Du Fu wrote a poem to express his feelings after landing. Which poem is it?

Du Fu

Wan Kun didn't starve to death, and the Confucian crown is often mistaken.

My father-in-law tried to listen, and the bitch glanced at Chen:

Just yesterday's Youth Day, I saw the ambassador in advance.

Reading breaks thousands of volumes, and writing is like a god.

Empower the enemy with materials and build a home with poetry.

Li Yong seeks knowledge, and William Wang is willing to be a neighbor.

Boasting to be quite outstanding, Li Deng wants Jin Lu.

To the monarch, Yao and Shun, and then make the customs pure.

This idea is actually suppressed, and the songs are not hidden.

Riding a donkey for thirteen years, traveling and eating jinghua spring.

At the door of the rich, dusk carries the dust of fat horses.

There are broken cups and cold roast everywhere.

The Lord has seen this sign, but he is eager to expand it.

The green ghost has wings, but no vertical scales.

I am ashamed of my father-in-law, and I know his father-in-law is true.

Every time I go to Bailian, I recite new beautiful sentences.

Stealing gong, it is difficult to be poor in Yuanxian.

How can you not be satisfied? Just walking around.

Today I want to go to the sea in the east and Qin in the west.

I still pity Nanshan and look back at Weibin in Qing Dynasty.

I often plan to sign up for a dinner party, Minister Kuang Huaici.

Bai Ou is not mighty, who can tame Wan Li!

Among the poems written by Du Fu who was trapped in Chang 'an for ten years, this one is the best. This kind of social poetry has an obvious attempt to get quick success and instant benefit. Ordinary people write to please each other, or deliberately belittle themselves, which is easy to show the shabby appearance of flattery and begging for mercy. In this poem, Du Fu can be modest, express his feelings directly, and spit out his long-standing resentment against the feudal rulers for suppressing talents. This is what makes him different.

In the seventh year of Emperor Xuanzong of the Tang Dynasty (748), before and after Wei Ji became Zuo Cheng, Du Fu and Zeng Zeng wrote two poems about him, hoping to get his promotion. Although Wei Ji appreciated Du Fu's poetic talent, he failed to give practical help. Therefore, Du Fu wrote this song "Twenty-two Rhymes" again, saying that if he really couldn't find a way out, he was determined to leave Chang 'an and retire from the Jianghu. At the age of 24 (735), Du Fu failed in Luoyang Jinshi Examination, and it has been thirteen years since then. In particular, it has been three years since I went to Chang 'an to seek fame, but the result is that I have hit a wall everywhere and my ambition is hard to stretch. The lofty sentiments of youth have already turned into a cavity of resentment, and they have to vent in front of Wei Ji.

How does the poet pour out his indignation? In the whole poem, the poet mainly uses contrast and frustration to express the repressed feelings in his chest, which is really touching. This poem should be said to be the first one that embodies the "depressed and frustrated" style of Du Fu's poems.

There are two kinds of contrast in poetry: one is to compare others with oneself; One is to compare the past with the present. Let's talk about comparing others with ourselves. At the beginning, "Wan Kun didn't starve to death, and the Confucian crown often made mistakes", and suddenly the poet burst into a strong voice of injustice like a river that burst its banks, which was really unstoppable. In the era of poets, those playboys were ignorant and arrogant. Their spirit is empty, they are redundant people in the world, but they will not starve to death. However, most honest scholars, Fu, are empty-headed, and have been struggling on the brink of hunger, seeing that their career and prospects have been missed. These two poems, straight to the point, clearly reveal the main idea of the whole article and effectively summarize the dark reality of the inversion of the virtuous and the foolish in feudal society.

