Ai Qing’s poems are about mountains

1. What are Ai Qingshan’s poems about mountains?

1. "Tree" A tree, a tree.

Standing isolated from each other, the wind and air tell their distance. But under the cover of soil, their roots grow.

Invisible depths, they tangle their roots together. 2. "Bridge" When land and land were divided by water, when roads and roads were cut off by water, intelligent human beings stood by the water: thus the bridge was born.

Human beings who are suffering from trekking should be grateful to the bridge. The bridge is the connection between land and land; the bridge is the love between rivers and roads; the bridge is the station where ships and vehicles nod in salute; the bridge is the place where boats and walkers wave goodbye.

3. "I Love This Land" If I were a bird, I should also sing with a hoarse throat: This land hit by the storm, this river that is always surging with our sorrow and indignation, this The angry wind that blew endlessly, and the extremely gentle dawn coming from the forest... - Then I died, and even my feathers rotted in the earth. Why do I always have tears in my eyes? Because I love this land deeply... 2. What are Ai Qingshan's poems?

1. "Tree"

A tree, a tree.

Standing isolated from each other,

The wind and air,

tell them the distance.

But under the cover of soil,

Their roots grow.

Invisible depths,

They tangle their roots together.

2. "Bridge"

When land and land are divided by water,

When roads and roads are cut off by water,

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Intelligent humans stood by the water:

So the bridge was born.

Human beings who are suffering from trekking,

should be grateful to the bridge.

The bridge is the connection between land and land;

The bridge is the love between rivers and roads;

The bridge is the station where ships and vehicles nod in salute;

p>

The bridge is where boats wave goodbye to walkers.

3. "I Love This Land"

If I were a bird,

I should also sing with a hoarse throat:

This storm-beaten land,

This ever-raging river of our sorrow,

This angry wind that blows endlessly,

And the extremely gentle dawn from the forest...

- Then I died,

Even the feathers rotted in the earth.

Why do I always have tears in my eyes?

Because I love this land deeply... 3. Let’s talk about the characteristics of Ai Qing’s poetry and prose culture

Really... I didn’t bring my Chinese notes, so maybe... Yeah , I found it. Introduction The conception of poetry is based on image as the basic unit. Only through the bridge of image can real life be transformed into the image of poetry.

"Ai Qing's poetry is a peak that has not yet been surpassed in the history of new poetry" (in the words of Mr. Huang Manjun, Ph.D. director of modern literature). The reason why Ai Qing has achieved such a high status in new literature and ranked among the world's outstanding poets is mainly due to his pursuit of unique and beautiful images in his poems, thus creating immortal poems one after another.

Below, Juwen hopes to conduct a rough study of the construction art of Ai Qing's poetic imagery from several aspects in order to reveal the essence of Ai Qing's poetry. 1. Types of images created by Ai Qing’s poetry Ai Qing constructed the following types of images in his poetry creation, forming a rich community of images.

Descriptive imagery.

The descriptive images in Ai Qing's poems are manifested in the poet's thoughts and feelings permeating the events and objects, and the events and objects directly reflect the poet's thoughts and feelings. Most of these images are intended to be superficial and relatively exposed.

In ancient my country, many lyrical poems were composed of purely descriptive images. Liu Changqing's "The Master of the Buddha Mountain Stays in the Snow" has "At the foot of the Cangshan Mountain in the white twilight, the weather is cold and the white house is poor.

I hear dogs barking at the east gate, and I return home on a snowy night." Lu Lun's "He Zhang Pu" "The Second Song of She Stopper" has "The grass in the forest is frightened by the wind, and the general draws his bow at night.

I look for white feathers in the bright light, but they are lost in the stone edges." The poet's emotions are all reflected in the specific depicted images, and he expresses his praise and criticism of the characters through behaviors and objects.

