Joke Collection Website - Mood Talk - Seeking couplets on four classical novels
Seeking couplets on four classical novels
Fake jade is real when it's real, and it's real when it's chilly in spring.
Only inaction.
-Cao Xueqin wrote a fantastic couplet.
Note (1) The first time I read the couplets of A Dream of Red Mansions. ② Cao Xueqin: (about 1724 or 17 15- about l764): Zhan Ming, whose real name is Meng Ruan and Qin Pu, whose real name is Qin Xue and Qin Xi lay man, was a writer in Qing Dynasty and a native of Zhengbaiqi of Han Army. Good at poetry and painting, extensive knowledge of literature and art, profound cultivation. His Dream of Red Mansions had a far-reaching impact on later literary creation and research. (3) Space Fantasy: Space means nothing. Dream is a realm in Cao Xueqin's fictional kingdom of heaven. Appreciation of this pair of couplets appeared twice in A Dream of Red Mansions: the first time was what Zhen saw in his dream, and the fifth time was what Jia Baoyu saw in his dream. It can be seen that the author's arrangement of this pair of couplets has its own profound meaning. This couplet seems simple, but the truth is quite profound. Judging from the experience and fate of the characters, Zhen lived a prosperous life, and eventually his family was ruined and he fled into an empty door. This is the ultimate destination of Zhen's life. The author borrows Jia Baoyu to read the same couplet, which, in a sense, is a microcosm of his life path. Judging from the creative techniques of the works, the people and plots described are true and false, so that readers can savor and guess carefully. Wang Xilian's Dream of Red Mansions said: "Readers should know that there is truth and falsehood, and falsehood is truth; There is falsehood in truth and truth in falsehood; It's not true, it's not fake. Knowing this number, it is said that Jia Baoyu is one or two, and his heart is clear. " This pair of couplets can be said to sum up some rules in the creative techniques of A Dream of Red Mansions. As the couplet says, if you take falsehood seriously, it really becomes falsehood; If you treat what you don't have as something, some will become nothing. Just as Lu Xun said in A Brief Introduction to Flowers in a Crimson Cave: "Just look at the meaning, it depends on the reader's eyes: scholars see the Book of Changes, Taoists see lewdness, talents see lingering, revolutionaries see fullness, gossips see the secret things in the palace ..." This couplet also interprets "false", "true" and "yes", which gives people profound enlightenment to understand and think about complex life.
Jade asks for a good price on earth; When she stays in the coffin, the hairpin will fly.
-Cao Xueqin's Notes on Jia Yucun's Poems (1) Before the jade competes for a good price: A sentence in The Analects of Confucius Zi Han says: "Yu Gong said:' Before the jade is beautiful, it is all over? Seek goodness (price) to sell?' Confucius said:' sell it, sell it! I treat Jia Zhe also. "Well" is "diarrhea", a kind of surgical box. (2) The hairpin stays in the urn and flies: this sentence originated from a fairy tale. According to the records in Tailan cited in Dongming Ji, it is said that Emperor Wu of the Han Dynasty "recruited Lingge from the first year, and a goddess left the jade hairpin with the emperor, who gave it to him". When I arrived in Yuanfeng, Zhao Di, the imperial secretary still saw this hairpin, and * * * wanted to break it, but Mingdan saw it, and the box saw Bai Yan going straight to heaven. People in the Forbidden City made jade hairpin because they changed their names to Yuyan hairpin, saying it was auspicious. "Lotus" is a box that women use as decorations. Appreciate this couplet from the first time in A Dream of Red Mansions. The book says, "Let's sing in Yucun. Because we are thinking about our life ambitions, we suffer from untimely birth, but we scratch our heads and look up at the sky. After the couplet was sung, we said,' Jade is asking for a good price in the nest, and women are waiting to fly in the nest.' Just when Yin Shi came, he heard it and said with a smile,' Brother Yucun is really ambitious!' "Poetry can express ambition, and couplets can also express ambition. The thoughts, revelations and actual contents of couplets are vivid and vivid couplets. In fact, the content of couplets lays the groundwork for the development and changes of Jia Yucun's thoughts and behaviors in the following paragraphs. In the first part, Jade compares herself in the box, and in the second part, Chai compares herself