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I have no time to write for you. I searched some on the Internet. Have a look:

Xin Qiji-"Fishing";

How many storms can you save?

In a hurry, spring is back.

Cherish spring for fear of early blooming, not to mention countless red flowers.

Live in spring.

See, there is no turning back at the end of the world.

Hate spring and have no words.

It's just diligent, and it's doing everything in Yogyakarta.

Nagato, quasi-quasi-rituals and mistakes.

Moth eyebrows used to be enviable.

A thousand dollars to buy each other is like buying a gift, but who complains about this situation?

Stop dancing, can't you see, Yan Feiyu's ring is covered with dust!

Leisure is the hardest.

Don't lean on the dangerous fence, the sunset is there, and the flowers are bright.

Appreciate:

This was written by Xin Qiji when he was forty years old, that is, in the late spring of Song Xiaozong's sixth year of Xichun (1 179). Xin Qiji crossed the Huai River to the Southern Song Dynasty in the thirty-second year of Shaoxing (1 162). In seventeen years, his idea of fighting against the Jin Army and restoring the Central Plains was never adopted by the Southern Song Dynasty court.

We can't realize our ambition of resisting gold and killing the enemy and cleaning up mountains and rivers, but just do some idleness away from war. This time, I was transferred from Jinghu North Road to Jinghu South Road to continue to be an ambassador. The transshipment ambassador, also known as Cao Si, is an official position that is mainly in charge of all financial and tax revenues. For Xin Qiji, of course, he can't display his talent and ambition as soon as possible. Besides, it is even more disappointing for him to be transferred to Hunan, which is farther from the front line. He knew that the imperial court had no ambition to go north. When his colleagues bought wine for him to see him off, he wrote this poem to express his depression and emotion. & ltBR & gt& ltBR & gt's last film mainly expresses the author's love for spring.

How many times can the wind and rain be eliminated? I hurried back in spring. "It's said that it's late spring now, and we can't afford to have a few more storms. Spring really has to go. The phrase "cherishing spring for a long time is afraid of flowering early" tells his psychological activity of cherishing spring: he is even afraid of flowering too early because he is afraid of spring, which is a profound description of cherishing spring psychology. " Spring is alive ",for the author of" Spring "who is about to leave, I affectionately shout to it: Spring, stop, I heard that grass has grown to the ends of the earth, blocking your way home! But spring didn't answer, or slipped away quietly. "Complaining about the silence of spring", the frustrated author can't stay in spring, but it's still a spider under the eaves, working tirelessly all day to stick the Liufeihua, a symbol of the last spring scene. Therefore, in the author's opinion, it seems that this diligent insect is more rewarding than himself, and his feelings are too pitiful.

At the beginning of the next movie, I used the allusion of Emperor Chen of the Han Dynasty to refer to my frustration. A passage from "Nagato incident" to "Who complains about this situation" shows that there are precedents of jealousy since ancient times. Empress Chen was put in a cold palace because she was jealous. Later, she took out her gold and bought an article by Sima Xiangru, The Long Door Fu. I hope to use it to impress the heart of Emperor Wu of Han Dynasty. However, the "ceremony" she expected has not yet arrived. Who should I tell this complicated and painful mood? The word "dance" in the sentence "you don't dance" is smug and complacent. "Jun" refers to a person who is jealous of other people's slanders and gains a good impression. Don't get carried away. Didn't you see that Zhao and he both died later? "All dust" is the meaning in Zhao Chuan and Autobiography of Ling Xuan. Fan Tongde, my concubine, will tell the story of Zhao sisters. Ling Xuan said to her, "The people of Sri Lanka are in ruins. At that time, I was exhausted and obsessed with things. I would rather know that Alatano will be grass after all! " The sentence "leisure is the most bitter" is the conclusion. Leisure, the author refers to the mental depression that he can't talk about. A dangerous fence is a high fence. The last three sentences mean don't try to get rid of depression by climbing high, because the setting sun is shining on the willows shrouded in dusk, which is a blur from a distance. Such a twilight scene will make people feel hurt and more sad.

