What kind of nation is she nationality?

Brief Introduction of She Nationality Culture She nationality is an ancient nationality with its own language and belongs to the nomadic people in the south of China. She nationality is scattered from its original place of residence in Guangdong to Fujian, Zhejiang, Jiangxi, Anhui, Guizhou, Sichuan and other places. More than 90% of them live in the mountainous areas of Fujian and Zhejiang, and the rest are scattered in Jiangxi, Guangdong, Anhui and other provinces. Jingning She Autonomous County is the only She Autonomous County in China and the only minority autonomous county in Zhejiang Province. During the Millennium changes, the She nationality has left a beautiful historical chapter for China culture. In many modern preserved historical books, architecture, literature and art, humanities and customs, and science, the imprint of the brilliant culture of the She nationality can still be seen.

She nationality is one of the 56 ethnic groups in China. Legend originated in Fenghuang Mountain in Chaozhou, Guangdong Province, but there are actually three sacred mountains in the legend of She nationality:

Gao Xin was born in "Shijie Mountain", and unified the She nationality with the bronze drum "copper applause" for the first time. Gao Xin fell off the cliff of Phoenix Mountain and died.

When these three mountains arrived at the Hepo people, they also evolved into the belief of "the king of the three mountains" of the Hakkas of the Han nationality. In fact, the belief of "Three Mountain Kings" also originated from the legend of She nationality.

There are three sacred mountains in the legend of She nationality, one in Tangxi town, one in shatian town and one in huangliu town.

Chapter two: the origin of She nationality.

In fact, she nationality is not an aborigine in Jia Chao, but a branch of Yao nationality. Their original ancestral home is in the "Nanjing area", that is, Xiangxi, Hunan, just like Yao nationality. Their ancestors were recorded as "Five Creeks" in history. Yao people entered western Guangdong through eastern Guangxi. The ancestor of Yao nationality is said to be Pangu King, and the legend of She nationality also includes the legend of Pangu King. Even the legend of Pangu King and the legend of Gao Xindi merged into the "Dog King Legend".

So she worships dogs. But they also worship snakes and dragons and phoenixes, which are collectively called the four auspicious things.

Although she people living in other places now usually think that they originated from Fenghuang Mountain in Chaozhou County, in fact, they were only formed here. In other words, she nationality separated from Yao nationality in Fengshun and became an independent nation.

Chapter three: She moved out after competing with the Hakkas for land.

She nationality (Yao nationality) moved into Guangdong from the central and western regions, and Hakka people moved into Guangdong from Fujian and Jiangxi almost at the same time, so a large-scale war broke out between the two ethnic groups, which in turn contributed to the differentiation of She nationality and Yao nationality and established the position of Hakka people in eastern Guangdong. There are almost no She people in eastern Guangdong.

After the defeat of the She nationality, the She nationality was also formed. After the formation of a single nation, the She nationality mainly migrated to Fujian and Zhejiang. At present, there is only one she autonomous county in Zhejiang province, and she should be a minority with a small population, because there is only one she autonomous county in China, and it is said that even in this county, the proportion of she is not very high, and the younger generation gradually cannot speak she language, but only "Jingning dialect".

There is only one "township-level" She nationality township in Guangdong Province (larger than the "village" system), and that is Zhangxi She nationality township in Dongyuan County, Heyuan City. There is only one village of She nationality in Fengshun, of which more than 2,000 people out of a population of more than 6,000 are She nationality, and this village is already the only place for ethnic minorities in Meizhou.

Chapter four: Meizhou and Phoenix culture today.

As far as Meizhou is concerned, only Fengshun County has ethnic minorities. The people who speak Chaozhou dialect in Fengshun County are the most in Meizhou, and there are also Pantian people who speak half she and half ke in Fengshun.

Some people in Jiushe Village, Guangde Town, dapu county also speak Chaozhou dialect.

Phoenix Mountain is located between Tai Po and Fengshun in Meizhou and Raoping and Chaoan in Chaozhou. The main peak, also called "Phoenix Mountain", is the highest peak in Chaoshan (1496m) and the second highest peak in eastern Guangdong, second only to Tongclapping (1559m), but the highest peak in eastern Guangdong is.

