Do young people in Tianjin often go to teahouses to listen to cross talk now?

As the hometown of Quyi, many young people in Tianjin have been influenced by the environment since childhood. They have listened to cross talk with their parents, experienced the atmosphere of the teahouse, and have a certain understanding of cross talk. In the atmosphere of the teahouse, it is also a kind of enjoyment to listen to cross talk while drinking tea with melon seeds.

The popularity of cross talk

On the one hand, people like cross talk, and cross talk is also very important for the popularization of the public. In the past, cross talk may be regionalized, and many areas are not in contact, but now there are many excellent cross talk actors in cross talk, which makes more people pay attention to cross talk.

Youth crosstalk

There are more and more young actors in cross talk, which also attracts some young audiences. Moreover, there are more and more forms of cross talk, such as adding some humorous jokes of humming and internet, combining traditional singing methods and historical background, which is suitable for young people's preferences and broadens their horizons.

The Tianjin crosstalk I said has two meanings, one is the Tianjin crosstalk geographically, and the other is the Tianjin-style crosstalk. Although the ultimate answer to these two meanings is that Tianjin crosstalk will not disappear in the next decade, it still needs to be explained separately.

First of all, the original goal of this kind of art in this area is to meet the cultural and entertainment needs of people around, that is, what kind of art is nurtured by what kind of audience. Let's demand reduction to absurdity. If the hypothesis is established, Tianjin local culture will disappear completely in at least 5-8 years. There is a simple reason. Before the extinction of animals, it must be caused by the complete disappearance of the lower food chain. Moreover, in this case, it is still necessary to completely overhead the city of Tianjin, otherwise you will embarrass those who drive to Tianjin to listen to cross talk on weekends ~ so ask yourself and answer yourself-wrong!

In addition, Degang Guo (just academic language), the holy leader of Tianjin crosstalk, has to be invited. The cross talk style of Deyun Society is a derivative of Tianjin cross talk. The interaction between the stage and the stage, the use of various cranes, and even a lot of dirty baggage in the early days are the characteristics of Tianjin crosstalk. Why are they angry? The audience loved it! Close to the lives of ordinary people! So here, the above regional problems extend from Tianjin to most parts of the country, from Tianjin folk culture to folk culture in various regions. In this case, subject, do you think ten years is enough? So the subject asked himself and answered himself-all wet!

There are so many children in Tianjin Teahouse, which one doesn't listen as much as you? Why are so many people chasing Liu Chunshan and Xu Jian? But if you watch a few more cross talks, you can feel that their skills are very good. Let's just say "New Eight Fan Screen", which is a transition from Paddalk to active life, with the old eight fans as the foundation, full of jokes and active life. Besides, Master Shao Ma, anyone who knows some crosstalk can see that he is more capable than his father and has a good voice. No matter learning to sing or learn Taiping lyrics, which one is better than the master? These are two basic skills! In addition to writing, didn't he write his own "Dispute", "Five Flavors" and "Mahjong at Night"? Lao Ma Ye's Buy a Monkey was written by He Chi. How dare you say that Master Ma was cheated by his father? Don't laugh my teeth off. From these points, we can see that you don't know crosstalk, and crosstalk is just a tool you use to save face for yourself. I even think there is a great possibility that you are not from Tianjin, at least not from Tianjin.

Besides, the industrial atmosphere of Tianjin cross talk is indeed mutually exclusive as you said, and the infighting is serious. But if you go to cross talk circles around the world, which cross talk circle is not like this? This is completely a legacy of industry history. To put it more bluntly, it is more directly proportional to the reasons for the monopoly of cultural industries in relevant departments. Do you blame Tianjin crosstalk?

Therefore, subject, you who regard crosstalk as a tool 13 are not qualified to judge crosstalk. Venting your unhappiness in the crosstalk circle is enough to show that you don't love this art.