Ai Qing draws lessons from the ancients and applies the past to the present. Descriptive images are one of the types of images often used in his poetry creation. Many poems are composed of purely descriptive images. "Donkey" is mainly composed of descriptive images. “Your sand-covered body/body with peeling hair/drags/the poor belongings of people/that run endlessly in the wilderness;/your droopy ears/weak ears/are used to hearing/passed from the wheel axle. The sad scream of the empty land; / The gray eyes / reflect / the uneven and desolate road / in the vast land of the north; / you are tired, you are hardworking, you are lonely / you will always be covered by the wind and sand here On this land / donkey, / you are the most cordial friend of the people of the north.” This poem is about the common but humble donkey in the north. There is no heroic language, no symbolic hints, no metaphors, no exaggeration. , deformation, metonymy and other techniques, but uses plain, simple, fluent language and direct narrative language to depict the image of the donkey.

The overall image of the donkey is composed of a single image of each part of the donkey's body, and is set off by the image of the land. Each image is preceded by descriptive adjectives indicating shape, expression, etc. "Body with peeling hair", "poor thing", "droopy ears", "small hooves", etc. dismember the image of the donkey, and then synthesize this image from these images.

In addition to lyric poems, in Ai Qing's narrative poems, directly described images account for a larger proportion, so there is no need to give more examples here. What is most worth mentioning is the very successful use of descriptive imagery in his famous and representative work "Dayan River - My Nanny".

"Dayan River, I saw snow today and it made me think of you: / your grass-covered tomb weighed down by snow, / the withered tiles on the eaves of your former residence that were closed, / The ten-foot-square garden you have pledged, the moss-covered marble chair in front of your door, / Dayan River, the snow I saw today reminded me of you / You hugged me with your thick palms. In your arms, touch me;/After you set up the stove,/After you wipe away the charcoal ashes,/After you taste that the rice is cooked,/After you place the jet-black sauce bowl on the jet-black After you put it on the table,/After you mended your sons’ clothes that were torn by the thorns on the mountainside,/After you pinched the lice from their shirts one by one,/After you cut the child with a hatchet After wrapping your hands,/after you picked up the first egg of the day,/you held me in your arms and caressed me."

These two paragraphs are in full. Poetry plays the most important role and is also the most beautifully written. They are not only the concrete sadness of Dayan River with a desolate life experience, but also the poet's concrete expression of Dayan River's "Oedipus complex".

Several interesting descriptive images use the intuitive expression of a series of objects such as graves, tile doors, deserted gardens, stone chairs, stoves, aprons, sauce bowls, lice, eggs, etc. to highlight the subject. The memory of Dayanhe's tragic life experience and her gratitude for the care given to the woman. Ai Qing's extensive use of descriptive imagery in his poetry creation constitutes the beautiful artistic style of his poetry and prose.

Many poems use a large number of descriptive single images to describe the central image or the main image in an exaggerated manner, which constitutes the momentum of their hearty parallelism, and also results in the characteristics of long sentences in the language arrangement of their poems. At the same time, the extensive use of descriptive images enables poetry to explain something in detail, which is similar to narrative literature, and also leads to his simple, clear, and unobtrusive poetic style.

These characteristics are the basic requirements for the beauty of Ai Qing's prose. Of course, descriptive imagery also brings negative factors to his poetry creation.

Too many descriptive images have caused many of his poems to lose their poetic flavor. They are not ethereal enough but bloated and exposed, and their poems are jumpy and have poor elasticity. Metaphorical imagery.

The so-called metaphorical image refers to the image created by the poet using metaphorical techniques. It is based on the similarity between the ontology and the metaphor, and is similar to a certain thing, idea or emotion.

In Ai Qing’s poems, metaphorical images can be used to describe people and things, such as “Outside Poems” and “Vienna” “Both sides of the river valley/are majestic mountains/each mountain is like a castle. It seems solemn/The spruce trees on the mountain are like thousands of swords, like guards wearing armor/Organized, mighty and heavily guarded//The basin surrounded by mountains/is a green cradle/Beautiful Vienna/is a legendary princess/ Lying in a tender embrace.” The poetic excess is due to the excellent use of metaphorical imagery.

