Poems describing drinking in a bad mood

Wine enters the heart and turns into homesick tears. That's Sue's curtain. The writer is Fan Zhongyan, a poet in the Northern Song Dynasty. The whole poem is as follows:

Blue sky, yellow leaves, autumn colors, cold smoke, green waves. The mountain reflects the setting sun and the sky meets the water, and the grass is ruthless, even outside the setting sun. Dark homesickness, chasing travel, every night unless, good dreams make people sleep. The bright moon tower is lonely, and the wine turns into sorrow and tears.

White clouds and yellow leaves are everywhere. Autumn scenery is reflected on the blue waves on the river, and the water waves are glowing with cold smoke and green. The distant mountains are bathed in the sunset sky and connected with rivers. The grass on the shore seems heartless, beyond the setting sun.

Sad souls in different places, chasing the sadness of living in different places, can only make people unable to sleep every night, unless it is a dream. The bright moon shines on tall buildings, so don't lean on it alone. Picked up the wine to wash the sorrow, but turned into acacia tears.

But since the water is still flowing, although we cut it with swords, it is even more worrying to raise our glasses to eliminate our worries. From the Tang Dynasty poet Li Bai's Farewell to Minister Shu Yun at Xie Tiao Villa in Xuanzhou. The whole poem is as follows:

Since yesterday, I have to leave Bolt and me behind.

It hurts my heart even more today.

Autumn geese are escorted by Changfeng, and I treat them in this villa and drink my wine.

The bones of great writers are all your brushes. In Tianyuan, I grew up beside you, Xiao Xie.

We are all lofty distant thoughts, longing for the sky and the bright moon.

But since the water is still flowing, although we cut it with our swords and raise our glasses to drown our sorrows.

As the world couldn't satisfy our desire, the Ming Dynasty sent ships.

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This poem first describes the pain of wasting time and not being able to serve the country, then praises the talents and ambitions of both the subject and the object, and finally ends with grief and indignation. The whole poem is full of strong emotional color, full of emotions like wild waves, and the brushwork is as unconstrained as the sky.

The poem expresses the anguish of wasted years and the ambition of rare reward, praises the articles in Hanshu, praises the heroism of Jian 'an and Xie Tiao's poems, and finally reveals the negative feelings of being born. The beginning of the poem is abrupt, because Li Bai was depressed at that time, so when he saw his uncle Li Yun (played by Li Hua) who could talk to him, he vented his grievances. Li Bai sacrificed to the Hanlin in Tianbao, but he was not taken seriously politically and was vilified by powerful people. Before long, he abandoned his official position and lived a vagrant life. The bitterness of the past ten years, the depression and sadness of traveling abroad are all accumulated in my heart, and today I can finally get it off my chest.

The words "Changfeng" are lyrical by borrowing scenery. On a crisp autumn day, when I saw the wild geese in autumn, I was refreshed and my troubles were swept away. I feel comfortable in my heart and environment, and I feel proud of drinking tall buildings.

Penglai is a farewell dinner for high-rise buildings, written separately by the host and the guest. Praise Li Yun's writing style with Jian 'an Bone. "China is the guiding direction" refers to Xie Tiao, because he is Xiao Xie after Xie Lingyun. Here, Li Bai compares himself with Xiao Xie, showing his confidence in his talents. The phrase "aim high and look at the sky and the bright moon" expresses the author's great ambition. And the word "LAN" is very expressive. Exaggerated. Expressed the author's lofty aspirations.

It is strange and creative to use the word "drawing a sword" to describe the inner anguish that cannot be solved. The sentence of "raising a glass" expresses his frustration that he can't get rid of and can only add trouble, and also expresses the sadness of leaving.

The last two sentences are the poet's angry words about the reality. Li Bai, who has been in the depression of dissatisfaction for a long time, has to seek another kind of detachment, that is, "sending a boat." Although he didn't mean to escape from reality, the historical conditions at that time and his lofty and indulgent personality prevented him from finding a better way out. This poem uses the ups and downs of brushwork to directly express the sadness in the chest at the beginning and express strong dissatisfaction with reality. Then he went to the next day thousands of miles away, refreshed, talked about the past and the present, compared himself with Xiao Xie, and showed his great ambition of "holding the bright moon in heaven". So the poet returned to the repressed reality from the beautiful ideal and had to choose to escape from reality. The whole poem is full of ups and downs, twists and turns, and there is a heroic passion running through the grief and indignation, which shows the poet's heroic spirit.

I got drunk for no reason. From "Yu Jie Xing Qiu Nostalgia", a poet in the Song Dynasty, Fan Zhongyan. The whole poem is as follows:

The fallen leaves are fragrant. Rolling up the brocade curtain of pearl string, the magnificent castle is empty, only the sky is faint, and the milky head is sprinkled on the earth. The real bead curtain is empty,

The sky is pale and the milky way hangs down. Sadness is inch by inch, and it is hard to make yourself intoxicated if you want to drown your sorrows in wine.

