Give a good poem!

The emperor of China, eager to shake the beauty of an empire, has been in office for many years, searching and never finding it.

Until a child of the Yang family grew up in the inner room, almost before she grew up, and no one knew her.

However, due to the gift of heaven and no concealment, it was finally elected royal one day.

If she just turned her head and smiled, there were a hundred spells, and the powder and paint of six palaces disappeared without a trace.

It was early spring. They let her bathe in a pure pool to warm and smooth her creamy skin.

Because she was tired, a maid lifted her up, when the emperor noticed her for the first time and chose her as his bride.

On the night of spring, the warm hibiscus curtains covered her fluttering hair, petals on her cheeks and golden ripples on her head.

But the night in spring is short and the sun rises too fast. Since then, the emperor has given up his early hearing.

He wastes all his time on parties and revelry. He is the lover of spring and the tyrant of night.

There are other ladies in his court, 3,000 of whom are stunning beauties, but his love for 3,000 is concentrated on one person.

The golden house is dressed up to serve the night. When the table in the jade tower is cleaned, she will wander around and drink wine slowly.

Her sisters and brothers were all given titles because she lit up and glorified her family so much.

When a girl is born instead of a boy, she brings happiness to every father and mother in the empire.

... high rose plum palace, into the blue clouds, and the wide breeze carries magical notes.

Soft songs and slow dances, strings and bamboo music, the emperor's eyes can never stare at her.

Until the sound of drums came from Yuyang, which shook the earth and broke the tune of rainbow skirts and feather clothes.

The Forbidden City, a nine-story palace, is hidden in the dust and travels southwest from thousands of chariots and horses.

The imperial flag opened the way, suddenly moving and stopping, 30 miles from the capital and passing the west gate.

People in the army stop, and no one will move until they are under their hooves. They may trample on those moths.

The gorgeous hairpin fell to the ground, and no one picked it up, a green and white Hosta and a golden hairy bird.

The emperor couldn't save her, so he had to cover his face. Later, when he turned to look, there was blood and tears.

Hidden in the yellow dust from the cold wind, they crossed a cloud line at the crack of the steeple path.

Under Emei Mountain. The last few came, and the flags and banners lost their colors in the fading sun.

But the water in Shu is always green and the mountains are always blue, so your majesty's love is constant and deeper than the sky.

He stared at the desolate moon from his temporary palace, and he heard the rain at dusk, cutting his chest.

On the same day, in last contact, the train was heading home. At this time, I hesitated to go.

The memory and pain are buried in the soil of Maweipo. Where is her white face? .

Rulers and lords, when their eyes met, cried on their coats. They rode horses, loosened the reins and slowly returned to the capital.

Pond, garden, palace, everything is the same as before, Taiye Lake hibiscus, Weiyang Palace willow.

But the petals are like her face, and the willow leaves are like her eyebrows. Whenever he looks at them, what can he do but cry? .

Peach and plum trees are in bloom. In the spring wind, after the autumn rain, the leaves fall to the ground.

The palaces in the west and south are scattered with evening grass, and the steps are piled with red leaves that are not swept.

Bai Fuxin, a disciple of Li Yuan, and eunuchs in her pepper yard. .

Fireflies were flying on the throne, and he was meditating in the twilight. , he will extend the wick to its end and still never fall asleep. ..

Bells and drums will slowly ring the long night, and before dawn, the Milky Way in the sky will become clear.

And the porcelain mandarin ducks on the roof grow thick morning frost, and the jade is cold, so who and who * * *.

The distance between life and death is year after year, but no beloved soul has visited his dream.

There lived a Taoist priest in Lingqiong. He was a guest in the sky and could summon the gods through his concentration.

People were moved by the emperor's constant meditation, and they begged the Taoist priest to see if he could find her.

He opened a path in space, like lightning, cut through the sky, up and down, looking for it everywhere.

Above, he looked for the green void, below, the yellow spring, but he didn't find the one he was looking for in two places.

Then he heard a story about a magical island at sea, which is part of the invisible world.

There are pavilions in the five-color sky, and exquisite immortals walk back and forth.

And one of them, they call it forever true, has a face like her snow and flowers.

