Zhangshunmin village Wu shui Rao Bei Tian Zhu Rao Li

"The village water surrounds the vicious field to build a fence"

Author: Zhang Shunmin

Water surrounds the bamboo and the fence.

The elms are all gone, and there are fewer hibiscus flowers.

No one is lying on the cow's back in the sunset.

Take western Western jackdaw back in pairs.

Appreciate:

Village Residence is one of Zhang Shunmin's representative works.

The bamboo fence around the water reclamation field, the material selection is like the transformation of focal plane, from distant view to close view. In the distance of the village, flowing water gurgles around the fields on the hillside. The small garden outside the house, surrounded by green bamboo and green water, is idyllic. Elm flowers are sparse, hibiscus, also known as hibiscus, bloom at the turn of summer and autumn, and the corolla is purple or white. Sparse hibiscus shows that it is a clear autumn, and an elm tree has long been in blowing in the wind. Therefore, although the courtyard is green and pleasant, it is a pity that the heyday has passed, and the remaining hibiscus flowers will inevitably cause the feeling of beauty dying. The significance of silence is self-evident.

As the sun sets, there is no cowboy riding on the back of the cow, only a pair of crows wandering on the village road. The silence was broken by the hooves of cattle, and the poet switched the camera to the outside of the yard. The sun sets, the twilight is boundless, and the old cow slowly returns. This scene was sung as early as in the Book of Songs: It's dusk, and the cattle and sheep come down. However, the poet did not repeat his predecessors' poems, but captured a brand-new artistic image: the old cow returned by itself, and the cow's back was not a cowherd playing piccolo, but a standing western Western jackdaw. Western Western jackdaw is easily frightened and good at flying, but he is carefree in this quiet atmosphere and stands on the back of an ox. The silence in western Western jackdaw is closely related to the movement of bulls. The action of a cow contains the stillness of western Western jackdaw, the size of which corresponds to each other, and the action contrast, forming a novel picture. Song poetry strives for innovation, which is evident here. Is the word "no one lies" redundant? Why not just say: Western jackdaw in the west stands on the back of a cow at sunset? This is the charm of this poem. No one is lying down with a pen, which causes readers to question: so what is on the back of the cow? Therefore, the introduction brought back the western Western jackdaw in pairs, and now the image has melted into its own emotional color.

Huanxi Shashan Raoping Lake Bohancheng

Zhangyuangan Huanxisha Mountain around Bohan City in Pinghu.

The mountain shakes the lake around the city, the reflection of the lake infiltrates the green hills, and the crystal building wants to watch the night.

When the fog and willow are dark, the clouds are overcast and the moon is full, and the dew is turned over by fireflies, and it is rustling until morning.

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The exact time when the author wrote this poem is unknown. As the saying goes, the Crystal Building will keep vigil. According to the Prequel to Tiaoxi Fishing and Conceiving in Conghua (Volume 53) written by Hu Zai in the Southern Song Dynasty, although the Crystal Palace was called by Xing Wu, it was not included in the picture book. Wu, as the secretariat of Yang Hangong's Poems on the Night of September 15th, said: The land in the south of the Yangtze River is warm, and September is cold. The brook is on the jade building, and the moon is on the crystal palace. So poetry is also. It can be seen that this word was written by the author when he traveled in Jiangsu and Zhejiang in his later years.

Say goodbye to the three places and start over for twenty years. This is Gan Yuan's state of mind when he describes revisiting his old place in Two Poems of Denghong Pavilion, and the landscape scene described in the poem is close to the natural scenery described in the poem. The first sentence: The mountain shakes the city around Pinghu, which truly shows the continuous mountain and choppy water potential. Bohan City is a poem written by Tang Meng, where the lake in August and heaven are in the same air. A fog came from Yungu and Menggu, and has been surrounding Yueyang City. But his lyrics are not inspired by the surging waves in the city, but start from the vast water surface to close up the beautiful scenery of the rippling lakes and green mountains and green waters. The crystal downstairs wants to watch the night, and the lake and the moonlight set each other off, and the artistic conception is far away, as if the fluctuation of water essence described in Du Mu's poem "Mourning the Death of the King of Wu" broke the balcony. The longing for the third night here not only points out that you can't forget to go upstairs on a moonlit night, but also expresses the author's interest in being immersed in the vast and beautiful nature.

