Comment on Phoenix and Birds

After reading a work carefully, we get new ideas from it. We need to write a comment on what we have got. Don't think that you can just handle feedback casually. The following is my carefully compiled feedback on "A Hundred Birds at the Phoenix" for reference only. Let's have a look.

Comment on "A Hundred Birds Face the Phoenix" 1 In a sigh, the film is over. Birds fly at the phoenix, which is the embodiment of martyrs, defending and guarding the spirit of light and hope. Only the phoenix will be nirvana, and it is his apprentice who will be reborn. With the third master Jiao gone, a solitary grave faces the sunset, and birds fly towards the phoenix, so that the suona can continue its brilliant life. I think this is the characteristic of a good movie. It always leaves space for the viewer to think and experience, and makes people realize something deep in the soul!

Suona is a local musical instrument. It was originally a tool for expressing feelings created by our ancestors in daily production and life. It is closely related to the spirit of people in that land, witnessing and expressing the joys and sorrows of people in that land, and is also the guardian of people's spiritual value. As said in the film, "birds fly at the phoenix" is only for the venerable deceased. Therefore, when the descendants of Chajia paid a high price to Master Jiao for his father, who had been a village party secretary there for 40 years, Master Jiao flatly refused, because his father squeezed out all the other four surnames in the village during his reign, and his virtue was not enough. When the Dou family invited the suona class, Master Jiao took the initiative to blow "Birds fly towards the phoenix" to Dou Fu, because he "fought against the Japanese pirates, beat bandits, and led people to repair the dam with four broken ribs, which was highly respected". Therefore, to a certain extent, the suona class has always been the defender of the traditional value system in that land-a hero who values morality and does not value money. And those who learn "Birds fly at the Phoenix" must also have good character.

In my eyes, this film shows a beautiful yearning for ethics and a persistent "craftsman" consciousness through suona. Just like when Jiao selected his apprentice, he was actually dissatisfied with the young hero, but because he saw his father fall and shed tears, the master felt his kindness and accepted him as a disciple. The old man Jiao in the film is an artist with such feelings. A craftsman must have a passion to become a craftsman. Unlike ordinary workers, no matter rich or poor, they will still work tirelessly for their craft, strive for perfection and pursue perfection. In today's society, all skills are selected around "useful and useless, rich and poor". So in the film, for the sake of the craftsman spirit, when choosing a successor, he chose the honest hero with mediocre talent but good nature. Because teacher Jiao understands that one heart can't accomplish anything. This is ingenuity. With this spirit, the suona skill can be passed down seriously and persistently.

Although in the end, traditional crafts became a cold "intangible cultural heritage", there were too many regrets; The lost stunt has become a record on the historical page, which contains endless regrets; At this moment, I think of a sentence by Zhang Zai in the Northern Song Dynasty: "Make a heart for heaven and earth, make a life for the people, carry forward the past and forge ahead into the future, and be peaceful for all generations." "A Hundred Birds at the Phoenix" became a masterpiece, and there was no response from the neighborhood. Is the traditional culture declining and the craftsman spirit has long been forgotten? But there are still people who persist, who inherit, who love and will not perish, because it lives in many people's hearts.

Comments on "A Hundred Birds at the Phoenix" 2 I accidentally saw a short film "A Hundred Birds at the Phoenix" on TV, which was good. During the break, I specially found a video and watched it completely. I feel particularly touched after reading it and share it with you.

A Hundred Birds Toward the Phoenix is a work directed by Wu. As a representative of the older generation of directors, Wu pursues pure artistic beauty in his works, and his own love for art is perfectly explained by Suona craftsman Jiao in the film.

In the film, the old craftsman Jiao Suona is a typical knife mouth and tofu heart. On the surface, the old man is serious and stuffy, but in fact, his heart is full of integrity and blood. In Sanjiao's mind, "a hundred birds pay homage to the phoenix" is only made for the venerable deceased. When the descendants of Chajia wanted to ask Master Jiao to play "Birds at the Phoenix" for his father who had been a village party secretary for 40 years, Master Jiao flatly refused, because his father excluded all other surnames in the village during his reign, and his virtue was not enough. When Dou Jia invited a suona class, Master Jiao offered to play "Birds flying towards the Phoenix" for Dou Lao, because he "fought against the enemy and bandits, and led people to repair the dam with four broken ribs, which was highly respected". At this time, his body is already overworked, and at this time he is blowing suona with his life!