in the box. With Yuchai waiting for the price, Jia expressed his eagerness to get rich incisively and vividly. In writing techniques, the use of metaphors and allusions in couplets has reached the point of perfection and vividness, showing Jia Yucun's inner world that needs to be climbed in front of readers, giving people a profound and unforgettable impression. Read its couplets carefully, if you see its people, if you hear its voice. Isn't this a vivid portrayal of the souls of those who are greedy for fame and fortune and wait for the price? Couplets also have their own hidden meanings. Seeing Cao Xueqin's creative intention, Zhi Yanzhai criticized the couplet Zhongyun: "In the past, the two jade cooperated, and now the cooperation between the two treasures is the real eye in the book." The so-called "Two Jade Biography" refers to the story of Shen Ying waiter and the crimson pearl fairy; The so-called "combination of two treasures" is the end of the fate of Baoyu and Baochai. What is the ending? Therefore, researchers have different opinions, either "jade is in the nest" implies that Baoyu is imprisoned in the prison temple, or "firewood is in the nest" guesses that Baochai is waiting for the opportunity to fly. Because the word "Jia Yucun" flies, some people infer that Nai Baochai finally married Jia Yucun. Analyzing the implication of this connection can really be described as "different people have different opinions".
I forgot to put my hand behind me; There is no turning back.
-Cao Xueqin wrote a sentence on the "Zhitong Temple" couplet. ① The back is more than enough: after death, it means death. Being left behind means that the accumulated property will remain after death. 2. Forgetting to back down: the image of an insatiable person. There is no turning back in front of you: turning back means repenting what you did before and starting over. Buddhism is called thorough understanding. There is a saying in the Buddhist scriptures that "there is no end to suffering". Anonymous's "Debt in the Next Life" is the first fold: "Then people in the world are greedy for bribes, and the sea is vast. Why not get married as soon as possible?" There is no turning back in front of you, that is, those who are greedy for profits only want to turn back when they are cornered. Appreciating this pair of couplets is characterized by shallow language and profound meaning. The so-called shallow language means that the two sentences in the couplet are easy to understand and picturesque. It is written that because I have money to keep, I still don't give up until I hit the wall. Everyone can understand the meaning. The so-called profound meaning, Lianzhong refers to more than just a matter of truth. Its profound meaning lies in: First, the words "I forgot to shrink my hand" and "I want to turn back" in Lianzhong are far-reaching and intriguing. It is a summary of the painful lessons of those who know the world better than their experiences. In the second episode of A Dream of Red Mansions, the author expressed this profound meaning by describing the environment of Zhitong Temple and Jia Yucun's thoughts, saying, "Although these two sentences are simple, they are profound. I've visited some famous temples, but I've never seen this one. One of them must have stumbled ... "What an unforgettable description of greedy people! Second, the alliance is what Jia Yucun wants. Contact Jia Yucun's career ups and downs. Isn't it a serious warning in advance for his future career! Thirdly, the decoration of couplets on the desolate scene of the ruined temple monk is actually a hint of the future decline of Rongning House and a harbinger of the twilight picture of Jia Baoyu, the protagonist of A Dream of Red Mansions. From this perspective, this pair of couplets not only conforms to the content of the work, but also has universal significance different from the work. Fourthly, the couplets are written with simple words and profound meanings, which reflects the author's profound understanding of society and real life. Without the author's life experience and deep understanding of the world, this scene and the couplets suitable for this scene could not be written, which contains the author's deep thinking about life. Who will not be shocked and impressed by the philosophy contained in this couplet when seeing the irreversible decline of Rongning Second Mansion from its peak to its final decline, and when hearing and witnessing the tragic fate of those greedy people who have been left behind in real life and history in no way back?
