Sentences describing superb photography skills

I believe that every friend who loves photography or is engaged in photography will cherish one or a few famous photography sayings in his heart. Here are some sentences that I have compiled to describe my superb photography skills for your reference.

Sentences describing superb photography skills

Martin? Young salmon

1. Don't make the person in the photo smile unless you just want to take a snapshot.

When shooting others, the closer you are, the better.

3. Choose a suitable shooting environment, I mean only the shooting environment suitable for the subject.

Then, don't make them laugh, which is the biggest misunderstanding of amateur photographers.

For candid photography, as long as you persevere, the goddess of luck will always come.

Pete. lathe work

Looking back, if you want to be noticed, good photo printing quality is very important.

7. Shoot what you really like, and this passion is usually shown in your works.

8. When shooting outside, be sure to look back.

9. Stick to a lens with a focal length, and you will improve a lot.

10. Before becoming a master, keep learning lighting and shooting angles.

John? Rankin

1 1. Never think that the camera is the most important. He's just your tool. Hold your hand tightly.

12. Experiment and adventurous spirit are very important, just like our magazine Dazed &；; Confused like early appreciate other people's works, but refused to copy!

13. Always pay attention to the change of light. Photography is the art of light, whether it is sunlight, candlelight or light produced by computer screen.

14. Deeply understand your shooting theme and let the people in front of your camera participate. Eyes can't keep staring at the frame, photographers and models should build more trust and communication, and finally, press the shutter.

15. Helmut Newtown's intellectuals are keen to discuss the significance of photography, so photographers are increasingly reluctant to press the shutter. This situation may lead to polarization of photography, leaving only two kinds of people: news photographers and philosophers. Kodeka: I don't consider myself an intellectual or a philosopher. I'm just watching.

16. Kodeka I'm not interested in photography philosophy, I'm interested in limits. I always shoot the same people and the same scenes. Because I want to know these people, these situations, and my own limits, whether it is the first success, the fifth success, or even the tenth success.

17. Kafka people shoot things to drive things out of their hearts. My story is a way to close their eyes.

18. Ralph Gibson: I don't care how the camera looks at things. I want it to look at the world the way I look at the world.

19. Eugene? Smith always said I was a romantic, because they were cynical and frustrated, so they couldn't believe anything. And when I stick to my beliefs, they call me romanticism.

20. Kyle Lyu3 bu4' s dream and discipline do not conflict, they are two sides of a whole. Just like music, it is based on the accuracy of mathematics, but it touches us from the feeling and mind. Skill and sensibility are inseparable.

2 1. Edward? A photographer in Bubba knows that behind the flowers are the sufferings of the whole world. Through this flower, he can touch other things.

22. Edward Bubba, the photographer, is actually the one who got nothing, but he always kept hope until the last moment. This hope inspired him to persevere. Photographers can stay young because they want to take successful photos until the last moment. Andre? Cortez camera is my tool, through which I give a reason to everything around me.

23. william klein: Why does photography have to bear the burden of testifying for the real world? Bresson's command to use a wide-angle lens distorted the facts. Only a standard lens of 50 cm is normal vision, and photographers of the whole era take this as the standard. In my opinion, a wide-angle lens is more normal than a standard lens. You can even say that from a limited point of view, 50 cm is a punishment. We are looking at the world with two eyes, and the camera has only one eye. No matter what lens we use, any photo is a distortion of what our eyes see.

Diane. Arbas

25. I am often moved by the photography skills, but I don't like this temple very much. I was moved by it because really good skills only obey the mysterious inner world.

26. The way I take pictures is clumsy. I don't arrange dates. I stood in front of them. I don't arrange them. I'll arrange it myself.

Bre

27. For me, the camera is a sketch book, a tool to capture instant inspiration. You have to ask questions and make decisions about everything you see in an instant, and explain to people what is happening in this world through a limited viewfinder. This is the simplest and most direct expression, but it also requires you to pay attention, be well-trained, be sensitive and have the aesthetic feeling of geometric composition.

What I want most is to grasp the whole essence of a situation unfolding before my eyes. I'm sure that only one photo is enough.

29. Sarah, I have always understood that you should close your eyes before opening them. When I choose, my eyes are not entirely mine. It has no age limit, because it is the first time to look at it and unconsciously discover what is known in the soul. I have always understood that I don't know what I am looking for, and exploration has surpassed my income and pushed me forward.

Sentence recommendation with superb photography skills

30. susan sontag's photography implies that we can understand the world with the images recorded by the camera, and this kind of understanding runs counter to' understanding', because the real' understanding' must never start from seeing the world with appearances. So, I think strictly speaking, we have never been able to really understand anything through a photo.

3 1. Alfred. Eisen Tast keeps it simple.

Alfred. Stiglitz can take pictures when there is light.

33. Andres? A technically perfect photograph of Faninger may be the most boring image in the world. A good photo is a successful combination of technology and art. Unless the scenery interests me, I will skip shooting and save my film to shoot something better.

34. Ansel? Adams, you're not taking pictures, you're taking pictures. There are only good photos, but there are no rules for good photos. Not everyone believes in painting, but people believe in photography. It is a good harvest to have 12 meaningful photos in any year.

35. The photographer Arnold Newman must be part of the photo.

36. Barbara? Morgan gave me creative shapes and scripts, which is why I became a photographer.

37. David? Pull? People in Syaber say that photos don't lie, but mine do.

38. dorothea. Lange camera is a teaching aid that teaches people how to see the world without a camera.

39. David Layfield lies not in the investment in the camera, but in the camera's perspective.

40.doug Batereau As a photographer, the hardest thing is that you have to shoot.

4 1. Emily. Zola: In my opinion, you can't say what you saw until you filmed it.

42. edward Thompson, don't tell me the photos you didn't take, just let me see the good photos you took.

43. The truth in Fred Pique's photographer's eyes is what their photos show.

Freeman? The satisfactory exposure of Patterson's roll of 36 photos means that the photographer has no new attempt.

45. gerry Kaplukin photography is my second language.

46. Gandhi I believe that everything is equal to everyone except journalists and photographers.

47. Owen? Payne can make cakes into works of art.

48. Real photographers are as rare as real poets or painters.

49. John? Zakovsky Luck is a serious photographer and the best teacher.

50. Mary? Allen? Mark, the hardest thing is to find the best subject.

5 1. mark? Twain's imagination is out of focus and his eyesight is unreliable.

52. Neil? Rever, you must be prepared for good luck. Sometimes the simplest photos are the hardest to take.

53. The film in Orson Willis' camera is useless unless it is an eye on the poet's head.

Percy Harris's photography skills were acquired through hard work rather than money.

55. Pete For great photography, what matters is the depth of feeling, not the depth of field.

56. Pablo? Picasso's two most lost careers are dentists and photographers: dentists want to be doctors and photographers want to be painters.

Ronald Reagan, I like photographers because you don't ask questions.

58. Robert Doisneau If I know how to take good photos, I will always take good photos.

59. Sam Abel, my best works are often unconscious and beyond my understanding.

60. Terrence. The problem with Donovan amateurs is that there is no reason to take pictures.