In the era of Sanjiao, according to his own words, when he lived in the past, "Suona craftsmen sat in plush chairs, with filial sons kneeling below." When Tian Ming later told him that no one had left to work, Sanjiao just said angrily, "No rules, no rules." Then he took out his 20-year-old wine and enjoyed it with Tian Ming, and gave all the precious suona handed down from his ancestors to Tian Ming. Finally, after playing a song, he fell drunk and fell asleep, showing helplessness.

Sanjiao had no children, so he brought two young apprentices, You Tianming and Aquamarine, to inherit his craft. When he finally chose only one of them as his successor, he chose Tian Ming, whose skill was not as good as aquamarine, for the simple reason that he saw the tears left by Tian Ming when his father fell, thus he saw a person's inner goodness. Facts have proved that the choice of Sanjiao is correct. In the era of social changes and impetuous people after Tian Ming took over, the position of traditional suona was gradually replaced by western musical instruments. Tian Ming didn't forget the teacher's teaching. Even though his income was getting lower and lower, even to the point where he couldn't get a wife, his other disciples gave up the suona and went to work in the city, but he still chose to stick to it.

At the end of the film, Tian Ming played a song "Birds of the Phoenix Club" alone in front of Sanjiao Tomb to see Master off. Sanjiao sat next to him with a satisfied expression. After the fight, he turned and left. After watching this movie, I was deeply moved. First of all, I am worried about the inheritance of China's traditional culture. Then, I admire the sincere pursuit and love of master and apprentice for art. There are many things I want to say, but I don't know how to express them. I can only recommend that you take the time to watch this film. Thank you.

Comments on "A Hundred Birds Facing the Phoenix" 3 "A Hundred Birds Facing the Phoenix" tells the story of a suona craftsman. As a Chinese musical instrument, suona is a continuation of ancient ritual system. Weddings, funerals and weddings have different occasions, different social status, different ostentation and extravagance and different plays. An ordinary family dies and plays four, and a wealthy family plays eight. Only when a respected person dies can we play "birds fly at the phoenix"-a kind of great joy with high difficulty and great momentum.

The title is 1983, and the suona craftsman is highly respected. But it is better to respect the suona craftsman than to respect the "ceremony". At that time, the suona class was invited to play at the wedding to welcome the suona teacher. The protagonist Sanjiao is such a respected suona craftsman. Because in Wu Shuang Town, only his tutor class can play "Birds fly towards the phoenix".

But Master Jiao is old and needs to pass on his skills to someone who "blows the suona into the bone seam". This man is his new apprentice, you Tian Ming. When I was a teenager, I swam to Jiao's home, from absorbing water to learning to imitate all kinds of bird calls with suona. In his twenties, he finally learned "birds fly at the phoenix" and took over Jiao's class from his master, becoming a self-reliant family class.

You started your business in Tian Ming around 1995. At that time, it had been more than ten years since the reform and opening up, and the whole country was engaged in economic construction. Everyone agrees on "money". No one cares about the rules of the older generation and the etiquette of weddings, funerals and weddings. As a product of ritual system, suona craftsmen naturally no longer have their original status in rivers and lakes. You Hongming's first job after independence was the wedding of a primary school classmate. When playing, the plush chair turned into a long bench, and the welcoming ceremony at the beginning turned into a big red envelope. The director used money to show the erosion of material to spirit.

Some people say that after watching this film, they were encouraged to start protecting and reviving national culture. Of course, I don't deny this. Suona is a very distinctive folk musical instrument in China, not to mention the etiquette behind it used to be a very advanced national and social system. However, watching movies moved me deeply. Not because this is the culture of China, I cried several times, but because I saw how different a person's life is when he has the belief of "how" in his heart.

If you want to see this movie, don't think it's about a suona craftsman in China. You can change the suona into a violin, an oil painting pen or even sushi. Don't dig "national" things, don't look for the cultural identity of "China people" from suona, just look at what a person likes to the extreme.

