Why should the author of Ode to the Yellow River praise the Yellow River and talk about the feelings entrusted by the author in combination with the age of poetry creation.

The Yellow River Cantata is a group of poems written by Zhang Guangnian, a famous poet, to cooperate with the large-scale national symphony created by musician Xian Xinghai. In Ode to the Yellow River, the poet uses symbolism, ostensibly praising the Yellow River, but actually praising our nation, inspiring Chinese sons and daughters to be "great and strong" like the Yellow River and defending the Yellow River and China with heroism and strong determination. Her melody is passionate, the music is magnificent, magnificent, passionate and deep, full of strong impact and shocking power, which shows the unruly blood of the Yellow River and the heroic spirit of the Chinese nation and praises the long-standing majestic momentum of the Yellow River.

1969 A few years after the publication of the piano concerto "Yellow River", it is necessary to secondment the propaganda of Hong Zuohua of Jiefang Daily. From 65438 to 0972, Chen Yifei, who was only 26 years old, served as the head of the oil painting group in Shanghai Oil Painting Sculpture Workshop, and later participated in the design of Shanghai Yellow River Oil Painting Group with Xia Baoyuan, Zhang, Qin and Yan. The workshop is located on the third floor of Laoshenbao Building, No.309, hankou road. The piano concerto is divided into four parts, and this group of paintings is also divided into four pieces. Yan painted the first movement "Yellow River Boatman Song", Chen Yifei painted the second movement "Ode to the Yellow River", and Xia Baoyuan painted the third movement "Yellow River Wrath"; Qin and Zhang painted the fourth movement "Defending the Yellow River", in which "Defending the Yellow River" was originally painted with Lin Biao, but later Lin Biao defected and needed to be redrawn. Among the four works, Chen Yifei's Ode to the Yellow River is the most familiar to the outside world. Its first draft is gouache, besides a Red Army, there is also a farmer in sheep's clothing, but Chen Yifei thinks that standing alone on the mountain will make the picture more concise and powerful, so he has removed the role of farmer in the second draft. This practice caused controversy in the art circle at that time, arguing that this practice could not represent the masses and at least one militia should be added. In order to draw a picture according to his own ideas, Chen Yifei should greet the leaders for this purpose. In order to draw soldiers with rifles, Chen Yifei also found a printed piece of Soviet oil painting, which shows Lenin inspecting the army and rows of soldiers with rifles. In order to study this vague printed matter, Chen Yifei read the works all morning. It was not until five years later that this work was exhibited for the first time in the art exhibition of the whole army held in 1977. Its appeal and painting skills attracted the attention of the art world and established Chen Yifei's position in the history of China's fine arts. In the1980s, Chen Yifei decided to go abroad. The night before boarding the plane, he suddenly decided to move some paintings, especially Ode to the Yellow River. Because Ode to the Yellow River is 297 cm long and 143.5 cm wide, Chen Yifei invited a group of little brothers to help lift it, but the painting was too big for two bicycles to lift in tandem. Unexpectedly, the canvas of Ode to the Yellow River cracked at the corner. It is said that Chen Yifei's younger brother, Chen Yiming, was responsible for the later restoration work. 1997 On the first day of the Lunar New Year, Chen Yifei wrote "Heroes and Romance" in Xinmin Evening News, saying: "Ode to the Yellow River was originally conceived to draw a shepherd, wearing a headscarf and holding his head, singing in the sky. On reflection, I found that this expression is almost an interpretation of The Yellow River Cantata's lyrics, so I resolutely gave up. Instead, he became a Red Army soldier, standing on the top of the mountain, smiling proudly at the mountains and rivers. In the process of creation, I restored the strong light on the top of the mountain to the canvas and rendered it into a dazzling white awn: I drew a small red cloth on the rifle hole of the Red Army soldier, like a bright flower in full bloom, and drew a line of geese flying obliquely south at his feet. " 1996, this painting was auctioned by Sotheby's in Hong Kong and sold for HK$1285,000, making it one of the most expensive oil paintings in China at that time. On May 13, 2007, the painting will be auctioned again at Guardian's auction, and Guardian's valuation is 20 million yuan.

