The background music when the host of the Spring Festival Gala speaks?

Spring Festival Overture Introduction to Love Songs When it comes to musical works about the Spring Festival, Li Huanzhi's "Spring Festival Overture" is a household name, well known to women and children, suitable for all ages, and well-known in both China and the West. Li Huanzhi is actually mainly a song composer. His orchestral works are very few, but each one is a masterpiece. "Spring Festival Overture" was composed in 1955. A year later, he composed "Love Song", "Pan Song" and "Lantern Festival" to form a large-scale orchestral suite, which is the "Spring Festival Suite". The music shows a scene of the people in the revolutionary base area celebrating the Spring Festival, as well as a moving scene of unity, friendship and mutual celebration. The entire suite is conceived with the characteristics of dance images and is rich in the customs and sentiments of traditional Chinese festivals. , vividly depicts a moving holiday scene. Due to the popularity of the overture and its cheerful and festive melody, it is customary to only perform the overture in most concerts. This recording is performed by the Central Orchestra and conducted by Yao Guanrong. The first movement "Overture" is a general description of the warm and joyful Yangko dance, including the sound of gongs, drums and songs, the dancing postures of the Yangko players and the dexterous flower-piercing scenes. The piece is a complex three-part allegro, and the main part consists of two folk suona songs from northern Shaanxi. The middle part (the deputy part, the middle part) is a kind and melodious Yangko tune from Northern Shaanxi. The theme is first played by the oboe, then repeated by the cello, and finally the trumpet solo pushes the music to the reappearance of the main part. The second movement "Love Song" (Andante of the Cantabile) is like a lyric poem, an episode during the Spring Festival. The music begins with an introduction by the British wind instrument and brings out the theme of the love song in northern Shaanxi, like the continuation of the moonlight like water. By the river, young men and women strolled and talked, expressing their sincere feelings to each other. The love song was repeated six times. After a period of emotional ups and downs, it returned to the tune-style theme. At this time, the violin and cello played it in a dialogue, and then returned to the introduction at the beginning through the connecting sentences. The third movement "Pan Song" consists of a rondo-style waltz. The author regards the first theme as the theme of people's unity and friendship in the festival, and there are two sub-themes (i.e. the first and second contrasting parts). The tones of these three parts are all evolved from different Yangko tunes sung by Northern Shaanxi. of. Sometimes they are like a heart-to-heart talk between friends, and sometimes they are like the humor and banter between an old man and a young man. Here, based on the actual situation of the weekend dance in Yan'an that year, the author deliberately used a writing method that combined folk-style music with modern ballroom dance music to write this national-style waltz in a quite innovative way (it reminds me of many war-themed movies). The scene of the central leaders of Yan'an performing a ballroom dance). The fourth movement, "Lantern Festival" (Allegro, vivid and glorious), is a trilogy. The main part is based on the tones of the suona song "The Great Formation", a folk queuing music song in northern Shaanxi. It is strong and majestic, and the syntax is coherent from beginning to end. It reflects the continuous breathing skills of suona artists in northern Shaanxi. Although it is now orchestrated, it still retains this continuous character. The middle part is a small scene depicting a yangko, using the interlaced and overlapping melodies of "Pumpkin Picking" and "Land Boat". The ending part is a reappearance of the main part, and ends with the warm and sonorous rhythm of Yangko gongs and drums. The conception of all suites has the characteristics of dance images. It maintains close contact with the customs and sentiments of traditional festivals, and at the same time depicts new festival scenes. The second paragraph is /showtopic.aspx?topicid=2474872 Don’t rush to close it and listen slowly