Jin Que knocked on the jade fan in the west wing and asked a young girl named Baoyu, telling her both.

This lady, after hearing the news of Emperor China's envoy, woke up from her dream in her canopy.

She pushed open the pillow, got dressed, shook off her drowsiness, opened the pearly curtain, and then opened the silver screen.

Ji Yun is half asleep, and her flowered hat is loose when she walks along the balcony.

A breeze blew her cloak and fluttered with her movements, as if she were dancing with a rainbow skirt and feather coat.

Tears rolled down her sad and pale face, just like the spring rain on pear flowers.

But when she asked him to thank her monarch, her eyes shone with love. Since they separated, her form and voice were unfamiliar to her.

Because happiness ends in the courtyard of the sun, the moon and dawn become long in the palace of Xianshan.

But when she turned to look down at the earth and tried to see the capital, there was only fog and dust.

So she took out the keepsake he gave, and gave him a shell box and a gold hairpin through his messenger.

However, one branch of the hairpin and one side of the box were kept, and the gold of the hairpin and the shell of the box were broken.

"Our souls belong to each other," she said, "just like this gold and this shell." Somewhere, at some time, on earth or in heaven, we will be together.

She sent him a message through his messenger, reminding him that only the hearts of the two of them knew the oath.

On the seventh day of July, in the Palace of Eternal Life, we secretly told each other in the quiet midnight world.

We hope to fly in heaven, two birds become one and grow on the earth, two branches of a tree. ..

The earth endures, and the sky endures; One day both will end, and this endless sadness will last forever.

Precautions:

Golden House: A gorgeous house built for a beloved woman.

Li: That's Mount Li. In Lintong, Shaanxi, there is Huaqing Palace for Xuanzong's amusement, including Huaqingchi Hot Spring.

Jiange: It is located in the north of Jiange County, Sichuan Province, also known as Jianmenguan.

Ma Yipo: In the west of Xingping County, Shaanxi Province today, Yang Guifei hanged herself here.

Exactly: Yang Guifei is the name of a female Taoist.

Xiaoyu: It is the maid of the legendary Chinese and Western Empress Dowager, which refers to the fairy who accompanied Yang Guifei.

This poem is about the love story between Tang and Yang Guifei. Only the first sentence is about the Han Dynasty and the Tang Dynasty, and other place names and names are true. This poem was written in the winter of the sixth year of Zongyuan (806). The poet was the magistrate of Wu (now Zhouzhi, Shaanxi). He once visited this temple with Chen Hong and Wang Zhi. At the suggestion of the king, he asked Chen Hong to write a love story about Xuanzong and his favorite concubine, which was circulated among the people at that time. Chen wrote this poem "The Song of Eternal Sorrow" in vain.

Poetry begins with comedy and turns into tragedy. Although the author's original intention is to "punish the stunner", it has become an ode to love. The most successful part of this narrative poem is lyricism. The complicated plot can only explain the past in a few simple sentences, but it focuses on the rendering of feelings, carefully writing the deep love between Tang and Yang Guifei and the feelings of both sides after the death of the imperial concubine. Many famous sentences are touching and have been told by people for thousands of years. The dramatic and mythical description and strong romanticism in the poem are also the reasons for its strong artistic charm.

Song of Eternal Sorrow is a famous masterpiece in Bai Juyi's poems. Written in the first year of Yuanhe (806), the poet served as county magistrate in yi county (now Zhouzhi, Shaanxi). He visited Xianyou Temple with his friends Chen Hong and Wang Zhifu, and wrote this poem because of the story of Emperor Xuanzong of the Tang Dynasty and Yang Guifei. In this narrative poem, the author describes the love tragedy of Xuanzong and Yang Guifei in the Anshi Rebellion with refined language, beautiful images, narrative and lyricism: their love was destroyed by their own rebellion, and they were endlessly eating the bitter fruit of this spirit. Tang Xuanzong and Yang Guifei are both historical figures. Poets do not stick to history, but rely on a little shadow of history. According to the legend of the people at that time, the singing of the neighborhood has degenerated into a tortuous and touching story, which is described and sung in a reciprocating and touching art form. Because the stories and characters in the poem are artistic, and they are the complex and true reappearance of people in reality, they can ripple in the hearts of readers in past dynasties.