The first part of this word is mainly about lazy spring, and the second part is mainly about the decline of beauty. Some anthologies think that this word is the author's use of spring to set off his sadness. I'm afraid this understanding is not accurate enough. Of course, there is the author's personal feelings in this word, but Spring Will Die is more because he is worried about the bleak future of the Southern Song Dynasty court. The author has been concerned about the country and the people all his life, and he has also brought his personal feelings into national affairs here. The decline of spring actually means that the country is declining like spring, unlike the resentment and leisure worries that often appear in the works of ordinary poets.

The word "spring" in the second sentence of the last movie "Spring returns in a hurry" should be regarded as the "word" in this word. Next, the author takes "Spring Gone" as the theme and bus of the word, carefully arranges the contents of the first and second parts, and expresses his feelings in a tortuous way. He wrote "Storm", "Falling Red" and "Homecoming of Grass Fans" ... Compared with the political reality at that time, Jin Jun invaded many times, and the court of the Southern Song Dynasty failed in diplomacy and military affairs, and the country was in jeopardy. However, political affairs are yellow, traitors are in power, saints are blocked, and people with lofty ideals cannot volunteer. The above descriptions of spring affairs are all figurative and appropriate. Spiders are tiny animals. They try their best to keep spring. In the sentence of "painting a spider's web on the roof", it is more prominent to add the sentence of "only hospitality". The author really intends to identify himself as a spider. In particular, the word "hospitality" highlights the author's loyalty to the country. Here, the author said that although the position is light, he is still "diligent" in order to report the picture.

The last movie is mainly about Xi Chun. The next film is about ancient historical facts. It seems that the two are not related, but they are not. The author compares his own experience with the deeds of several women in ancient palaces, and further expresses his "jealousy" mood. This is not just a personal career gain or loss.

More importantly, people with lofty ideals are concerned about the rise and fall of the Song Dynasty, which is not divorced from the theme of "Spring Going", but complements each other. In terms of artistic skills, the author pushes away the film to write, which is playing a role in clearing the clouds.

At the end of the next movie, I put aside the singing of history and went back to writing scenery and expressing my feelings. The phrase "Don't lean on the dangerous fence, the sun sets, and the flowers are bright" ends with a scene and contains infinite charm. In addition, these two conclusions have the following functions: first, they depict the characteristics of late spring scenery. Li Qingzhao used the word "green and fat, red and thin" to describe its characteristics. "Red and thin" means flowers wither; "Green manure" means shade. In this poem, Xin Qiji does not mean that the sunset shines on flowers, but on willows. This is another way to describe the scenery in late spring, which has different meanings from green, fat, red and thin. Moreover, "heartbroken willow" echoes the "countless red flowers" and lazy spring in the last film. If so, how many times can the last movie be "more stormy?" It begins with "Spring in a hurry", and then the next movie ends with "Sunset, Willows heartbroken". Compared with each other, the two have the characteristics of tight structure and orderly organization.

The second song "Where is the Sunset? There is a bright future" is a scene in the twilight. This is a verve stroke at the end of the poem, aiming at pointing out the decline of the Southern Song Dynasty imperial court and expressing the depression he has not seen yet. This is closely related to the theme of this song, "Spring Go and Spring Come". Luo Dajing, a poet in the Song Dynasty, said in He Lu: "An Late Spring Ci:" It can even dispel several storms. The sentence "smoke and willow in the setting sun" is different from "don't worry about the sunset, the sky is light and the clouds are light" ..... Wen Shouhuang (referring to Song Xiaozong) was very unhappy when he saw this word. "It can be seen that this first word reveals how strongly it touches to worry about state affairs and the court.

Dengkuaige

Huang tingjian

Silly children don't do official business, and they rely on yat sen villa for quick things. Qian Shan has a vast sky, and Chengjiang has a bright moon.

Zhu Xian is already a beauty, and her young eyes are chatting with wine. Wan Li returned to the ship to play the flute, which is why we made an alliance with Bai Ou.

In the fifth year of Yuanfeng in Song Shenzong (1082), Huang Tingjian was appointed as the magistrate of Taihe County in Jizhou (now Taihe County in Jiangxi Province). In his spare time, poets often go to Kuaige, which is named after the scenery of Tsinghua on the Chengjiang River ("Qing Yi governs Ji 'an House"). This famous tune is to write out what you have seen and felt temporarily. It embodies the poet's aesthetic taste and artistic thought, so it is often cited as a representative by critics.

