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Talk about Xianyan Green
"Green" is one of Mr. Zhu Ziqing's early travel prose "Traces of Wenzhou", which was written on1February 8, 924. This is a beautiful article full of poetry. The article not only takes "green" as the title, but also uses "green" to naturally link the whole article together.
The structure of the article is very small, only four paragraphs, about 1200 words. This is different from ordinary travel prose, but expresses the author's feelings through the green pool of Meiyu Pool. So the first paragraph only used one sentence, "I went to Xianyan for the second time and marveled at the green of Meiyu Pool." The pen is abrupt, but the topic is orderly, so that readers can understand the center of this article at a glance. "Meiyu Pool is a waterfall pool", just to set off the strange and lovely water in Meiyu Pool, the waterfall falls down and writes the beautiful scenery like flying flowers and broken jade. Writing Meiyu Pavilion is only for the transition to writing plum rain pool Pavilion. All these pave the way for the following description of plum rain pool's "green". Therefore, the author did not describe the process of the tour in detail, but made a concise and vivid introduction to the waterfalls and Meiyu Pavilion along the tour route. In the middle of describing the Meiyu Pavilion and the waterfall, two sentences were inserted: "This is the thin cloudy weather in autumn. Slight clouds flow over our heads; Both the rock surface and the grass show a little moist oily green. " It not only explains the season of travel, but also deducts the word "green" from "some oily green", always taking care of the center to be described in the article. Finally, the full text suddenly stopped with the sentence "I went to Xianyan for the second time, and I couldn't help but marvel at the green of plum rain pool", but it still came down to the word "green", which reflected the beginning. A pen is extraordinary, and a bundle is neat. The difference between the end and the beginning is that only the word "can't help it" is added, but it is a vivid stroke. After the author's description, even readers can't help but be surprised by the green color of Meiyu Pool.
The word "green" not only plays a relevant role in the structure of the article, but also is the focus of the full text. The author, like an expert in calligraphy and painting, used various techniques such as metaphor, personification and association to describe the strange, lovely, moist and soft plum rain pool water from all angles, and integrated his admiration, joy and yearning into this piece of green. "The sparkling green of Meiyu Pool attracts us; We began to chase her sacred light of separation. " How well the two words "attraction" and "chasing" are understood! The strong attraction of the green color of Meiyu pool to "me" and my desire to appreciate the lovely green color are integrated. At this point, love and scenery are as difficult to decompose as water emulsion. Through metaphor, the author not only describes the quiet beauty of the pool, but also "seems to be a huge lotus leaf covered with strange green", which makes the author have the delusion of holding her; It also describes her dynamic beauty. "She is wrinkled loosely, like a skirt held by a young woman ..." With the author's brush strokes and the author's emotional waves, not only slight green ripples appear in front of our eyes, but shining green waves jump between our fingers, and a soft, lively and cordial feeling will overflow from our hearts. The author even imagined her as "like a little girl of 12 years old", wanted to pat her, caress her, kiss her, and called her "daughter green" smartly, which was very feminine. Bright and colorful pictures and interesting feelings are harmonious and unified. In this poetic green, the author's love for life is fully revealed, and the author's upward passion is high.
The article "Green" is a household name, not only because it vividly depicts the "strange" and "intoxicating" green of Meiyu Pool, but also because of the rich poetry between the lines. It has not only the artistic conception and structure of poetry, but also the emotion, artistic conception and language of poetry. It can be said that poetry is text, and there are poems in the text. The latter three, namely sincere and rich emotion, bold and rich imagination and vivid language, are the main factors that constitute the poetic characteristics and unique charm of green.
Although "Green" is a landscape prose, "all scenery words are sentimental words", the author melts his "heartfelt feelings" about the motherland's landscape into the detailed description of the scenery in "plum rain pool", which makes the scenery not only delicate and vivid, but also profound and sincere, expressing "the voice of the author's inner singing", thus making the full text full of poetry and painting. At the same time, the author's expression of this emotion is not like the Yangtze River, which flows thousands of miles, directly expressing his own thoughts, but using the brushwork of playing hard to get, first suppressing and then promoting. First, the word "Jing" is used to express the overall feeling of plum rain pool's green, which also symbolizes the author's internal motivation to pursue and explore the scenic spots in plum rain pool. Then through vivid and meticulous description, it shows us a three-dimensional picture of the surrounding environment of Meiyu Pool.
In "Green", the author also gives full play to his rich imagination, creates a vivid image, brings readers into a poetic artistic realm, strongly expresses the author's sincere and rich feelings, and has a strong artistic appeal.
Mr. Zhu Ziqing is quite accomplished in language. His prose language is mostly spoken, concise, simple and natural. In order to express his feelings, he paid great attention to the tempering and processing of language, and paid attention to the creation and refinement of words, striving to create the artistic conception of poetry with vivid and vivid language, and to achieve an "unattainable realm" in simplicity.
Green language is very representative. To sum up, there are three aesthetic characteristics: painting beauty, dynamic beauty and music beauty.