The ontological images "mountain", "spruce", "basin", and "Vienna" are connected to the metaphorical images "castle" and "sword" with copulas such as "xiang" and "is" respectively. , "Guard", "Cradle", "Princess", make Vienna's majestic, gentle and beautiful character vividly appear on the page. In addition to describing people and things, the most prominent role of metaphorical imagery in poetry is to transform abstraction into concreteness, and to transform formless, invisible, and intangible emotions, thoughts, characters, sounds, etc. into concrete paintings.

4. Who knows the poems of Ai Qing's "Song of the Sun"?

From the ancient tombs, from the dark ages, from the other side of the stream of human death, the sleeping mountains are shocked, like fire wheels whirling above the sand dunes, the sun Roll toward me... - Quoted from the old work "The Sun" - I get up, I get up - Like a sleepy beast, a wounded beast struggled from the forest with fallen leaves to the icy rocks for a long time, supporting his upper body to open his eyes. Open your eyes and look to the horizon... I am a traveler from the distant mountains, from the uncultivated mountains to the city where tens of millions of people are working with their hands, shouting with their mouths, and walking with their feet. , my body was sore and the fatigue of the long journey last night in the wind and rain was deeply retained, but I finally got up. I opened the window and saw the dawn with the eyes of a prisoner who saw light for the first time - this real dawn (it seemed to be coming from the distance) The singing of the masses came) So I thought of going to the street. Good morning to the second street. Good morning to you, the policeman who held up his hands in white sleeves as the traffic passed by on the cross street. Good morning to you, the vegetable vendor from outside the city carrying a basket full of green. Hey, you sweeper in a red vest who sweeps the road, good morning. Hey, you are the brown-skinned young housewife who carries the basket and is the first to go to the market. I believe that you will never be tracked by the non-stop wind and rain like me last night. Tangled up in endless nightmares, you all sleep better than me! 3 Yesterday Yesterday I spent my days in the world feeding my pitiful expectations just like the days when the widows were wrapped in hemp and fed their pitiful memories. Yesterday I treated my country as a hospital - and I was suffering from a disease that is difficult to cure. There is not a day when I don’t look at the boundless miserable life of this country with sluggish eyes... There is not a day when I don’t listen to the endless painful moans of this country with dull ears. Yesterday I locked myself in The spiritual cell is surrounded by high gray walls and there is no sound. I walk along the high walls and walk again. My soul will always sing a tragic song of human destiny, day and night. Yesterday, I ran wildly in the dark and low sky. Falling in the sunless wilderness, lying on the mountain tops, weeping with warm tears on the purple rocks. Our century is now better, everything has passed. Four days have passed. The sun has risen... When it comes... The city from afar Summon it with electricity and steel - a quote from the old work "The Sun" The sun is composed of high-rise buildings in the distance - those mountains made of cement and steel and hundreds of smoke bulges, thousands of telegraph poles and tens of thousands of roofs I came out of the dense forest... In the Pacific Ocean, the Indian Ocean, the Red Sea, the Mediterranean Sea, I have watched beautiful sunrises in my youth when I first sailed on the boundless blue water with a passion for the world, but now in The city I breathe emits the breath of kerosene, the breath of asphalt, the mixed breath. The city is open, the body of metal, the body of ore, the body of electric fire. The city is broad and bears the caress of the dawn. I see the sunrise more than all sunrises. The song of the five beautiful suns is the sun, which is more beautiful than anything else. More beautiful than virgins, than dewy flowers, than white snow, than blue sea water. The sun is golden and red, a round body, a shining round body, an expanding round body. Whitman was inspired by the sun. With a mind as broad as the ocean, he wrote a poem as broad as the ocean. Fangu got inspiration from the sun, dipped his burning pen in burning colors, painted the farmer plowing the earth, and painted the sunflowers. Duncan got inspiration from the sun, and revealed it to us with a noble attitude. With the melody of nature, the sun is higher, it is brighter, it is as red as blood, the sun reminds me of France and the American revolution, of fraternity, equality and freedom, of Democracie, of "Marseillaise", "The Internationale", of Washington, Lenin, Sun Yat-sen and everything. The name of the person who saved mankind from suffering is yes. The sun is beautiful and eternal. The six suns shine on our heads. The rising sun shines on our heads. It shines on our heads that have been lowered for a long time and have never been raised. The sun shines on our cities and villages

