Selected readings of Lu You's classical poems

# Ability Training # Introduction Lu You's poems cover a wide range, covering almost every field of social life in the early Southern Song Dynasty. The following is an appreciation of Lu You's classic poems. Welcome to read the reference!

Selected Works on Appreciation of Lu You's Classical Poetry

Wine

Song dynasty: Lu you

Leisure is like flying snow, which melts in one gulp.

Good flowers are like old people, laughing away.

The songbirds are affectionate and miss me, and the willows sing the spring breeze every day.

Chang 'an is less than fourteen years old, and drinkers often become losers.

It is better to keep your cheeks red than to keep your nine rings bright.

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The first four sentences of the poem are the first layer, describing the function and taste of drinking, which is the experience and feeling of "drinking". The advantage of this layer is that it is good at using metaphors. "Wine can relieve sorrow" is a sentence that the poet has said many times. The metaphor of Lu You melting into hot wine with the help of "flying snow" is very novel. Rarely compare sadness with snow; Flying snow makes less wine; Linking the relationship between "sorrow" and "wine" through "snow" will give you a feeling of yearning. Facing "good flowers" can help people drink, which is normal. Comparing flowers to "old friends" will immediately increase the power of drinking, because people are familiar with the fact that drinking with friends is easy to be unrestrained. Connecting "good flowers" with "empty cups" through "old friends" will increase alcohol consumption. The use of these two metaphors is fresh, appropriate and tortuous, which shows that the poet has rich imagination and life experience and high artistic creativity, which makes this poem novel, abrupt and real from the beginning.

The sentence "Wandering warbler" is on the second floor, which complements the above, indicating that the natural scenery makes people want to drink, and the lower floor makes a transition. "Wandering warblers have feelings", singing in the "spring breeze" of "willow edge", inheriting the "good flowers" mentioned above, showing the beautiful spring with red flowers, green willows and warm winds. The better the spring, the more touching the wine, and the scenery is written around the theme of "drinking". The scenery on this floor is exquisite and beautiful, and the style of writing has changed.

The last four sentences are the third layer, which expresses the reason of "I want to drink" from the personnel aspect. The first sentence is about my own experience, lamenting how time flies. In the second sentence, I don't miss the dignitaries in Beijing, but only those frustrated "drinkers" who indulge in drinking, so the weight of the characters in the poet's eyes shows that these "drinkers" certainly include some "old friends". Away from Beijing, "drunken man" and "old friend" will suddenly become "old man", and the physical changes of natural poets are generally similar, so the sigh of "old man" must include himself. Among the "drinkers", there are many ambitious people who failed to live up to their good skills. They became "old men", which is not only a sigh of personal physical changes, but also a sigh of the court's inability to use people and waste talents. This sentence is irrelevant externally, but it has profound tragic significance. These two sentences reveal deep emotions in the idle light, and the latter two sentences make impassioned voices on the basis of emotions. "Nine Rings of Treasures Shine on the Land", about the splendor of dignitaries; In the next sentence, use "not as good as" drinking to deny it. Writing drinking with "Liu Jun's cheeks are red" is enough to win the light of "Nine Rings Treasure Belt" and take care of "the elderly". It is full of strength and charm.

The whole poem is lyrical, lively and elegant, and the rhythm is free and smooth. The first sentence compares sorrow to snow, which is novel and ingenious in conception, flying snow like wine, loving flowers and enjoying the bosom, and full of poetic and romantic colors. This romantic behavior of celebrities itself has a strong aesthetic effect, and the poems created by Lu You contain a preliminary understanding of the proposition that beauty lies in life, adding endless historical and cultural implications. All the worries, all the grievances and resentments, like light snowflakes, float into a golden jar of sake and suddenly become a gurgling spring. The poet raised his eyebrows and relaxed his eyes, and gulped it down. As the saying goes, "How many things have been said in ancient and modern times?" The wine in the room is hot, and the spring breeze outside is flowing. This attitude towards life is so broad-minded and poetic. Lu You's drunkenness is a hearty liberation, sober after liberation, and extraordinary after waking up. His spirit of looking down on the ages and being proud of the princes, as well as his will to make progress by letting bygones be bygones, are fully displayed in drinking.

There are many drinking poems written by Lu You, some of which focus on drinking because of feeling the world, such as Drinking, Folk Songs and Drunk Songs on the Pool. Some people concentrate on drinking because they are angry with their indisputable ambition to serve the country, such as Long Songs, Feeling after Drunkenness on a Summer Night, and Drunken Book Upstairs. Some people want to drown their sorrows in wine. For example, in "The Great Book", they wrote that "the dream of moving home and the country is close, and the wine pulls the heart back"; And the focus of this poem is to despise the powerful and drink too much. The beginning is bold, the middle is meticulous and beautiful, and the end is full of sadness. Although the style is flexible and ups and downs, the emotional tone is still bold and free.