There are two scenes in the movie that touched me the most, which just reflected the spirit of the craftsman and the individual.

In the first scene, You Tian Ming and his younger brother, Aquamarine, fell asleep in the thatched cottage and accidentally caught fire. Tian Ming snatched the teacher's suona from the fire, but the fire was too big for Tian Ming to carry his suona. When Master Jiao heard the sound, he saw that there was nothing in his hand, and the suona in Aquamarine's hand was intact. He was so angry that he gave Tian Ming a slap in the face and said sharply, "I tell you, the suona never leaves your mouth. Where is the suona!" Tian Ming is too honest to speak. When Aquamarine saw him, he explained to the master that Tian Ming had snatched his suona from the fire. Master Jiao was breathless when he heard this.

Comment on "A hundred birds flock to the phoenix" 4 Let me talk about my comment. At first, a rural child, carrying his father's dream when he was young, worshiped at the door of Jiao, the master of suona, and after painstaking efforts, finally inherited the True Story of Suona from the master. However, in this process, with the sweeping tide of the times, traditional culture and modern culture are in numerous contests. Our little hero started his own business and found that the position of suona craftsmen in people's minds is not what it used to be, and suona music is no longer valued by people. What he regarded as sacred since childhood and fought for it for many years suddenly lost all its weight in today's environment. In the last few minutes of the film, there is such a scene. In a big city, an old suona craftsman sat by the roadside and played suona. There is a jar in front of him. Two little girls threw some coins into the jar and walked away. They won't listen for the time being. This scene was seen by the protagonist, who thought it was the most dazzling place in the whole film. The irony is too harsh.

If you ask me whether this story is good or not, it depends on the perspective of understanding. If it is said from the feelings that most people admire, it is indeed like that. If it is a feeling, it is better to say that it is a satire on the real culture. Judging from the narrative of the whole movie, I can't feel how strong the people who filmed this story are about the suona culture, and even the song "A Hundred Birds in the Phoenix" is not complete in the movie. So that after watching the movie, I have no impression of this piece of music, and in several places with intense feelings, strings are used in the background music instead of suona. This is not irony, but what's the point? The only interesting thing is that Jiao got drunk and went on stage with a little feeling. Jiao picked up a suona and introduced it vaguely. It was handed down to him by his great-great-grandfather. How did the song that runs through the whole movie come from and what is its legend? However, these are not mentioned in the film. I only saw a burnt box of suona of various models, large and small, appearing in the film twice in a hurry. Personally, I think that a thing, a song, if it can be handed down, its experience must have its unique significance. What people want to inherit is spirit, culture and suona.

It is said that from the emotional point of view, after watching this film, you still don't understand the suona, but you just sympathize with the suona craftsman who is struggling to support. If you overhear this song, you probably won't hear it. Not to mention, after watching this movie, you will faint in the seat of the cinema.

Finally, I suggest that friends who haven't seen it can go and see it. You can go if you don't support domestic movies or traditional culture. Maybe you can find something else from another angle.

Comments on "A Hundred Birds Facing the Phoenix" 5 "A Hundred Birds Facing the Phoenix" is a very good film, in which two generations of suona craftsmen have made unremitting efforts to inherit the art of suona, and many of them are unforgettable.

The first is that the protagonist Jiao Banzhu chooses a successor. What he sees is not a talent's ability and talent, but his heart and attitude. When he saw his father fall, he would cry, practice hard when inhaling, cut wheat without touching the ground, and try to protect the suona from being almost burnt. These experiences also laid the foundation for you to practice your skills in Tian Ming. The foundation is not firm, and the ground shakes. Only by doing things slowly and steadily can we break through step by step. When I was young, when I chose a good teacher, I chose an example and a career. When you are old, you choose a good student, and you choose the future and inheritance. Jiao Banzhu chose a good heir with vision. In today's chaotic and complicated society, we should learn to choose.