Throughout the ages, the Yellow River, with its majestic momentum, has flowed across the land of China and nurtured China people from generation to generation. To sing praises to the Yellow River is to sing praises to our great Chinese nation. From 65438 to 0937, after the full-scale outbreak of War of Resistance against Japanese Aggression, the Japanese invaders trampled on the land of North China. The whole country set off the climax of the anti-Japanese national salvation movement. It is the wish of many progressive literary and art workers to reflect the real struggle through their own artistic images and stimulate the anti-Japanese enthusiasm of the people throughout the country. In August 1935, the poet Guang William. J wrote the lyrics "Flowers in May", in which he sang: "Flowers in May bloomed all over Yuan Ye, and/flowers covered the blood of people with lofty ideals. /In order to save this dying nation,/they fought stubbornly against the Japanese. ..... "The lyrics were widely sung after being composed. After the poet 1939 went to Yan 'an, he created a larger group of poems, The Yellow River Cantata. The Yellow River Chorus * * has eight movements, namely: Yellow River boatman song, Yellow River ode, how the water of the Yellow River moves out of the sky, Yellow River counterpart song, Yellow River ballad, Yellow River resentment, defending the Yellow River roar, and Yellow River. The magnificent imagination and realistic pictures in the poem are intertwined, forming a magnificent historical picture, praising suffering and struggle, depicting the image of the Yellow River and reflecting the real scene of the heroic sons and daughters of the Chinese nation in War of Resistance against Japanese Aggression. Xian Xinghai praised it as "full of aesthetic feeling, realism, resentment and tragic feelings, which makes people who have never crossed the Yellow River and those who have been to the Yellow River feel the same way. The lyrics themselves have tried to describe the history of the Yellow River for thousands of years. The Yellow River Fu is a genre fu, mainly composed of the Yellow River Fu, which is closely related to the first chapter of the group poem "The Yellow River Boatman Song" in structure. "The Yellow River Boatman Song" describes: "Dark clouds are gathering in the sky, and the stormy waves are lapping on the shore. The boatman of the Yellow River fought in the storm and finally reached the other shore after hardships. "This symbolizes that our great country and people have broken through the stormy difficulties and finally won a brilliant victory." So in the second chapter "Yellow River Fu", the poet appeared as a singer of the times. Standing on the top of the mountain, he sang the Yellow River ode on behalf of the heroic sons and daughters of the motherland. He praised the Yellow River for its majestic and long history, and should follow its example and be as great and powerful as it. Ode to the Yellow River begins with a clear theme "Praise the Yellow River", which shows the greatness and strength of the Yellow River. Praising the Yellow River for nurturing and defending the Chinese nation will also inspire the Chinese nation. The last part calls on us to learn the spirit of the Yellow River. Ode to the Yellow River is an ode to the Yellow River, an ode to the times, an ode to the Chinese nation, and an ode to perseverance and perseverance of the Chinese nation. The first section is recitation, and the second section is lyrics. At the beginning, the author called the readers "friends" in the way of coming at once, and clearly put forward the theme of "praising the Yellow River" at the beginning. The second section is the main part of the whole poem. In order to express the momentum of ode, "tenor solo, with solemn and stirring singing, can hear the power of the Yellow River flowing in the accompaniment" (Xian Xinghai's How to Write the Yellow River). The lyrics in the second paragraph are clear-cut, and there are obvious keywords that can be used as the basis for combing ideas. The first is the word "looking at the Yellow River rolling", which has always led to "the Central Plains is divided into two". The content of this "hope" is not only realistic, but also magnificent, clear and strict: 1. Close-up shot-"surging waves,/set off a heinous situation"; Then there is the general writing method of overlooking the panorama-"Turbid flow turns around,/forming a zigzag chain"; Then it describes the flow direction of the Yellow River vertically-"from the foot of Kunlun Mountain/to the Yellow Sea"; Finally, it spread horizontally to both sides of the Yellow River basin-"splitting the Central Plains in two". Then he began to praise the great contribution of the Yellow River to the Chinese nation and entered the stage of "praising". "ah! Yellow River! " Over and over again, from "ah! Yellow River! /You are the cradle of the Chinese nation "to" You will nurture/develop "is divided into three levels, praising the Yellow River for nurturing the Chinese nation and pointing out its historical contribution; Defend the Chinese nation like a natural barrier and point out the geographical advantages of the Yellow River; Finally, from reality to nothingness, he praised the vastness of the Yellow River basin and benefited all beings, and issued an oath to learn from it on behalf of Chinese children. This article is selected from the Yellow River chorus "The Second Ode to the Yellow River". 