Generally speaking, the beginning of an article or poem is often so difficult that some writers often cut it off, because at the beginning, the author has not integrated with the situation of the work, so it is easy to pose. Huang's poems begin with colloquial expressions, but they can be wonderfully conceived and fascinating. The poet said, I, fool, boarded the express booth after finishing my official business. In the afterglow of sunset, I leaned against the fence and looked out. These two sentences, seemingly simple and popular, contain extremely rich contents: the first sentence is based on a sentence by Xia Houdun in Fu Xianchuan, the Book of Jin, "It is not easy to be an official although having children is crazy." "If you sit in a daze, you will hear it again soon!" The latter sentence uses Du Fu's "Pay attention to Leng Jiang's leaning against the mountain pavilion" and Li Shangyin's "The eternal chastity soul leans against the sunset glow", and there are many amazing transformations. The word "idiot" reverses the meaning of predecessors and directly admits that he is "idiot", which is one of humor; The word "let it go" renders the poet's happy mood of relief, echoes the "fast" darkness of "fast songs" and increases the sense of unity. This is the second wonderful use; The word "leaning on yat sen villa" is beyond the previous stereotype. The "leaning" and leaning against the mountain pavilion in Du Fu's poems are plain descriptions of the real situation; Li's "leaning", whose theme is "eternal chastity soul", is an illusory reality; The "leaning" of Huang's poems can be described as the combination of reality and reality; The poet's leaning is a real scene, but he leans on the boundless twilight sky. Look at these three schools, just like an artistic photography. In the afterglow of the sunset, poets and pavilions are behind them. ......

Not only that, the word "leaning on the sunset glow" also paved the way for the description of the next sentence, which made the poet generate sing the swan song of "the mountains in front are vast and the rivers are bright". Looking at countless autumn mountains from afar, the fallen leaves on the mountains have fallen, and the vast sky is wider at this time. Clear as jade, the Chengjiang River flows under the pavilion, and a crescent moon is reflected on the river, which is even more ethereal and clear. This is a description of the scenery the poet visited when he first boarded the pavilion, and it is also a portrayal of the poet's mind. Reading such poems can't help but remind people of Du Fu's famous sentences: "Leaves are falling like a waterfall, but I think the long river is always rolling in" and Xie Tiao's "Yu Xia is scattered into Qi, and Chengjiang is as clean as practice". And this sentence of Huang Gu not only absorbs the nutrients of predecessors to exercise and melt, but also represents a new realm. Therefore, predecessors have commented on this sentence: "Its artistic conception is epoch-making, so it can really split the secrets of ancient and modern times." (Zhang "Lu Zhai Xue Ji Ji Ji")

Five or six sentences are the middle sentences in which the poet skillfully uses allusions. In the previous sentence, I thanked my bosom friend with Boya holding the piano. "Lu Chunqiu's original taste" contains: "If you die, you will lose your piano and string, and you will never play the piano for life, thinking that the world is not enough to be a drummer." The last sentence uses Ruan Ji's blue eyes. Historically, Ruan Ji was good at blue eyes. "When you see people with customs, you should look at them with white eyes." See the person you like "jealous" (Biography of Ruan Ji in the Book of Jin). The poet's two sentences mean that because my bosom friend was absent, I broke the Zhu string on the piano and stopped playing, so I had to clear a bottle of wine to relieve my worries. The word "horizontal" is used incisively and vividly here, showing the image of the poet's helplessness, loneliness and boredom.

The poet said that he hoped to board the boat, play the melodious flute and return to his distant hometown-my heart, which had already made a covenant with Bai Ou. Judging from the structure of the whole poem, the ending is quite wonderful: first of all, the poet talks about "giving up his official duties for idiots", showing his boredom with his official career and his desire to enjoy the natural scenery in the pavilion; Then, gradually getting better, the poet was intoxicated by the beautiful moonlight in Qian Shan and Chengjiang, which was in sharp contrast with the "ending" of the beginning "business"; In the beautiful scenery, the worries in the poet's heart come for no reason, and the poet feels the pain that his ambition cannot be realized and his heart is not understood. So where is the way out? This naturally leads to the poets' thoughts of "returning to the ship" and "Bai Ou". This ending not only echoes the beginning, but also ends with the trend, giving people a feeling of "hovering down in one breath" (Pan Boying's comments). And it is meaningful and imaginative.

