Did Zhao Benshan make China's sketch, or did the sketch make Zhao Benshan?

Like many celebrities in history, whether history has made celebrities or celebrities have made history. Zhao Benshan made China's sketch or China's sketch made Zhao Benshan?

The answer is simple. I believe many people have guessed that Zhao Benshan and China's sketches are mutually successful. First of all, let's take a look at the historical environment in which China's sketches appeared. Regardless of the historical origin and form, the sketch appeared in the early 1980s, because the historical environment of China 78 years ago was different from later, and there was no way to accommodate this form of performance.

Why did it work in the early 1980s? And the time should be set at 1978? Because 78 years later is the "reform and opening up", the whole historical environment of China has changed, and the spiritual needs of the people have changed. And the stage that can accommodate the sketch form appears in the "Spring Festival Evening". According to the current information, it is easy to find.

1983, Yan Shunkai used the form of "sketch" for the first time in the first Spring Festival Evening. 1984 During the Spring Festival Evening, Peisi Chen and Zhu Shimao's Eat Noodles made the sketch officially become an independent art performance form.

Why did the sketch finally become a representative stage comedy in China?

The reason is that China just opened up in 1980s, when the whole social and economic development needed no elaboration. This leads to the most intuitive thing, that is, the cultural expression of people's "spiritual needs", which may be rare except novels and street storytelling. Television was not popular in the 1980s.

At that time, it was naturally CCTV's Spring Festival Gala that really had a national platform channel. Although there are not many TV sets, CCTV can be seen as long as there is a TV set, and the "Spring Festival Evening", as a grand carnival at the end of the year, has become a highly concerned program or stage in the country.

People who have studied economics and communication, even those who have heard of today's "flow economy", are well aware of how much attention and exposure they can get by performing their works on such a "widely expected" platform, which is simply unimaginable now.

Also, because of the comedy short play, a special expression that makes the audience laugh, the sketch is naturally more popular and loved by the people of China in front of the TV set than singing and dancing. In such a diverse historical environment and conditions,

Finally, it contributed to the birth of the former "King of Sketch" Peisi Chen. It must be said that although Zhao Benshan has been recognized as the "king of short stories" in China, the scope of its success has become a cultural phenomenon. But among those who don't like Zhao Benshan very much, there is always a view that "if Peisi Chen has not retired, Zhao Benshan is nothing".

If Peisi Chen doesn't quit, will Zhao Benshan become the "King of Sketch"? Bo Guang thinks that although there is no "If" in history, if Zhao Benshan doesn't have a chance to perform those works, unless he completely steps down. Otherwise, even if Peisi Chen doesn't retreat, Zhao Benshan will still be the "sketch king", but it may be a little late.

The reason is also very simple. Peisi Chen went from eating noodles in 1984 to the prince and postman in 1998, and became the former "sketch king", and then basically bid farewell to the Spring Festival Evening stage.

After China's reform and opening up, Peisi Chen performed skits at the Spring Festival Evening in the early 1980s and 1990s. At that time, the TV penetration rate of ordinary people in China, coupled with the composition of young viewers born in 1980s and 1990s, was obviously not as good as that born in 1990s and 2000.

Peisi Chen's "sketches" performed in the Spring Festival Evening for more than ten years are of course very classic. But later, due to some problems of CCTV, after quitting the Spring Festival Evening, although there were also reasons why the exposure was not as good as before because of boarding the largest platform.

But from the development of Peisi Chen after 2000, combined with the experience of most cultural figures.

Peisi Chen's creative ability has obviously reached its peak, just like Jackie Chan's kung fu comedy was from the late 1980s to around 2000, and so was Jet Li's kung fu movies. Let's take a look at Jay Chou, the king of Chinese music. His creative peak will be from 2000 to 20 10 years later.

Some great directors may have a creative career of just over 20 years, but it is almost impossible for cultural workers to maintain their creative genius for 20 years, and then 30 or 40 years.

Once there is no breakthrough in the creation of these cultural workers, the audience will easily form aesthetic fatigue, so as to pursue newer and more powerful new creators.

Therefore, even if Peisi Chen can stay in CCTV and continue to perform skits, even with the support of top teams. At most, it will delay the creative career for a few years, which can never guarantee that the creation will continue, and at the same time, it can make the audience like it without looking at other "sketches".

The appearance of Zhao Benshan's sketches is the reason why Bo Guang thinks that if Peisi Chen stays in CCTV, his creative career may be a few years later, but he can't stop Zhao Benshan.

Because Zhao Benshan entered the CCTV Spring Festival Evening on 1990, and performed classic sketches such as Blind Date, I Want to Have a Home, Uncle Niu's Works, and Red Sorghum Model Team.

At this time, Zhao Benshan has emerged in the sketch of CCTV Spring Festival Evening, and his reputation among the people has been extremely obvious.

As mentioned earlier, Peisi Chen's sketch creation has passed its peak, and it is impossible to stop the rise of Zhao Benshan.

Because of Peisi Chen's classic sketch, 1984 eating noodles, 1990 leading role and supporting role, 9 1 police and thieves, 1992 brother-in-law.

But look at 1997 Cosmic Gymnastics Trials and 1998 Prince and Postman. In terms of popularity, it is not as good as the peak period around the 1990 s.

From 1999, Zhao Benshan handed over yesterday, today and tomorrow, and from 200 1 to 2005, he handed over three classic series of essays: selling kidnappers, selling cars and kung fu.

In this way, Zhao Benshan's position as "king of sketches" was completely established. In 2009, Zhao Benshan basically bid farewell to his peak career after handing over his prose "Not Bad Money", which happened to be more than ten years.

From 2000 to 20 10, China's economy developed rapidly, people's living standards improved rapidly, and media platforms such as TV discs and Internet rose rapidly.

It is a matter of course that Zhao Benshan and his sketches spread further, have a wider scope and are more popular with Chinese people.

As for someone who asked Peisi Chen or Zhao Benshan to sketch better, guess!