Everything is clear and well informed; Human understanding is an article.
-Cao Xueqin wrote "A Joint Note on the Building of Ning Mansion" ① Dong Ming: Understand it thoroughly. 2 all: all, all. (3) Learning: This refers to learning and asking difficult questions, and then refers to all kinds of knowledge. 4 human feelings: human feelings, world feelings, world feelings. 5 proficiency: proficiency. Appreciating this pair of couplets reflects such an environment and depicts Jia Baoyu's psychological state at that time-the fifth time in A Dream of Red Mansions wrote: "At present, Qin has led a group of people to the building. Baoyu looked up and saw a picture with fixed words on it. His story is "Burning Chenopodium", and he is a little unhappy without seeing who painted it. There is also a couplet that reads:' Everything is clear and learned, and people's understanding is an article.' After reading these two sentences, even if the room is exquisite and beautifully decorated, it is definitely not willing to be here. He quickly said,' Get out! "Get out!" "Here is a picture with a couplet attached to it. The content of the picture is based on the story contained in the Three-husband Huang Tuting Department written by an anonymous person in the Six Dynasties:" At the end of Liu Xiang's reign, he proofread Tianlu Pavilion and specialized in meditation. At night, an old man dressed in yellow, leaning on a quinoa stick, knocked on the pavilion and saw him sitting alone in the dark reading a book. The old man was blowing a stick and burning a cigarette when he met him. Awarded the article "Hong Fan of Five Elements" ... Jing Shu. May I know your name, Yun? I am the essence of Taiyi. "The picture of burning quinoa is a picture of immortals persuading people to study hard. And this pair of couplets says that knowing the world is learning, and having a set of skills to deal with the world is also an article. Painting and couplets complement each other, which is actually a model and motto to persuade students to learn "career economy". The philosophy inside is quite interesting after reading it. The Jia family pinned their hopes on Jia Baoyu's honor. They took various measures to force him to study, hoping that he would be successful in his career. But he is "down and out, stupid, afraid of reading articles, and his behavior is remote and perverse." That's nothing to slander the world! " Therefore, Jia Baoyu turned a deaf ear to the words of "burning quinoa" to persuade people to study hard, and even called "get out! Get out! "This is a very prominent outline of the characteristics of Jia Baoyu's environment and his attitude towards the typical environment, which more vividly highlights Jia Baoyu's thoughts and feelings and fully demonstrates the personality characteristics of this feudal rebel. This couplet is neat, beautifully written, concise and meaningful. If we extract the method of self-cultivation from the specific plot of the novel A Dream of Red Mansions, and taste it alone, it will be promising to study the way of the world as a communicative knowledge. This pair of couplets can not but be said to be an image summary of people's condensed philosophy of life for thousands of years. This shows the genius of Cao Xueqin.
Tender cold locks dreams because of spring cold; People in fragrant air cages smell like wine.