The second is Jiao Banzhu's pursuit of art. Love to the bone seam, love to the heart, love to bleed for the suona, and pursue and protect art with life. He said, always remember that suona is for yourself, not for others. He devoted himself to the pursuit of suona art all his life. I saw Jiao Banzhu's infatuation when he played suona after drinking, and his passionate heart was guarding his beloved career. I think, although they are not really rich materially, they are really rich spiritually. Pursuing the road of suona art is also a career. For this career, they spent their whole lives pursuing, caring and struggling until the end of their lives. Even when I finally leave, I want to contribute to the career development of the next generation and offer suggestions. Imagine, aren't we all pursuing our own careers? Can we love what we are doing now? For the cause, regardless of all difficulties and obstacles, let go of personal success or failure, endure loneliness and resist temptation. With an ingenious spirit, what can't be done in the future?

The third is the confrontation between Chinese and western cultures. The suona in the film represents not only the suona, but also the traditional culture and art of the Chinese nation, especially the local folk art. When the western culture impacts the traditional concept and the realistic pressure keeps coming, how should we think? Insist or give up? With the death of generations of old people, where will our excellent folk art go? How much art can we see in our life when the previous generation has gradually left and found that they have become the real main force of society? How much can the essence of China culture remain? If we don't inherit it, it will be the pain of our generation and the pain of several generations. Without inheritance, there is no inheritance. Without inheritance, there is no civilization. Our generation needs to grasp the beautiful art of the present and make it shine in the present and the future. If a person tries to protect his career, his life will be exhausted. A group of people will try their best to protect their careers, and life will be fresh. I hope there will be more people who love art in the future, unite as one, contribute and work hard for the inheritance and development of art. I hope that one day, when the Great Ecological Wall is completed, we can all hear the melodious performances of these folk artists in the lecture halls and grand theaters along the Great Wall.

Hundred Birds Review 6 of Phoenix Club was released on May 6, and it should have been in a state of high reputation and low release until 13. The total box office in seven days was 3.6 million, which was far from the 800 million box office of Captain America in the same period. /kloc-On the evening of May 0/2, 63-year-old Mr. Li Fang knelt down in Weibo and his circle of friends and asked netizens to recommend Birds in the Phoenix; Ask the cinema line manager to increase the number of films and prove that he has feelings and loves movies! Some people like this move, while others throw bricks.

Teacher Fang recommended a film that he kneels for, and we are willing to believe his true colors. But every movie has its own market logic. The audience doesn't like it, and there should be no impetuous and thin words. I don't know why it's hard to say so.

Just because the market doesn't like the Order of the Phoenix so much doesn't mean that most people hate art films. The poor box office of the Order of the Phoenix does not mean that it denies director Wu. His Life has seen more than 200 million movies. His "Old Well" is the first work in China to win the A-class award at the International Film Festival. His "Face/Guan" won nearly 50 international film festival awards ... These awards can't be taken away by the stream of years, and the concept of stealing often seems reasonable, but it is unreasonable.

"A hundred birds fly at the phoenix" is the highest pursuit of suona craftsmen, and it is a test of skill and character. Suona is for myself. We don't know how many suona will be stranded in the era of rapid development, but how many people will recall the past and stick to their promises? The hardships of life make many suona people change careers, but as long as they can make a living, your brothers in Tian Ming will not change careers. I like this movie to recall the theme of drifting away from the art, but it doesn't feel delicate enough, which weakens the power to impress people. For example, on a rainy day, Master Jiao and his wife went to find someone who absorbed water and practiced gas. Master Jiao wears hemp fiber and hat on his body, and the picture is very touching but less emotional. There are still some parts of the film that are slightly rough, and the editing seems to be not so smooth. For example, Tian Ming visited Jiao after playing suona independently for the first time to earn money, and Ye San's drunken picture was blurred. I said that the blur does not come from Ye San's vision, but from the spectator's vision. Maybe he turns fast and makes people dizzy, but I still think the picture quality is not high. There is also the language. Except for Mrs Jiao's words, which are a bit of Shaanxi dialect, other actors speak very good Mandarin. In the relatively closed rural areas, such Mandarin is too contradictory to the content of the dialogue.

If art films want to remain independent, be themselves! If you want to be recognized by the market, you might as well know more about the audience. Maybe they are not as utilitarian as some people think.

About kneeling, I want to say, if the filmmaker kneels, how can the film stand in the hearts of the audience!

Regarding art films, I want to say that since I have chosen a road with few people, I don't want to complain any more, don't ~ ~ ~

I hope to like a movie just because I like it.