Layers of narration are the characteristics of Liu Yong's slow ci. This paper analyzes this song "Klang Ganzhou" step by step, from the arrangement of scenery writing and the organization of time and

Layers of narration are the characteristics of Liu Yong's slow ci. This paper analyzes this song "Klang Ganzhou" step by step, from the arrangement of scenery writing and the organization of time and space. First of all, paste this word and enjoy it:

Ganzhou Basheng

(Song) Liu Yong

Facing the rain from the sky, a piece of washed autumn scenery on the river is particularly cold. The bleak frost wind is tight, the river surface of the mountains and rivers is deserted, and the setting sun shines on the tall buildings. Red flowers wither everywhere, and all the beautiful scenery gradually disappears. Only the gushing water of the Yangtze river flows eastward without sound.

Without the heart to climb the distance and overlook the distant home, it is difficult to gather the desire to go home. Sigh for years, why stay. I want beautiful women to dress up, miss a few times, and return home. She will know that I am so sad leaning against the railing, and I am so sad.

In the arrangement of writing scenery and feelings, the last film is mainly about writing scenery, but the scenery is affectionate and deepened step by step. In the next part, at the beginning, the author wrote "I can't bear to climb high and look far, looking far at my hometown …", and turned to emotional description, and the whole word turned from scenery writing to lyricism. The author expressed his ambivalence of missing his hometown but not climbing, for fear of causing more homesickness.

In terms of time, the author starts from the present, that is, the scene in front of him and the place where he is, and then goes back to the past gradually, "sighing for years, why bother to stay for a long time" and reviews his wandering experience in the rivers and lakes.

In space, the poet narrates from high to low, from far to near, step by step, scene blending, slow expression, but with a sense of relaxation. Finally, the author wrote, "If you want to be a beautiful woman, you will miss it several times and return to the boat one day." Fighting for me, leaning against the railing, I'm in a hurry. The transformation of this space is very clever. First of all, "I miss beauty, make up my family, miss a few times, and God knows my boat" is a forgery. It is written from the other side and compared with myself leaning on the railing, further writing about the pain of missing the two places and taking care of the lonely and desolate scene. "Try to know me, lean on the railing, and worry more" goes back to the author himself, stares at the railing, and then goes back to real writing, making the whole word more distinct.

Let's analyze so much for the moment. I hope I can help you. Please deal with this problem in time.