Continue to write about scenery in the next article. When the fog and willow are dark, Yun Zheyue. The author looked upstairs and saw the summer night scenery bathed in moonlight.

Clouds in the sky covered the moon, and the willow trees in the night fog suddenly looked dim and difficult to distinguish, while the lotus leaves with dewdrops in the water swayed gently with the wind, and the water droplets flashed, just like countless fireflies kept flashing to make people stay back and forth.

If the fireflies described in the poem "Two Poems of Denghongge" are hung upside down and drink rainbows. Such as swallowing the moon and lightning sweeping away the sky, the purpose is to show the grandeur of a stormy river. So, what the author outlines here is a picture of Yun Zheyue in the sky and the lake is quiet.

Finally, the rustle reached the dawn, writing about sitting alone and thinking until dawn. Rustling is sparse hair, such as Lu You's Miscellaneous Fu: suddenly seeing the sky, short hair rustling comb. This word not only describes the beauty of lakes and mountains, but also expresses the author's lingering feelings immersed in natural scenery, revealing a leisurely and unique detachment. The whole word is closely related. The poet not only skillfully combines several natural scenes, such as clouds flying over the moon, lake shadows, green hills, shore willows and dew lotus, into a harmonious and unified picture, but also highlights the unique expression of people enjoying the natural beauty in the scenery. Ancient Poetry Village _ Gaoding Village

Ancient Poetry Village _ Gaoding Village

Rural residence

Author: Gao Ding

In February, the grass grows and the warblers fly, and the willows are drunk with spring smoke.

The children came back from school early, so they were busy flying kites in the east wind.

About the author:

Gao Ding was a poet in the late Qing Dynasty. A word, and the word clumsy, Renhe (now Hangzhou, Zhejiang) people. Gao Ding lived in the Xianfeng period after the Opium War (18511861). His deeds are not many, and most of his poems are out of tune with that era. Most people mention him only because he wrote a famous poem "Village Residence" about flying kites. He is the author of my poem.

Precautions:

1, village residence: what you see when you live in the countryside.

2. Willow on the river bank: The branches of willow are very long, hanging down and swaying slightly, as if touching the river bank. Drunk: intoxicated, intoxicated. Spring smog: Fog evaporated from Shui Ze, vegetation, etc. In spring.

3. Drop out: After school.

4. Paper kites: generally speaking, kites are made of paper and shaped like eagles. Kite: Eagle.

5. East wind: spring breeze.

Translation:

In February of the lunar calendar, grass gradually germinates and grows around the village, and orioles fly around.

Willow branches gently brushed the bank, and the water vapor evaporated between Shui Ze and the vegetation and condensed into smoke, which was fascinating.

The children in the village came home from school early.

They use the spring breeze to fly kites in the blue sky.

Appreciate:

Village House describes a picture of children flying kites on the grass near the village in spring. It is a picture of rural life full of vitality and spring, which combines natural scenery and touching people. In early spring and February, the grass grows and the willows brush the embankment, and the children fly kites with great interest. There is a scene where someone has something to do, full of life interest, and draws a lively and happy spring picture. Between the lines, the poet's joy and praise for the coming of spring are revealed. After reading this poem, readers seem to enjoy the beautiful spring scenery with the poet and share the joy of children flying kites together.

The first sentence and the second sentence describe the time and natural scenery, vividly describe the nature in spring, and write the beautiful and charming scenery unique to the countryside in spring. In early spring and February, the grass grows green buds, and orioles fly in the sky and sing happily. The long branches of willows beside the embankment brushed the ground gently, as if drunk and trembling in the spring smoke. This is a typical picture of spring scenery. The phrase "the grass grows and the warbler flies" brings all the scenery in spring to life. People seem to feel the atmosphere of recovery and prosperity, and people's eyes seem to surge with the pulse of spring. The willows on the embankment are drunk with spring smoke, and the willows on the Yuan Ye in the village are soft and slender, gently sweeping the embankment. In spring, the earth is sunny and foggy, and willows sway from side to side in the breeze. The poet used a drunken remark to describe the charming posture of willow; Write the softness of willow; Write the charm of willow. This is a typical picture of spring scenery.

