Knowing that there is a kettle in the mountain, I will not be biased towards a trip to Busan.

Recently, I watched a very popular Korean zombie movie "A Trip to Busan". After watching this kind of movie, I sent a circle of friends to give a moderate evaluation, and it passed. As a result, I accidentally tore it up with someone in a football post bar because of this movie. Afterwards, I felt that I was wrong about this movie, so I looked for it again. Sure enough, I looked at it differently and felt it necessary to write down the feelings of Ershua.

This is a movie that can't be brushed twice. The second viewing process is simply a kind of torture, all kinds of obvious plot loopholes, all kinds of people's designs that go against common sense, and all kinds of dramatic performances. I miss the upper right corner every minute. I didn't bring my brain when I first saw it, but I was a little confused. It's my fault. I don't have much opinion about this movie. Well, I have a lot of opinion about this movie, so much so that although I know in my heart that this movie is above the passing line, I still have to fail it. Because fans, especially domestic Korean fans, and even some big V's are almost blowing it into a masterpiece, the most familiar sentence is that it is comparable to Hollywood and explodes domestic movies N streets. Next, I will try to hit my face.

Close-ups of faces can be seen everywhere

Besides, many characters change without motivation, which does not affect the development of the plot. For example, the man who was originally a selfish man suddenly became extremely brave. Where is the transition in the middle? For another example, when the man took his daughter alone on the path, the camera deliberately showed his hesitation, as if his conscience had been discovered. However, no matter what the path and the road turned out to be, he bumped into a zombie head-on. What was the impact of your character change on the plot? You can also say that the main line is the self-transformation of the man, but the man finally brought the dog, so, for what? You can also say that the main line is that the man deserves it, because the man's main phone suggests that the source of zombie virus is related to the man's company, and I laughed myself. Why should I make up for this film?

The protagonist takes his daughter and the big army to split up

If you don't see what you want to say, forget it. You can give me a story that runs smoothly from beginning to end, but the screenwriter always pretends to be cute in key plots. For example, the film sets that zombies won't open the door by themselves. What's the impact on the following text? The pregnant girl's group is obviously safe in the toilet. Why do you have to make a phone call? I know, otherwise, how can I lead to the most interesting passage of the trio? For example, I let so many people climb over the luggage rack in 2 minutes, including children and pregnant women, and I can't make a sound yet. I'm too lazy to hehe. For example, after you finally passed through the confluence with the villain, you were immediately rushed to the front carriage, WTF? Didn't the villains go to the front carriage and regard the protagonists as strategic buffer zones? Oh, so you can't let the aunt close the door and let the zombies go.

The Trio

The protagonist and his party climbed over the luggage rack of the carriage through the tunnel

In short, they immediately set new rules when they met with difficulties, and they didn't explain them, which was so rough that they broke the cans. If you are a comedy like Sean the Zombie, you just want to be serious and let bugs that directly affect the development of the plot abound. I can only guess that the screenwriter's cerebellum is not developed and he is always turning around.

The remaining minor faults and inexplicable paragraphs are endless. First of all, the source of a funeral film is unclear, and you don't tell the audience how to kill it. Maybe you don't tell the actors either. You can have a snack. If you learn to get on and off the bus and close the door before you go to the double suicide of the baseball team in the back, you will be fine.

A baseball couple who died and left the door open, causing "ghosts and ghosts"

Secondly, what is the acceleration of the high-speed rail in South Korea for 1 kilometers? After driving for so long, it was caught up by a leather shoes man and a pregnant woman with a child in her arms, but such a low train still had a signal in such a long tunnel. Mutation time is as long as you want, as short as you want, zombie speed is as fast as you want, as slow as you want, and glass will break when it is time to break. I got on the train with a bang, caught my breath and turned to look at all zombies, so what were zombies doing before? The conductor was tricked out of the bathroom by the villain, and he couldn't hear the zombies howling at the top of his voice outside.

special effects of 5 cents when the car is overturned and derailed

Finally, the man should patiently listen to the mutant villain's words and even his home address. After the old lady turned into a zombie, she looked confused and harmless. Please be kind enough to let her old man in. The little girl sings in the tunnel, is she really not afraid of attracting zombies? Since she can hear singing, she can't shout before she is killed.

The protagonist patiently listened to the mutant villain and read his home address.

The old lady who obviously turned into a zombie but was at a loss but full of "humanity"

was really a bunch of things at one stroke. It seems that the screenwriter not only has a underdeveloped cerebellum, but also has a terrible brain. As soon as the plot can't give a reasonable explanation, they take out the two trump cards used in Korean dramas, sprinkling dog blood and beating chicken blood, giving a close-up of the child's crying face, and spreading loud and sensational music, they are fooled, and they have to be convinced.

