. guessing the murderer is the main means to create an accident. —— 10
10. It places great emphasis on logical reasoning and attaches great importance to the possibility and uniqueness of reasoning out the solution before the end. -Benguer school-Benguer school-pure logic puzzle solving system (Quinn flow)
Representative writers: Quinn (the first issue), Youqi Chuanyouqi, and Yue Lun Taro. Masterpiece Greek coffin mystery.
10. The dependence on logical reasoning is not extreme. -Benguer School-Benguer School-Comfort Reasoning Department (Sofa Flow)
Representative writers: agatha christie, sayers, Quinn (the third and fourth issues), Keiji Osaka, etc. His masterpiece The Tragedy on the Nile.
9. Solving strange mysteries and guessing the means of committing crimes are the main means to create surprises-1 1 Benglover-Benglover-impossible crime School.
1 1. Impossible secrets depend on psychological skills, or simple mechanical skills, and a mixture of the two. Not deliberately, not showing off on a large scale, not involving complicated knowledge and operation-Benguela-Benguela-impossible crime-Karl Flow.
Representative writers: Karl, Lawson, Helen McCloy, second-order Tang Li, etc. His masterpiece Three Coffins.
1 1. The impossible mystery depends on very complicated mechanical tricks, and the explanation is quite long, involving complicated knowledge and operation. A large-scale dazzling research was conducted to explain the principle. -Benguer School-Benguer School-impossible crime School-Primary Six
Representative writers: Taro Xiao Ye, Kenji Takemoto, Hideo Nakamura, etc. His masterpiece "The Killing of the Black Death Hall".
8. Create a reading effect with strange and horrible atmosphere and tense and horrible environment, and pay more attention to the stimulation and curiosity in the reading process, rather than the unexpected creation. It usually contains many elements of horror, horror and chaos. -Benguer School-Generalized Metamorphic School (the "Metamorphic School" in the traditional sense)
Representative writers: Seishi Yokomizo, Masazo Mita. His masterpiece Prison Gate Island.
6. Emphasize fairness and the supremacy of logical puzzles, but not absoluteness. Allow air reality and even violate scientific settings. -12 New Benguer School
12. In the main plot and the final answer, supernatural phenomena are not allowed (even if stated in advance). — 13
13. The main trick or core accident is a narrative trick. -Neo-Benghazi-Narrative Paradox
Representative writers: Ayatsuji Yukito, Juhara, etc. The masterpiece "Ten Corners Pavilion Killing".
13. A master's move or a core accident is not a narrative move. —— 14
14. To pursue the complexity and splendor of puzzles, we usually follow the principles of logical solution and fairness. -15 New Benguer School-impossible crime School
15. The background, plot and solution of the crime are unrealistic or involve many modern technologies, which seems close to science fiction. -New Bengel School-impossible crime School-Teru Shimada River
Representative writers: Soji Shimada, Mori Yoshiro, Beishan Mengbang (limited to city series), Keigo Higashino (limited to Galileo's short stories), etc. His masterpiece "The Crime of Inclined Rooms".
15. Mysteries and solutions depend on complicated mechanical tricks or personality, mental illness setting and difficult knowledge and operation, and large-scale dazzling learning is carried out to explain the principle. -New Benguer School-impossible crime School-Primary Six
Representative writers: Xia Yan Kyougoku, Venzel, etc. (partial). Representative work "Summer of Bird Hunting".
14. Instead of pursuing the complexity and splendor of mystery, we pursue the creation of animated characters' plots. The plot description is run and visualized in the running account, and the characterization is caricatured and exaggerated. Some writers despise and ignore fairness and reasoning. -Neo-Benghazi-Animation Stream (Light Fiction Department)
Representative writers: Tokugawa Tuzai, Tianlu, Shusuke Michio (part), etc. The masterpiece "Don't abandon yourself here".
12. The main plot and the final solution allow the existence of supernatural or supernatural factors. -Neo-Bengalism-Supernatural Flow
Representative writers: Shusuke Michio, Masaya Yamaguchi, Ayatsuji Yukito (some works) and Running Water in the Courtyard by Liang Qing. His masterpiece Death of a Promethean.
