Joke Collection Website - Mood Talk - act according to circumstances
act according to circumstances
On February 3rd, 65438, China Hong Kong director Guan attended the Master Carnival of the 2nd Hainan Island International Film Festival.
At the scene, Guan put forward two suggestions on the cooperation between young directors and actors:
First, for commercial reasons, don't use amateurs in the first work; Secondly, as far as he is concerned, exchanging notes with actors is conducive to establishing close ties between them. The first one is not discussed for the time being, and the second one has a lot to say.
As a senior male director who is best at shooting female role films in the circle, Guan's works always make people wonder: Is this shot by a man? How can he touch a woman's heart so accurately?
However, not everyone is positive about Guan's creation. Many people mention Guan's movies, and they will give an evaluation of "too heavy".
1988' s rouge buckle bears the brunt.
Before "Rouge Kou", the screen images of Hong Kong films were often dominated by male characters, and the female images were mostly supporting roles or symbolic roles attached to men. Of course, the current Hong Kong movies are still roughly the same.
However, this novel "Rouge Kou", which is adapted from Li Bihua's novel of the same name, tells the love story of a flower-like brothel prostitute and a wealthy family like Chen Shiershao. Moreover, the whole film is basically cut from the perspective of flowers, but male symbols have become the object of embellishment and criticism.
However, this does not affect the "rouge buckle" to become a classic. One of the most successful is Hua Dan Anita Mui.
Anita Mui won the Golden Horse Award, the Hong Kong Academy Award, the Asia-Pacific Film Festival and the Taiwan Province Golden Dragon Award in one fell swoop, and became the "Queen of Four Materials" with her superb acting skills.
You know, Anita Mui in 1989 was only 26 years old. Before that, Anita Mui was basically active on the stage. From the debut of 1982 to 1988, Anita Mui was a popular brand and a popular female singer.
Although she has participated in several film and television works before, Rouge Kou is her first film as the heroine.
Before becoming a movie star, Anita Mui's image on the stage was varied. This became the driving factor for Guan to finally determine Anita Mui as the heroine of Rouge Kou.
Guan Zeng said in an exclusive interview that I have always felt that the relationship between directors and actors should not be so superficial, nor should we only pay attention to their works. Before Rouge Kou, Guan had no contact with Anita Mui. I just watched her performance on the stage and found that she is very expressive. Although she is not particularly beautiful, the smell attracts him.
Li Bihua, the original screenwriter and screenwriter of Rouge Kou, decided from the beginning that Anita Mui was very suitable for this role. Until later, in the process of the hero's repeated consideration, everyone never wavered in Anita Mui's performance.
The actor's stereotypes have gone through many times. The crew once considered Andy Lau, Adam Cheng, Wu Qihua and even Ekin Cheng, and finally chose Leslie Cheung, thanks to Anita Mui's help.
Guan revealed at the Master Carnival of Hainan Island International Film Festival that the cast could not start normally because the leading actor could not be determined at that time. Until Anita Mui went to the New Art City to film, he got the other party to let him play in Leslie Cheung for twelve years.
Guan said, "She decided that the twelve little girls and flowers should belong to her, so they were called' rouge buttons'.
I don't know what Guan thought of Anita Mui's actions at that time. But in retrospect, Anita Mui at that time was actually like the flower in Rouge Kou.
Dare to chase, willing to contribute, this persistence and seriousness, people admire.
Although similar in temperament, Anita Mui's personality is much more cheerful than Hua's.
Guan recalled that Anita Mui said that she was a lively person and friends from the crew often came to see her. However, she can come to you talking and laughing, and she can listen to your play carefully and quietly beside you.
Although she is a woman in life, once the director needs the role to enter the state, she immediately becomes a weak but persevering flower.
And Anita Mui has always stressed, "I really like the flower-like shape. If I die in the future, I hope to use this stills as photos. "
In the process of contact with Anita Mui, Guan said that with a kind of trust between us, many things can be put aside. Many times, my own personal experiences and thoughts, even some personal things, have not been left to them.
