Representative couplets, talk more about their beauty.

Part one: I was two years old overnight.

Bottom line: Class 5 is divided into two years.

This pair of couplets looks ordinary, but it's actually exquisite. It's really a classic.

First of all, the structure of the upper and lower couplet is a typical subject-predicate object knot, which is very neat. In terms of words, the parts of speech of collocations in the upper and lower parts are exactly the same, from nouns to nouns (night to night, night to night, year to year), from verbs to verbs (continuous), from quantifiers to quantifiers (one to five, two to two), even if a single word is taken out. Generally speaking, the antithesis is completely neat and in line with the couplet norms.

Secondly, I look at the level tone. The horizontal lines of the upper and lower couplets are (according to the ancient rhyme):

Part I: Yi Ping

Bottom line: Ping _ Ping.

The parallelism of the upper and lower couplets completely conforms to the principle of "135, don't ask, 246 Ming", or parallelism is relative in rhythm and catchy to read.

The basic standard of couplets is 1, and the number of words in upper and lower couplets is equal.

2. The upper and lower conjunctions have the same structure.

3. The appositive words of the upper and lower parts are even. The general requirement is "135 don't ask, 246 Ming". In other words, the words on the rhythm point or rhyme point of a sentence must be flat and flat.

4. The suffix of the upper link should be silent, and the suffix of the lower link should be flat.

5, the confrontation is neat. The upper and lower collocation parts of speech are the same. That is, noun to noun, verb to verb, adjective to adjective, etc. , and the relative words must be in the same position.

Even lines of couplets are irreplaceable. That is to say, in the upper and lower couplets, the words at the end of the sentence or at the rhythm point should be flush (generally counted as a group), and there can be no flush sounds when connected. Otherwise, it is dislocation and unbalanced level. Furthermore, in couplets, the second, fourth and seventh words, which are located at the rhythm point of a sentence (the last word of a phrase), such as the rhythm of △△△△ _△△△△△ △, should all appear in the form of flat lines.

Also, the last word of the upper couplet and the lower couplet should be "up and down flat" at the same time, and the word "William" cannot be flat or continuously silent.