The third and fourth sentences are about people's activities, describing a vivid scene of a group of lively children flying kites in beautiful spring. The children came back from school early and flew kites in the east wind. Their laughter makes spring more vibrant. The children, east wind, kites, people and things chosen by the poet add some vitality and hope to the beautiful spring scenery. The last two sentences are written by the things in the last two sentences, which vividly render the charm and intoxicating of early spring.

This poem is clear and clear, and it is practiced with words. The whole poem is filled with cheerful emotions, giving readers a beautiful emotional infection.

This village is cold and cold.

Bai Juyi lives in a cold village.

In December of Yuanhe eight years, it snowed for five days in succession.

Bamboo and cypress all freeze to death, and the people have no clothes to wear!

Of all the families in the village, eight or nine are poor.

The cold wind is like a sharp sword, and the clothes are too thin to cover.

Only by lighting wormwood and heat, spend the morning waiting for the morning.

I only know that farmers are more bitter and sour in the cold year.

Then reflect on yourself and close the door of the hut tightly.

Brown fur is covered with a quilt, and it is warm when sitting and lying down.

I'm glad to get rid of hunger and cold instead of farming alone.

I am ashamed to think of them and ask who I am.

Translation and annotation

In this cold day of September, the farmers are particularly hard. At this time, I live in a warm house, and the door is closed, so the cold air can't blow in. Wear leather when sitting, sleep with silk quilt, and sit and lie warm. I am not hungry or cold, and I am not hard. Compared with those farmers who are still working hard in winter, I am really ashamed. What kind of person am I? In ancient times, an intellectual of feudal scholar-bureaucrat class was so sympathetic to the sufferings of peasants that he repeatedly criticized himself in several poems, which was really commendable.

1, the year of severe cold: freezing in the middle of winter.

2. Brown fur: Leather clothing made of brown fabric.

3, quilt: silk quilt.

4. No Qin Mu: No farm work.

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From the sixth year of Yuanhe in Tang Xianzong (8 1 1) to the eighth year, Bai Juyi left the officialdom because of his mother's death, and went back to his hometown to pay his respects and live in seclusion in Xia 'aowei Village (now Weinan County, Shaanxi Province). During his retirement, he was ill and embarrassed, and received great help from friends such as Yuan Zhen. This poem was written in December of 2008.

In the middle and late Tang Dynasty, the area controlled by the central government of the Tang Dynasty was greatly reduced because of the separatist regime of the buffer region and the invasion of Tubo outside. But it has supported a large number of troops, including officials, landlords, businessmen, monks and Taoist priests. And people who don't farm to eat even account for more than half of the population. You can imagine the heavy burden of farmers and the hardships of life. Bai Juyi has a deep understanding of this. In this poem, he wrote about looking back at the village, ten houses and nine poor families. Just like the 10,000 people he wrote in another poem, "Only the peasants are the hardest" (the poem of summer drought), it is a record of real life he witnessed with his own eyes.

This poem is divided into two parts. The first part describes how miserable it is for farmers to stay awake at night in the cold winter when the north wind is like a knife and the snow is falling heavily. In the second half, I wrote that I was hiding outside the door in such a cold day. I have food and clothes. I have a good quilt cover. I was not hungry or cold, nor did I work hard in the fields. The poet contrasted his life with the sufferings of the peasants, feeling ashamed and guilty. He asked who he was. Sigh.

In classical poetry, there are many methods of comparison, and it is not uncommon to compare the poverty and pain of farmers with the arrogance and extravagance of the exploiting classes. However, it is rare to compare the poverty of farmers with the poet's own food and clothing, especially this heartfelt self-questioning is even more valuable among feudal literati.

In addition to contrast, this poem also has the following characteristics: popular language, smooth narration, no nonsense, pure line drawing, simple poetic context and sincere feelings. All these characteristics reflect the unique and popular artistic style of Bai poetry.