What kind of art is Qin Terracotta Warriors and Horses?

Question 1: What kind of artwork are the Qin Terracotta Warriors and Horses? The Qin Terracotta Warriors and Horses are ceramic artworks

The Terracotta Warriors and Horses are mostly made by the method of pottery bonding. First, use a pottery mold to make the first embryo, and then cover it with a layer. The fine mud is processed, carved and colored. Some are burned first and then connected, and some are connected first and then burned. In fact, each of the terracotta warriors and horses back then had bright and harmonious paintings.

Question 2: What is the artistic style of Qin Shihuang’s Terracotta Warriors and Horses? The artistic characteristics of the Terracotta Warriors and Horses sculptures are mainly the combination of painting and sculpture, focusing on expressiveness, ingenious composition, flexible techniques, unified form and content, and both authenticity and richness. Decorative. Because of this, the Terracotta Warriors and Horses occupy an important position in the history of Chinese sculpture, comparable to the sculptures of Greece and Rome. Generally speaking, it is: realistic carving techniques and attention to detail.

Question 3: What are the main artistic features of the Qin Terracotta Warriors and Horses? Generally speaking, it is: realistic carving techniques and attention to detail.

The terracotta warriors and horses in the Mausoleum of Qin Shihuang contain infinite power in the overall harmonious unity of movement and stillness, revealing the artistic designers' admiration and respect for the military might of King Qin. As an individual sculpture, the concretization of the image, especially the personalization of the face, adds to the vitality of the military formation. The production of pottery figurines uses a combination of molding and hand-kneading. Craftsmen and artists use techniques such as molding, engraving, and scratching during the molding process, and give full play to their personal imagination based on long-term observations of different characters. The face shapes and expressions of the figurines are diverse: some have rectangular faces and wide foreheads, some are round and have bulging cheekbones; some are strong and some are delicate; some are honest and simple, and some are smart and capable. The style of beard and hair is also unique. Some have beards with upturned horns and thick mustaches on their cheeks. Some have several strands of long beards; some only have short mustaches. The hairstyles are also strange and varied: long hair tied with a mustache, the mustache can be tapered or round, and the position can be biased or straight. The braids on the back of the head may be twisted into a cross shape, a big letter shape, or a branch shape. Except for a few standing shooters, kneeling shooters and driver figures, most of them are in an upright posture, with the right hand holding a weapon, the left hand drooping, and most of the bodies are molded. The theme of the military formation requires the warriors to stand upright, and the neat and uniform arrangement naturally forms the overall solemn layout of the military formation, showing the unstoppable momentum of the Qin army's thousands of troops sweeping across Liuhe. In the limited freedom of creation, the artist shaped each warrior and poured into them their love for the children of ordinary people. In the harmony of the unified change of the whole and the individual, a huge artistic conception is completed, which not only embodies the military power desired by the ruler, but also expresses the vitality of ordinary people.

Question 4: What are the artistic value and historical value of the Terracotta Warriors and Horses? 1. The artistic value of the Terracotta Warriors and Horses:

The creation of the Terracotta Warriors and Horses is based on real life, and art The technique is delicate and bright. The costumes and expressions of the pottery figurines are different. There are many different hairstyles, different gestures, and different facial expressions. From their clothing, expressions and gestures, you can tell whether they are officers or soldiers, infantry or cavalry. There are bearded veterans who have been on the battlefield for a long time, as well as young people who are new to the battlefield. The 1.96-meter-tall general statue stands majestically upright, contemplating, and showing a resolute and mighty look. The warrior figurine raised its head slightly and stared straight ahead, looking high-spirited and a bit childish. The warrior wearing armor, holding a spear in his right hand, and pressing the chariot with his left hand, his posture and movements show that he is a chariot warrior guarding the car. In short, the pottery figurines have distinct personalities and strong characteristics of the times.