Dapu county and Fengshun are two counties originally belonging to Chaozhou, where Hakka dialect is the mainstream. As early as the late Qing Dynasty, they were called "Chaozhou Hakka County" by Beijingers. At the end of the Qing Dynasty, He, the first ambassador to China who fought to recover the islands of's East Overseas Islands, and the Governor of Fujian and the Nanyang Navy of the Westernization School were all famous figures. Zhang Taiyan (Lin Bing), a master of Chinese studies, wrote a book "Three States Beyond the Ridge", in which the three States refer to Huizhou, Chaozhou and Jiaying, and Chaozhou is only remembered as Chaozhou now. In fact, the so-called Chaozhou Hakka refers to Tai Po and Fengshun counties.

In modern times, Chaozhou Guild Hall in Shanghai is subdivided into: Chaoyang Huilai Branch, Haicheng Rao Branch and Jiebeifeng Branch, among which Jiebeifeng Branch includes Fengshun County. * * * Plan "Eight Cities in Chaoxian County".

Dapu county was incorporated into the Chaozhou September 1st Hall in Haifeng County, Huizhou Prefecture.

Mzchen 123 User reply: According to the latest research, the birthplace of She nationality is now She River. There is a river around the She nationality, so it was later called the She River.

She nationality is very few now, and it exists in counties such as Fengshun, Chaoan, Zengcheng and Dongyuan in Guangdong, but the total number is very small.

The legendary She emperor is actually "Di ku (Ku)", one of the "Three Emperors and Five Emperors" in the ancient legends of the Han nationality, also called "Ku". Di Ku, one of the ancient ancestors of She nationality, and the legend of "Three Emperors and Five Emperors" of Pangu and Han nationality moved to Jia Chao in eastern Guangdong ...

At the beginning of the 7th century, during the Sui and Tang Dynasties, the She people lived in southern Fujian and Chaoshan, which were at the junction of Fujian, Guangdong and Jiangxi provinces. They migrated to central Fujian and northern Fujian in succession in the Song Dynasty, and appeared in the mountainous areas of eastern Fujian and southern Zhejiang in large numbers around the Ming and Qing Dynasties. She nationality in northeast Jiangxi originally lived in Fenghuang Mountain, Chaozhou, Guangdong, and later moved to Ninghua County, Tingzhou, Fujian, and moved to northeast Jiangxi after Song and Yuan Dynasties and before the middle of Ming Dynasty. She nationality in Anhui moved in from Lanxi, Tonglu, Chun 'an and other counties in Zhejiang about 100 years ago. During the Sui and Tang Dynasties, the ancestors of the She nationality who lived in the mountainous area at the junction of Fujian, Guangdong and Jiangxi once engaged in agricultural production and hunting activities. They explored the land under extremely difficult conditions. In the Tang Dynasty, the central dynasty ruled in Zhangzhou and Tingzhou, Fujian, where the ancestors of the She nationality lived together, and implemented a series of measures to develop the economy, which further developed the economy of the She nationality and made the relationship between the She nationality and the Han nationality increasingly close. The establishment of political power in Zhang Ting in Tang Dynasty greatly accelerated the process of feudalization of She nationality. The feudal rulers deepened the exploitation and oppression of the She nationality, and also implemented a series of ethnic discrimination policies, treating them as "foreigners". She costumes are the intangible cultural heritage of China. She nationality's traditional dress is colorful, and its main feature is reflected in women's dress, which runs through the whole in the form of phoenix, so it is called "phoenix dress". "Phoenix costume" consists of clothing and headdress. The traditional headdress is called "Guan Feng", which consists of silver tongs, a head, silver gold, a Chinese zither, Qixi cards, Qixi children, a silver chain and ancient money from China. Clothing consists of coat, skirt, skirt, foot binding, shoes, etc. Jacket: the jacket retains the classic cross collar, which is triangular, with red, white, yellow, green and blue stripes in the middle from the edge to the inside; The collar is embroidered with flowers or phoenix patterns in the middle of stripes; Embroider a flower or pattern on the triangle on the left and right sides of the chest; Sleeves are short and small, and they are also five-color stripes from side to side; Arms and lapels are embroidered with various patterns, but casual clothes are not embroidered. Skirt: The skirt consists of two pieces of cloth, with slits on the left and right sides and buttons tied with the same color cloth. There are regular vertical lines of different lengths under the skirt; The front of the skirt is embroidered with geometric patterns, but casual clothes are not embroidered. Waist skirt: Waist skirt, commonly known as waist, is a square with a side length of 30 to 35 cm, and a skirt is sewn on the top, left and right. Foot binding: Foot binding is leggings. Integral triangle, tied into an inverted herringbone, with 1 red ribbon sewn at the upper, lower, left and right corners and the lower corner. The top of the ordinary dress is white, and the dressing room is embroidered with five-color stripes at all edges and calves. Shoes: Shoes are embroidered shoes, made of black cloth. First, flowers and geometric patterns are embroidered on the vamp. Commonly known as "Melody". With the changes of the times and the growth of social communication, the female costumes of She nationality are becoming more and more rigid. The production skills of She costumes and headdresses have been listed in the intangible cultural heritage list at the county level, and the county * * * put forward the initiative of wearing traditional costumes on the first day of each week, which laid a solid foundation for the inheritance and promotion of traditional costumes. The literature of She nationality in China is composed of traditional folk literature and emerging writers' literature. In the folk literature of the She nationality, the mythical works about Pan Hu, the ancestor of the She nationality, attract people's attention. The works on this theme include the rhymes of ancient mythical songs Pangu Song and Lin Bao Wang Song, as well as the prose styles of mythical songs Gao Xin and The Dragon King and the Third Princess. These works are similar in content and tell the story of Long Lin, the ancestor of She nationality, who married Yincui gorge and gave birth to them because of his outstanding achievements in the war. Narrative folk songs of She nationality include Song of the Last Generation, Eighteen Emperors of Yuan Dynasty, Song of Desolation, etc. , involving the rise and fall of feudal dynasties, civil disasters and other important themes. Novel songs are a special form of She folk literature. Most of them are narrative songs adapted from Han literature works by She singers who know Chinese in the past two centuries, such as The Journey to the West, Legend of the White Snake and Butterfly Lovers. There are also novels and songs based on the historical stories of this nation, such as Zhong Liangbie, Zhong and Lan. The representative works of the folklore of She nationality include A Lang and Yuan Lian, Creation of the Earth, Rattan Bracelet and Bamboo Tube, etc. Folk stories such as "selling charcoal", "Shi Niu" and "picking up gold ingots" circulating in She nationality areas reflect the wisdom and moral concepts of working people. Pangu Song is an ancient folk myth song of She nationality in China. Also known as the Song of the King, the Song of the Emperor and the Song of the Ancestor of Pan Hu. It is a rhyme myth about the origin of the She nationality and has the original concept of totem worship. Western Han Dynasty "The Fairy Tale of Fushan";

