Folk songs related to China

This is a masterpiece carved with an old hammer on the Loess Plateau in northwest China, and it is a wonderful flower between the Yellow River in Huang Po. A high-pitched, very sonorous, sweeping away the decadent voice; It's refreshing to hear. It's a folk song in northern Shaanxi. Folk songs in northern Shaanxi are the crystallization of the spirit, thoughts and feelings of the working people in northern Shaanxi. They are the closest companions of the working people in northern Shaanxi and the most direct reflection of their lives. Northern Shaanxi is a place where folk songs gather. There are many kinds of folk songs, which are commonly called "folk songs" or "sour songs" locally. There are mainly more than twenty kinds of Xintianyou, minor, wine song and Yulin ditty, among which Xintianyou is the most distinctive and representative. The folk songs in northern Shaanxi are filled with the fragrance of the earth on the yellow land, and the most popular words and the best passion of the children of the Yellow River are flowing. She is our native language and homeland of loess, and also the characteristic and essence of our loess culture. Folk songs in northern Shaanxi have distinct regional characteristics: simplicity, atmosphere, beauty, grandeur and beauty. This popular and beautiful quality is enough for him to stand in the hall of music and vent the trend of Huang Zhong and Da Law in minor. In northern Shaanxi, people's feelings of joy, anger, sadness and joy can be expressed in the form of folk songs. Whether standing on the top of the mountain, walking on the winding mountain road or marching on the road of Ma Pingchuan, melodious songs floating in the wind can be heard everywhere. This is a folk song in northern Shaanxi. "Women cry sadly and men sing sadly." In fact, men, women and children in northern Shaanxi like folk songs. On the Loess Plateau, there are both the deep and graceful songs of the aunts and grandfathers, and the high-pitched songs of "Stop the sheep from returning to the cows" echoed by the younger generations. Northern Shaanxi is a world of folk songs and a sea of folk songs. There are many kinds of folk songs in northern Shaanxi, including Four Seasons Songs, Wugeng Tune, Langong Tune, Jiuge, Yangko, Labor Song, Dance Music, Yulin Xiaoqu, Shaanxi Suite, Errentai, Folk Songs, Religious Songs, Home Exploration Tune, etc. , mainly in minor and belief in heaven. Secondary, mainly narrative, generally there are scenes, characters, storylines and details. For example, harming a doll, Sister Yu, seeing off a lover, four guarantees and working in Liulin are all long narrative folk songs. Xintianyou (called "Shuntian Tour" in the border area of Inner Mongolia and "Qu Shan" in Shenmu Fugu) is a folk song circulating in northern Shaanxi. It is the product of improvisation and can be sung freely according to different situations. If the villagers are working in the fields, herding sheep in the mountains, chopping wood in the Woods and driving donkeys to pull coal, they will sing loudly. Its language is simple, its rhythm is obvious, its rhyme is changeable, and it is generally a two-sentence structure, with the upper and lower sentences rhyming and the other sentences not rhyming. Based on seven sentences or cross-sentences, the first sentence focuses on comparison or scenery writing, and the second sentence focuses on care, combining reality with reality. The melody is melodious and unrestrained, with distinct rhythm, harmonious rhyme and strong lyrical color. It fully embodies the uninhibited character of northern Shaanxi people. It has two sentences and one paragraph, which can be divided and combined, or it can be composed into a song independently, similar to "Sanqu". Folk songs in northern Shaanxi reflect rich social life. Most of the popular folk songs in northern Shaanxi were produced from the end of 19 to the 1940s, which not only reflected social changes, but also "long-term workers' songs", and reflected the struggle of the people in northern Shaanxi against the oppression and exploitation of the feudal unified class, especially the revolutionary historical folk songs, which were a group of precious revolutionary historical materials. For example, the famous "When the Red Army's Brother Comes Back" and "Flowers Bloom in Shandandan" are all very valuable. But among more than 8,000 folk songs in northern Shaanxi, such works are few after all. Most of the works reflect ordinary people and ordinary things. For example, kannika nimtragol is homesick, older girls are looking forward to getting married, younger girls are divining, drummers are greeting relatives, people who are away from home miss their hometown, young people love each other, and couples quarrel for fun. Also, masons decorate the monotonous sound of stone hammers with songs; Farmers use songs to drive away loneliness and sadness; People who drive away the spirit of sacrifice spread melodious songs all over the rugged narrow path; The sentimental kannika nimtragol poured out her sadness with a song. These are basically expressions of feelings. In addition, people in northern Shaanxi also use folk songs to serve their daily lives: vendors use songs to peddle, farmers use songs to pray for rain, festivals to celebrate and entertain, men and women hold ceremonies with songs when they get married, they use songs to guess fists when drinking, they use songs to tell historical stories, they use songs to socialize, they use songs to tell important historical events, and young men and women use songs to talk about love and tell new things about couples. Even if the scandal is thousands of miles away, it is spread by singing; Strange people and strange things, praise them. Among the 8000 folk songs in northern Shaanxi, 80% of all folk songs reflect love life and marriage problems or are related to this content. Known as the masterpiece of working people, Xintianyou embodies almost all these contents. Therefore, it is also called "the ocean of love". The folk songs that people in northern Shaanxi usually like to sing are love songs. In the old society, young men and women could not love and marry independently, so they had to use songs to express their dissatisfaction with feudal marriage and their pursuit of love. Due to natural conditions and other reasons, in the past, the economy in northern Shaanxi was backward and farmers lived a hard life. The man sent gangs to other provinces to grab jobs for others, that is, before the husband left, his wife tried to persuade him in many ways, and his expression was beautiful, affectionate and lyrical. As we all know, "going west":