2. The historical value of the Terracotta Warriors and Horses:

They are the perfect embodiment of the realistic art of the Qin Dynasty. They are tall in shape, well-proportioned, vivid in image, and lifelike in expression. They can be described as thousands of people with thousands of faces, lifelike. The mighty and majestic military formation reproduces the military exploits and power displayed by Qin Shihuang in order to complete the great cause of unifying China. It can be called a unique pearl. It has attracted global attention and shocked the world because it has a majestic underground military formation from the Qin Empire more than 2,000 years ago - a majestic underground military formation composed of more than 7,000 terracotta warriors and horses. .

Question 5: What is the artistic achievement of Qin Shi Huang’s Terracotta Warriors and Horses? The Qin Shi Huang Terracotta Warriors and Horses Museum is located in the east of Lintong County, 37 kilometers away from Xi’an, with Li Mountain to the south and Weishui River to the north. It is magnificent and is a key cultural relic protection center in the country. unit.

Artistic value:

This batch of terracotta warriors and horses has high value in the art history. The creation of the terracotta warriors and horses is based on real life, and the artistic techniques are delicate and bright. The costumes and expressions of the pottery figurines are different. There are many different hairstyles, different gestures, and different facial expressions. From their clothing, expressions and gestures, you can tell whether they are officers or soldiers, infantry or cavalry. There are bearded veterans who have been on the battlefield for a long time, as well as young people who are new to the battlefield. The 1.96-meter-tall general statue stands majestically upright, contemplating, and showing a resolute and mighty look. The warrior figurine raised its head slightly and stared straight ahead, looking high-spirited and a bit childish. The posture and movements of the warrior wearing a shovel armor, holding a long sword in his right hand, and pressing the chariot with his left hand indicate that he is a chariot warrior guarding the car.

Pottery figurines have distinct personalities and strong characteristics of the times. This batch of Ode to Soldiers and Horses is a treasure house of sculpture art, which adds luster to the splendid ancient culture of the Chinese nation and adds a glorious page to the history of world art.

The Terracotta Warriors and Horses have been hailed as "the eighth wonder of the world" and "one of the great discoveries in the archaeological history of the twentieth century." In December 1987, UNESCO included the Mausoleum of Qin Shihuang (including the Terracotta Warriors and Horses Pit) in the "World Cultural Heritage List". It is a precious cultural wealth not only for the Chinese people, but also for all mankind.

Historical and cultural value:

According to historical records: Qin Shihuang Yingzheng began to build the cemetery when he came to the throne at the age of 13. Prime Minister Li Si presided over the planning and design, and General Zhang Han supervised the construction. The construction took a long time It lasted for 38 years. The vastness and grandeur of the project set a precedent for the extravagant burial of feudal rulers in the past. At that time, the total population of the Qin Dynasty was about 20 million, and as many as 720,000 people worked to build tombs. The soil used for building the mausoleum was taken from the multi-level loess cliffs 5 to 25 meters high between Sanliu Village and the county quarry, 2,000 meters south of the current cemetery. A large number of stones were used to build the cemetery, which were taken from Zhongshan and Jun'eshan in the north of the Weihe River. They were all transported to Lincang by manpower, making the project very difficult. It is conceivable that the amount of work is huge. There are piles of dead bodies at the foot of Zhongshan and Jun'e Mountains, which shows the cruelty of the entire project.

Qin Terracotta Warriors and Horses, with their huge scale, majestic scenes, and superb science, The artistic level amazed the audience. The ancient city of Xi'an has quickly become one of the most important tourist cities in my country thanks to the Qin Terracotta Warriors and Horses Museum. Domestic and foreign tourists come here in droves. Most of the foreign heads of state and other distinguished guests who visit our country must include a visit to the Terracotta Warriors and Horses on their agenda.

The historical and cultural value of the Qin Terracotta Warriors and Horses is uniquely charming. It opened a window into the era in which it was produced and greatly changed people's perceptions of that era.

The Qin Terracotta Warriors and Horses shocked the world and praised them for their outstanding artistic achievements. Thousands of majestic and large-scale ceramic art works are arranged as a whole in a space of nearly 20,000 square meters. Their majestic momentum makes almost all visitors of different skin colors tremble from the depths of their souls, reflecting the artist's The outstanding ability to control grand artistic themes and pursue overall charm and artistic creation. The Qin terracotta warriors have thousands of people and thousands of faces, and the vivid character creation shows the author's artistic quality and artistic achievements in terms of body control, charm processing, color application, and detailed depiction. The realistic style of the work not only left us a superb example of ancient art, but also left many valuable historical records about that era. The serious and uniform military theme can be treated so vividly and produce such shocking artistic charm, which makes people have to change their eyes to examine the special laws in the development of ancient Chinese art, and re-explore and construct the history of the development of ancient Chinese plastic arts. .