She culture and art In the traditional culture of She nationality, folk songs, as the most important oral literature of She nationality, occupy an important position. Her family called folk songs "songs" and "songs" have been an indispensable part of her life since ancient times. In terms of melody, the Luoyuan She folk songs in Jingning are centered on the local area, which combines the tunes of Lianjiang, Jin 'an and the southwest of Ningde City, forming the "Luolian Tune", one of the three major tunes of the She people in Fujian and Zhejiang. Its characteristic is that the tune is closely combined with the lyrics, and the starting tone of each song is determined according to the pronunciation tone of the initial word of each lyric, so people will naturally adjust the score when singing. In the process of singing, each paragraph often changes its range and melody within the same mode tonality (pentatonic mode with wandering angle). The basic tone is "do, re, mi, sol, la", and the basic melody is "sol, mi, re, do", with two, three, four steps and some octaves. The speed of songs is generally stable and the style is simple and fresh. She folk songs include narrative songs, ancient songs, wedding songs, labor songs, ethical songs, ritual songs, novel songs, children's songs, etc., which almost cover the life of She people. Hu Shi said: "Everything in the past, from ideological and academic level to a word to a folk song, is history and belongs to the category of Chinese studies." She folk songs are "living fossils" of She culture. We can find the origin of She nationality from Huang Gaoge and Pangu songs. She nationality in ancient times began to multiply and develop from the four surnames of Pan, Lan, Lei and Zhong. From the ancient folk song Song of the She nationality in Lishui, we know how the early She nationality lived and how men and women worked. From the wedding songs of the She nationality, we can see the wedding customs of the She nationality, such as Song of Drinking and Song of Borrowing Pots. We know the funeral customs and ancestor worship of the She nationality from the lyrics of her funeral musical instruments "Leading Soul" and "Crying Mother". We know the living conditions of She nationality such as love and communication from many songs of She nationality. The combination of man and art forms an artistic form, which develops dynamically and the folk songs of She nationality are inherited dynamically. We must respect the artistic standards of the original state of the art form, and do not tamper with, distort or forcibly change the original form, so as to inherit the original art form to the maximum extent. She folk songs are rooted in the ecological and cultural environment suitable for her growth and survival. Protecting the ecological and cultural environment of She nationality township is the greatest support for the inheritance of She nationality folk songs. Chaoshan people call the songs sung in dialects "She songs", regardless of ancient and modern times. The meaning of "social songs" is actually equivalent to "Chaozhou songs". The general format of She nationality songs is: seven words are one sentence, and four sentences are a "bar" (first), and each bar becomes a piece of music, that is, a Ye Yun unit. Chaozhou song albums still use this format. As far as the form of singing is concerned, there are "novel songs", "miscellaneous songs" and "battle songs" Song of Emperor Gaudi and Song of King Lin Bao are both epics reflecting the heroic deeds of King Pan Hu. For example, "Song of the Emperor Gao" begins by saying, "The first time I went after the Yellow River, I came out to see the fields. The queen had earache for three years, and the golden worm was dug out three inches long. Dig out three-inch-long golden worms and raise them in a golden plate. Colorless and colorful, longan becomes litchi-like. ..... "The Dragon Period was also described as a magical animal" half like a unicorn and half like a leopard ",so Tiger Pan's song of the king was also called" the song of the king of our leopard ". There are many different versions of "Huang Gaoge" in various places, which just shows that she songs have a long history. Chaozhou song books have absorbed various forms of She songs. Today, there are still the remains of "Douge" in some remote villages in Chaoshan. The preface of Douge is mostly prefixed with five characters, such as a cloud: "She songs are thousands of miles away, and she loves to sing them (meaning" approaching "); Fighting for 1,800 miles does not sharpen the blade of a hundred miles. " Another example is: "She sings, alas, alas, and loves to play her songs; Fight 1800 Li, not grind more than 100 Li. Then, the singers "fight" each other. This form of battle song is the evolution and revival of the She poetry club. Because of the large dispersion, the She nationality did not form its own economic market, so it did not form its own characters, only its own language, so its production skills and culture and art were basically in a state of example from generation to generation before liberation. She nationality is also a nation that can sing and dance well. Singing is more popular than dancing, which is mainly included in sacrificial activities. After liberation, with the help of Han writers and artists, a number of songs and dances were arranged and a number of new songs and dances were created that could be performed on the stage. In the old society, she dance was mainly included in sacrificial activities, so some literary and art researchers in the past said ...