The sun shines on our fields, rivers and mountains, which have long been inhabited by cities and villages that have succumbed to unfair power. The sun shines on our fields, rivers and mountains, where painful souls have been crawling everywhere for a long time... The dazzling light of the sun today wakes us up from the sleep of despair. It also wakes up our cities and villages from the fog that hides infinite pain. It also wakes up our fields from the smoke that hides boundless melancholy. , rivers and mountains, we raised our heavy heads from the wet ground and shouted to the sky in unison, "Look at us, we are smiling like the sun!" Seven under the sun "Look at us, we are smiling like the sun!" A wounded soldier over there Supporting the wooden crutches, he took broad steps along the long wall. The sun shone on his face and on his innocently smiling face. He walked step by step. He didn't know that I was watching him from a distance. When his tall body, draped in gray clothes embroidered with red crosses, approached me, his true posture under the sun seemed more beautiful to me than the bronze statue of Napoleon. The sun shone above the city, and the people on the street did not Say hello to me, but I walk towards them. I look at everyone who passes by me. I no longer feel strange to them. The sun shines on their faces, their smooth faces, young faces and wrinkled faces, old ones. The rosy face, the girl's kind face, the old woman's face and all the faces that were still sad yesterday but are smiling today, they all swayed their limbs in a hurry and walked back and forth in the sun - - As if they were driven by the same will, their smiling faces seemed to be saying in unison, "We love this day not because we can't see our own suffering, not because we can't see hunger and death. We love this day because Because this day brings us the most credible news of a bright tomorrow. ”

The sun shines on the ancient stone bridge... A few girls - those symbols of happiness, are carrying donations on their backs. The bag was singing a fresh song on the stone bridge in the sun, "We are angels, healthy and pure, our lovers are young and brave, some are riding horses in the wilderness, some are flying in airplanes in the sky..." (The singing is interrupted, they are in the sky...) (Collecting donations from passers-by) Now they sang again, "They went to the battlefield and fought bravely to kill the enemy. We were at the rear to comfort and publicize the victory. We gathered together happily..." Their singing was so melodious. The sun shone on their proudly protruding breasts and exposed bodies. His arms were raised and glowed with dignity. 5. Analyze the imagery characteristics and historical status of Ai Qing’s poems

Really? ..I didn’t bring my Chinese language notes with me, so maybe... Yeah, I found it. Introduction The conception of poetry is based on image as the basic unit. Only through the bridge of imagery can real life be transformed into the image of poetry.

"Ai Qing's poetry is a peak that has not yet been surpassed in the history of new poetry" (Mr. Huang Manjun, Ph.D. director of modern literature). The reason why Ai Qing has achieved such a high status in new literature and ranked among the world's outstanding poets is mainly due to his pursuit of unique and beautiful images in his poems, thus creating immortal poems one after another.

Below, we hope to conduct a rough study of the construction art of Ai Qing's poetic imagery from several aspects to reveal the essence of Ai Qing's poetry. 1. Types of images created by Ai Qing’s poetry Ai Qing constructed the following types of images in his poetry creation, forming a rich community of images.

Descriptive imagery. The descriptive images in Ai Qing's poems are manifested in the poet's thoughts and feelings permeating the events and objects, and the events and objects directly reflect the poet's thoughts and feelings. Most of these images are intended to be superficial and relatively exposed.

In ancient my country, many lyrical poems were composed of purely descriptive images. Liu Changqing's "The Master of the Buddha Mountain Stays in the Snow" has "At the foot of the Cangshan Mountain in the white twilight, the weather is cold and the white house is poor.

I hear dogs barking at the east gate, and I return home on a snowy night." Lu Lun's "He Zhang Pu" There is a line in "The Second Song of She Stopper": "The forest is dark and the grass is frightened by the wind, and the general draws his bow at night."