-Cao Xueqin wrote "Qin Sleeping Song" with a joint note on Taixu Book 1 gentle cold: slight cold. 2 lock the dream: the meaning of spring sleep dream lock. 3 spring cold: it means youth and loneliness. 4 cage people: cover people. ⑤ Qin bedroom: Qin Taixu is Qin Guan (1049- 1 100), with the word "Xiaoyou" and the word "Taixu". He is a Huaihai layman and a native of Yangzhou Gaoyou (now Jiangsu Gaoyou). Yuan Feng, a scholar, was appointed as the master book of the sea and Professor Cai Zhou. At the beginning of Yuan You, Su Shi recommended him as Dr. imperial academy and editor of the National History Museum. Shengchu was demoted for leaning towards the old party. Hui was released and died on the way. His writing is delicate and graceful, authentic. With Huang Tingjian, Chao Martial Arts and Zhang Lei, they are also called "Four Bachelor's Degree in Sumen". And Huaihai Collection. There is no such connection in Hai Huai Ji. It is difficult to verify whether the couplets were written by Qin Guan, so let's say it was written by Cao Xueqin. Appreciate that this is a couplet with subtitle, which was painted by Tang Bohu. Begonia sleeping in spring: a metaphor for Yang Guifei's drunkenness. Ming Taizu's Miscellaneous Notes says, "Go to Xiangge and call my concubine. Princess wine didn't wake up, Gao Lishi to a few helpers. The emperor smiled and said,' Is the concubine drunk? Haitang lacks sleep. ""It's hard to prove whether this pavilion exists. When painting couplets, couplets must be closely related to painting. The first couplet means that it is slightly cold in spring, deep sleep in spring and locked sleep; The next step is that people are attracted by the aroma of wine. The organic combination of painting and couplet art here is a fine tradition of couplet art and painting art in China. The combination of couplets and paintings is often wonderful. In addition, it also shows how subtitle painting complements painting and interior furnishings. The fifth time in A Dream of Red Mansions wrote: "Tell everyone to come to Qin's room. Just arrived at the door, there is a thin sweetness. Baoyu felt that his eyes were soft and even said,' It smells good!' When I entered the room, I saw a picture of a Chinese flowering crabapple sleeping in spring painted by Tang Bohu. On both sides were couplets written by Qin Taixu, a scholar of the Song Dynasty, which read:' Tender cold locks dreams because of spring cold; People in the aroma cage smell of wine.' On the case, there was a precious mirror set in Wu Zetian's mirror room that day, and there stood a gold plate of a swallow, in which An Lushan threw a papaya that was too hurtful. There is a couch where Princess Shou Chang lies with His Royal Highness Zhang, and there are couplets made by Princess Tongchang. Baoyu said with a smile, "It's so nice here! Qin smiled and said,' I can live in a fairy in this house.' With that, she opened the gauze washed by Xizi and moved the pillow held by the matchmaker. Qin Keqing's bedroom furnishings are described here: the furnishings used by emperors, empress dowager, imperial concubines, princesses and other figures, and the famous painter Tang Bohu's "The Sleeping Picture of Haitang in Spring", which mostly involves "romantic stories". Coupled with this couplet, the luxury and romance of Qin bedroom are more obvious. This pair of couplets is not only neat and even, but more importantly, it is used in Qin's bedroom to point out the bedroom scene, create an indispensable artistic emotion and atmosphere, and highlight and render the specific characters and environment described.
Lotus shadow breaks blue oars, Baoding tea is still green, and willows bypass the embankment. The pearl on the three-pole green seat shows the sun and the moon, and the hibiscus shadow breaks the blue paddle;
Lingou Lane describes the depth of bamboo bridge.
-Cao Xueqin's Lotus Notes-Lotus Couplet in Grand View Garden 1 Lotus: refers to water lotus, that is, lotus. (2) Blue paddles: paddles made by Mulan, which are used here to refer to boats. (3) Pavilion: a wooden building on a high platform, with a top cover, poles and no walls, for sightseeing, feasting, singing and dancing. Appreciating the couplets of the Champs Elysé es is also a wonderful scenery in the Grand View Garden. Look at the scenery description first, and then analyze the joint meaning. I wrote in the thirty-eighth chapter of A Dream of Red Mansions: "It turns out that this lotus head is covered in a pool, with windows on all sides, winding corridors on the left and right, and it is also connected to the shore across the water, with a winding bamboo bridge behind it." Hanging from the Lotus Champs-Elysé es are a pair of black lacquer mussels. The cloud said, "The shadow of the lotus is broken by the blue oar, and the lotus root fragrance is deeply written on the bamboo bridge." The wording and sentences of the first couplet are wonderful. The word "broken" has a special image. When the lotus reflected in the water is broken, we know that the scene of the boat returning is very vivid and full of charm. If you describe it according to the routine, it is "the blue paddle returns and breaks", and the sentence is dull. Writing from film to ship is better than writing from ship to film, and the artistic conception and interest are really high. The second couplet is unique in refining characters, especially the words "Xiang", "Shen" and "Write". Most people just talk about lotus fragrance, and what we are talking about here is "lotus root gives fragrance", which is more open-minded "Deep" means that the scenery is quiet, deep and distant; "Writing" means "painting", which means there is a bamboo bridge here, and the sentence is humorous and poetic. The whole sentence means that the bamboo bridge stands on the deep and fragrant water of lotus root, just like painting. Full linkage landscape, picturesque, dynamic and static, dynamic and static combination, each with its own charm, every word contains endless beauty, which is pleasing to read.
