Is Han Han's new movie Flying Life wonderful?

As a Spring Festival comedy, Flying Life is full of jokes and feelings, and it is wonderful on the whole. The combination of Shen Teng and Andrew ensures the punchline, especially Shen Teng, as a "man who grew up with the jokes of the audience", knows more about seriousness and meanness. As a director, Han Han is increasingly trying to figure out what routines should be used to output his feelings and let the audience sing.

First of all, Zhang Chi, a former racing driver played by Shen Teng, was really down and out when she first debuted. A single father struggled with his son on the ground floor, and our days were ruined by his underground racing car. He looks like a middle-aged uncle who failed and lost his life. He was ready to make a comeback and "recover his lost glory", but he was "stripped naked" (literally). Originally, he was a self-mutilator, and anyone could spit and kick him. As a result, we found that he was racing underground with others in order to get the account of his unrelated son (abandoned in his car). This man is a little taller in an instant. Then there is Teng Mei's stunt show. Shen Teng knows when to shake the burden and how to tickle the audience's jokes. Coupled with his gay face in Alina Zhang, vivid expression and neat mouth, the cinema really burst into laughter. Of course, Andrew "Fizz the Tidal Trickster" without idol baggage is also very funny. As a navigator in Zhang Chi, Sun Yuqiang (Andrew) did give advice and suggestions on Zhang Chi's comeback. When Zhang Chi and Sun Yuqiang were singing and dancing for their eldest brother (Tengger singer), I didn't know if this song was good. Anyway, Andrew's dance really impressed me. Pole dancing really doesn't have any foundation (it really doesn't). The key is that enchanting Fizz the Tidal Trickster grasps it well. ...

Secondly, as the director and screenwriter of Flying Life, Han Han chose the theme he wanted to express, such as the theme of road films, the small town life and youthful passion of that era, and the life of racing drivers in Flying Life. The feelings he wants to output are not the experiences and memories that everyone has, so he wants the audience to have * * *. As the first attempt, I felt a little messy and immature, but riding the wind and waves obviously touched me, and the emotional output of flying life was also successful. As Zhang Chi said, this time, you are creating stories for a life without stories, and I am writing the ending for my life with many stories. Rally is really a collision between speed and passion. In many shots, steep mountain peaks, sharp turning lanes, the roar of engines mixed with the sound of gravel friction and the whistling mountain wind, the artistic conception really came out. Dead pilots, dead pilots, and team technicians who retired due to injuries are all grassroots and ashamed in the dust of fate. But they used to be extraordinary, and their inner blood never cooled down. They struggle, work hard and struggle. One second, they were cruelly crushed by life, and the next, they came back to life with a wound in their mouth. Racing, blood, hard work and making a comeback make my blood boil (it's good to have a champion rally director). Once Han Han was aloof, brilliant and somewhat out of place. Now he seems to have reconciled with the world, put away his edges and corners (both in character and body), told his blood and feelings in movies, and gradually became good at it.

"Flying Life" has a paragraph with feelings, a complete plot and a smooth narrative, which is worth seeing.