Judging from the description of the whole poem, the main purpose of writing "Wan Kun" and "Don't starve to death" is to highlight the "mistakes" of "the crown of Confucianism" and neglect others in order to rewrite themselves. Therefore, when the poet confided in Wei Jitan, he put aside "Wan Kun" and firmly grasped the different changes in his pursuit of "Confucian crown". He once again expressed his endless feelings of being proud of being young and being humiliated by mistakes by contrast. This second comparison, the poet fully used 24 sentences, which was really ups and downs and incisively and vividly. Twelve sentences, from "Yesterday's Youth Day" to "Let the custom be pure again", were written with pride and honor. The poet introduced his outstanding talents and lofty aspirations in his early years through narration and recollection. Young Du Fu has seen the world for a long time in Luoyang. He is knowledgeable and writes brilliantly. Self-cognition and Yang Xiong's enemies in poetry, and blind date in Cao Zhi's poems. It was love at first sight, and he won the appreciation of contemporary literary leader Li Yong and poet William Wang. With such outstanding talent, he naively believes that it is not easy to seek fame and career. By that time, we can realize the political ideal of "loyalty to the monarch and kindness". The poet writes with a pen, swaggering, full of ambition and arrogance. I write this, of course, to let Wei Ji know who he is, but more importantly, I should highlight my current humiliation. From "this meaning is really depressed" to "there is no vertical balance", writing in twelve sentences is insulting, which is in sharp contrast with the previous twelve sentences. Reality is cruel, "Yao Lujin" has long been occupied by "Wan Kun", and the contradiction between subjective desire and objective reality mercilessly mocks the poet. Look at the poet's travel career in the bustling capital: for many years, the poet often rode a thin donkey and ran around the bustling streets. Knocked on the door of a very rich family in the morning, suffering from the eyes of a dude; At night, I came back with the dust raised by the noble fat horse. For many years, I have been living in the cold cup of dignitaries. Not long ago, the poet took a special exam held by the imperial court. Unexpectedly, this exam turned out to be a big scam planned by the traitor Li. Under the evasive words of "wild wind", the poet waited for all the candidates to be defeated. This is a heavy blow to the poet, just like Dapeng, who just flew into the blue sky, lost his wings again, and also like a whale giant swimming in the ocean suddenly lost his freedom. The poet's mistakes, humiliation, pain and misfortune reached the peak.

This large section of comparative description, with hesitation, is like a person climbing the mountain step by step. At first, he was really full of spring scenery and be elated. He thought that he would fall from the peak, such as a stone falling from the mountain, plummeting, so that the second half was completely enveloped in an atmosphere of grief and consternation. The more proudly the poet writes about his youth, the more he can set off the sadness of the Confucian crown, which is probably the painstaking use of contrast by the poet!

From "I'm ashamed to respect others" to the last chapter of the poem, the poet's gratitude to Wei Ji, his disappointment with expectations, and his contradictory and complicated mood of being determined to leave but reluctant to go. Such a rich and varied ideological content will inevitably require the poet to express it in another tortuous brushwork, in order to receive the artistic effect of "it is also deeply rooted in the hearts of the people." On the bumpy road of life, the poet can no longer bear the poverty of Confucius student Yuan Xian. He secretly pleased that Wei Ji became Zuo Cheng, just as Gong Yu in the Han Dynasty celebrated his friend Wang Ji's promotion. How the poet wishes that Wei Ji could help himself more practically! But reality has proved that such hope is impossible to realize. The poet can only force himself not to be so indignant, but when he is about to leave, he still lingers there. It is unwilling and necessary for poets to retire from mountains and rivers. He was so attached to the imperial city he hoped for, and Wei Ji, who had been "grateful for a meal", that he would never forget it. But what can be done? Finally, I had to step down resolutely and drift away in the waves of Wan Li like Bai Ou. In this passage, the poet wrote about his ambivalence of turning from hope to anger, wanting to go to grief and turning back step by step. It's full of twists and turns, coupled with the touching contrast in front, which fully embodies the artistic characteristics of Du Fu's song "Thinking deeply and singing sadly" (square).

"Bai Ou is not mighty, who can tame Wan Li!" From the structural arrangement, this ending is forced from a hundred turns to a thousand turns, just like a strange peak, and the stronger the final potential. Expressed the poet's noble sentiment, broad mind, strong character, from the page. As Pu Qilong pointed out, "a knot is high and never ends" (see reading). Dong also said in his article that ... his words are open-minded and arrogant, which shows that although the public is trapped, the heroes are handsome and colorful, and there are many frustrations. "(quoted from Qiu's" A Detailed Interpretation of Du Fu's Poems ") At the end of this song, the lofty sentiments of the poet when he was young will reverberate in our hearts. Our poet, tempered by the world, did not succumb to the harsh and unreasonable reality of feudal society, but showed the impact of a blue sea spreading its wings, thus sublimating the ideological content of the whole poem to a new height.

The whole poem not only successfully uses the brushwork of contrast and frustration, but also shows the tempering in plain language, which has profound implications. For example, "broken cups are roasted in cold, and there are hidden worries everywhere", which exhausts the indifference of the world and the spiritual trauma of the poet. A word "latent" shows the omnipresent sadness and compassion, which can be described as compassion and goes deep into the bone marrow. Compared with an ordinary "yes" or "you", I don't know how many times it is subtle and vivid. The sentence pattern is characterized by the combination of parallel prose and scattered prose, mainly scattered prose. Therefore, reading in one breath has both the beauty of neat contrast and the beauty of flying vertically and horizontally. Therefore, all this fully proves that the poet's skill is profound, and it also indicates that the poet's long works are becoming more and more mature. With the drastic changes of the times and the richness of life, it will surely shine brilliantly in medieval poetry.