Generally speaking, Guan is actually a man whose sensibility is greater than rationality. This may be one of the reasons why many people think that movies are too feminine.
Guan is a delicate person, which is related to his growth. His father died young and he grew up with his mother. Therefore, most of Guan's films are related to women, and he was interested in details since he was a child.
And this point, in the "rouge buckle" like a flower, reflected incisively and vividly.
Anita Mui plays a prostitute with a red card in shek tong tsui.
At that time, brothels became places for rich children to get together and relax. So Ruhua is a person who has seen big waves.
I am used to money, so I am more realistic.
There are obvious marks everywhere on the flowers. Like touching your hands, 500 yuan. Touch your ears, 1000 yuan. Touching the neck or other parts is more expensive.
And those who are used to taking part in accidental amusement are often the least willing to believe in feelings.
Walking between the rich and the young every day, I'm tired of listening to their love stories of vows. Prostitutes are most familiar with taking part in accidental amusement. Rich people and young people are well aware of this game of chasing after each other and chasing your feelings and wishes, and prostitutes are willing to accompany them.
After all, everyone knows how much love has been left out of this compound.
Like flowers, of course I know best.
She knows how to please men. When I first met Shi Ershao, I sang and teased Shi Ershao with my eyes and actions.
The behavior is natural and not frivolous, and those seemingly full of stories and unspeakable eyes make the twelve children fall into it at once.
She also knows how to deal with men's stalking and beating. Twelve young people were moved by the flower, and one day they came to a red chamber alone to see the flower.
However, Ruhua actually didn't care about him at all. When she happened to pass by, she saw through the minds of rich people and young people and made an accidental ridicule.
When Ruhua met a teenager, she used the usual method of prostitutes: dry-frying stone lessons.
Is to repeatedly find reasons to leave the room and leave the guests hanging in the room. After many times, the guests were very anxious and helpless. This method is very suitable for these aunts to observe the temper of their guests and sharpen their temper.
She also knows how to hide her feelings. As a flower, her identity and experience made her believe that everything was just a fling. Therefore, people like her basically don't take the initiative to express their thoughts and feelings, so as not to be dragged into endless suffering by heartbroken people.
When Shi accepted her test, she showed a different attitude from the general rich children, and Ruhua had already regarded Shi with special respect.
With the appearance of serial courtship of twelve teenagers, Ruhua began to waver. On that day, Shi Ershao spent a lot of money to buy a western bed and brought it into the room like a flower. At this moment, in the heart of a flower, it will live forever in twelve years.
And the inner joy was concealed by her in an instant.
But the saddest thing is that she also knows how to see through people's hearts. When they were secular, Chen's parents tried their best to prevent them from coming together. For example, Hua Sui was about 12 years old and swallowed opium together.
However, Shi Shaoshao's performance before this made her thoroughly understand that Shi Shaoshao did not dare to face himself or face death. He is a timid person.
To this end, Ruhua prepared a large number of sleeping pills for Shi Shaoshao in advance to prevent him from drag out an ignoble existence alone.
By nature, twelve little people finally really live alone in the world. However, after more than 50 years of wandering souls, I finally didn't wait until twelve o'clock to meet.
The flower played by Anita Mui shows the two extreme personalities of this role well.
The first is depression.
Many times, flowers are actually suppressing themselves. This is the case in the Red Chamber, when I met the mothers of a dozen teenagers and asked Mr. Yuan for help.
Flower-like depression is related to her special identity. Accustomed to sentient beings, she no longer believes in beauty, so she will not be too wronged.
The thrush scene at the beginning of the film, with a flower-like deadpan, is the most calm acceptance after knowing what to face next.
However, she is also very happy. When she first came into contact with 12, she felt that this man was different and saw a bright future from him.
During that time, her face-to-face meeting with those twelve teenagers was not a smile that took part in accidental amusement, but a heartfelt happiness.
