Liang Xiaojun's Famous Comment-Liang Xiaojun

When going deep into the classics, it did not aim at copying, but magnified the original post several times or even dozens of times, which was magnificent and touching. He absorbed a lot of important information from the original post, and according to his own re-understanding, he showed these elements with great temperament, thus surpassing the ancients. —— Mao Jianbo (Director graduate department of China Academy of Fine Arts, Professor of History Theory Department, Doctoral Supervisor)

Liang Xiaojun is an enterprising young calligrapher. He has a soft spot for Weibei and Crazy Grass. The form of Weibei is quite innovative, and the wild grass weather is open and full of passion. I have always believed that calligraphers should first have the courage to explore, let go (thoughts and pen and ink), express their personal feelings, and then slowly converge with the deepening of learning, so that the written works can become meaningful forms. Stick to the rules, step by step, dare not cross the line, and eventually become a bookseller at most. Because artists should not only know how to practice, but also know how to break through. Xiaojun can be said to be an example for contemporary young calligraphers. I wish him maturity step by step. —— Bai Di (professor and doctoral supervisor of China Academy of Fine Arts, vice chairman of Zhejiang Book Association)

Although Xiaojun is very young, he is my old friend. An unforgettable friend who has been in contact for more than ten years. Every time I see him or touch him, it will bring me no small surprise. He is showing more and more extraordinary talent. Talent alone is not enough. Behind his talent is his love for calligraphy, his diligence, his frankness and sincerity as an artist, and his courage and courage in creation. These precious qualities are all in one. In this short course of more than ten years, it is reasonable to have such a unique performance. People's roots are uneven. Some people have to study for 20 years, some people have to study for 30 years, and some people may still linger outside the door all their lives! Xiaojun's understanding of calligraphy obviously belongs to the rare root of goodness. Xiaojun is old and rich, and the bright future of China's calligraphy really depends on their generation. I'll just wipe my eyes and wait —— Liu Yanhu (professor of Central Academy of Fine Arts, tutor of master students, associate researcher of China Academy of Fine Arts)

Liang Xiaojun is unforgettable because he is thin, but energetic and good at making large-scale works. Second, he is young, but he is diligent in studying and is familiar with the five-body classics; Third, he was born in the ordinary class, but he brought forth the old and sought new laws of the times. His creative practice is a correct response to the present situation of calligraphy art after the change of the world. He has a strong sense of innovation and courage at such a young age, and his works are full of vitality. As time goes on, his success can be expected. —— Liu Hongbiao (director of China Calligraphers Association and secretary general of cursive script committee)

Xiaojun's copy is very clever. He not only pays attention to "technology", but more importantly, he pays more attention to everything except technology. Some have reached the height of inheriting the shape and taking the spirit, have their own characteristics without diluting the ancients, and have traditions without forgetting their homes. This book is a rare and valuable thing for a writer. I think Dacao is the best in Xiaojun's creation, and I can't put it down. He can properly handle the contradiction between danger and fairness. Nowadays, some people regard danger as a strange thing, or pose to make people feel uncomfortable. It can't bring people enjoyment, but it makes people "uncomfortable". A word difference is a thousand miles away. —— Sun Qifeng (former vice president and professor of Tianjin Academy of Fine Arts, famous painter)

As the core of post-learning, cursive script is not easy to write big characters. Jun Jun is an elite of new post-learning, with academic skills, young people's lofty sentiments and aesthetics. Small wrote a string of small gold characters, the font is neat and elegant, and the lines are smooth and boundless. What is more valuable is to show the lightness and beauty of his post, and truly show his talent and skill, as well as the aesthetic quality of the times. —— Zhang Xuguang (Deputy Secretary-General of China Artists Association and Deputy Director of the Cursive Committee of China Calligraphers Association)

I should know Xiaojun better, so I think he is nothing, just a unpredictable person.

His talent is not high, but he dares to think; He doesn't think deeply, but he dares to do it. His work is not necessarily meticulous, but he is dedicated and persistent. To put it bluntly, he is a serious and down-to-earth person.

Tossing is a verb, which often refers to the course of action in which the result has not been evaluated. The specific performance of this process is to make yourself very excited and busy, and to make the viewer very excited and itchy. ..... Jun is in such a state now. It's a bit like looking for trouble to make trouble with calligraphy. He has to do the same for a good thing. I don't know what I have, but I don't know what I want him to give me. Anyway, he must have a new play. .....

He is the only one running in the crowd, so he will attract people's attention from time to time. But there is no wolf behind and no money in front, so not many people care what he is in a hurry.

What's the hurry?

I don't know, but every time I look at him full of vigor and sweat, I always gasp and say jealously: It's good to be young.