The song of everlasting regret is the song of everlasting regret, which is the theme of the poem, the focus of the story and a touching seed buried in the poem. As for what you hate, why do you hate it for a long time? The poet does not tell and express directly, but shows it to readers layer by layer through his poetic stories, so that people can guess, remember and feel for themselves.

The first sentence at the beginning of the poem: "The emperor of China longs for beautiful women who may shake an empire" seems very common, as if the story should be written from here without the attention of the author. In fact, these seven words are extremely rich, which is the whole program, which not only reveals the tragic factors of the story, but also evokes and directs the whole poem. Then, in extremely frugal language, the poet described how Xuanzong of the Tang Dynasty emphasized color and sought color before the Anshi Rebellion, and finally got Yang Guifei, who said, "As long as she turns her head and smiles, there will be a hundred spells, and the makeup of the sixth palace will go up in smoke." It describes the beauty and charm of Yang Guifei. After entering the palace, he was favored by color. She not only "inherited her kindness", but also "listed all her sisters and brothers in the soil". Repeatedly rendering how Tang Xuanzong indulged in debauchery, how to have fun, and how to indulge in singing, dancing and drinking in the palace all day. All this led to the Anshi Rebellion: "Until the drums of war exploded from Yuyang, shaking the earth and breaking the tune of rainbow skirts and feather clothes". This part describes the internal cause of "long hatred", which is the basis of the tragic story. Through the realistic description of this court life, the poet ironically introduced the hero and heroine of the story: an emperor who valued the country and despised the people, and a charming and pampered concubine. This also vividly implies that the misunderstanding of Tang Xuanzong is the root of this tragedy.

Below, the poet specifically described the scene that the emperor's military forces fled to the southwest after the Anshi Rebellion, especially the destruction of the love between Tang Xuanzong and Yang Guifei in this turmoil. "People in the army stop, and no one will move until under their hooves, and they may trample on those moths. The gorgeous hairpin fell to the ground, and no one picked it up, a green and white Hosta and a golden hairy bird. The emperor couldn't save her, so he had to cover his face. Later, when he turned to look, the land of blood and tears wrote their scene "Where are you going, Maweipo". The "Sixth Army refused to send" and demanded the execution of Yang Guifei, which was an anger against Tang Xuanzong's infatuation with women and brought disaster to the country and people. The death of Yang Guifei is a key plot in the whole story. After that, their love turned into a tragedy. Then, from "hiding in the yellow dust blown by a cold wind" to "there is no beloved spirit to visit his dream", the poet seized the "hate" in the spiritual world of the characters, described the loneliness and sadness of Yang Guifei in Shu after her death, and also recalled the past on the way. The lingering lovesickness is heartbreaking. It is precisely because the poet exaggerates the feelings of the characters to such an extent that the arrival of Taoist priests and the appearance of fairyland behind them give people a sense of reality and will not think that they are purely castles in the air.

From "There lived a Taoist priest in Lingqiong who was a guest in the sky" to the end of the poem, Taoist writers helped Xuanzong find Yang Guifei. The poet used a romantic technique. Suddenly, he went to heaven and then to earth. "Above, he looked for the green void, below, the yellow spring, but he didn't find the person he was looking for in either place." Later, Yang Guifei was found on the ethereal fairy mountain at sea, and was allowed to reappear in the fairyland with the image of "tears falling down her sad white face, like spring rain on a pear flower", warmly welcoming the envoys of the Korean family, expressing their feelings, sending a symbolic message, reaffirming the previous vows, taking care of Tang Xuanzong's thoughts about her, and further deepening and rendering the theme of "long hatred". At the end of the poem, it ends with "and this endless sorrow is endless", points out the theme, responds to the beginning, and achieves "silence", giving readers room for association and aftertaste.