Judging from the overall structure of the poem, the two couplets in the middle are really valuable. Zhuan Xu wrote the poem "Falling Wood Qian Shan", which originally presented readers with a bleak and desolate scene. Later, "the sky was grey and boundless" rose in the distance, and the night scene of antithesis naturally lost its melancholy meaning. There should be butterflies behind. Surprisingly, as soon as the author turned his pen, the bright moon river brought out the feeling that there were few bosom friends and beautiful women, and the last word was "horizontal", but it was full of pride. The ups and downs and twists and turns in these two couplets are freely grasped, especially the measure of mourning without hurting and mourning without complaining, which shows everyone's means.

The "homing" of couplets is the author's return to reality from meditation. Facing the bright moon in Yun Fan, he couldn't help but have the idea of riding the wind in Wan Li and moving away from home. On the one hand, "playing the flute" has the significance of purifying the soul and abandoning all worldly distractions (Ma Rong's Flute Ode: "You can write divinatory symbols, irrigate sweat and pollute me") On the other hand, "Alliance with Bai Ou", the classic Liezi Huangdi, it is said that people with good gulls at sea swim from the flock every day, and hundreds of gulls arrive. His father said, "I heard that seagulls swam past you. You take them and I will play with them." The next day, the man went to the seaside and seagulls were dancing. This story says that seagulls only make friends with people when they have no heart. Here, the author shows his yearning for a leisurely and indifferent life, which has got rid of the bondage of official robes and the flock of gulls in the mountains. In the use of this allusion, we can not only see that the author hates officialdom politics, but also feel the author's arrogance of "no one can be my friend", so it is not unreasonable for Wu Rulun in Qing Dynasty to call it "arrogance".

Many of Huang Tingjian's things are often deliberately innovative, "words are not surprising", turning over eccentric classics and exploring customs, but trying to say things that have not been said by today's people and create words that have not been done by predecessors, completely deviating from the original intention of "expressing ambition with poetry". We can imagine that when a poem loses its true nature, what else will it have? You can only rely on gorgeous rhetoric and other people's stories to enrich the facade, and it is inevitable that you will be "careless and eccentric." The words are vivid, the context is free and open, the article is eloquent, and the temperament is in charge. The fundamental reason why Huang Tingjian's "Deng Express Pavilion" is clear, poetic and enduring is that he expresses his true feelings and temperament. It is certainly difficult for people to tell lies and make up stories. After letting go of your arms, you are carefree and calm. Why is it difficult to tell the truth? Ji Xiaolan said that it was "extremely broad in artistic conception", and more should refer to the author's open-mindedness after he let go of his arms.

Chai Lu

Wang Wei

No one can be seen in the silent valley, only the voice is heard.

The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.

This is the fourth of Wang Wei's twenty poems, a masterpiece of landscape poetry in his later period. Chai Lu (Village) is the place name of Wangchuan.

This poem depicts the quiet scenery of empty mountains and deep forests near Chai Lu in the evening. The first sentence, "There seems to be no one on the empty mountain", first describes the empty mountain positively. Wang Wei seems to like to use the word "empty mountain" especially, but in different poems, the realm it expresses is different. After the rain, the mountains are empty, and the autumn colors stand at dusk ("Mountain in Autumn Night") focuses on the clean autumn mountains after the rain: "People are idle and sweet-scented osmanthus falls, and the night sky in spring mountains" ("Bird Watching Creek") focuses on the quiet spring mountains at night; There seems to be no one on the empty mountain. On the other hand, it focuses on the emptiness and tranquility of the mountain. Because no one went to see it, this vacuum-free mountain seemed empty to the poet, just like the earth in ancient times. "Seeing no one" embodies the meaning of "empty mountain".