The unearthed cultural relics from the Qin Terracotta Warriors and Horses pit have also significantly rewritten people's understanding of the scientific and technological level of the Qin Dynasty, and vividly demonstrated the development level of productivity in the Qin Dynasty with a large amount of empirical materials.

As far as the history of science and technology is concerned, many of the materials discovered in the Qin Terracotta Warriors Pit are shocking to the world. For example: 1. The metallurgy and metal processing technology of the Qin Dynasty demonstrated by the cultural relics unearthed from the Qin Terracotta Warriors pit is much higher than our previous estimates. Among them, the large-scale application of bronze chromium coating anti-rust technology is the most representative example. It was at that time It is a very mature technology, and most of the weapons unearthed from the Qin Terracotta Warriors are coated with this protective layer. This unique skill seems to have been lost since the Han Dynasty. In sharp contrast, more than two thousand years later, in 1937, modern chrome plating technology was produced in Germany and entered the annals of history as a patented invention. 2. The Qin Terracotta Warriors were discovered... gt; gt;

Question 6: What type of sculpture do the Qin Terracotta Warriors belong to in terms of artistic form?

Sculpture is a type of plastic art , also known as carving, is a general term for the three creative methods of carving, engraving and molding. Qin Terracotta Warriors. In order to recreate the majestic momentum of the Qin army 2000 years ago when they "attacked millions" and swallowed up mountains and rivers, the designers of the Qin Terracotta Warriors not only pursued the tallness of a single terracotta warrior, but also carefully designed a complex of more than 8,000 pieces. The tall figurines form a large-scale military formation system. This huge group of Qin terracotta warriors contains many apparently different individuals, making the entire group more active, real and full of vitality. Looking at these thousands of warriors and soldiers, their sculpture art achievements have completely reached a perfect height. Whether it is the images of thousands of officers and soldiers with both physical and spiritual features, or the lifelike war horses, they are not mechanical imitations, but focus on showing their "inner vitality, motivation, emotional soul, character and spirit.

Question 7: Briefly talk about the artistic characteristics of Qin Shihuang's Terracotta Warriors. The art of Qin Terracotta Warriors is a model in the history of ancient Chinese sculpture art. Its artistic style and artistic skills have been inherited and developed by later generations, making its artistic tradition long-lasting. Today, it comes from. People all over the world come to view this wonder of the world with great amazement and praise. The Terracotta Warriors and Horses of Qin Shihuang are the pride of our nation and a precious heritage of world culture.

Question 8: What are the exquisite sculptures of the Qin Dynasty Terracotta Warriors and Horses. The art is amazing in its realistic techniques

The sculpture art of Qin Terracotta Warriors has pioneered large-scale group sculptures in the history of Chinese sculpture, which is mainly reflected in the following two aspects:

(1) Realism is. The basic style of the terracotta warriors and horses is similar to that of real horses in real life. The attire of the terracotta warriors and horses, such as armor and battle robes, are simulations of the military clothing at that time, and the chariots and weapons equipped for the terracotta warriors and horses are real. Real objects. Judging from the shape of the pottery figurines, they not only reproduce the actual lineups of various arms, but also successfully create the characters of different ages and personalities of the Qin army. These lifelike characters are exactly the Qin army. The reappearance of different life forms of generals and soldiers. From the identity point of view, the one wearing a crown, a double-layered battle robe, and colorful fish scale armor, standing with his head held high, tall and imposing, is obviously Dazhi. Generals who are brave and command decisively; those who wear long crowns, battle robes, long armor, and serious expressions are most likely commanders who are good at strategizing and assisting generals; those who wear buns and battle robes Those who wear boots, hold crossbows, and carry arrows on their backs are undoubtedly the lightly-armed warriors of the Qin Army; those who wear no helmets and tie their hair, wear war robes, and armor, and hold long-range shots or long soldiers, are clearly members of the Qin Army. Heavily armored warriors. In terms of age, the old ones have long beards and several wrinkles on their foreheads, which make them look calm, sophisticated, and steady and resourceful; the middle-aged ones have broad faces, big ears, plump eyebrows, and look strong and powerful. He is fierce and decisive; young, his head is slightly lowered, his eyebrows are relaxed and his eyes are beautiful, showing a quiet and simple character.