Baoding tea is still green; It's still cold to play chess in a secluded window.
-Cao Xueqin wrote Jia Baoyu's title Xiaoxiang Pavilion Joint Note 1 Baoding: This refers to the cooking utensils used for making tea. 2 tea leisure: tea. (3) Smoke: refers to the water vapor emitted by tea leaves. 4 Chess: Game over. This subtitle is about Xiaoxiang Pavilion. Compared with the Qin Fang Pavilion, there is another hole in the sky. 17' s A Dream of Red Mansions wrote: "Suddenly I looked up and saw the white wall in front of me. There are several repair rooms inside, covered with thousands of bamboo poles. " For such a "good place", the author closely follows the characteristics of bamboo and writes bamboo in an orderly way without the word "bamboo". On the couplet, Baoding stops in brew tea, and there is still green steam floating indoors; The bottom line says that Jingchuang has stopped playing chess, and his fingers still feel cold. This green steam is obviously caused by the shade of bamboo; This coolness is also due to the coolness. It can be said that both visual image and tactile perception are. The "tea break" and "chess break" in couplets are well used. Reciting this couplet, from the scenery and feelings, from things and people, seems to catch your eye is the leisure of dudes and ladies living in aristocratic families.
Borrow three reeds to surround the embankment; The flowers on the other side are very fragrant.
-Cao Xueqin wrote Jia Baoyu's title, and Qin's joint note refers to the water depth. ② One pulse: refers to the shape of flow. Appreciating China's garden architecture has always paid attention to the combination of scenery and emotion. There are pavilions and pavilions in the garden, with topics and beautiful scenery. Therefore, after the Grand View Garden was completed, A Dream of Red Mansions emphasized: "The vast scenery, some pavilions, without words and titles, is also boring. Wherever there are flowers and willows, they can never be colored." The landscape couplets in A Dream of Red Mansions are mostly concentrated in 17- 18. Before preparing this couplet, there was a scene in A Dream of Red MansionsNo. 17- 18: From a winding path to a cave, "I saw beautiful trees and green onions burning, and the area was clean and flowing, winding from the depths of flowers and trees under the stone gap." After a few more steps, I gradually went north, flat and wide, with flying buildings on both sides inserted in the air and carved sills hidden among the branches in the mountains. Overlooking it, the clear stream falls snow, the stone rises through the clouds, the white stone is a hedge, the ground is enclosed, the stone bridge is three, and the animals spit. There is a pavilion on the bridge. "Qin Fangting's couplets summarize the main part of this miracle. The first part of the couplet reads, the waves are clear and clear, like borrowing the green of willow trees on the shore; The next link is the fragrance of water, like the water in this vein, sharing the flowers on the other side. This pair of couplets is written about "water", and the beauty is that there is no word "water", and all of them use "around the embankment" and "on the other side" to reflect the stream; The "three poles" and "one pulse" are used to contrast the "water depth" and "manifold", and the water color, water quality and surrounding atmosphere are integrated into one, forming a poetic picture of Liu Ying, with flowers blooming and flowers falling and flowing water red. No wonder many scholars who appreciate the scenery are full of praise. When reading here, readers can also enjoy the poems and paintings in the Qin Fang Pavilion.
On the seat, beads illuminate the sun and the moon; There is a mist in front of the hall.