The body of painting now uses only one sentence in the author's description of the mountain waterfall: "A white, shiny water embedded in two wet black edges will appear in front of him." Using a word "mosaic" to describe the waterfall in the mountain stream is accurate and vivid, which makes the waterfall full of three-dimensional sense. Dynamic beauty, the author writes that the image of Mei Yuting is "sitting on a prominent corner of the rock, empty up and down, like a goshawk spreading its wings in the sky." A word "ju" is full of momentum, and a word "fu" is full of expression. With a word "ju" and a word "fu", it turns static into dynamic, and the Meiyu Pavilion standing in the air and on the stone is vividly written. The music is beautiful. The green language has a clear sense of rhythm and a clear and harmonious melody. It is catchy to read and beautiful to express, which can make readers intoxicated with beautiful music and produce aesthetic characteristics of "both pleasing to the ear and pleasing to the ear".
Appreciation 2:
Appreciation of Female Beauty in Zhu Ziqing's Green
In his famous essay "Green", Mr. Zhu Ziqing regards Mei Yuchi's "green" as an "artistic woman" (in the Chinese version of Zhu Ziqing's essay "Woman"), which forms a rich and beautiful female landscape with the hidden or explicit beauty image group, fully showing the poetic charm of "green". It's really an "artistic women's party"!
1, Luo Shen: the beauty of glittering costumes;
"The sparkling green of Meiyu Pool attracts us; We started to catch up with her clutch. " "On-off Divine Light" was originally a magical scene depicting sparkling and flickering water in Meiyu pool. But here, the author compares "green" to the beautiful goddess Luo to praise and admire. Cao Zhi tried his best to spread the beauty of Luo Shen in the Fu of Luo Shen, and wrote his own Understanding Yu Pei to understand "sincerity", expressing his incomparable piety to Luo Shen, and then wrote: "So Luo Shen Fu is uninspired and erratic, and God and light are on and off, and it is love at first sight." Just like the "allusions" in poetry, the "allusions" here are also to arouse our association and enrich the expressive force of the article. Plum rain pool's "green" is like the goddess Luo, whose clothes are resplendent, whose second Yao is bright and beautiful, and whose pearls show her body. She is so gorgeous and dazzling, showing a kind of beauty of "wrong choice of gold, eyes full of carvings", attracting people's pursuit and yearning.
2. "Young Woman": graceful physical beauty;
Physical beauty is the beauty of human posture and action, and it is the static beauty and dynamic beauty of human body with modeling factors. It can show people's spiritual temperament better than people's appearance, and "agility and elegance of movements are the signs of human integrity and symmetrical development, and they are loved everywhere" (in Chernyshevski). When describing the shape of the pool in green, he wrote: "She is wrinkled loosely, like a skirt dragged by a young woman". In Zhu Ziqing's eyes, the "thick green" of Meiyu Pool is like a huge green silk, with a gentle breeze and gentle waves. The gentle curve presented by this "winding wave" is called the "most beautiful line" among all lines by the British painter william hogarth, and it is the "apex of beauty" because "it guides the eyes to pursue with an active nature" (the interpretation of beauty). This smooth and light aesthetic feeling is like a charming young woman wearing a tight green dress, with the hem sweeping the floor and walking symmetrically and lightly. Its graceful curves, overall undulating contours, and lightly dancing skirt behind it reflect the graceful charm and bodybuilding of young women, giving people an elegant, harmonious and energetic aesthetic feeling, which will naturally make people feel her outstanding feminine charm.
3. "Girl": shy and affectionate charm;
Charming beauty is a person's elegant demeanor and temperament, which is mainly manifested in expressions, behaviors and actions, and treating people with things. "She fiddled with it gently, like a beating virgin's first love heart" (see Zhu Ziqing's collected works, the Chinese textbook is abridged, the same below). Due to the inflow of waterfalls, the water in the pool whirled under the water, causing ripples on the water surface. This scene reminds the author of the girl who first fell in love. She is the seed of love, shy and affectionate, dating a rose-colored lovesick lover, but shy and shy, so she has to gently fondle her skirt or handkerchief to cover it up. The surface is calm and reserved, but the heart is burning with the passion of love, like a jade rabbit, jumping violently, and the sound of jumping is faintly audible. This interesting description shows the indescribable charm of "green", which seems to be static but not static, and contains movement in the static, giving "green" a lingering and subtle but moderately shy beauty of the first love girl, which is really implicit. Like a lotus, it is full of "the gentleness of bowing its head" (Xu Zhi
4. "Wife": gentle and delicate gender beauty;
"She is smooth and shiny, like being painted with bright oil, as soft and tender as egg white, which reminds people of the tenderest skin they have ever touched." The color and texture of "green" are fresh and tender. In Zhu Ziqing's sensory experience, "the tenderest skin I have ever touched" was naturally taken by his wife and 4-year-old daughter at that time. "Snow skin congeals fat" and "luxury reveals" are so soft, smooth, white and delicate, just as Du Fu wrote: "Fine texture connects bones" (The Second Way) is full of symmetry and harmony. At the same time, it can't help but remind people of a sentence that Jia Baoyu said in A Dream of Red Mansions: "Daughters are made of water", which is "refreshing". Especially his wife, Wu Zhongqian, is gentle and honest, and her personality is like "water"-of course, it is not the running water in the rivers and seas, but a trickle, full of the gentleness, quietness, euphemism, obedience, delicacy and virtue of a village daughter, "never losing her temper" and "not even a trace of complaint" (Zhu Ziqing: For the Dead Wife)
5. "Jade Man": crystal clear and pure quality beauty;
"She doesn't mix dust with me, just like a wet jasper with a clear color-but you can't see through her." "Jasper" originally refers to green jade, and later it is often used to describe women (so-called "small jasper"), while "as beautiful as flowers" refers to beautiful women. Jade is beautiful because it can be compared with the noble character advocated by gentlemen. In The Book of Songs Qin Feng Xiaorong, if there is a saying that a gentleman is as gentle as jade, then jade is gentle and generous. In Shi Shuo Xin Yu, people with good quality are also called jade people. The "green" of Meiyu Pool is bright, pure and full of beauty, just like a beautiful and unconventional "Jade Man" with noble character. She is graceful and charming, but she can't see through it if she wants to see it-just like the lotus in the water, which is close at hand, beautiful but not deceivable, lovely and even more respectable! From here, we also look up to the beautiful flash of Zhu Ziqing's great personality.