The Song of Eternal Sorrow first gives us the enjoyment of artistic beauty, a moving story in the poem and a delicate and unique artistic conception. The center of the whole article is "Song of Eternal Sorrow", but the poet tries his best to write and render it with "thick ink and heavy color" as the starting point. "Work at sunrise and rest at sunset", "Don't go early", "Stay up late", "I can't get enough of it" and so on. , appear extremely happy, like a comedy. However, that kind of extreme joy is only in contrast to the endless hatred behind it. The dissoluteness of Emperor Xuanzong of Tang Dynasty led to a political tragedy, which in turn led to a love tragedy between him and Yang Guifei. The maker of the tragedy finally becomes the hero of the tragedy, which is a particularly tortuous part of the story and the reason why the hero and heroine in the poem have to "hate" for a long time. Many people used to say that Song of Eternal Sorrow has a moral, and this poem is the moral. So, how does the poet express "long hatred"? After the death of Yang Guifei in Majipo, the poet described it very delicately, showing the inner contradictions and painful feelings of Tang Xuanzong who could not bear to give up love and wanted to save it. Because of this "blood and tears" death, there will be endless hatred. Later, the poet used a lot of pen and ink to repeatedly render Tang Xuanzong's yearning for Yang Guifei from all aspects, but the story of the poem did not stay at an emotional point, but with the gradual progress of the inner world of the characters, he perceived the constant changes of their scenery, pushed forward the time and story, and used the thoughts and feelings of the characters to develop and promote the development of the plot. After his death, Emperor Xuanzong of Tang Dynasty went to Shu and felt very sad. Still on the road, revisiting the old place has evoked sad memories; After returning to the palace, I experienced physical injury during the day and insomnia at night. I miss it day and night, so I hope to have a dream, but it is "the distance between life and death year after year, but no beloved soul has visited his dream". At this point in the poem, the "hate" of "long hate" has been written very touching, and it seems that the ending of the story is OK. But the poet's pen is curved. With the help of the colorful wings of imagination, he conceived a charming fairyland, which pushed the plot of the tragic story to a climax and made the story more tortuous, ups and downs. This turning point is both unexpected and reasonable. Due to the constant contradiction and collision between subjective desire and objective reality, poetry vividly shows the psychology of the characters, and the story is more moving.

Song of Eternal Sorrow is a narrative poem with strong lyrical elements. The poet adopted the expression technique of China's traditional poetry, which is good at telling stories and portraying characters, and harmoniously combined narrative, scenery description and lyricism, forming the lyric characteristics of poetry. Poets sometimes inject the thoughts and feelings of the characters into the scenery, and use the refraction of the scenery to contrast the mood of the characters; Sometimes we grasp the distinctive scenery and things around the characters, express their inner feelings through their feelings, and render them layer by layer, appropriately expressing the unspeakable feelings hidden in the hearts of the characters. On his way to the southwest, Emperor Xuanzong of the Tang Dynasty was surrounded by yellow dust, plank roads and high mountains. The sun is dim, the standard is dull, and autumn scenery is desolate. This is a sad autumn scenery to set off the sad thoughts of the characters. In Shu, facing the green mountains and green waters, we still can't forget ourselves. The mountains and water in Shu are beautiful, but in the lonely and sad eyes, the "green" of the mountains and the "green" of the water are also sad. The beauty of nature should be appreciated with a quiet mind, but he didn't, so he increased his inner pain. This is to write sad feelings through beautiful scenery, so that feelings are deeper. The moonlight in the palace and the bell on a rainy night are already very exciting. The poet grasped these unusual but distinctive things and brought people into the realm of sadness and heartbreak. In addition, when they see and smell, they are intertwined, which also shows the sadness and sadness of the characters in language and tone. This is another floor. Still on the road, "everything is spinning" was originally a happy thing, but the old place ended and Yu Yan disappeared, so I couldn't help crying. In the narrative, another layer of painful memories is added. After returning to Chang 'an, "ponds, gardens, palaces, everything is the same as before, Taiye Lake hibiscus, Weiyang Palace willow. But petals are like her face, and willow leaves are like her eyebrows. Whenever he looks at them, what can he do but cry? " . During the day, caused by the environment and scenery, people are associated with the scenery, and the scenery remains the same, but people are gone. I can't help bursting into tears. From the hibiscus flowers in Taiye Pool and the weeping willows in Weiyang Palace, I seem to see the appearance of Yang Guifei, showing the extremely complicated and subtle inner activities of the characters. "Fireflies were flying on the throne, while he was meditating in the twilight. He will extend the wick to its end and still never fall asleep ... bells and drums will slowly ring the long night, and before dawn, the Milky Way in the sky will become clear. " From dusk to dawn, the focus is on the scene where you can't sleep for a long time because of emotional troubles at night. This bitter yearning is like "peaches and plums bloom and the spring breeze blows" and "after the autumn rain, the fallen leaves return to their roots". It is sad to see that the "disciples of Liyuan" and "A Jian Qing E" in those days were all white-haired and their faces were withered, which reminded us of the happy thoughts of the past. From the rambling of Huang Chen to the lush of Shushan, from rainy night in the palace to triumphant return, from day to night, from spring to autumn, we are moved by things everywhere, always thinking of people, and repeatedly rendering the protagonist's hard pursuit and search from all aspects. If you can't find it in real life, you will find it in your dreams. If you can't find it in your dream, go to fairyland. This kind of ups and downs, layer by layer rendering, let the characters' feelings swirl up and reach a climax. It is through such layers of rendering that the poet repeatedly expresses his feelings and goes back and forth, which makes the characters' thoughts and feelings more profound and rich, and the poetry is "delicate in texture" and more artistic.