-Cao Xueqin wrote a paragraph in Rong Xitang. ④ Zhuji: Pearl. Ancient aristocratic women's dresses often used pearls as patterns. The metaphor here is wonderful. Tang Du Mu's "New Transfer to the South and Cao Chushou" says: "A cup of wide curtain seats, five words get the pearl." 2 Zhao Riyue: Zhao, remarkable. Zhao's sun and moon are brought with him. (3) Squid: squid, black and white, axe-shaped, with white blade and black body; Black and blue don't give in to each other, so they make a fractal. Fu is a pattern embroidered on ancient costumes, and it is also a metaphor for literary talent. 4 Rong Xitang: Kangxi is rich in literary talents and loves to dance and write ink. His latest minister, Su Ru, received two couplets from the royal calligraphy plaque. According to relevant historical records, Cao Jia once won the calligraphy hall of Kangxi with two titles, one is respectful and the other is auspicious. It is based on this fact that the third episode of A Dream of Red Mansions was written as "Rong Xi Tang". Let's look at the narrative of the word "Rongxitang" seen by Daiyu again, and we can see this background: "When I entered the hall, I looked up and saw a big plaque with red, gold and green land in Kowloon. There are three big characters written on the plaque, namely "Rong Xitang", followed by a line of small characters: "One day, the book will be given to Jia Yuanrong", and tens of thousands of treasures of Chen Han. In the case of red sandalwood carving, there is a three-foot-high bronze tripod, and a big painting is hung in Mo Long, with a gold art on one side and a glass box on the other. There are sixteen nanmu chairs in the ground floor, and there is also a pair of couplets, which are ebony couplets with silver characters embedded in them, saying,' The sun shines on the table, and the haze shines in front of the hall.' The next line of fine print reads:' My fellow countryman respects Mu Shu, king of Dong 'an County, and worships calligraphy. . Cao Xueqin's introduction of Rong Xi Tang and its couplets reproduces the historical background of Cao family at that time. Appreciate this is a pair of couplets in the main hall, commonly known as Tang couplets. Tang couplets have a variety of decorative functions, so they are also called "decorative couplets", which are mostly used to decorate and beautify indoor environments such as living rooms, study rooms, bedrooms and desks. Formally, church couplets play the role of decorating houses and beautifying the environment; In content, it reflects the different styles, qualities, feelings and hobbies of the host. The first part of this pair of couplets in the main hall of Rongtang is called Zhuyu in the seat, which can shine with the sun and the moon; The color of the official uniforms worn by the people in the lower joint hall is like a cloud, which shows that the luxury of the Jia family has indeed reached its peak. This pair of couplets is the most vivid description of this "Zhong Ming Shi Ding" homeland, which is closely related to Fu Rong's brilliant social status in A Dream of Red Mansions. All-China Federation, with neat antithesis, elegant conception and beautiful writing, vividly depicts the interests and world outlook pursued by dignitaries, and is a masterpiece of the theme of Dream of Red Mansions.
Hazy and idle bones; The whole career.