1. The novel no longer takes reasoning and solving puzzles as the first element. -16 narrow variant school and realistic school
16. The first element is neither reasoning to solve puzzles, nor reflecting life and revealing social phenomena. -17 school of variance in broad sense and narrow sense
17. Historical reasoning. -School of Historical Reasoning
Representative writers: Chen and others. Representative work Daughter of Time.
17. Not historical reasoning. —— 18
18. The first factor to attract readers is the pursuit of weird, scary and scary atmosphere and environment, and the resulting high tension and fast-paced or depressed narrative style. Reasoning and solving puzzles are secondary, even rare. —— 19
19. The whole book has great suspense or series of suspense, with fast pace and strong suspense. But it is not to pursue sensory stimulation or curiosity as a means, but to attract readers through the cracking of the above suspense (only necessary conditions, not sufficient conditions, that is, clues are not enough, but they must be unique and convincing). -20 thriller suspense school
20. The protagonist has been pursued, and the story revolves around the process of pursuing escape and counter-pursuing. Strong thriller, fast pace, reasoning is mostly on the spot, and some works rarely reason. -thriller suspense.-escape and kill Yapi
20. In most of the plots, the protagonist is not pursued or exiled-21.
2 1. Against the background of war or cold war, the opponent is an enemy military institution or an enemy spy. -thriller suspense school.-spy fiction school
2 1. The background is not war or cold war, and the opponent has no military or intelligence attributes. -thriller suspense.-traditional thriller suspense.
19. Sensory stimulation and curiosity in the reading process are the first elements of the novel. The requirements for reasoning and fairness and rationality are generally lower than those of the thriller suspense school; Often full of horror, paranormal, incest elements. -change in a narrow sense (the definition of change is popular in the circle)
Representative writers: Edgar Watt Lapol, Tomeno, Okamoto Ithaca, etc. Masterpiece "Brain Hell".
16. Reflecting life and social phenomena is the first element of the novel. First of all, treat novels as literary works rather than games. Pay attention to the realism of society, characters and human nature, and entertainment is reduced to a secondary factor (the realism of characters and society in novels is higher than entertainment). Usually, bloody murder is no longer regarded as a game away from life. -22 Realistic School
22. Detectives use Poirot investigation to collect clues and solve difficult problems. That is to say, first make assumptions and then search, first suspect one by one and then find evidence: first make or successively make various assumptions, each of which corresponds to a suspect, then find clues according to the assumptions and finally convict. ——23
23. Non-social narrative style. Most of the people who investigate and solve puzzles are ordinary citizen detectives. Most of the cases are not homicide cases, or they start with minor incidents and lead to homicide cases in the later stage. Reasoning focuses on the details of daily life. -Neo-Benghazi Doctrine-Daily Reasoning Process
Representative writer: Shui Ze Sui Xin. Representative work "sogou Office".
23. Typical social narrative style. Most of the people who investigate and solve puzzles are police, and the cases are basically murders, which happened at the beginning. Reasoning is about the murder itself or determining the search direction. Although solving puzzles is not the first element, its position is still very important, even ranking as the first element to reflect the theme of the novel. -social school-localized sub-social school
Representative writer: Seiichi Morimura (early debut). The representative work "The Dead Corner of High-rise Hotel".
22. Detectives use Sherlock Holmes to collect clues and solve puzzles. In other words, search before hypothesis (including the "search before hypothesis" sent by the court), the evidence is doubtful enough: first collect a large number of physical evidence and witnesses, then determine the investigation direction from the existing evidence, and then determine the suspect. Once confirmed, arrest and convict immediately (because the evidence is basically found). ——24
24. Emphasize the indispensable position of detective in the novel, and highlight the detective's personality and charm. This case exists to create the image of a detective. Detectives often work alone and most of them are single. The police (or colleagues, if the detective is a policeman) often do not cooperate with the detective, or even steal information to block it. Gangster opponents and JC spies are common, and there are often violent fighting scenes. -25 tough guys
25. The position of solving puzzles is very important. Novels often have strong misleading, reversal, unexpected and powerful original and new original tricks (or variants). Reasoning is mostly on the spot, and some works are full of lengthy reasoning. ——26
26. The villains appear at the beginning. They are often serial killers or recidivists, and often set up novelty hunting scenes or commit characteristic serial crimes in open scenes. The novel alternately changes the perspective of the detective and the criminal, and takes turns to write the game, analysis and action of both sides. Reasoning is mostly on the spot and immediate. -tough guy school or new school-gifted scholar school (Divya school +Robinia school)
Representative writers: Jeffrey Defoe (New Bengo), Maurice Lebron (Tough Guy) and Keigo Higashino (Some Works). The representative work "The Coffin Dancer".