Appreciation of Lu You's Classical Poetry (Ⅱ)

Tour of Shanxi village

Song dynasty: Lu you

Don't laugh at the farmhouse music brewed in the muddled month. In the harvest month, the dishes for guests are very rich.

There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay.

The day of playing flute and drums is approaching, and the villagers are still dressed simply.

In the future, if you can go out in the moonlight, I will knock on your door at any time with my cane.

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This is a lyric poem about a trip to the countryside in the south of the Yangtze River. The poet closely follows the word "you" in his poems, but he does not describe the process of visiting the village in detail, but cuts out the experience of visiting the village to reflect endless fun. In the whole poem, the first poet travels to the farmhouse, the second one writes about the scenery outside the village, copying the events in the village, and the last one writes about frequent night trips. Although each has its own emphasis, it runs through the whole village, harmoniously unifying the beautiful natural scenery and simple villagers' customs in a complete picture, forming a beautiful artistic conception and a calm and meaningful style. The theme of this poem is relatively common, but the idea is novel and ingenious, the technique is crude, and it is naturally interesting without scribbling.

The first couplet shows the quiet and joyful atmosphere in the countryside in the harvest year. The word "chicken and dolphin" expresses all the hospitality of farmers. The word "don't laugh" expresses the poet's appreciation of the simple folk customs in rural areas.

What Zhuan Xu wrote is the scenery along the mountains and rivers, which contains philosophy and has been widely quoted for thousands of years. "There is no doubt about mountains and rivers, and there is another village." Such a smooth, beautiful, cheerful and lively poem seems to see the poet strolling among the verdant forests, and the clear mountain springs gurgling through the winding streams. The more lush the vegetation, the more difficult it is to distinguish the winding mountain roads. When I was at a loss, I suddenly saw the flowers flickering in front of me, and several peasant cottages were looming among the flower trees, and the poet suddenly felt suddenly enlightened. The degree of excitement can be imagined. Of course, this realm has also been described by predecessors, but these two sentences are particularly euphemistic and chic. After reading this couplet, people will feel that in a certain situation in life, it has an amazing fit with what is written in the poem, so they feel more cordial. What is described here is that the poet walks on the shady road, confidently, wondering if there is no road, and suddenly becomes cheerful, which not only embodies the poet's hope for the future, but also tells the philosophy of ups and downs of the world. Therefore, these two poems transcend the description of natural scenery and have strong artistic vitality.

The neck couplets, on the other hand, went from nature to personnel, depicting the rural customs in the early Southern Song Dynasty. It is not difficult for readers to understand the poet's deep affection for traditional culture. "Society" is the land god. Spring Festival club, the fifth day after beginning of spring. The Agricultural Sacrifice Society prayed for the New Year and was full of harvest expectations. Festivals and the origin of Zhou Li. Su Shi's "Die Hua Lian Zhou Mi Shang Yuan" also said: "Drumming and playing the flute is to enter the agricultural mulberry society." It can be seen that the Song Dynasty was still very popular. Lu You is full of praise for this ancient local custom, and shows his love for our country and people with his "simple clothes and ancient customs".

As a result, the poet's pen changed, indicating that the poet has been "swimming" all day. At this time, the bright moon hung high, and the whole earth was shrouded in faint moonlight, which also dyed the village with a quiet color after the Spring Festival and became interesting. So these two words naturally flowed out of my chest: I hope that from now on, I can drink to the old farmer from time to time with crutches and Chai Fei. This situation is a great pleasure. The image of a poet who loves his hometown and is close to farmers is vividly on the paper.

After the poet was impeached and returned to his hometown, he was inevitably depressed. Compared with the hypocritical officialdom, simple living in my hometown will naturally have infinite comfort. In addition, although the poet seems to be leisurely, he still cares about state affairs. People who grasp the country are short-sighted and have no long-term plans. However, the poet did not lose heart and was sure that one day he would not be extremely successful. This state of mind coincides with the place where you want to go, so the two sides negotiated and produced a connection between "the weight of the mountain" and "the bright future".

Lu You's Seven Laws is rigorous in structure and prominent in main line. There is no "you" in the eight sentences of the whole poem, but the word "you" is cut everywhere, which is full of fun and endless. And hierarchical. In particular, the two couplets in the middle are neat and good at writing difficult scenes, such as pearls falling on jade plates, which are fluent and reach a high artistic level.

The third chapter is appreciation of Lu You's classical poems.

Show it to your son.

Song dynasty: Lu you

I know that when I die, everything on earth has nothing to do with me. But the only thing that hurts me is that I failed to see the reunification of the motherland.

Therefore, when the great Song Jun team recaptures the Central Plains, you will hold a home banquet ceremony. Don't forget to tell me the good news!