What's the difference between She nationality and Han nationality? On the differentiation between She nationality and Han nationality from the perspective of She nationality and She nationality in Sinicization

Lan Wanqing

Me, Lan, She nationality. Is my family She? What are the conditions for becoming a She nationality, that is to say, what are the regulations for becoming a She nationality, and what is the basis for determining this regulation. Or, to put it another way, what is the bottom line between She and Han.

Generally speaking, people are biological and social. Then the difference between She nationality and Han Geng is also different in biological and sociological sense. People are social people with more cultural connotations, and people pay more attention to their social and cultural essence. Chen Yinque's interpretation and inference of Shu Wei and Si Marui's Biography of Ethnic Groups in Jiangdong thinks that saints are "classless", and discusses in detail that the difference between Northern Dynasties and Hu people lies in culture, not race. In Sui and Tang Dynasties System Origin Draft and Tang Dynasty Political History Draft, he puts forward the standard of ethnic relations during the period of great ethnic integration and great migration, that is, the basis for ethnic division and the reason for identity lies in culture. Education is the most important content of culture, and education is an important manifestation and way of acculturation. There are a large number of "American-born Chinese" in developed countries in Europe and America. Chinese with yellow skin and black hair can't speak Chinese, and even lose any customs and psychology of the Chinese nation. Like bananas, they only have a yellow appearance and have no cultural tradition of the yellow race. They are educated by western civilization and take the value of white people as the standard. Are these people from China? According to Chen Yinque's standards, they are all outsiders.