—— Zhang Yuxiang (Ph.D., associate researcher of China Calligraphy Research Institute, member of regular script committee of China Calligraphers Association, vice chairman of Guangxi Calligraphers Association. Author's note: Mr. Wang is my important first teacher, and I thank Mr. Zhang for his careful teaching. )

There is no building outside the building, and it takes ten years to sharpen a sword. In the "scorching sun" grass camp, fellow initiates from all directions, the scenery of the book forest is also invincible. It entertains with the capital of heaven and earth, and relieves Zen from the land without words. Obey the rules and be self-disciplined, and the opposite is the right way. Yongle Gong said: People who are suddenly enlightened can do their best. Sixty seconds and eleven meters, the West Lake is half inkstone; And the establishment of the life force in the year of establishment, a bunch of north flow. Because of life, success is immortal in the unknown.

If there is nothing else, it is also called ouchi; The man inside is extremely tolerant. It's great to cover all the mysteries.

Zhang Guangya is pregnant. How many times has he known? Hey, who are we going home with? The so-called "a gentleman can be true, and a real celebrity can be romantic" is absent-minded.

However, lightning and thunder are abnormal; Seeing Buddha when flowers bloom is an eternal persistence. Quiet inside is self-sufficient; How can a good person become a good person? There is no aftertaste of grass outside the building.

Landlord Liang Xiaojun, a young and mature master, is also a future master.

—— Zhang Peiyuan (President of China Society, Founding Chairman of China Chinese Character Calligraphy Research Association, Dean of Hong Kong Calligraphy Institute, President of Calligraphy Society)

Xiaojun talks to the classics almost every day, just like a painter who insists on sketching for a long time. What is commendable is that Xiaojun attaches great importance to free self-expression while observing the statutes, which is like two sides of a knife. Jun Xiao, who came from a professional background, showed a basic attitude, and was broad-minded in the tradition, which made people respect him. This creative idea is of exemplary significance to contemporary calligraphy. —— Wang Yongjiang (member of the presidium of Zhejiang Calligraphy Association, director of the creative committee, chairman of Zhejiang Young Calligraphers Association)

I admire Xiaojun's attitude towards study and life. His research on calligraphy creation and creation is obsessed with his bones, which is rare among calligraphers!

—— Chen Dazhong (Professor and Doctoral Supervisor of China Academy of Fine Arts)

How calligraphy should move forward in this era-such a proposition is not what ordinary calligraphers care about, but what ordinary calligraphers care about is whether the handwriting is good or not, and how this calligraphy moves forward is none of my business. But for people who come out of colleges and universities, he has this consciousness and this sense of mission. In fact, many talents in China Academy of Fine Arts have a good accumulation and a strong sense of scientific research and exploration, which is a leading creative atmosphere. Liang Xiaojun is such a young calligrapher with scientific research consciousness and exploration spirit. From undergraduate to master of the Academy of Fine Arts, he has undergone rigorous training. With his creative talent, he has achieved good results in calligraphy creation and copying. He is the best in the calligraphy department of China Academy of Fine Arts. —— Chen Zhenlian (Vice Chairman of China Calligraphers Association, Vice Chairman of Hangzhou Municipal People's Congress, Vice Chairman of Zhejiang Federation of Literary and Art Circles)

I like Xiaojun's cursive script in Chinese characters best. With his unique understanding, he gave a brand-new interpretation to the classics. The strangeness revealed in the work will never let the audience's eyes slip away! Xiao Jun's grasp of "degree" is still in place in the exuberance of God. Under the rough clothes, it is a perverted "unintentional willow". Seeing that he used Su Mo's rough work on Fang Bi, you can't help but sigh the artist's boldness and admire Xiaojun's good pen! In an open era, if you dare to make such a bold interpretation of the classics, you will invisibly integrate the times into your works! —— Liang Yonglin (director of China Calligraphers Association, editor-in-chief of overseas editions of Celebrity Weekly and People's Daily, member of the Painting and Calligraphy Institute of the Central Museum of Literature and History)

Cursive script has always been the best choice for calligraphers because of its rich pen, changeable structure and rhythmic composition. The brushwork of small military seal script is integrated into the creation of Wild Grass. His pen is simple and elegant, full of lofty sentiments, and he can carry the tripod with one strength. In the huge cursive writing full of passion and impulse, there is a peculiar smell coming out of his chest generate, which tends to be restrained by the deep stone. He seems to be pursuing the harmony with the spirit of heaven and earth of the ancients. I think this is also the reason why he chose cursive script as the foundation of his life.

—— Han (Professor and Doctoral Supervisor of China Academy of Fine Arts)

Every exploration and experiment of Liang Xiaojun is not necessarily successful, but in quite a few works, we can all see traces of touching the core part of art, and the value of exploration has been proved by his continuous progress, especially his cursive writing, which is really at the forefront of contemporary cursive writing. It is difficult to write big grass, it is even harder to write giant grass, and it is even harder to write long and big grass. This is not a small role, it is a comprehensive contest of physical strength, skill and courage. Liang Xiaojun impressed us deeply with the atmosphere of his calligraphy art and the creativity that people can achieve.

—— Bao Xianlun (Deputy Director of Zhejiang Provincial Department of Culture, Director of Zhejiang Cultural Relics Bureau, Chairman of Zhejiang Calligraphers Association)