I look for white feathers in plain sight, but they are missing in the stone edges." The poet's emotions are all reflected in the specific depiction of images, and he expresses his praise and criticism of the characters through behaviors and objects.

Ai Qing draws on the ancients and applies the past to the present. Descriptive imagery is one of the types of imagery often used in his poetry creation. Many poems are composed of purely descriptive imagery. "Donkey" is mainly composed of descriptive imagery. "You are covered with clothes." The body of sand/the body with peeling hair/drags/the pitiful belongings of the people/who run endlessly in the wilderness;/your droopy ears/weak ears/are used to hearing/being transmitted from the wheel axle to the open space. A sad scream; / gray eyes / reflecting / the uneven and desolate road / in the vast land of the north; / you are tired, you are hardworking, you are lonely / in this land that is always covered by wind and sand. / Donkey, / you are the most cordial friend of the people of the north.” This poem is about the common but humble donkey in the north. There is no heroic language, no symbolic hint, and no use of metaphors, exaggeration, deformation, or metaphor. Instead of using other techniques, it uses plain, simple, smooth language and direct narrative language to depict the image of the donkey.

The overall image of the donkey is composed of individual images of each part of the donkey's body, and is composed of the image of the land. To illustrate, each image is preceded by descriptive adjectives indicating shape and expression, such as "body with peeling hair", "poor thing", "droopy ears", "small hooves", etc. The image of the donkey is then synthesized from these images.

Except in lyric poems, in Ai Qing's narrative poems, the proportion of directly described images is even greater, so there is no need to add more examples here. . The most noteworthy thing is that the descriptive imagery in his famous and representative work "Dayan River - My Nanny" has been very successful.

"Dayan River, I saw it today. The snow made me think about you:/your grass-covered tomb weighed down by snow,/the dead tiles on the eaves of your former residence that were closed,/your one-foot-square garden that was mortgaged, your door The moss-covered marble chair in front of me, / Dayan River, the snow I saw today reminded me of you. / You hold me in your arms and caress me with your thick palms; / After you set up the fire, / After you brush away the ashes, / After you taste that the rice is cooked, / After you place the black sauce bowl on the black table,/After you mend your sons’ clothes that were torn by the thorns on the mountainside,/After you pinched the lice on your sons’ shirts one by one. Health, / after you wrapped the child's hand that was cut by a hatchet / after you picked up the first egg of the day, / you held me in your arms with your thick palms and stroked me. "

These two paragraphs are the most important in the whole poem and are also the most beautifully written. They are not only the concrete sadness of Dayanhe with a miserable life experience, but also the poet's "Oedipus complex" for Dayanhe. "The concrete expression of ".

Several interesting descriptive images, including a series of graves, tile doors, deserted gardens, stone chairs, stoves, aprons, sauce bowls, lice, eggs, etc. The intuitive expression of objects highlights the memory of Dayanhe's tragic life experience and her gratitude for the care she gave to women. Ai Qing's extensive use of descriptive images in poetry creation constitutes the beautiful artistic style of his poetry and prose.

Many poems use a large number of descriptive single images to extravagantly describe the central image or the main image, which constitutes the momentum of their hearty parallelism. At the same time, it also results in the characteristics of long sentences in the language arrangement of their poems. At the same time, they use a large number of descriptions. Sexual imagery enables poetry to explain something in detail, which is similar to narrative literature, and also leads to his simple, clear, and unobtrusive poetic style.

These characteristics are Ai Qing's. The basic requirement for the beauty of prose. Of course, descriptive images also bring negative factors to his poetry creation.

Too many descriptive images cause many of his poems to lose their poetic meaning, and they are too bloated and overly revealing. Disadvantages such as poor flexibility and flexibility.

The so-called metaphorical image refers to the image created by the poet using metaphors.

It is based on the similarity between the ontology and the metaphor, and is similar to a certain thing, idea or emotion.