Wine has no entrance, but it turns into bitter tears. The afterglow of the lamp extinguished the pillow,

Know the taste of loneliness. This bitter waiting is still far away, although it is a long time, there is no way to escape.

The appreciation of this word is a sentimental work, full of tenderness. The first part depicts the cold and silent scene of autumn night, and the second part expresses the feeling of loneliness and melancholy, from the scene to the emotion, the scene blends.

When writing the autumn scenery, the author only grasped the autumn sound and autumn color, which naturally led to Qiu Si. In autumn, a leaf falls, and in autumn, most leaves turn yellow and fall. Leaves fall on fragrant bricks, and you know autumn, needless to say. Night is an autumn night. The night is silent, not that there is silence, but that the cold sound is autumn sound. The sound comes from the tree, not from the tree. It turned out that the yellow leaves floating from the trees rustled on the steps.

It is written here that "fallen leaves are falling in succession", mainly by resorting to hearing, and perceiving the fragrance of fallen leaves through the rustling sound heard by the ears. The words "cold sound breaks" not only clearly point out that this soft sound is the sound of fallen leaves, but also points out that this sound is the autumn sound with a chill. Feel the sound of falling leaves through rustling, feel the sound of autumn through falling leaves, and feel the chill through autumn sounds. The word "cold" is beautifully written, which is not only the feeling of autumn cold season climate, but also the feeling of loneliness and cold environment, and also the feeling of physical environment and mood.

"The real bead curtain rolls the jade building". On the empty high building, roll up the bead curtain and watch the night. The description of this section of the Jade Pagoda watching the moon is delicate and colorful, with the legacy of Huajian Ci poets and a sense of purity.

Here it says Jade House, the bead curtain is rolled up high, overlooking the sky, uninhibited. "The sky is grey and the milky way hangs down" is regarded as a good sentence by critics, because these six words outline the empty space in autumn night, which does not diminish Du Fu's momentum of "the stars are leaning down from the empty space". Because thousands of miles of * * * months are the most likely to cause lovesickness, writing lovesickness on the moon has become a common artistic conception in ancient poetry. "Every year tonight, the moonlight is like practice, and people are thousands of miles long", which is also written in this artistic conception. Its voice and feelings are frustrated and vigorous. Pearl curtain, Milky Way and moonlight are all unrestrained, magnificent and profound.

In the next film, the word "sorrow" was used to describe the sorrow of drinking and crying, the sorrow of holding a lamp against a pillow, and the sad face of gathering eyebrows. In ancient times, drinking to relieve anxiety has become a common theme in poetry. Fan Zhongyan turned wine into tears, which not only reversed his meaning, but also turned it into a new layer with originality and innovation. He said in "Su Zhelian": "When wine enters sorrow, it turns into acacia tears." The first sentence says, "I'm exhausted and drunk for no reason." Before the wine arrives, you turn into a tear. " The intestines are broken, and there is no reason for wine to enter. Although it has not yet reached the sad place, it has turned into tears. Compared with the tears in the intestines, there is another layer of wrinkles and another layer, which makes the sadness more embarrassing and the feelings more sad.

Since the publication of The Book of Songs Guan Ju, anxiety has been expressed by restlessness in ancient poetry. Fan Zhongyan said here that "the residual light closes the pillow." The outdoor moon is as bright as day, and the faint indoor light goes out. The two reflect each other and have a sad atmosphere. The pillow is inclined, and the expression of sad people leaning on the pillow and thinking about the lamp is written, which is more vivid than tossing and turning. "I feel lonely." Because of the foreshadowing of the previous sentence, this monologue is also very emotional and full of touching power. "Everyone comes to this matter", which is an unavoidable nostalgia. It's either lingering in my heart or frowning. Sadness, inner sadness is for the heart, and external sadness is for the face. The ancients wrote about sadness, assuming that sadness, like the "qi" in the human body, can go in and out of the body, so either writing about sadness is from the heart to the eyebrows, or writing about sadness is from the eyebrows to the heart. Fan Zhongyan said in the first sentence: "I don't intend to avoid it." Both of them are comprehensive and can be regarded as a reasonable sentence.

If you have wine today, you will be drunk tomorrow. From Luo Yin in Tang Dynasty. The whole poem is as follows:

A person has a chance to sing, otherwise, it is stopped, and sadness and hatred are completely ignored.

If you get drunk today, you will worry about your troubles tomorrow.

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"If you are frustrated, you can drown your sorrows by drinking," the poet told the world. In fact, it has existed since ancient times to drown one's sorrows by drinking, and Cao Cao also said that "Du Kang is the only way to drown one's sorrows". But if this sentence comes from the poet's mouth, it will have a different taste: if there is really wine, you can always relieve your worries and get drunk all your life. But the poet is a poor scholar and can't have wine every day. The repetition of the two "now" shows that the so-called liberation is only a temporary liberation. It seems that in the face of endless troubles and setbacks in the world, poets can't do their best in a battle.