The difference between Hu and Han lies in culture, and the difference between China people and foreigners is regardless of race. What kind of cultural differences are enough to change the national composition, and to what extent can the nationality of a nation be changed? In the sea of Han nationality in Wang Yang, the She nationality scattered in a small area has a deep degree of cultural adaptation. What is the part that makes She nationality become She nationality, or what is the core of She nationality, and what is the root of its long-term existence? Some people think it is the national psychological quality or national identity, but everyone's national psychological state will change due to various external factors, especially under the conditions of market economy, this change is even more elusive. Therefore, there must be a relatively stable thing that can be used as a representative of national culture. In the process of national historical development, this thing represents the internal significance of the She nationality and is an indispensable part of the cultural structure of the She nationality. It can be used as both she culture and she culture.

In the historical, cultural and social structure of the She nationality, surnames are a very important part. Without the surname of She nationality, there would be no She nationality and nothing of She nationality. The cultural tradition of the She nationality determines that it is impossible for the She nationality to leave the legendary four surnames. The She nationality in reality can't live without the three surnames of Lan, Lei and Zhong. She nationality, surnamed Nan Youbian, is free from temple vinegar, poor in vinegar and clumsy in words. lt； SPAN lang=EN-US>。

With regard to the origin of the four surnames of Pan, Lan, Lei and Zhong of She nationality, according to the research of He Guangyue's History of Baiyue and History of Nanman, the surname of Lan of She nationality originated from the ancestors' indigo dyeing blue clothes, and was named after being used to wearing blue clothes. Lei is a branch of the ancient Qiang nationality, also known as Li nationality and Li nationality. Lei people, who live in mountainous areas and take Lei as their surname, combine with some Yao people to become the Lei surname of She nationality. The bell, the ancient and the heavy are universal, and the Dongyi people marry the She women and integrate into the She people. However, the She nationality has its own view, which is related to the Pan Hu legend widely circulated by the She nationality. In all material and spiritual civilizations, such as documents, legends, ancestral maps, cultural relics and folk songs, there are traces of surnames such as Pan, Lan, Lei and Zhong. At present, three surnames, Lan, Lei and Zhong, are reserved in ethnic areas. As for Pan's whereabouts, the She people have their own legends. The author thinks that Yao's Pan surname can be regarded as the big brother of She nationality. Referring to my book "Discussion on the Fate of Pan's Surname of She Nationality" (Ethnic Studies 1989 No.3), the tradition of She Nationality has a very deep national psychological foundation, and intermarriage is practiced in rural areas. The author discusses in "A Discussion on the Marriage Form of She Nationality and the Choice of Their Children's Surnames in Fuzhou" (Fujian No.3, 1997) that the intra-ethnic marriage of She nationality is not so much the prerequisite for the survival of She nationality, ... >>

How to build a tourism complex with the theme of She culture is to imitate the style of Yunnan minority theme tourism. Anyway, she nationality has been sinicized for a long time. What are the characteristics there?