-Cao Xueqin wrote a note in the Tanchun Room (1) Haze: it refers to mountains and rivers. (2) Skeleton: here it is interpreted as temperament, interest and style. (3) Clouds are idle and spring rocks are wild. It means that people in Shan Ye are always with Chunyan, just like clouds. This language has its roots. According to "The Story of Tian You Yan in the New Tang Dynasty", Tian You Yan "entered Jishan, lived near Xuyou Cave, and claimed to be' from the East', but he could not call frequently". Gao Zongqin came to his door and said, "Is your husband better than you?" "Answer:' I'm talking about people with chronic diseases. Couplets are a portrayal of the carefree interests of ancient hermits roaming in the mountains, which may be based on Tian Youyan's story. (4) Tanchun couplets in the room: Yan's ink in the book is called Yan Zhenqing, a great calligrapher in the Tang Dynasty. At present, there is no ink in the couplet, so it was drafted by Cao Xueqin. However, many redology experts hold a negative attitude towards the existence of couplets in Tang Dynasty. Some experts think: "A Dream of Red Mansions mentioned that the couplets of Yan Zhenqing's book" Clouds Idle, Bones and Wild Spring "hung in the tanchun room, so red scholars came to research and said that there was no such custom as hanging couplets in the Yan Dynasty (709-789), which shows that the" original works "of Yan's books are fake and so on. "What is the main evidence that Redology scholars textual research denies that there are no couplets in the Tang Dynasty? Their main basis is as follows: "According to Shu Lang in the Song Dynasty, Meng Chang, the master of Shu after five dynasties, wrote a peach symbol on Sleeping Gate Cloud:' New Year, Jia JieNo. Changchun', which was the beginning of couplets for later generations. It was not until the end of the Ming Dynasty that the wind of literati writing couplets began to prevail, especially in the Qing Dynasty. " "Couplets flourished in the Ming and Qing Dynasties and were extremely rare in the Northern Song Dynasty. "However, the textual research of Song people has long been out of date, so it is not sufficient. Many couplets scholars have studied the origin of couplets from many aspects, and believe that the existence of sentence patterns and syntax of couplets did not begin in the Yin and Zhou Dynasties. The appearance of the first pair of couplets never began in Houshu. The rise and application of couplets did not begin in the Song and Yuan Dynasties. Now, several couplets in the Tang Dynasty are simply selected as evidence: for example, the couplet in Jinci inscribed by Emperor Taizong is: "The article lasts forever, and the country is clothed." Another example: Fujian's Fu Ning Fu Zhi (Qianlong Edition) records that Song Lin, a scholar in the Tang Dynasty, studied hard at Li 'ao Street Caotang, a coastal fishing village in Fuding. "Fuding County Records" (Jiaqing Edition) contains: When Lin Song was not in the first place, he hung couplets in the thatched cottage to express his feelings, saying, "A gentleman doesn't eat saliva, and he has no desire; How dare a gentleman lean on the fence and take the pavilion to the top of the mountain? "Fujian Xiapu County Records" contains a cloud, Tang Chenpeng,no. White Narcissus, who lives in Houqi, once wrote that he lives in Lianglian, saying: "Bamboo fences are sparse and see Pu; The hut leaked out of the house. "Stones are high and low; Bamboo households are exquisite and open left and right. " "Couplets express the self-indulgence of humble cold Confucianism. Fuding and Xiapu, living in seclusion in the corner of the sea, are relatively backward in culture, which shows the extensive use of couplets in the Tang Dynasty. Shi and Shi Zhongyuan also said in the article "Japanese Friends and China Couplets" that China Couplets were introduced to Japan in the Tang Dynasty. " With the Jian Zhen monk's eastward crossing, many Japanese temples later posted couplets. "Obviously, it is wrong to deny the habit of hanging couplets in the Tang Dynasty. Appreciate this pair of couplets hanging in Jia Tanchun's boudoir and around the misty rain map in Xiangyang, Mi. It can also be regarded as a decorative painting couplet, which plays a role in embellishing Tanchun's boudoir life and embodies Tanchun's lofty and broad ideological interest. It is worthy of being a masterpiece. The upper and lower couplets mean: leisurely and complacent style, like a cloud of smoke rolling freely; Living between mountains and rivers is interesting. Tanchun is a noble gesture of a school of literati. This pair of couplets not only meets the needs of Tanchun's boudoir environment, but also embodies Tanchun's so-called "elegant and lofty" and plays a role in taking care of the previous article. In the thirty-seventh chapter of A Dream of Red Mansions, there is a story about Tan Chun. Baoyu once said that he was "grateful for the true and clear ink" and that he was "secluded among the mountains and rivers and admired the branches of Lin Xue". Baoyu also called it "elegance", and Tanchun called himself "a guest with a banana" ... The theme, couplets and even words of this couplet are closely related to the last article. This completely gets rid of the disadvantages of mediocre and boring co-production scenes, giving people an associative aftertaste, which is quite chewy.
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