1938, anti-Japanese bonfires burned all over China, and poets marched along the banks of the Yellow River with the army. Facing the magnificent mountains and rivers, he felt the fighting spirit and unyielding will of the Chinese nation. So after the poet arrived in Yan 'an in 1939, he created a large poetry group The Yellow River Cantata. Problem study 1. "ah! Yellow River! " What kind of role did it play? "ah! Yellow River! " Repeatedly, the main part of the lyrics consists of "Ah! Yellow River! " "You are the cradle of the Chinese nation" to "You will nurture/develop" is divided into three levels, that is, the Yellow River has nurtured, defended and inspired the Chinese nation. From real to virtual, interlocking, and gradually deepening. 2. How to understand that the Yellow River is a "cradle" and a "barrier"? It is easy to understand that the Yellow River is the cradle of the Chinese nation, where Chinese culture has emerged, developed and grown, and the Yellow River has nurtured and nourished generations of China people. Comparing the Yellow River to a "national barrier" focuses on the defensive role of the Yellow River against the Chinese nation. The natural barrier of the Yellow River can be used as a geographical military barrier, and the great and powerful spirit of the Yellow River is enough to become a fortress of national spirit and a magic weapon for the Chinese nation to resist foreign aggression. 3. How to understand that the Yellow River "stretches out a thousand iron arms to the north and south banks"? For the sentence that the Yellow River "stretches out a thousand iron arms to the north and south banks", we must first make clear what the "arm" in the sentence means. Judging from the whole sentence, this is a figurative sentence, comparing the Yellow River to a giant. The mainstream of the Yellow River is the trunk of the giant, and countless tributaries of the Yellow River basin are thousands of "iron arms" on the giant. Secondly, we should combine the above to understand that such a giant, "pouring down,/mighty" embodies the majestic and unstoppable tolerance and strength, which is enough to stimulate the spirit and belief of the nation. 4. How to grasp the language features of Ode to the Yellow River? This lyric is lively and vigorous, with distinct rhythm and loud syllables. Mainly short sentences, and long sentences. Combination of long and short, free and unrestrained, patchwork. In rhyme, every two or three sentences rhyme to form a natural and harmonious rhythm. At the same time, it pays great attention to depicting the image of the Yellow River and creating the beauty of lyrics: "The Yellow River is rolling" and "Tao Jin is surging,/setting off an outrageous situation; /Turbulent flow turns around,/forms a nine-song chain "and other sentences, which unfold a grand picture in front of readers! Exercise instructions 1. Read this lyric with emotion. This lyric wins with momentum. When reading, students' inner feelings must be aroused. If we can arouse students' tragic feelings about the national disaster and the crisis of the Chinese nation, we can have passionate feelings and affectionate reading. It is not advisable to give students training guidance on reading skills too early. 2. In what ways did the poet praise the heroism of the Yellow River? What feelings did he express by praising the Yellow River? This topic aims to guide students to grasp the content of lyrics from a macro perspective. Teachers should pay attention to two different levels contained in the topic. The first question is from the surface. First of all, we should grasp the key word "the heroic of the Yellow River" and guide students to repeatedly perceive the text and feel the indomitable heroic of the Yellow River. Secondly, we should pay attention to the key point of "from what aspects" and guide students to think from the following aspects: the natural characteristics, geographical characteristics and historical contribution to the Chinese nation of the Yellow River. The second question is actually to guide students to think about the purpose of the poet's creation. By praising the Yellow River and our nation, the poet evokes the national pride and self-confidence of China people, inspires them to be "great and strong" like the Yellow River, and defends the Yellow River and China with heroism and strong determination. Thirdly, among the poems we studied, some poems are straightforward and heroic, while others are euphemistic and implicit. What kind of poem do you think it belongs to? Why? Can you give one or two more examples from the poems you have learned? The purpose of this topic is to guide students to understand and appreciate two aesthetic styles of poetry-sublime and beautiful. However, in teaching practice, we should grasp the characteristics of these two kinds of poems through our understanding of specific works. This poem belongs to the category of straightforward lyricism and heroic style, because it shapes the surging and magnificent image of the Yellow River with clear language. The sentence pattern of "Ah, Yellow River ……" directly expresses the feelings of loving the Yellow River and is full of majestic beauty. Wang Zhihuan's "Stay at the Heron" and Su Shi's "Niannujiao Chibi Nostalgia" all belong to this style. He Qifang's Autumn and Guo Moruo's Thoughts on a Quiet Night, which were learned last semester, belong to euphemistic and implicit poems.