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The Internet helps cartoons, when will domestic animation catch up with Japan?

Okay, it’s this kind of analysis question again. Why does Baidu always push this kind of question to me? Now that it’s here, let’s talk about it.

What do you think is the difference between Japanese comics and Chinese comics, or what is the gap between the two?

In my opinion, there are the following aspects:

Screen, this problem is obvious. Domestic large-scale animation uses 3D modeling for animation. It must be said that 3D is cheaper than 2D. Moreover, the movements are stiff, and the domestic 3D rendering is more cartoonish than adult-like. At this time, some people will definitely say, look at the nano core, what about the return of the great sage? Let’s talk about it again. The former uses a lot of light and shadow particles in an attempt to achieve a refreshing feeling, but this is also a problem. Light and shadow are great, but the starting point is wrong. Light and shadow particles can only be felt in mechas, and the consequence of excessive mechaization is younger age. You are not Hollywood, but you want to use Hollywood technology to make Chinese animation. Both of them cannot adapt to the national conditions. The latter, everyone thinks it’s pretty good. What is the call for the rise of Chinese comics? In fact, a large number of people follow the crowd. Ask him what is better? have no idea. It has to be said that the quality of Chinese comics has indeed improved compared with the crowd, but what about more? Out of the rise of the screen, what else? Nothing.

Plot, this is the key. Most of the plots of Chinese comics are geared toward younger audiences, while most Japanese comics are geared towards adults. Pleasant Goat and Doraemon are both younger, so why is the influence of the latter far greater than that of the former. Imagination, that's the key. Moreover, the plot of Doraemon is for all ages, as is Pleasant Goat. I won’t go into details. I’m claiming to be a parent-child, but I’m still doing things for young children.

Dubbing, I won’t say much about it. Everyone knows that the dubbing of Chinese comics is so annoying. You will want to laugh when you listen to it.

Soundtrack, excellent Japanese comics often spend a lot of money on soundtrack. The soundtrack is very important and can assist the development of the plot. To give a very simple example, the aLIEz soundtrack at the end of the first episode of Aldnoah Zero shocked so many people (if you haven’t seen it, I suggest you watch that episode, it’s amazing). And what about returning to Chinese comics? "Don't look at me as just a sheep~~" The overall situation is a sheep from beginning to end. I already know that you are not a sheep. Merger has been emphasized so many times

Investment, this must be talked about as a policy Problem. There are also problems with the state's strong support. For example, now I have an animation, which I originally planned to invest 10 million, and the plot, graphics, and sound effects are amazing. The country has money and gives 10 million. Now we have lowered the plot, graphics, and sound effects. After all, it only costs 1 million. Everyone knows where the remaining 9 million went. It’s this urinary nature.

The censorship system is imperfect and a protection month is set up. This is unfair. How does it feel to promote Chinese comics by banning Japanese comics? If you don’t do well, you are jealous of others who do well. A large number of idiotic anime are not banned and are allowed to enter TV openly.

The development of Chinese comics takes a while. . .