If you only look at the first sentence, you may feel normal, but it is unexpected that "there seems to be no one on the empty mountain" is followed by "but I think I heard a voice" The word "but smell" is quite interesting. Under normal circumstances, although the silent empty mountain "does not see people", it is not silent. The chirping of birds, the chirping of insects, the rustling of the wind and the gurgling of water are intertwined, and the sounds of nature are actually very colorful. Now, however, all this is silent, except for occasional sounds, but no one is there (because the mountains are deep and the forests are dense). This "human voice" seems to break the "silence" In fact, it is a partial and temporary "ring", which reflects the overall and long-term emptiness. The more empty the valley, the more empty it is; The more people talk in an empty mountain, the lonelier they are. After the voice sounded, the empty mountain returned to the realm of silence; And because people's voices sounded just now, the sense of emptiness at this time is more prominent.

Describe the empty mountains from the above three or four sentences and then describe the deep mountains and forests, from sound to color. The depths of the forest are already dark, and the moss under the trees in the forest highlights the lack of sunshine in the depths of the forest. Although silence and darkness are related to hearing and vision respectively, they often belong to the same category in people's general impression, so silence and tranquility are often linked. According to Nature, when writing about the darkness in the deep forest, we should focus on describing that it can't see the sun, but these two sentences are specially written into the deep forest and reflected on the moss. At first glance, you will feel that this oblique glow brings a ray of light to the dark forest, a little warmth to the moss in the forest, or a little business to the whole forest. However, if you appreciate it carefully, you will feel that the author's subjective intention and the objective effect of the work are just the opposite. Blind darkness sometimes makes people unaware of its darkness, but when a touch of afterglow shines into the dark forest, mottled tree shadows are reflected on the moss under the tree, and the sharp contrast between that small piece of light and shadow and the boundless darkness makes the darkness in the forest more prominent. In particular, this kind of "dead light" is not only weak, but also short-lived. After a touch of afterglow disappears in an instant, it is followed by a long darkness. If we say a word or two, there is a sound contrast between silence and silence; Then three or four sentences are about fighting darkness with light. The whole poem is like adding a little warm color to most cool pictures, which makes the impression of cool color more prominent.

Static beauty and magnificence are two types of beauty in nature, and there is no distinction between elegance and lightness. However, the quietness is almost ethereal, and the seclusion is slightly cold, which shows the unhealthy side of the author's aesthetic taste. Similarly, the writing about "empty mountain" also focuses on the expression of quiet beauty. Autumn Night in a Mountain is brightly colored, and there is a peaceful and quiet atmosphere floating in the quiet tone, which contains lively vitality; Although Bird Song Jian describes the tranquility of Spring Mountain, the overall artistic conception is not deserted and ethereal. The clear glow of the moon, the fragrance of osmanthus and the singing of mountain birds all have the breath of spring and the tranquility of the night. However, Chai Lu is inevitably cold and empty, although it is not lonely.

Wang Wei is a poet, painter and musician. This poem embodies the combination of poetry, painting and music. Silent, dark and dark, it is easy for ordinary people to perceive; But silence with sound and darkness with light are less noticed. It is precisely because the poet's unique painter and musician are sensitive to color and sound that he grasped the unique quiet realm at the moment when the voice of the empty mountain man sounded and the deep forest saw the light again. This sensitivity is inseparable from his careful observation and concentration on nature.

Climb the peak

Du Fu's Seven Laws

The wind is fast and high, the ape cries sadly, and the birds are circling in the white sand.

The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably.

Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness.

After all the hardships and hatred, the white hair is full, and the wine glasses are damaged.

Brief analysis:

This poem was written by Du Fu in Kuizhou in 767, the second year of Dali. The bleak autumn is vividly written by the poet, and the emotions aroused are even more touching. This is not only because of the natural autumn, but also because of the poet's strong emotional color for the autumn of life. Couplets are vivid, which is a famous sentence spread in later generations. The two 14-character sentences in the neck couplet contain multiple meanings and describe the hardships of life, which makes people feel strong sympathy.