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This poem is another famous one among Lu You's patriotic poems. Lu You devoted his life to the struggle against gold and always hoped to recover the Central Plains. Despite repeated setbacks, it has not changed its original intention. From the poem, we can realize how persistent, deep, warm and sincere the patriotic enthusiasm of the poet is! It also embodies the poet's lifelong worries. The poet always holds the belief that the Han nationality must recover the old things at that time and has the confidence to win the Anti-Japanese War. The title is Xiuzi, which is equivalent to a will. In a short space, the poet bravely told his son, which was extremely aboveboard and exciting! The deep patriotism is vividly on the paper.

"Everything is empty after death" and "Yuan Zhi", which have long been known, are interchangeable words; "Everything is empty" means that everything can be attached after death. But judging from the poet's emotional flow, it has a more important side. The sentence "Everything is empty" seems ordinary, but it is very important to the whole poem. It not only shows the poet's view of life and death, but also plays a powerful role, which is more powerful than the following words "sadness", "yuan" and "emptiness", and embodies the poet's state of mind of "not seeing Kyushu" and dying unsatisfied.

"Only sorrow can't see Kyushu" describes the poet's sad mood. This poetic sentence is the poet's deep regret for not seeing the reunification of the motherland with his own eyes. The word "sadness" in this sentence is the eye of the sentence. What the poet lamented before his death was not his personal life and death, but his failure to see the reunification of the motherland. Show your unwillingness, because "Kyushu is not seen." The word "sadness" quoted in Mongolian profoundly reflects the poet's inner sadness and loss.

"Julian Waghann was concentrated in northern Japan", and the poet expressed his belief that he was eager to recover lost ground with eager anticipation. It shows that although the poet is in pain, he is not desperate. The poet firmly believes that one day the army of the Song Dynasty can pacify the Central Plains and recover the lost land. With this sentence, the mood of the poem changed from sadness to passion.

"The family sacrifice has been forgotten", and my mood has changed again. However, I can't see the day when the motherland is reunified, so I have to pin my hopes on future generations. So I told my son affectionately, don't forget to tell your father the good news of "Beiding Zhongyuan" when offering sacrifices at home. The poet's firm belief and solemn and stirring desire fully reflected Lu You's feelings of patriotism and service to the country, which infected and deepened his feelings of loving the motherland.

This poem is full of twists and turns, which sincerely expresses the poet's complicated thoughts and feelings at the end of his life and his patriotic feelings of worrying about the country and the people. There are endless resentment against the unfinished golden cause and firm belief that the sacred cause will be realized. The whole poem has a sad element, but the tone is passionate. The language of poetry is natural, without any carving, but it is a natural expression of true feelings, but it is more beautiful and moving than deliberately carved poetry.

The fourth chapter is appreciation of Lu You's classical poems.

Shufen

Song dynasty: Lu you

When I was a child, I knew that the world was unbearable and the Central Plains looked like a mountain.

It snowed all night in the building, and the autumn wind dispersed in the iron horse.

Stuck on the Great Wall and make an empty promise, the sideburns in the mirror have long faded.

Real name first, who is better than one thousand years!

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The whole poem closely follows the word "anger" and can be divided into two parts. The first four sentences summarize his lofty aspirations and fighting life scenes in his youth, among which the couplets capture two pictures that best reflect the "Qi Mountain", without using a verb, but the realm is full, full of strong border atmosphere and high fighting mood. The last four sentences express the grief and indignation of trying hard to strengthen the heart, wasting time and failing to achieve anything in my career, but grief and indignation are not sentimental or decadent. With Zhuge Liang as the contrast, the couplets are intertwined with feelings of dissatisfaction and lament, showing the poet's complex inner world. This poem has an open artistic conception, gloomy feelings and rich charm.

"When I was young, I knew that the world was difficult, and the Central Plains looked like a mountain." Recall his early ambitions and patriotic enthusiasm. It not only laments the apathy of the world, but also reveals the heroic spirit of resisting national rejuvenation that year. When the author was young, he made a great wish to "get on the horse and attack the crazy Hu, get off the horse and write a book" After Xiaozong ascended the throne, Lu You gave him some suggestions on building the capital, preparing for war and innovating politics, which made the main battle atmosphere of the imperial court very strong. In the spring of the second year of Longxing, Lu You actively supported the patriotic general Zhang Jun's northern expedition, and the battle of Lifu was defeated. The peaceful forces in the DPRK intensified, Zhang Jun was dismissed, Lu You was also implicated, and he was relieved of his official position. After walking on the road for eight years, Lu You went to Nanzheng and became an official and prosecutor under the protection of Fu Xuan Ambassador Wang Yan. More than eight months in the army is the most precious time in his life at the front. Dressed in military uniform, he galloped in high spirits on the northwest national defense front. He inspected the situation of mountains and rivers, people's feelings and customs in Nanzheng area, and formed his strategic thought of "taking Guanzhong as the root" ("southern tour"), actively attacking Wang, but the Southern Song Dynasty court could not tolerate his activities of planning the Northern Expedition. Finally, Wang Yan was recalled by the imperial court, and the shogunate was dispersed. Lu You's idea of earnestly recovering the Central Plains came to nothing. His heart is very disappointed and depressed, but his patriotic enthusiasm has not diminished.