26. Villains usually don't appear in the opening (with a few exceptions), and most of the pen and ink mainly focus on detective words and deeds and image building. -tough guy school.-localized tough guy school
Representative writers: Wensel (Free Will Series), Bill Pronik, etc. The masterpiece Fog.
25. The location of the puzzle is not important or important. Novels are sometimes misleading and reversed, but they are not the focus (the focus is on characterization, especially detectives). Ben Gul has few tricks. Reasoning is also to analyze and predict the criminal's action law, motivation, psychological state and so on. ——27
27. The protagonist works in the judicial organs, and the corresponding judicial or lawyer institutions will fully cooperate with his work. ——28
28. The survey method is to search first and then assume that the search process is the center of gravity. The protagonist is JC or JC group, and the main scene of the story is not in court-tough guy school-police program school.
Representative writers: Michael Connelly, Washer Fallot, etc. His masterpiece Laughing at the Police.
28. The survey method is to search first and then assume, and the search is generally completed by others from the beginning. Court debate is the center of gravity. The protagonist is a prosecutor or a lawyer, and the main scene of the story is in court. -Palace factions
Representative writers: Earl Gardner, Takagi Bin Guang (part), etc. The masterpiece "Breaking the Ring".
27. Most of the protagonists are practicing detectives, not working in the judiciary, or have retired from the judiciary and changed careers. Often alone, the judicial organs often do not cooperate or even obstruct. -Tough guy.-Traditional tough guy
24. Highly weaken the role of a single person (especially for detectives) in solving crimes. Detectives are mostly police groups, or humble small roles, and sometimes criminals and victims themselves. The detective's position as an individual in the story is not very important, even dispensable. Do not advocate or deny the mode of going it alone and being a detective. Emphasis on multi-party cooperation in the process of solving crimes, that is, the power of groups (society). Opponents participate in collusion between government and business, and political conspirators are common, so as to expose the dark side of society and human nature. -29 social schools
29. Use magical realism. The main line or protagonist of the novel has supernatural elements. -Social School-New Bengel Social School Asian School
The masterpiece "Long Mian".
29. Use realistic writing. Strictly abide by the original fairness and Knox commandments. There is no supernatural or supernatural factor. ——30
30. Most of the cases happened with the protagonist's journey, and the story style was relatively fresh. It is common for the protagonist to collect the customs along the way and conduct an investigation by taking various means of transportation. -Social School-Travel Inference Affiliated School
Representative writers: Yasuo Uchida and Kyotaro Nishimura (later period). His masterpiece "The Dead".
30. Most cases have nothing to do with travel, and the story style is serious or heavy. ——3 1
3 1. attaches great importance to the detailed description of the psychological change process, and the protagonist (especially the villain) is highly typical of society. Through delicate psychological depiction, that is, human factors, human nature problems or social ills are revealed. -Social School-Stream of Consciousness School
Representative writers: Hideo Yokoyama, Kanae Minato, etc. The masterpiece Confessions.
3 1. Pay attention to the careful layout of the story and the dramatization of the plot. The story itself or the scene is a highly typical society. Reveal human nature or social ills through the development of the plot, that is, the factors of things or things. ——32
32. The protagonist is an ordinary citizen detective (or assistant) or a police or police group. The protagonist acts as a detective or assistant in the story. The story style is more serious; Deeply reflect on social problems or the good and evil of human nature. -Social School-Asian Traditional Social School
Representative writers: Seicho Matsumoto, Seiichi Morimura, Miyuki Miyabe, etc. Masterpiece Sandware.
32. The protagonist is the offender himself, or the victim (or relatives). The image of the protagonist group is negative and gloomy; The story is extremely dark, depressing and decadent. -Social school.-Decadent school
Representative writers: Keigo Higashino (part), Xiao Yuanfeng, etc. The masterpiece "Night Walk".
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