How about Kung Fu Panda? Tell me how you feel!

I feel very good. Besides speaking English, my expressions and body movements are all Americanized. Basically, I feel all the elements of China. Snow Mountain Xuanbao (Taro in the film), a noun in China's concept, is a favorite character. Unfortunately, he is a villain, and kung fu is the legendary peak and perfection. (PS: I felt much cuter than Tigress when I was a child) Wu Jie, a representative school of China Kung Fu (PS: The fight with Snow Leopard was really wonderful. It is rare for foreigners to use China Kung Fu so well! ) Tigress stands for Tiger Boxing in China's Kung Fu. The "master" that she bowed to the fat cat in the ending made me feel particularly interesting. She was persuaded by the fat cat, and I don't have to worry about her becoming the second generation of Taro, hehe. It's just that I always think she is jealous of Taro. Ho ho. . . ) mantis is mantis fist. In the first world war with the snow leopard, this bug has great arm strength. One person pulls a big suspension bridge for the five of them to play acrobatics. I saw it sweating. In another clip, he gave the fat cat an injection. The acupuncture aligned by foreigners is still studied, but I think the acupuncture of mantis in the film is not ready yet, which makes the panda become a hedgehog (hehe. And a snake. It seems that her tail is more powerful than her fangs and can be whipped at a good speed, especially when playing snow leopard, with her tail tied to her hand. Moreover, Snow Leopard grabbed her neck when she escaped. She cried "Monkey ~ ~", which felt very clever, but her performance in the film was not so memorable as a supporting role. Crane is a great genius. He has good handwriting and likes to wear a small hat. I feel like a hermit, but the birds in the film feel similar in shape. You might as well compare the fat cat's father (face duck), crane and the bird (I don't know whether it is a wild goose or a wild duck) when you watch it. I was deeply impressed by the monkey's running style, but there was not much to show him in the film, which also made me feel that he was not as smart and playful as China monkey, and he was not a very prominent role (why can't he steal monkeys' peaches? -! ), just reminds me of him, maybe the fat cat stole his peach crisp, hehe, the fat cat's plain "Don't tell the monkey" feels very interesting. The owner in the film is a tortoise. Understandably, in China culture, the tortoise is a very long-lived and intelligent animal. The part where he stopped the snow leopard from stealing the dragon was short, but it was classic. The technique of acupuncture is really unforgettable. His conversation with the master feels like the image of an ancient saint in China. His English dubbing is really good, which directly makes me have an impulse to learn English, hehe. But the owner is a panda, which makes me a little puzzled, but I think I understand that the Dragon Warrior is a giant panda, haha, and although the old man is a big old man, some behaviors and actions in the film look like children, hehe, and some helpless expressions and eyes on the fat cat (although a little western-style), which makes me feel that this is the most lacking detail feature in China animation. It is also an important reason why I think China's animation lacks vividness and humanization. In China's early animation, there were also some expressions (making havoc in heaven), but it gave me a feeling of exaggeration and affectation, and there was no sense of reality close to life. The image of Master reminds me of many masters (snake carving, drunken boxing, etc.) in China Kung Fu movies of the older generation. ), my hair is gray and my skin is old. I feel that I want to play with my disciples in disguise and change my way. In particular, a scene of grabbing buns on a plate is very similar to a scene in China's very old movie Huo Yuanjia, where the master (a beggar) and his apprentice grab a bowl of noodles and look like urchins during training. Hehe, fat cat, haha, it's so cute. I have the urge to kiss him directly, but to be honest, his language, expression and movements (except kung fu) feel completely western-style, and he is laughing secretly. There are also scenes where snow leopards catch dragons (some shout "wow ~ ~ aha ~ ~ yo-ho, etc." Being bounced or thrown into the air) makes me feel that this "unusual" panda grew up abroad, or it can be understood as a story pattern of a foreign boy learning China Kung Fu. It can be said that there is still a lot of western humor in the film. Yotaro used the wizard's finger at the end of the fight (there are three different translations of the movie, and there are many translations of this kung fu, such as Endless Diamond Finger and Broken Bone Finger of Wu), which made me feel very uncomfortable, because out of curiosity about kung fu, I really want to know the effect of that kind of kung fu, but I think it's very good, because he can realize such kung fu and is a genius. I felt that he was stealing peach cakes (describing his martial arts talent) was a bit sudden, just like an idiot suddenly understood that there was no foreshadowing at all (maybe I didn't notice it), but in the training ground, "he set a zero-level standard", I didn't see any martial arts talent at all. In addition, I feel that the fat cat has a "indissoluble bond" with the climbing steps in the film. The first time was to watch the tournament and climb the steps, the second time was kicked out by the master and rolled down the steps, the third time was to save the master from climbing the steps (the part where Taro fought with the master), and the fourth time was for Kazutaro to catch the dragon and Kazutaro rolled the steps together (this time with a cushion), and the fifth time. After watching the movie, I feel that the plot mode is a bit like a kung fu movie set in China. The first one is China Kung Fu of the older generation, like drunken boxing (old urchins practice stupidity well), and the second one is Zhou Xingxing series movies. First, a little-known person got the biography of the master by mistake, especially the last move of the wizard's finger, which coincides with the Tathagata in Kung Fu. On the whole, the film is good. There are western-style things, but they don't conflict with the theme kung fu. Hehe, it may be this kind of western humor and China Kung Fu that can make the audience smile. PS: China's animation may be vague now, and I don't know where it is going. The animation is naive enough. It completely locates animation in the kindergarten stage, and its development is also at the kindergarten level, just like "setting a zero-level standard" in the movie. The movie combining 3d and 2d feels neither fish nor fowl (Blue Cat series, "Mazu"), which looks really awkward. There are also some movies that depict monsters. Strange, the unity of decent people is full of vigor and honest and frank, while the unity of villains is full of sharp-tongued monkeys and monkeys, and two treacherous courtiers are sweating with beards. In this respect, we should learn from Gong Xue, and China's cartoons are too absolute in dividing right from wrong, which greatly restricts the development of the story. I really hope that China's animation will take off at an early date. The above is purely a personal opinion, just have a look. . . )