Read the text silently and talk about what aspects of the Mogao grottoes art treasures are introduced in the text. What did they leave you?

The artistic features of Mogao Grottoes are mainly manifested in the organic combination of architecture, statues and murals. Become a rare cultural treasure of mankind. It is the largest and richest Buddhist art shrine in the world.

This paper introduces the Mogao Grottoes in Dunhuang from three aspects: grotto structure, artistic characteristics and artistic value, so it is said that Mogao Grottoes are world cultural heritage.

Extended data

The full text of Mogao Grottoes consists of four parts. The author eulogized the great Dunhuang art with passionate and poetic language, which gave people a strong and violent infection. The work starts from the geographical location and excavation time of Mogao Grottoes. Passion outlines the characteristics of Mogao Grottoes in different historical periods and expresses the author's unforgettable feelings. People left Dunhuang and Mogao Grottoes, but their mood was not calm.

Traveling to another Buddhist art resort, I still miss the Mogao Grottoes, further pointing out the strong shock brought by the art of Mogao Grottoes. It also tells readers that China's ancient civilization suffered many misfortunes, but this nation has the greatest and most splendid culture in the history of world civilization.

The spirit of life condensed by this culture gave birth to its endless life and unique endowment. Therefore, the ancient civilization of China, represented by the Mogao Grottoes, still stands out from the rest of the world.

Mogao Grottoes is the representative work of Yu's ascetic series of essays.

In this article, the author integrates man, history and nature, and puts heavy historical pressure on the "cultural landscape" with profound cultural imprint, so that readers can understand their own history and culture in a gloomy and dignified atmosphere. In fact, in the final analysis, we still have to know our own nation.

Based on three dangerous mountains, this paper traces the perspective back to the source of Chinese civilization and obtains a sense of historical depth of time and space. Then he wrote the legend of Le Zun and the building of caves by monks, the pilgrimage of pilgrims from afar, the accumulation of Mogao grottoes and the ever-changing colors in the caves, thus deepening its unpredictable mystery.

Then, in admiration and awe, the author began to look for the dream of "national heart" in the Mogao Grottoes, and saw "a sacred precipitation" and "a permanent yearning": carnival and release, and reached the "freedom hall" where gods and people blended and flew in time and space.