However, the good times did not last long. Ruhua gradually discovered the enterprising character of twelve teenagers. After that, Ruhua fell into endless depression.
That kind of flower-like depression is actually a kind of helplessness, which is the way she can't find a way out in the face of her sad fate. If depression is extreme, you can only choose death.
This beautiful personality is quite different from Anita Mui's real life. Therefore, it can also reflect Anita Mui's acting talent and grasp of this role.
How to make "depression" not look like facial paralysis is the basic skill of an actor. Like a flower, it seems to be expressionless to deal with all kinds of encounters. In fact, through the comparison before and after, we can see the changes in emotions.
When Ruhua hangs the twelfth primary school in the room, she repeatedly observes every move of the twelfth primary school outside the door. This is her girlish heart.
Like a flower, after being satirized by a teenager's mother, she is neither humble nor supercilious, but when facing a teenager, her eyes are full of tears. This is her grievance as a woman.
When Ruhua waited for twelve hours under the bridge, he repeatedly asked Mr. Yuan about the time, and saw someone passing by and even showing some characteristics of Ruhua voluntarily. After confirming that the other party was not twelve hours, he resumed his feelings of regret and anxiety.
Ruhua finally met twelve, and found that after so many years, she was so poor. The reunion that should have been full of surprises was a complete release for her.
This silent tear in the corner of my eye is a complete break between flowers and past lives.
This sense of oppression, under the deduction of Anita Mui, makes the role of Ruhua more stereoscopic and more emotional.
The second is persistence.
Ruhua is a man with a big temper. Once determined, she will stick to it.
Just like in the process of getting along with the twelve teenagers, she knew that the parents of the twelve teenagers would oppose this marriage, but she still had to take the initiative to visit and want to show her mind as a mother facing the twelve teenagers.
Just like after she established a relationship with Shi, she began to discuss preparing for Shi's future and took him to learn from a master of traditional Chinese opera.
Just when she learned that it was impossible to live together, she decided to drag twelve teenagers to die together.
It's like waiting in the underworld for more than 50 years, and she still wants to come to the world to find the trace of Twelve.
The persistence of flowers is precisely the charm of this role. She is used to insincerity, but she is full of longing for love. At that time, twelve teenagers insisted on breaking into their hearts. This dilemma lasted for more than 50 years. Finally, it is probably an account of yourself and that relationship.
These two figures constitute the most vivid female image like a flower, which runs through every detail of her.
Generally speaking, just like smiling, every action is related to the present mood.
Before falling in love with a teenager, her eyes despised everything
When she fell in love with a teenager, her eyes were full of expectation.
When she found that the twelve teenagers were not determined, her eyes were full of expectation and worry.
When looking for a teenager, her eyes were full of sadness.
Ruhua and Chuchu are not from the same world.
Ruhua is a famous prostitute who leans against the red chamber and died in 1934. Chuchu is a newspaper reporter of 1987.
But the meeting between Ruhua and Chuchu is the theme of this film: the change of women.
There are two lines in my impression that are unforgettable.
The first paragraph, 1934, is like a conversation with Shi Ershao before she died:
Ruhua: Will you help Shu Xian to wear earrings?
Twelve Shao: Right. I will pick her ears, but I will think of you when I pick my ears.
Ruhua: Will you help Shu Xian dress?
Twelve Shao: Right. I will also help her detain Yuanyang, but I will think of you at the same time.
In the second paragraph, it is 1987. Chuchu and her boyfriend, Mr. Yuan, talked about tenderness all night:
Chuchu: Will you kill yourself for me?
Mr. Yuan: How can we be so romantic?
Chuchu: I just said I would.
Mr. Yuan: No, what about you?
Chuchu: No.
In love, women are always used to asking men some questions, and these questions are often not as simple as questions.
In the first conversation, Ruhua asked such a question, because she had made up her mind to die, but she still wanted to hear about the man she loved before her death.