"The ship is snowing in Guazhou at night, and the iron horse is scattered in the autumn wind." In two sentences, when the author was at the front line of Zhenjiang, he saw Song Jun's tall warships at Guazhou Ferry on a snowy night. Nanzheng front line, take the autumn wind, cross the iron horse and rush to Dasanguan Road. These are two unforgettable battles against nomads from the land. Guazhoudu is located in Guazhou Town, south of Yangzhou City, Jiangsu Province. This matter refers to Song Xiaozong Longxing two years, Lu You was appointed as the judge of Zhenjiang, surrendered to Zhang Jun, and prepared for the Northern Expedition. The "Big Three Pass" was in the southwest of Baoji City, Shaanxi Province, which was the border of Song and Jin Dynasties. This incident refers to eight years on the main road of Song Xiaozong. Lu You, Wang Yan's aide, intends to restore the Central Plains, lead the army across the Weihe River, and ride directly to the front line of Dasanguan to fight against the Jin people. The author uses the method of arranging brocade, using six nouns in two sentences, succinctly but skillfully writing out the fighting situation and the author's mood of resisting gold and killing the enemy. The army of the Song Dynasty once defeated the nomads from Guazhoudu in the southeast and Dasanguan in the northwest, one winter and one autumn! One is the battle between soldiers and ships, and the other is the confrontation between horses and chariots. The author is describing his happy life in his early years, showing his great ambition to resist national rejuvenation.

"The Great Wall is empty, and the decline in the mirror has started." The years are not alive, the prime of life is over, the ambition is not paid, and the temples are spotted first. This is lamented day and night by poets who have dedicated themselves to their country. Lu You is not only a poet, but also a conceited strategist. It's a pity that I don't have a layer of excellent talent in my life. "Don't treat a scholar lightly, and you can hit a thief when you get on the horse" ("Yelling"), and "Wan Li's heart is lifelong, holding the predecessor of Zhou Wang" ("Reading the Art of War at Night") is his eternal wish. In the sentence "On the Great Wall", the poet expressed his ambition by Tan Daoji, a famous Liu and Song poet. This shows that when it was young, it was magnificent, defending the country, and it was sharp-edged. However, nowadays, the poet's unfulfilled ambition is all tied to the word "emptiness". Ambition failed, struggle failed, everything failed, but looking at myself in the mirror was the first spot to decline, and my head was smashed. Compared with each other, they are full of sadness. This ending is not the disappointment of the poet, nor the poet's failure to try his best, but the misunderstanding of the villain and the tempering of the world. The author has a heart, but God won't. Sorrow is depression and anger.

"If you are a teacher, your real name. Who can compare with you in a thousand years! " Tail couplet also uses code to clarify the will. Zhuge insisted on the Northern Expedition. Although he is a "true teacher", he is famous all over the world. "No one is as good as Millennium". After thousands of years, no one can compare with it Obviously, the poet's code deliberately condemns the mediocre villain in charge of the ruling and opposition parties, which indicates that his ambition to restore the Central Plains will also be "famous in the world". The poet can't find comfort in reality, so he has to put his soul longing for comfort in the future, which is naturally helpless. The poet has to pour out his frustration when he is depressed. Through Zhuge Liang's allusions, I pursue the achievements of the sages, indicating that my patriotic enthusiasm will never change, and I am eager to emulate Zhuge Liang and display my ambitions. Looking back at the whole poem, we can see that every sentence is angry and every word is angry. Poetry is full of anger.

In addition to the clever use of allusions, the whole poem also makes a clever comparison. One is the contrast between ideal and reality. I hope everyone can unite to resist nomads, but the reality is that they are excluded from continuing the war of resistance and their desire to restore the Central Plains cannot be realized. The second is the contrast between his early image and his later image. In his early years, he was "looking at the mountain in the north of the Central Plains", and in his later years, he was "the first spot in the mirror", indicating that he wanted to kill the enemy and serve the country, but he was repeatedly excluded. In the three places, Zhuge Liang's generous Northern Expedition was not resisted by the compromise of the Southern Song Dynasty court, and the ancient times were used as a mirror to distinguish between praise and criticism. The whole poem is full of gloomy feelings and profound charm, which is obviously the credit of Lu You. These poems all come from his personal experience and are full of his understanding of political life, which is incomparable to those works that show off their talents.