Jiang Yufei Jiang Fei Cao Qi, the Six Dynasties sang in the air like a dreamy bird. Where is the description? Who wrote it?

Taicheng of Weizhuang in the late Tang Dynasty

The rain is falling, the grass is falling, and the birds of the Six Dynasties are singing.

Ruthlessness is a willow in Taicheng, but it is still a smoke cage.

This is a poem mourning the monuments of the Six Dynasties. Taicheng, formerly known as the southern foot of Jiming Mountain in Nanjing, was originally the back garden city of Wu during the Three Kingdoms period and was rebuilt when the Eastern Jin Dynasty proclaimed itself emperor. From the Eastern Jin Dynasty to the end of the Southern Dynasty, it was always the seat of the imperial court, Taiwan Province (the central government) and the imperial palace. It was not only the political center, but also the place where emperors enjoyed themselves. In the middle of the Tang Dynasty, the prosperous Taicheng in the past was "thousands of families became weeds"; By the end of the Tang Dynasty, it was even more desolate.

Hanging ancient poems is more touching, borrowing scenery to give gifts, and writing is more empty. This poem is more ethereal than similar works. From beginning to end, it uses the method of side contrast to deliberately create a dreamy emotional atmosphere, so that readers can experience the author's feelings through this vague emotional curtain. This is a noteworthy feature.

The first sentence does not depict Taicheng positively, but deliberately exaggerates the atmosphere. Jinling is close to the river, so it is called "Jiangyu" and "Cao Jiang". The spring rain in the south of the Yangtze River is dense and thin. In the drizzle, it looks foggy, like a smoke cage, giving people a dreamlike feeling. In late spring and March, the grass grows and warblers fly in the south of the Yangtze River, showing the vitality of nature. This kind of scenery not only has the unique femininity of Jiangnan scenery, but also easily evokes confusion. This is to prepare for the next lyric.

"The Six Dynasties were like dreams, and birds sang in the air". From the first sentence describing the misty rain in the south of the Yangtze River to the second sentence, the dream of the Six Dynasties has a great leap, which seems different at first glance. In fact, there is not only the atmosphere of "rain in the rain" to ridicule the word "dream", but also a desolate and dilapidated Taicheng hidden between the rain and the lush green grass. Birds are singing, the grass is green, and spring is always there. However, the rulers of the Six Dynasties who once pursued pleasure in Taicheng have long been passers-by, and the luxurious and magnificent Taicheng has also become a historical relic that people mourn. During the short period of more than 300 years from Chen Dynasty, the Six Dynasties declined one after another, and changed rapidly, like a dream. Coupled with the contrast between nature and personnel, it deepened the feeling of "the Six Dynasties were like a dream". "Six generations of Taiwanese cities compete for greatness", but all this has disappeared, and only birds who don't understand vicissitudes of life and historical rise and fall are singing happily. The "emptiness" of "birdsong in the air", that is, the "emptiness" of "birds chirping happily under the leaves" (Du Fu's Book of Letters), further sets off the word "dream" from people's special feelings about birdsong, which is very profound.

"Ruthlessness is a willow in Taicheng, and it is still a smoke cage." Willow is a symbol of spring. Willow swaying in the spring breeze always gives people a feeling of prosperity, which reminds people of the prosperous situation. At that time, ten miles of long dikes and willow piles of smoke were once embellishments of the bustling scene of Taicheng; Today, Taicheng has become a "weed", and the willow color of Taicheng is still a smoke cage. This bustling natural scenery is in stark contrast to the desolate and dilapidated historical sites, the long beach smoke willow and the luxury of the Six Dynasties. How shocking it is for a poet who is in the last days and worried about the country and the people! However, Taicheng Liu Di is "heartless", whether it is the rise and fall of the world or the ups and downs of the past and the present caused by poets facing the world. Saying that Liu is "heartless" tells people's infinite pain. The word "still" profoundly reflects the vicissitudes of history. It implies the disappearance of an era of corruption and the repetition of history. The pile of smoke on the dike willow is easy to trigger the emotions of the past, and it is often used as a reference to express ups and downs in poetry, so the poet's emotions caused by the dike willow are particularly strong. "Ruthless" and "still" run through the whole article, including Bao Jiangyu, Cao Jiang, Songbird and Diliu; The word "most" highlights Liu Di's ruthlessness and the poet's sorrow.

Looking back on the past of the Six Dynasties, the poet can't help looking back on the past and present. When writing this poem, the foreboding of national subjugation haunted the poet's mind. If Li Yi's Bianhe Qu also contains strong feelings of "pedestrians don't look at the long embankment, and the wind blows flowers and worries about killing people", then this article reveals deep sadness in a dreamlike atmosphere, which is a reflection of the inevitable collapse of the Tang Dynasty and the recurrence of the tragedies of the Six Dynasties in ancient poems.

This poem implies the vicissitudes of the world with the "stillness" of natural scenery, counteracts human suffering with the "ruthlessness" of things, and implies the meaning of hurting the present in historical emotions. Although it is inevitable that thoughts and feelings are somewhat negative, this artistic expression of virtual reality can still be used for reference.

Is that okay?

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