The ancients had the custom of climbing mountains on the ninth day of the ninth lunar month. This poem was written by the poet at the Double Ninth Festival in the second year of Dali, Tang Daizong. At this time, Du Fu lived in Kuizhou (now fengjie county, Sichuan Province) on the banks of the Yangtze River, suffering from severe lung disease, and his life was very difficult. Through the description of sad autumn scenery, the whole poem expresses the poet's sadness of being old and sick, sad at that time and being in a foreign land.

The first four sentences of the poem describe the scenery that turns pale when you look up to the distance. The first couplet borrows six kinds of scenery, such as wind, sky, ape, bamboo, sand and bird, and matches them with the words of urgency, height, sadness, clearness, whiteness and flying, indicating the festival sequence and environment, rendering a strong autumn feeling, and the scenery has distinct characteristics of Kuizhou area. These two sentences are not only couplets of workers and workers, but also self-correction, such as "the sky is high" against "the wind is urgent" and "Sha Bai" against "Zhu Qing". Strict syntax and refined language have always been regarded as good sentences. Write mountains before couplets, bearing the first sentence; The last sentence is water, and the second sentence continues. Write the mountain as a distant view and the water as a bird's eye view. When falling from the wood, say "rustling" and decorate it with "boundless", such as smelling the bleak autumn wind and seeing the fallen leaves; When the Yangtze River says "rolling", it begins with the word "endless", like the sound of rolling waves and surging water. The two poems are extremely vivid and vivid, both in description form and description momentum. From the bleak scenery and profound artistic conception, we can observe the poet's hard-to-reward mood and sad mood. The last four sentences of the poem express the generosity of climbing. On the neckline, there is a worry about travel. Becoming a frequent visitor shows the poet's wandering situation for many years; "Wan Li" shows that Kuizhou is far from home, which is the depth of sadness from a distance; "Sad autumn" is another seasonal contrast of sadness. The word "autumn" was brought out only after the first two couplets were full of the meaning of autumn, which should conform to the season and climate of "rise". The next sentence is about loneliness. "Hundred years" means a lifetime; "More than a hundred years of illness", full of diseases in his later years, the pain can be imagined; The word "independence" describes the loneliness of being unaccompanied; The word "on stage" is a clear point, and love is born from the scene. These two sentences have refined meanings and extremely rich meanings. They described being far away from home and wandering for a long time, but they were sick and unaccompanied in their later years, and they couldn't help climbing alone in autumn. William further wrote that the country was in peril, the official career was bumpy, and old age and sorrow led to white hair and beard; Because of illness, I am new to abstinence, so I can't get rid of all kinds of melancholy. As usual, the ancients drank alcohol when climbing the mountain on the Double Ninth Festival, but the poet even lost this joy. This couplet is divided into five or six sentences: "Difficult" is caused by "frequent visits"; "Down and out" is even the result of "many diseases". The first half of the poem describes the scenery, the second half is lyrical, and the writing style is different. The first couplet focuses on describing the specific scenery in front of us, just like the meticulous brushwork of a painter, showing the shape, sound, color and state one by one. The second couplet focuses on rendering the atmosphere of the whole autumn, just like the painter's freehand brushwork, which should only be vivid and easy to understand, so that readers can supplement it with imagination. Triple expression of feelings, from vertical (time) and horizontal (space) two aspects, from wandering to sick and disabled. Quadrupling the number of white hair, protecting illness and abstinence from alcohol can be summed up as the hardship of the times is the root of poverty. In this way, Du Fu's feelings when he was worried about the country and hurt the country jumped from the page.

All eight sentences in this poem are correct. At first glance, the beginning and the end seem to be "wrong", and the chest and abdomen seem to be "wrong". If you carefully understand, "every sentence is regular, and every sentence is regular." No wonder Hu Yinglin praised it as a "pioneering work". Yang Lun in Qing Dynasty praised this poem as "the first of Du Ji's seven-character poems" (Du Shi Jing Quan), and Hu Yinglin in Ming Dynasty even said this poem. ("Poetry")

Shufen

Author: Lu You

I don't know the difficulties in the world at an early age, and the Central Plains looks like a mountain.

It snowed all night in the building, and the autumn wind dispersed in the iron horse.

Stuck on the Great Wall and make an empty promise, the sideburns in the mirror have long faded.

When you debut, you can say your real name, but you can't fight for a thousand years.

