What do you mean by the ending of the movie?

The finale of "The Banquet" is that the Queen Wan was killed by a mysterious person, which left great suspense for the audience.

At the end of the movie "The Banquet", Zhang Ziyi, the actor of "Ten Thousand Queens", stroked Si Suhong in his hand with a winner's gesture and said, "Desire makes me brilliant."

After that, a dagger stabbed the queen's heart from behind. She was about to turn around to see who it was, but the film came to an abrupt end at this time, leaving a lot of suspense. As can be seen from Wan'er's eyes, this is someone she is familiar with, so there are many stories about Wan'er's death on the Internet.

Earlier, the screenwriter Sheng said humorously: "Anyone can kill Zhang Ziyi without telling who the real murderer is, so as to show that Zhang Ziyi's murder is a fate, and all greedy desires will eventually go to ruin. This ending is the spiritual sublimation of the whole story. "

It seems that the screenwriter also wants us to know that the greedy style will not end well. The second theory is that Linger, the maid-in-waiting around Wan'er, killed her. Of course, this statement is just speculation.

At the end of the party, everyone died and no one survived. In the face of desire, it is doomed to be a tragedy.

Film evaluation

The shooting of the banquet attempts to reproduce the elegant style of ancient China and regain the long-lost charm of simplicity. Narrative has always been director Xiaogang Feng's strong point, and the banquet should not be as disappointing as the promise in the story. But unexpected things happen in this link.

The biggest failure of The Banquet lies in its long and pale narrative and nondescript dialogue. The complex and profound human story rooted in Hamlet has been completely obliterated by the repeated exaggeration of superficial sentiment, leaving only the so-called "darkness" and "gloom" in form. This single and similar element's heavy superposition makes the audience feel tired, so it is difficult to bring individual emotions into the artistic conception of the film.