In terms of functions, the person wearing a long crown, arms stretched forward, and holding the bridle in both hands is the image of a charioteer: wearing a leather ben on the head, short armor on the outside, tight-fitting crotch trousers, and short boots, standing on the In front of the horse, with head raised and chest raised, looking forward, holding the rein in one hand and holding the bow in the other, it is the image of an agile and capable cavalry of the Qin Army; with his hair tied in a bun, wearing a war robe and armor, his right knee is on the ground, and his left leg is bent. The body is turned obliquely to the left, and the eyes are staring at the left front. It is an image of an alert and brave kneeling archer in the Qin army. His hair is tied in a bun, his waist is tied with a leather belt, his shins are wearing shin guards, his left leg is slightly arched, and his right leg is slightly arched. The legs are stretched behind the back, the right arm is bent at the elbow in front of the chest, the left arm is stretched straight to the left, the head is to the left, looking up to the left front, it is the image of a bent soldier of the Qin army holding a crossbow in a neutral posture and ready to shoot. In terms of ethnicity, in addition to the vast majority of Guanzhong ***, there are also "Hu people" with deep eyes, high noses and two whiskers. In terms of facial expressions, there are those who are smiling and contented; there are those who are dull and expressionless; there are those who have straight features and broad faces and fat bodies; there are those who are steady and elegant with easy-going expressions; there are also those who are distracted and worried. These complex and diverse facial expressions and various terracotta warriors and horses truly reflect the actual situation of the Qin army, and therefore have more realistic artistic characteristics. This is a successful example of sculpture art using realistic techniques in the long history of history.

The realistic techniques of Qin Terracotta Warriors sculptures are not only reflected in the overall grasp, but also in details, which are meticulous and realistic. For example, the hairstyles of Qin terracotta warriors include spiral patterns, wavy styles, etc. The braids have three or six strands, twisted and twisted, and the strands of hair are clearly visible. The hair buns of the pottery figurines include single-ring buns, double-ring buns, three-ring buns, four-ring buns, etc., which represent the tightness in real life. Various styles of buns. The headband of the bun is either fan-shaped, wavy, or fluttering. The clothing patterns of the pottery figurines twist and turn with their bodies, making them lifelike. The nails on the armor of the figurines are evenly spaced and evenly carved. The leather belts and belt hooks tied around the waists of the pottery figurines, the tying of the legs, as well as details such as boots and shoes are very similar to the actual ones. Even the arrangement of the soles of the right feet of the kneeling archer figurines, which are densely spaced at both ends and sparse in the middle, is also based on the consideration of the different degrees of friction between human feet after they hit the ground. The joints and nails on the fingers are also drawn very realistically. Even the little-noticed detail of the teeth in the pottery horse's mouth is quite ingenious. Six teeth are molded to represent the horse in its prime, which is a vivid expression of realism. Its artistic status and significance occupies a glorious page not only in China, but also in the history of world art development.

(2) Visual effects

Paying attention to visual effects is an important feature of Qin Terracotta Warriors and Horses sculpture art; Terracotta Warriors and Horses art originates from life and is higher than life. Although the basic style is realistic, It has also broken through the limitations of "realism". That is to say, realistic techniques do not exclude the sculptor from being able to use his own imagination and use various expression techniques such as expressiveness, exaggeration, generalization, allegory, and symbolism. For some local features of the human body, we do not blindly pursue the reality of the smallest details, but strive to grasp the key parts for appropriate exaggeration. This kind of exaggeration does not make people feel false, but gives people a sense of clarity and conciseness, making...gt;gt;