Tea culture of She nationality? She nationality has a long history and unique cultural connotation. They are kind, intelligent, hardworking and brave. They live in the mountains and call themselves "Shanha" (meaning "Shanke"), and live a farming life of "planting trees back to the mountains and planting flowers for a living". Like other nationalities in the big family of the motherland, drinking tea plays an important role in the life customs of the She nationality. From the "tea songs" of She nationality, we can realize that drinking tea is not only a common living habit, but also a set of welcoming etiquette, which has its aesthetic value that cannot be ignored. The tea performance of "Phoenix Tea" is based on a living custom in Shexiang: drinking egg tea. Villagers in Batishe Natural Village, Gan Tang Township, pingnan county, Fujian, used mugwort leaves as undercover, put a whole raw egg on a shelf and cooked it with boiling mountain spring water to brew "mugwort leaf egg tea". Whenever the men in the village do great things, do heavy work, or have minor illnesses, they should drink this kind of tea ―― mugwort leaves can clear away heat, detoxify and ward off evil spirits, and eggs can supplement it, so offering egg tea has become the first-class etiquette for welcoming guests. She people's worship of Phoenix can be traced back to the birth of this nation. The legacy of phoenix worship has always remained in their daily lives. For example, she women's hair bun is called "Feng Tou bun", clothing pattern is called "Feng Tiao", flower shoes have "Feng Wei Wen" and the whole body clothing is called "Feng Zhuang". In daily folk activities, whenever there is a festival, the She people always solemnly paste notes or pictures of "Phoenix is coming" and "Phoenix is coming" on the walls or beams of the hall. All these show that the spirit and belief of the She people are inextricably linked with the Phoenix, which is a symbol of the Chinese nation advocating truth, goodness and beauty. Red eggs used to pour wine in tea performances are called "phoenix eggs". Eggs also have profound symbolic significance in China culture. From the perspective of mythology, there is a symbolic isomorphic relationship between "egg" and human reproduction. In the myths of many ethnic minorities in China, the chaotic state of nature is a "cosmic egg" ―― a big uterus that breeds life. In the folk, when a woman gets married, her husband's quilt box is stuffed with cooked red eggs (phoenix eggs), which is linked to the concept of life. The whole tea set is divided into pots, lamps, cups, pots, pots, stoves and so on. And designed into various images and patterns in the shape of a phoenix; Phoenix's spiritual quality is noble, so it is carefully made of pure silver ―― She people take silver as a symbol of nobility and use it to shape it, which can well reflect the aesthetic characteristics of tea art. We might as well imagine that a She girl dressed in a "Phoenix costume" holds such a tea set and presents "Phoenix tea" to distinguished guests. Didn't it come true that she people love to say that famous auspicious sentence: "Phoenix is here"? Imagine again, when a guest is holding a silver cup in his hand and smelling it lightly, isn't it refreshing that the bitter and cool air of Artemisia argyi leaves is mixed with the fragrance of eggs and tea? The background music adopts Ding Xianzhi, the chairman and composer of Fujian Pingnan Music Association, who specially created "Silver Buds Leave Fragrance" for the tea performance. The music is based on the traditional music of She nationality widely spread in eastern Fujian and Luoyuan, Lianjiang. Happy and auspicious, complement each other, harmonious, full of feelings, highlighting national characteristics. The performance * * * is divided into eight steps: 1, and the phoenix splash: here, it refers to the washing of light green mugwort leaves, which are named after the phoenix. 2. The phoenix lamp is a floating bead: here, it means that the red egg is washed like a moon bud in a silver vessel, which means that the new life is baptized by nature. 3. Wuqi, Feng Dan: It means that the beads are round, here refers to the yolk, and the mugwort leaves are like phoenix leaves, which means that the phoenix lives in a buttonwood tree. 4. Looking for buds in Phoenix Cave: the teapot covers the hole and the tea is called bud. This refers to putting tea in a teapot, which is a metaphor: the phoenix seeks to burn, which means copulation. 5. Phoenix Dance Galaxy: refers to the flow of teapot, just like the Milky Way in the sky, and the phoenix dances on the Milky Way. 6. White dragon wrapped in phoenix: The "flow" of the pot here is named after the winding shape of the water flow when "Yintong" falls, which is a metaphor for the lingering meaning of two things. 7. Phoenix bath: The boiled kettle falls on the teacup and looks like a shower. It is a metaphor for the phoenix bathing in nature in the "Phoenix Pool". 8. Golden Phoenix Cheng Xiang: The scene of "Phoenix Tea" after brewing is like a golden phoenix entrenched in the treetops of buttonwood trees, and white clouds are wrapped around the golden sun, which means that the phoenix came to the world to give happiness, auspiciousness and selflessness to all those who love life. When we listen to the songs of the She nationality and taste the tea of the She nationality, we will deeply feel the true feelings and kindness of the children of the She nationality. There are many ways to make tea for She people, such as pagoda tea, emperor tea, bride tea, Albizia Albizia tea, four surname tea, etc., all of which can produce exquisite "tea art" and other works of art, but it is still waiting for us ...

There is no difference between She culture and Han culture. There is a She nationality in our university dormitory, and there are no taboos and beliefs.