In Ai Qing’s poems, metaphorical images can be used to describe people and things, such as “Outside Poems” and “Vienna” “Both sides of the river valley/are majestic mountains/each mountain is like a castle. It seems solemn/The spruce trees on the mountain are like thousands of swords, like guards wearing armor/Organized, mighty and heavily guarded//The basin surrounded by mountains/is a green cradle/Beautiful Vienna/is a legendary princess/ Lying in a tender embrace.” The poetic excess is due to the excellent use of figurative imagery.

The ontological images "mountain", "spruce", "basin", and "Vienna" are connected to the metaphorical images "castle" and "sword" with copulas such as "xiang" and "is" respectively. , "Guard", "Cradle", "Princess", make Vienna's majestic, gentle and beautiful character vividly appear on the page. In addition to describing people and things, the most prominent role of metaphorical imagery in poetry is to turn abstraction into concreteness, and to transform formless, invisible, and intangible emotions, thoughts, and characters. 6. The poetic flavor of the Preface to Tengwang Pavilion

The first paragraph of the sentence-by-sentence translation and appreciation essay of "The Preface to Tengwang Pavilion": Original text: Yuzhang's old county, Hongdu's new mansion.

The stars are divided into wings, and the ground is connected to Henglu. It embraces the three rivers and leads to the five lakes, controls the wild thorns and leads Ouyue.

Translation: Yuzhang (originally) was the old county seat, and Hongzhou (originally was) the newly established capital. The divisions (corresponding to) Yixing and Zhenxing, the territory is closely connected with Hengzhou and Jiangzhou; with the three rivers as the skirt, the five lakes as the belt, (top) controls Jingchu (bottom) and connects Ouyue.

Explanation: "Dividing" involves the ancient Chinese concept of the unity of heaven and man. The twenty-eight stars correspond to certain areas on the ground, such as the current Nanchang, which was Yuzhang County in the Western Han Dynasty. , Hongzhou Prefecture in the Tang Dynasty, the corresponding stars are Yi Xing and Zhen Xing, then Yi Xing and Zhen Xing are called the divisions of Nanchang. The two stars of Yi and Zhen are the last two stars of the seven stars in the south (well, ghost, willow, star, Zhang, Yi and Zhen) and have the effect of evil tail.

The original meanings of "control" and "yin" are related to drawing the bow and have the meaning of control. However, in terms of geographical location, they can only be connected and cannot be real control. These two words are used here to emphasize the meaning of Tengwang Pavilion. Location is important.

Appreciation: This is an introduction to the place where Tengwang Pavilion is based on the "Hong Mansion" in the title. Three groups in a row describe the importance of the place where Tengwang Pavilion is located from three aspects: history, geography, and politics. The sense of history, space, and mission in the words make people’s hearts beat even after thousands of years. Hongzhou’s The hero of the terrain can be described vividly.

Original text: The treasures are abundant, the dragon's light shines on the bullfighting ruins; the outstanding people and the land are outstanding, Xu Ru sits on Chen Fan's couch. Xiongzhou is surrounded by mist, and the stars are galloping. The Taiwan God rests at the intersection of Yi and Xia, and the guest and host enjoy the beauty of the southeast.

Translation: The object has brilliance, the sky shows treasure, the sword light of Longquan shines directly at the position of the two stars of Dou and Niu; the person has outstanding talents, the mountains and rivers show the spirit of beauty, (Gaoshi) Xu Ru stayed in Chen A specially designed guest bed. The majestic states and counties rise like clouds (from the earth), and outstanding talents fly like shooting stars (in the night sky).

The city is located at the intersection of the barbarians and the Central Plains, and the guests and hosts include the handsome people from the southeast region. Explanation: "Hua", "Bao", "Jie", and "Ling" are all verbs describing states, which are respectively translated as "having brilliance", "showing treasure", "having outstanding achievements", and "showing spirituality". .

"下" means to move, and the literal translation is "to put down Chen Fan's couch". Indecent, the free translation is "(Gaoshi) Xu Ru stayed in the guest couch specially designed by Chen Fan." "Mist" and "star" are both nouns used as adverbials, meaning "like fog" or "like stars".