As an immortal narrative poem, Song of Eternal Sorrow has a high artistic achievement. Throughout the ages, many people have affirmed the special artistic charm of this poem. What infected and seduced readers with the art of Song of Eternal Sorrow? Touching, I am afraid, is its greatest artistic personality, and it is also the power that it can attract readers, make them infected and tempted for thousands of years.

About the author:

Bai Juyi (772-846), whose real name was Lotte, was named a Buddhist in Xiangshan in his later years. Originally from Taiyuan (now Shanxi), he moved to Xiadeng (now Weinan County, Shaanxi Province). In his early years, his family was poor, and he had more contact and understanding of social life and people's sufferings. In the 16th year of Zhenyuan in Tang Dezong (800), he was a scholar and was awarded the secretary of provincial studies. During the Yuanhe period in Tang Xianzong, he served as Zuo Zanshan's doctor.

In the 10th year of Yuanhe (8 15), Prime Minister Wu was executed by Li Shidao, the Pinglu envoy, and Bai Juyi was demoted to Jiangzhou Sima because he was eager to catch the murderer, and later transferred to Zhongzhou Secretariat. In the early years of Changqing, Tang Muzong was appointed as the secretariat of Hangzhou. He actively built water conservancy projects, built flood control dams, drained lakes and irrigated thousands of hectares of farmland, and achieved remarkable results. In the year of Bao Liyuan (825), he was appointed as the secretariat of Suzhou, and later he was appointed as the minister of punishments. Tang Wuzong Huichang died in the sixth year (846) at the age of 75. He is the author of seventy-one volumes of Bai Changqing Collection.

In literature, he and Yuan Zhen are both advocates and backbones of the New Yuefu Movement, advocating that "articles should be written in time, songs and poems should be written for things" and opposing the works of "playing with snow to make flowers and plants" without other sustenance. His satirical poems "Qin Zhongyin" and "New Yuefu" widely and sharply exposed the political darkness at that time, attacked the abuses in reality, and showed a progressive tendency of clear love and hate. In addition to satirical poems, the long narrative poems "Song of Eternal Sorrow" and "Pipa Journey" are also unique, and they are the swan song of the ages.

The language of Bai poetry is popular, unpretentious, simple and natural, and there is no trace of carving. His poems depict vivid characters, touching people's hearts and high artistic attainments.

In his later years, he sent his feelings to the mountains and rivers, and also wrote some small characters. There is a poem for Liu Yuxi: "Don't listen to the old songs, but listen to the new word Yang Liuzhi. It can be seen that he has read some new words. One of the poems, Flowers Are Not Flowers, has a hazy beauty, which was greatly appreciated by later poets such as Ouyang Xiu, Zhang Xian and Yang Shen.