In terms of personnel, A Trip to Busan highlights the brain damage of the director and screenwriter. The male subject is amazing, beating zombies with his bare hands and chasing high-speed rail with his baby. You can say that the protagonist is halo, and Hollywood does the same, but everyone in Hollywood does it because of super talents. Either a veteran or a former CIA agent, a fund manager, a suit and shoes, and an office worker, are you kidding me? From the selfish villain at the beginning to the radiant Virgin (fu) at the end, the 18-degree transformation is in place in one step.

In addition, Uncle Fat is not an ordinary fighter, and his background is not explained, so he doesn't take people as the leading role at all. What's the significance of this setting for pregnant women? I didn't give birth to children from beginning to end. Although it's a bit conventional, it's also a crisis event, and the identity of pregnant women has not caused any burden. It's faster than Cao Cao when it's time to run, so I set it for pregnant women just to tell the audience that this elder sister will not die in the end.

Little girls are just to show the purity of human nature. There is nothing wrong with them except that they love to run around sometimes, but at least find someone better looking, or put it viciously. Many viewers don't feel so sorry for the death of such a baby who doesn't distinguish between males and females.

The baseball girl is a chicken rib. She is not only ugly, but also presents the most heinous performance in the whole film. The only purpose of her existence is to meet the needs of directors and audiences for uniform temptation. The baseball man doesn't have any special skills either. The only paragraph that can reflect the growth of this role is how the little fresh meat stepped over the hurdle in his heart when he met his former teammate who turned into a zombie and pushed his current teammate to the wall. However, it didn't, really didn't.

The poor acting skills of the baseball uniform girl can be felt through the screen.

The baseball man can't break through when his teammates are in trouble. The setting of the beggar is also very abrupt. After eavesdropping on the man's phone call, he is determined to mix with the man. As a result, Dong Cunrui is inexplicably incarnated with human brilliance. After that, he looks at the pregnant woman affectionately, just like a lover in his last life, and the camera keeps making big close-ups of his face.

Zombies in supporting roles are also elusive. They can fall off the helicopter and immediately get up and chew people, but they can't get up with their bare hands. They can annihilate the heavily armed army, and they can be rushed into several carriages by three ordinary people. They can instantly throw down a large area to form a corpse mountain, but they can't catch up with pregnant women. They can stall the locomotive without rotting, and they can be kicked away by the male host. These painful settings simply cannot constitute the most basic rationality of the story.

Imitate the plot of a zombie ripping off a train with serious traces

Yes, children and pregnant women are the last to survive.

Some people say that the rationality of the plot is not so important in this kind of film about human nature. I respect you first. If the rationality of the plot can't be guaranteed, don't expect the audience to have basic trust in what you have to say. What's more, if you ignore the man, the kind people will be kind from beginning to end, and the ugly people will be black to the end. There is no human choice, no moral dilemma, no growth in each role, and no vacillation and change in the three views. What's the point?

What puzzles me most is all kinds of domestic movies that have exploded in the comments. Go ahead and explode. Why take this film? Is there a corpse film in TM, China? The fish-flavored shredded pork in China is more delicious than that in South Korea. Is it comparable? Besides, if China can shoot a zombie theme, it's hard to shoot this level? Can't Wu Ershan, the director of Searching for Dragons, shoot it? Or is there no high-speed rail in China? Even if it is not divided by genre, even if it is compared with the domestic movies that have already been shot, it will be a complete explosion. Don't you read Tiny Times, Rush that Year and Gardenia Blossom? Then I can only say that people who eat shit at home every day feel delicious when they go out to eat.

let's talk about the so-called Hollywood, where? Compare the pattern with the spectacle of special effects, and look at world war z; Than humor, than irony, look at Shaun the Zombie (although this is not Hollywood); Than bloody, than curious, look at the "group of corpses crossing the line" and "Breaking Dawn"; Even if it is better than discussing human nature and depth, look at I am a legend or even The Walking Dead. Which one doesn't explode "A trip to Busan" n streets?

I won't say how many settings, scenes and scenes in A Trip to Busan "borrowed" from world war z. There are only two successful modes for a commercial film like A Trip to Busan: one is deep in conception, the other is large in pattern, and generally the degree of completion is lower; Either the idea is shallow, the pattern is small, but the completion is high (of course, it is best to give consideration to both, that is, God did it). It's also a train play. The former is like Snow Country Train, and the latter is like Dangerous Speed, while A Trip to Busan obviously doesn't take up any of it.

In fact, there is no need to sell yourself short. There are many good movies in China. There may be many good movies in Korea, but A Trip to Busan is by no means.

On WeChat WeChat official account: Little Forest Studio, there are all the little beauties of life here.