In fact, the key to the flower problem is not Shu Xian, but the attitude of twelve teenagers towards themselves.
At this time 12 years old, he has given up hope for this relationship, his family does not support it, and the stage road is far away. He began to dare not look into the eyes of the flowers.
Ruhua always squints when asking questions to avoid eye contact with her. On the contrary, it is only in the text, much like a playboy's love story.
Every time he says "Yes", Ruhua is actually disappointed because she doesn't want to be with Shu Xian for twelve years. At the same time, Shi Shaoshao must add a sentence at the back, even if he can do it, he will still think of you in his heart.
Of course, this modern quotation from love rat is unacceptable.
She thoroughly saw the hearts of twelve young people and understood that it was impossible to get the happiness she wanted while living. This also strengthened her determination to double suicide with twelve teenagers and even give him sleeping pills in advance.
In the second conversation, Chuchu asked this question because she had just spent a warm night with her boyfriend and was shocked by the story of Huahua.
On the one hand, she wants to see if this feeling still exists now. Second, I want to see what my boyfriend thinks.
The answer given by both of them is "no".
This result doesn't seem right. Because people in love always want answers that make them feel safe, even psychologically.
In fact, this just shows that Hua Hua and Shi lack confidence and mutual trust in their feelings.
But Chuchu is different from Mr. Yuan. Relatively speaking, they want to enjoy more freedom of love, and Mr. Yuan is also willing to respect Chuchu's ideas.
Like a flower, when she learned that they had been in love for four years, she asked, why don't you get married?
Mr. Yuan replied that some things are hard to say or do for the time being if no one forces them.
They enjoy this kind of love time and have their own space. It can be said that love is natural, and it can also be said that they trust each other.
When Ruhua asked her why she didn't directly tell Chuchu that there was a female ghost at home, Mr. Yuan said that she didn't believe anything, no matter what I said.
This kind of unbelief may be the deepest trust.
It is precisely because of this that when Mr. Yuan said "no", Chuchu did not show displeasure.
The next morning, Chuchu and Mr. Yuan were walking on the road. Chuchu turned across the street alone, only to find that Mr. Yuan continued to walk into a shop, so Chuchu immediately went back to chase Mr. Yuan.
Without any words, Chu Chu just took Yuan Ning's hand.
At this moment, Chu Chu discovered that this road to work has always been a hurry for herself and her boyfriend, and since she fell in love, she seems to have never paid serious attention to her boyfriend. Just like my boyfriend carefully prepared a birthday present for himself, he hurried to work.
The biggest difference between Chuchu and Ruhua is that Ruhua cares too much and is afraid of losing, while Chuchu lacks care and is afraid of bondage.
Ruhua is willing to commit herself to relying on a man. In order to maintain this dependence, she would rather die together.
Chuchu, who has confidence in love, enjoys Mr. Yuan's love and tolerance. She really loves Mr. Yuan, but she never knew that in this relationship, how to repay Mr. Yuan's contribution is to run ahead happily and leave the man who has been caring for her behind.
However, they also have something in common, that is, jealousy of love.
It is the flowers that produce jealousy first. Seeing the affection between Chuchu and Mr. Yuan with her own eyes, she envied Chuchu having Mr. Yuan, and was full of regret for losing her twelve children.
Chuchu also went through the process of looking for twelve little flowers, and finally realized the value of love. What she envies more is the spirit of love-hate relationship and dedication to love.
The contrast between Ruhua and Chuchu is from 1934 to 1987, and the former is different from the current emotional concept.
When women become more and more active emotionally, they will be more and more able to fight for their feelings and speak out. Although this is an improvement, love is still the most complicated thing. It is not who is strong and who is weak that determines happiness.
Once a rouge box, I will remember it all my life. A pair of shoes today, you may forget when you turn around.
I don't know how Guan will tell Anita Mui on the spot, but judging from the works, Anita Mui knows what Guan wants, or Anita Mui knows what Ruhua wants.
This is the magic of Anita Mui.
-End-
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