6. Xi Poetry: the spiritual beauty of "filling the interior with the exterior";
Since it is difficult to see through this beautiful and attractive "green" and can't give up "her", the author has to continue to look for his own feelings and express the strangeness of "green" with the help of association and contrast: the "green" in Meiyu Pool is suitable in shades, and the light and shade are harmonious, which reminds people of Su Shi's poem "If you want to compare with the West Lake, light makeup is always appropriate". Wenzhou was a land port in ancient times, not a Vietnamese, and the spirit of geographical figures was corresponding. Plum rain pool's "green" beauty is actually the reappearance of the beauty of stone. History not only has the appearance of loyalty to serve the country, but also has the spirit of self-sacrifice of humiliation to serve the country. "Why should a beautiful woman die by all means, in order to repay your shame and the kindness of your motherland?" (Xiao Jun: The Historical Story of wuyue in the Spring and Autumn Period). It is precisely because of this profound inner character and spirit that the beauty of stone can shine forever. Here, the author imagines and describes the strangeness of green from the strangeness of stone, showing the amazing beauty of green, which is really original!
7. Goddess: magical and kind spiritual beauty;
While grasping the strangeness of "green", the author also grasped her "magic": "That intoxicating green! If I can cut your ribbon, I will give it to the dancer of light; She will be able to float in the wind. If I can fan your eyes, I will give it to the blind girl who is good at singing; She will look good. " At this moment, with the help of Lenovo's wings, the author exaggerates the magic and power of "green": it can make dancers fly high and blind girls confess. What a magical "green" it is! In capturing the charm of "green", the author suddenly feels that "she" is a "goddess" with boundless Taoism, infinite strength and compassion. This kind heart and good wishes are the reflection of Zhu Ziqing's aesthetic ideal of "art for life".
8. "Daughter": a lively and lovely life beauty;
Green is intoxicating. In ecstasy, the author regards "Green" as a lively and lovely "12-year-old girl", and further regards "She" as her growing "daughter", patting her, touching her and kissing her, and calling her "Daughter Green" smartly. Sincere, euphemistic and free and easy, the love between father and daughter gushes out, and every sentence is integrated with life, which makes the poetic image of "daughter green" full of infinite interest and vitality, reveals the author's praise for the beauty of healthy and lively life, and raises the author's vigorous passion. "Green" symbolizes life, prosperous business, vigorous growth and the author's enterprising spirit!
Comparing "water" to a woman is not Zhu Ziqing's original creation. However, he has a unique eye, discovered the inside story of "female beauty", and launched a colorful imagination. With rich and slender descriptions, he showed the author's profound life experience, rich aesthetic feelings and pursuit of lofty artistic realm. He was "shocked" by the eyeful of "green", appreciated the vitality of nature, and then "made all kinds of secluded reverie" (Xia Mianzun: Winter in Baima Lake), realized the "feminine beauty" of "green", and integrated the holy "artistic woman" who had been lingering for a long time with the green beauty pool in front of him: all descriptions fell into one. From "green" to the external beauty of women's clothing, appearance, posture, skin and manners, the internal beauty of personality, quality, spirit and soul is "far from inexhaustible". "The communication between far and near, the joint efforts of ancient and modern times, the unity of heaven and man, the harmony between inside and outside, the invisibility expressed by the tangible, the eternity expressed in an instant and the multi-dimensional expansion of the thinking space make the" green "female beauty become a three-dimensional unparalleled beauty. This is the reason why the aesthetic creation and aesthetic function of green can be brought into full play.
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