This poem was written during a spring outing in the 13th year (1 186). Lu you was sixty years old when he traveled, which is obviously not my age. However, the poet was exiled and had to stay idle in his hometown, thinking that the mountains and rivers were broken and the Central Plains had not been collected, and he felt that there was no battlefield to serve the country and die. He felt that the world was difficult, that the villain had lost his country, and that "the scholar was helpless and loyal to the minister", so the poet was depressed and resentful about generate. Those who are "angry with books" express oppression and anger in their chests.

"The national enemy did not hold the strong man old, and the sword in the box rang at night." When the hero is useless, he will return to the memory of Ma Tiejin Ge. At that time, the poet looked north at the Central Plains, and the heroic spirit of recovering lost land was like a mountain. How energetic! Did the poet ever think it would be so difficult to kill the enemy and serve the country? I thought that if I dedicated myself selflessly and served my country wholeheartedly, my country would be fulfilled by me. I didn't expect traitors to obstruct and destroy me and be deposed many times. At the beginning of the poem, the poet asked himself how depressed and angry he was.

The sentence "Story of the Building" describes Song Bing's resistance to the nomads from the southeast and northwest, and it is also a summary of the poet's past travels. In the thirty-first year of Shaoxing, Song Gaozong (1 16 1), Yan Hongliang, the gold owner, invaded the south, and Song Jun refused to defend it in Guazhou, and then the nomads from the army retreated. This is what the last sentence refers to. In the eighth year of Ludao (1 172), Luyou attended the Wang shogunate in Nanzheng. The poet and Wang Yan actively planned to invade Chang 'an, once crossed the Wei River and passed the three passes with the Nomads Normal University. The next sentence refers to this. The glorious past summarized in these two sentences is in sharp contrast with the present situation of "intentional killing of thieves and inability to return to heaven". "I am afraid to wait for me and hate him for another year." Today, if you want to return to the Central Plains, why does the poet's heart stop crying blood? From the perspective of poetic art, these two poems also show Lu You's great poetic talent. When the "building ship" (magnificent warship) is combined with the images of "night snow", "iron horse" and "autumn wind", it is two open and magnificent battlefield scrolls. Image selection is very clean and typical.

In the sentence "On the Great Wall", the poet uses allusions to express his ambition. Tan Daoji, a famous Liu and Song player in the Southern Dynasties, once called himself "the Great Wall of Wan Li". The emperor wanted to kill him. He said, "Destroy the Great Wall of Wan Li." Lu You made a promise to himself, showing that he was magnificent when he was young, defending his country and showing off his force in the frontier. Who else? However, what now? The poet's unfinished anguish hangs on a word "empty" Ambition failed, struggle failed, everything failed, but looking in the mirror, I was the first to fall, and my head was bald! Compared with the two, how sad is it? Think again, this ending is not caused by my disappointment, not by my failure to do my best, but by my mistakes and the world grinding me! I have a heart, God forbid. Sorrow is depression and anger.

Look at the tail link again. I also use code to express my ambitions. Zhuge insisted on the Northern Expedition. Although he was called "but he died before he conquered", he was finally known as "heroes cried on their coats from then on". After thousands of years, who can compare with it? Obviously, the poet's code deliberately condemns the mediocre villain in charge of the ruling and opposition parties, which indicates that his ambition to restore the Central Plains will also be "famous in the world". The poet can't find comfort in reality, so he has to put his soul longing for comfort in the future, which is naturally helpless. The poet has to pour out his frustration when he is depressed.

Looking back at the whole poem, we can see that every sentence is full of energy, and every word is full of energy. Anger is a poem, and the poem is full of anger.

When I was young, I didn't know that things were difficult. Looking north, the Central Plains spirit occupied by Jin people is like a mountain.

Appreciate that Liu Kun and others once defeated the Nomads from Guazhou Ferry with tall warships on a snowy night, and Wu Lin and others once defeated the Nomads from Guazhou Ferry in the autumn wind.

I think of myself as the great wall of the frontier for nothing, and my aging hair has turned gray in front of the mirror.

The article "A Model" is really world-famous. Who can be similar to Zhuge Liang for thousands of years?