There are different opinions about the origin of the She nationality in the cultural history of the She nationality, and there are mainly the following opinions: (1) She Yao originated from "Wu Lingren" (also known as "Wuximan") in Changsha during the Han and Jin Dynasties. According to this theory, the totem worship of Pangu Gua, which belongs to primitive society, is widely spread among She nationality and most Yao nationality. The content of the legend is similar to Pangu Gua, which spread in the lower reaches of Changhong River during the Han and Jin Dynasties. Therefore, it is considered that the She nationality and Yao nationality are closely related to Wuling Bay. Among the Yao people, Pan Gu A Yao (or, Roof Yao, Guo Shan Yao) and Shan Zi Yao, who call themselves Mian, account for more than half of the total value of Yao people, and also believe in the legend of Pan Gu A gua. In terms of language, although more than 99% of the She people speak a language close to Chinese Hakka, the She people living in Huiyang, Haifeng, Zengcheng and Boluo in Guangdong speak the Bunu language of the Yao people, which belongs to the Miao language branch of the Miao language family of Sino-Tibetan language family. In terms of tone, although she folk songs are similar to Hakka folk songs in many places, there are four traditional basic tones (Funing, Fuding, Xiapu and Luolian) in Ningde, Fujian, which are completely different from Hakka folk songs. These four basic tones are strikingly similar to Yao's self-proclaimed "Mian" and "Bunuyao". ② Dongyi said. On the basis of the theory that she and Yao are both Wu Lingren's tombs, some people further trace the origin of the She nationality back to the Dongyi branch living in the southwest between the Huaihe River and the Yellow River during the Spring and Autumn Period and the Warring States Period. They believe that the She nationality and most of the Yao nationality originated from Wuling Man, which is the integration of other ethnic groups after Dongyi moved to western Hubei and Hunan. The late Professor Pan Guangdan traced the origin of "Wu Lingren" in Changsha to a branch of "Xuyi" in "Dongyi" between Huaihe River and Yellow River during the Spring and Autumn Period and the Warring States Period. He believes that it is closely related to Miao, Yao and She nationalities. Later, some of them moved into the Wuling Mountain area in the Yangtze River valley, which developed into today's Yao nationality, and some of them merged with the Han nationality in the mountainous areas of Jiangxi, Fujian and Zhejiang to become the She nationality. The other part once settled in Dongting Lake area, that is, the Miao people who later entered Xiangxi and Guizhou. Some people compare the cultural heritage of Gao Xin's family with that of Dongyi and She ethnic groups, such as women's knots, Mongolian scarves, red hair bands, silver ornaments for arranging flowers and birds, clothes like phoenix feathers, bronze mirrors for dressing and dressing, cooking, picks, crossbows for hunting, wooden slippers and grass cage shoes. There is a story of "one dog with nine lives" (that is, killing a dog in the city requires nine lives), praising the story of "Phoenix burning birds". When you get married, write "Phoenix is here" on the main entrance. It can be seen that Di Ku, Dongyi and Xuyi have a very close relationship with the Gaoxin She nationality. (3) the "Yue people" offspring said. It is believed that the She nationality is a descendant of the ancient Yue people. According to the comparison of the geographical distribution between the ancient Yue people and today's She people in history books, or the coincidence of folklore and historical records, or the evolution of ethnic meanings and sounds, the more they have the same legend of Pangu melon, the same mode of production, the same level of production and the same customs and habits, the more they think that the She people are descendants of the ancient Yue people. In the theory of the descendants of the Yue people, there are many different specific views. For example, the She people are descendants of Gou Jian or Fan Li, the king of Yue in the Spring and Autumn Period; Some people think that the She nationality is a descendant of the Yue people in China during the Qin and Han Dynasties. It is also believed that the She nationality originated from the "Mountain Yue" in the Han and Jin Dynasties, especially Wang Zhi, a descendant of the Yue nationality who was granted land on the border of Fujian, Guangdong and Jiangxi in the 10th year of Emperor Gaozu (BC 196). (4) "Nanren" theory. According to this theory, the She nationality is a branch of "Manchu" or "Southern Manchu" and an indigenous people in Guangdong. According to this theory, the legend of Pangu hexagrams not only spread to Wuling people, but also included "Today, Bashu, Fifty, Changsha and Lujiang counties are all barbarians" in Search of Ji Shen, which is equivalent to more than half of southern China today. She and Yao have a close historical relationship with the legendary "Nan Man" who worshipped Pangu Gua in the Yangtze River valley during the Han and Jin Dynasties, and the Phoenix Mountain in Guangdong is the birthplace of their nation, which is widely known in Fujian, Zhejiang and other places, thus proving that she is a member of the "Nan Man" who lived in Guangdong for a long time in the Eastern Han Dynasty and is a native of Guangdong. (5) On the descendants of Fujian aborigines. According to this theory, Fujian and Vietnam are two ancient nationalities in southern China. Fujian is a native of Fujian, the ancestor of the She nationality, Yue is a Hakka in Fujian, and the She nationality is not ... >>