Let's take a look at the crosstalk in Tianjin ten years ago. Uh-oh, sorry, it's about the same as now. It's just that the old actors are still there, and the young actors are still very young and work harder than they are now. Where are the others? Okay, where is it? I didn't find it. What was Ma Zhiming like ten years ago? How's it going now? What was Huang Zumin like ten years ago? How's it going now? All right, the actors in the teahouse. What was Huang Tieliang like ten years ago? Is it stronger than it is now? What was Zhao Jinsheng like ten years ago? Did you show the real thing at that time? What was Tongma like ten years ago? Liu Wenbu ten years ago ... isn't it better now than it was ten years ago? Why hasn't the cross talk in Tianjin ended today?

Ask yourself and answer yourself. Why don't you stop? Because the cross talk industry is already on fire. Standing on the tuyere, even pigs can fly. Let's be clear, who was the public opinion at that time? It's Degang Guo. It is not Yu Baolin, nor Li Jindou, nor Jiang Kun. Why did you fire him? Because it will be empty, it can quickly expand the market and has rich potential commercial value. Resources gathered on him for a short time, and people promoted people, so they became famous overnight. There are many actors who are more capable and successful than Degang Guo, but they can't be found in the capital. Is capital wrong? Is the market wrong? People don't care whether you are artistic or not. What capital wants is profit, where the profit rate is high. Although Degang Guo is in Beijing, he still talks about Tianjin-style cross talk. That's what he learned when he was a child. He won't change his taste. They all taste the same, some eat meat and some drink soup. In the past ten years, Degang Guo has gone from one place to another, and Tianjin crosstalk has also gone from one place to another. Nowadays, the sage leader no longer speaks cross talk, and there are many ways to make money. Then, as soon as the fire was removed, our place was destroyed, and Tianjin crosstalk lasted for ten years. What if the leaders stopped in 2005? Think about it.

Now Beijing has become a place where people live together everywhere, while Tianjin is a traditional city occupied by indigenous people. From the perspective of cross talk development, how to adapt to the new environment and new era is a very important content. Who told me when we were chatting in Dajintai in the morning? It slipped my mind. An old gentleman said this sentence. Why are horses popular? Because buying monkeys. Is Hou popular because of it? Because of traveling at night. Ma Zhiming is so popular? Because of controversy. All because of the new job. Degang Guo made a traditional adaptation in Beijing in 2005. He was innovating, so he seized the opportunity and became an upstart. What about Tianjin? Where conservative forces are deeply rooted, it is difficult to bring forth the old and bring forth the new. The policy is responsible for making art and the market is responsible for selling art. Judging from the current situation, Tianjin is not grasping both hands, but both hands are pockets. New things can't go out, and second-hand goods are everywhere. The final choice of the market really answered the words of an old gentleman who didn't know. We would rather have the perfect new than the perfect old. It's already like this. Some people still stamp their feet and curse the streets like the Al-Aqsa Martyrs Brigade of the Islamic State. No, you don't obey the rules! . This ultra-conservative force has no positive significance for the development of cross talk. Far-left bastards should object, and the far right is not much better than the far left.

Broadly speaking, although Tianjin should be called Yidu (I don't know who gave it to me, but it's hard to listen), to be honest, I really don't see how much real efforts have been made in this regard, and more is just a slap in the face. Nowadays, almost all crosstalk teahouses are Drum Tower, Food Street and Ancient Culture Street. They live by churning out ignorant people and then say that our things are rules, which has been the case for so many years. Refuse to use rules to develop, and use low-level and low-level second-hand goods to shoddy. This is the status quo.

The human resources market is also such a law: if an industry is full of vitality, people who want to start a business will naturally come in; If an industry is full of lethargy, capable and talented people will naturally find a place that suits them better. Tianjin crosstalk, if the audience is standing there with their hands on their shoulders and their mouths full, can't be finished for ten years. If you don't believe me, you can watch it. The actors are squatting in the backstage chairs and throwing poker. I am especially popular in the Spring Festival Evening. How can I be particularly unpopular? Ten years and five years are miracles.

As a Tianjin native, I love Tianjin Crosstalk, even though these junk things are really annoying at the moment. But then I won't look forward to it every day, especially when people in Beijing are doing well. Even if I creak tomorrow, there's nothing to show my face.

Therefore, Bian Xiao thinks that young people in Tianjin will often go to teahouses to listen to cross talk. I wonder if you will go to the teahouse to listen to cross talk now? Tell me your reasons ~