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In the morning, open the curtains and open the window. The breeze blew, and a fresh, fragrant and elegant earthy breath came to my face. Spring comes so fast, quietly and unconsciously, the grass is green, the branches are sprouting, the wild flowers and rape flowers are blooming everywhere, and everything is bathed in the dawn of spring morning, swaying in the spring breeze, just like a girl's light singing and dancing, which is very lovely. Creatures wake up in the spring morning, showing the preciousness and temptation of life. The spring morning touched the hope in my heart and inspired the enthusiasm of life.

A: This passage describes the scenery of spring in an anthropomorphic way and vividly shows its characteristics. Everything revives in spring. Spring is the beginning of a year, which brings hope. So we should work hard and study hard so that we won't regret it when autumn comes.

1. Last night, the west wind withered the green trees, climbed the building alone and looked at the horizon.

The phrase "west wind last night" added a bit of bleakness and chill to the already sad atmosphere. West wind Fang Lie, green trees withered; Wood is like this, why people are inferior-from this galloping imagination, the author should also be changed by Zhu Yan. From the structural point of view, the green trees are withered, and the fields can become extraordinarily empty, so the author can see far away. From this point of view, "The Withering Green Tree" is a necessary foreshadowing for the next "Looking at the End of the World". "Being alone in the West Building" is another example of strict rules and regulations.

2. I don't regret the widening of my belt, which makes people haggard for Iraq.

The sentence "My clothes are getting wider and wider" writes tenderness with a healthy pen. I swear, in order to miss Iraqis, I would like to be thinner and haggard. "Never regret", that is, "I will never regret when I die", shows the hero's perseverance and persistent attitude, and the poetic realm is sublimated.

Looking for her in the crowd, suddenly looking back, the man was in the dim light.

In the carnival of the whole city, the poet settled down to meet the right person secretly at the night of watching the lights. After a long time, he suddenly saw that person in the "dim light". The last four sentences show the noble character of the author's refusal to go with the flow by "the man's arrogance and self-admiration". The whole word is novel in conception, skillful in language, subtle in twists and turns and endless in aftertaste.

The snow in the north is characterized by loneliness, and it also shows dead rain here. The sublimation of snow in the north is associated with death, and it is also a complete dedication that makes it the spirit of rain-the spirit of all strong cores.

The snow in the north is characterized by loneliness, and it also shows dead rain here. The sublimation of snow in the north is associated with death, and it is also a complete dedication that makes him the spirit of rain-the spirit that embodies all the strong cores. Rain is the initial stage of snow, and snow is the sublimation of rain. The author eulogized the spirit of flying snow in the north in pursuit of freedom, and at the same time expressed deep sympathy for its misfortune and praised the north. Snowflakes turn into snow particles, and snow particles turn into raindrops. Lu Xun said that lonely snow is dead rain and the soul of rain. No, snow becomes rain, and rain is the continuation of snow life. Snow left in a hurry and didn't give up. When will you come again? When the rain freezes, there will be snow. It turns out that snow is really the soul of rain. When the snow comes, the rain will be reborn. Why is the snow always silent? Why is it always white? Why do you always travel light? Snowflakes flying in the sky are a rainy festival and a ceremony to bid farewell to the old and welcome the new. Embrace the snow, kiss the cold snowflake and welcome the next rain.

Lu Xun has been fighting for the awakening of the masses in China all his life. With his wisdom of seeing the times, in fact, he knew that his ideal could not be realized before his death. But he has been working hard for this ideal, "shouldering the secret door and letting young people go to the bright place." Even if he failed, even if he was threatened by the dark forces, even if he was betrayed, he still believed in the philosophy of "quick victory". He was still fighting in the last few hours of his life and still cared about the ideological enlightenment of the new generation of young people in China.

In the boundless wilderness, under the cold sky, the shining soul of rain is spinning and rising. ...

Yes, it is lonely snow, dead rain and the soul of rain.

Lonely Snow refers to Lu Xun's single life after marriage. This kind of snow is a "warrior of society", "always on the road of struggle", and can "spin up to heaven" at any time, "just a passer-by". Lu Xun's loneliness soon ended. Two months after writing this essay, Lu Xun began to correspond with Xu Guangping, and a free love relationship was established six months later. Although "rain" has been made into "cold and hard" snow by arranged marriage, it still has the ability to revive. After the struggle, the "dead fire" was rekindled and the problem was finally solved. They arrived in Shanghai, south of "Jiangnan" (Shaoxing), and they are no longer the ocean snow at the mercy of others.