Appreciation: This is an introduction to the characters of Hongzhou. The two idioms "wuhuatianbao" and "outstanding people" come from this. The sentence "Long Guang" echoes the sentence "Xingfen", and "Xu Ru" is closely connected with the original county of Yuzhang in the starting sentence. Tracing the historical figures of the Han Dynasty is the following. The people of the time came on stage to pave the way.

At the time of writing, the author first wrote "Xiongzhou Wulie" to connect the terrain with the previous meaning, and to intersect the terrain with talents, which meant repeated rendering; "Juncai Xingchi" Written directly about the people of the time, it is a concrete expression of "the natural treasures of things" and "the outstanding people and places". Two sets of sentences describe the prosperity of Hongzhou people.

Original text: The governor Yan Gong's elegant look, the halberd is coming far away; Translation: Governor Yan of Hongzhou has a noble reputation, and his honor guard comes from afar; Governor Yuwen of Xinzhou has a good virtue, and his chariots are temporarily stationed here.

Explanation: "Zhi" is a structural particle between the subject and the predicate and is not translated. "綮 Ji" and "祜祜" all use metonymous rhetoric, using ceremonial guards and chariots to represent people.

Appreciation: Introducing two famous participants, this is the introduction; from then on, we enter the specific description of the time, place and people. Original text: I have ten days of rest, and I have a lot of friends.

Translation: (Just in time for) the ten-day holiday, talented friends (as many as clouds in the sky); guests from thousands of miles away are welcomed, and distinguished friends fill the banquet. Explanation: "Qianli fengying" is an inversion of the word "qianli fengying". "Fengying" originally consists of two words: "encounter" and "welcome". It is used here to welcome friends. "Qianli" refers to friends who come from thousands of miles away.

Appreciation: After introducing all the guests, this is the introduction. It describes the nobility and multitude of friends.

This is where the idiom "a house full of guests" comes from. Original text: Soaring dragon and rising phoenix, the ci master of Meng Xueshi; Zidian Qingshuang, the arsenal of General Wang.

Translation: (Literary talent is like) soaring dragons and dancing phoenixes, (that is) Master Meng, the master of poetry; (swords are like) purple lightning and blue-white frost, (that is) brave martial arts strategy The treasure house of General Wang. Explanation: These are two not-so-strict judgment sentences. The subjects are actually "the person whose literary talent is like a soaring dragon and a phoenix" and "the person whose sword is like purple lightning and clear frost." The two characters "zhi" are both after the attributive. set sign.

Appreciation: Once again, we focus on introducing two famous participants. This is another point of introduction. However, what is different from the previous focus is that it does not simply use an adjective to summarize the characteristics of the characters, but It uses a phrase to introduce the character's achievement characteristics. That is: a more detailed and in-depth introduction of two important characters.

Original text: The master of the family is the butler, and the road is well-known; how could a boy know that he will always be rewarded with victory? Translation: My father is the county magistrate in Cochin, and I passed by this resort to visit relatives. What do I, a young man, know, but I was lucky enough to encounter this grand banquet in person.

Explanation: "Out" means passing by. "He Zhi" means "know what", that is, this is a sentence with the object in front.

Appreciation: Finally, introduce yourself humbly. At this point, the specific character introduction ends.

The first paragraph also ends. This paragraph has "clear layers, clear ideas, fine needlework, decent opening and closing, and varied pen and ink, but it is meticulous" (Taolf's appreciation of the materials attached to the People's Education Press Teacher's Book).

The second paragraph: Original text: The time is September, and the sequence belongs to Sanqiu. Translation: It is September, and the season is late autumn.

Explanation: "Wei" means "in", and "Xu" means "time sequence", that is, "season". "September" is the ninth month of the lunar calendar, and "Sanqiu" is the third month of autumn, meaning late autumn.

Appreciation: This is closely related to the "autumn day" in the title. "Autumn" has a very special status in the history of Chinese culture: it is the same as spring among the four seasons, higher than winter, and higher than summer.

Because, in the Central Plains of China, autumn is the same as spring, and the phenological changes are more obvious, which is easy to attract people.