"Dead rain" means that snow is rain (desire) destroyed by cold. During the period of "warm country", the love instinct was suppressed by the arranged marriage in Jiangnan, and "dead rain" was still "dead fire". The metaphor and artistic conception of the two poems can be said to be synonymous with each other, both of which express the dead love first, then express the resistance of love and find a way out. After arriving in Beiping, the spirit of dead rain turned into flying snow, rebelling against China's traditional culture. After the "dead rain" has become a "dead fire", there will be an ice valley.

"Rain God", a metaphor for the true nature of human nature, is rain (desire) in a "warm country" and becomes snow when it returns to cold China. Lu Xun accepted the idea of free love in "warm country" Japan, which has become the soul of Lu Xun's thought. Lu Xun is still persistent. Although he has no pursuit of love, he always wants to go on.

The last few words are obviously the expression of Lu Xun's inner repression. When you really understand Lu Xun, you will tremble and cry. Suddenly, it reminds people of Ai Qing's poem Snow Falls on the Land of China. The tragic artistic conception is similar to Luxun's Snow.

Let's talk about these speculations again. It snowed in Beiping 19 days before Lu Xun wrote about snow. Lu Xun wrote in his diary 1924 12.30: "rain and snow, ... in the afternoon, it snowed again at night." The next day, he wrote: "It's sunny, and the wind blows snow into the sky." This may be an opportunity for Lu Xun to write this prose poem. Some people say that Lu Xun praised natural beauty and drew two interesting pictures of snow. It's really easy to stand and talk. It should be noted that Lu Xun doesn't wear cotton trousers even in winter. How can he enjoy the snow leisurely? The elegance of enjoying snow is found in Japan, a "warm country". Mr. Lu Xun made it very clear: "When I lived in Japan, I used to watch cherry blossoms in Ueno in spring and pine trees and snow in Matsushima in winter, so I didn't think there were any disgusting things mentioned in the book." However, even if I did, I probably wouldn't be so angry. Unfortunately, since I returned to China, I have completely lost this detached state of mind (Postscript of Out of the Ivory Tower). Snow appreciation requires a "detached attitude", at least to keep warm. It is not a pleasant thing to enjoy the snow without wearing cotton trousers. Therefore, Lu Xun is not praising the spirit of snow in an empty way, but using topics to express his hidden pain. What's more, Lu Xun himself once said that "Wild Grass" was "difficult to say directly" and "ambiguous in wording". Lu Xun wrote Argument for fear that readers would not understand it. Unfortunately, many people failed Lu Xun's painstaking efforts.

Secondly, to praise the spirit of snow, there is absolutely no need to describe Lohan, but from an aesthetic point of view, praising the snow in the south focuses on the description of Lohan, which simply gives people the feeling of failure. Before that, the description of snow and safflower in Eating Out was vivid. Moreover, in fact, plastic snow arhats are also very common in the north, which is not a feature of the southern snow scene. Why does the following article describe the snow in the north, but says, "However, the snow in the north will always be like powder and sand after flying, and will never stick together?" It seems that the snow in the north can't "bond with its own moisture" and shape the snow in the ocean. In October of that year, Lu Xun wrote the novel Lonely Man, and snow was also written in the novel. There is a passage that reads: "It snowed all day, but it didn't stop at night. It is so quiet outside that it is necessary to recognize a quiet voice. I sat in the light of a small lamp with my eyes closed, as if I saw falling snowflakes falling to supplement this endless snowdrift; My hometown is also preparing for the Spring Festival. People are very busy. I was a child myself, and I made snow arhats in the flat part of the backyard with a group of children. Sherman's eyes are black with two small pieces of carbon embedded in them. This flash becomes a pair of eyes. " The protagonist Wei is actually a self-portrait of Lu Xun. Lu Xun once said such a thing to Hu Feng.

From this point of view, the author thinks that Lu Xun is alluding to his arranged marriage, which was shaped by the elders of Jiangnan clan. When he arrived in Beiping, Master Xue began to resist arranged marriage. Lu Xun's performance in the New Culture Movement is like dry snow in a strong wind, radiant, "like fog with flames" and "rising and flashing". In the New Culture Movement, Lu Xun's first revolutionary novel was Diary of a Madman, accusing ethics (the source of arranged marriage) of eating people. Sixty-seven years later, he wrote a collection of revolutionary prose poems, Weeds, with the same theme and the same expression, that is, hidden sexual repression is the driving force for dagger throwing.

I don't know what the Taoist priest looks like. Apart from arranged marriage, he knocked down the Kongjia store.

Later, Lu Xun used the metaphor of iceberg and ice valley in The Dead Fire. Why does Lu Xun always use ice or snow as a metaphor for depression? This is also related to Lu Xun's understanding of Buddhism and his physical feelings. In Buddhism, the fire house is often used as a metaphor for human suffering, probably because India, the birthplace of Buddhism, is very hot. Lu Xun in Beiping, however, does not wear cotton trousers in winter. Of course, it is very cold, so it is natural to understand the world from the body's feelings. Buddhist thought holds that human suffering stems from a burning desire, so it should be suppressed. Lu Xun obviously disagrees with suppressing people's desires, and thinks that if people suppress too much, there will be pain, not so much burning houses as biting ice and snow. Buddhist fire house; Lu Xun suffered from ice and snow. This just shows that Lu Xun disagreed with the Buddhist understanding of life. Moreover, from a physiological point of view, the hotter the sex drive, the stronger the sex drive, and the cold is conducive to suppressing sexual drive. Therefore, it is very logical to use ice and snow as a metaphor for suppression.

Between the dark clouds and the sea, Haiyan flies proudly like black lightning.

Metaphor and personification. Black Lightning vividly shows the vigorous and brave posture of Haiyan. Pride endows Haiyan with humanity, and vividly writes Haiyan's spirit of despising all reactionary forces by anthropomorphic means.

(2) The wind tightly holds the layers of waves and hurls them to the cliff, smashing these large pieces of jade into dust and dust.

The combination of anthropomorphic verbs such as "hug", "throw" and "bold" endows the stormy person with character and behavior, and writes the arrogance of the wind.

(3) This sensitive spirit-it has long recognized sleepiness from the thunderous thunder, and is convinced that dark clouds can't cover the sun-yes, they can't!

Metaphor, personification and repetition. The metaphor and personification of "sensitive spirit" and "from the anger of thunder, I have been sleepy for a long time" show Haiyan's courage and wisdom, and show the foresight and keen insight of proletarian revolutionaries. "Dark clouds can't cover the sun-yes, they can't!" Repeated use and positive tone express unshakable belief in winning.

Keywords: "Speech commemorating the centenary of Voltaire's death"

Since darkness comes from the throne, let light come out of the grave!

Appreciation: this is a passionate and vivid call, which shows Hugo's determination and belief in fighting against dark autocracy; At the same time, it also implies that Voltaire, buried in his grave, once gave birth to "the dawn of dawn", and no matter how lost in the darkness, he will eventually shine brilliantly in human history. This sentence echoes the beginning of the speech very cleverly: "His cradle reflects the afterglow of the prosperous times of the dynasty, and his coffin casts the first glimmer of the abyss." ; Moreover,18th century and19th century, the glorious course of human liberation, are all integrated.

Key sentences: Fu Lei's letter

1. People's lives are ups and downs in high tide and low tide, but only mediocre people can live like stagnant water; Or you must have a high level of self-cultivation in order not to be tired and truly free. As long as the climax doesn't make you nervous and the low tide doesn't make you decadent, there is no problem.

Appreciation: This sentence contains the father's feelings for his son, and it also gives people the enlightenment of life: life must be full of emotional ups and downs, and only mediocre and detached generations will not have ups and downs. Tell people to be calm in the face of all this and try to keep a balance of mind so as not to get hurt.

2 If the sun is too strong, it will scorch the grains; Too much rain will flood the crops. We just want a psychological balance, as for injuries.

Appreciation: Taking sunshine and rain as a metaphor, the author told his son: Learn to treat success and failure in life with a normal heart, keep a psychological balance, and don't let yourself be too nervous at high tide and decadent at low tide to avoid injury.

Key sentences: hometown

I hope it's nothing, nothing. It's like a road on the ground; In fact, there is no road on the ground. If there are more people walking, it will become a road.

Appreciation: The author compares hope to the road on the ground, telling people that there is no struggle and pursuit, only hope.

Hope is "nothingness". With hope, we will unswervingly struggle and practice, and hope is "nothingness".

People struggle with hope and they will usher in a new life.