Why did Lao Guo say that the west is a dream, the sheep in the tree and so on, but now the young people in Deyun Society don't say it?

Lao Guo's classic jokes are also adapted from traditional jokes, such as "Dream in the West" and "Sheep on a Tree", which have a history of almost a hundred years. Lao Guo's greatest contribution is to dig them out and add new elements to make modern audiences like to listen to them, but the big structure has not changed, and the way of dumping baggage is the same. As Degang Guo's famous works, these works are deeply branded with Lao Guo. If let his apprentice say it again, no matter how good it is, it is not as popular as Degang Guo himself, and this "job" will be finished. Lao Guo knows too much, but he has to consider leaving a bowl of rice for his disciples and colleagues. Therefore, Lao Guo's songs "Learning Radio", "Looking at Flowers" and "Exploring the Qingshui River" are not mentioned now, leaving them to Yun-peng Yue and Zhang Yunlei. This can also be regarded as protecting the cross talk ecology.

These works are Degang Guo's classic cross talk in 2005 and 2006, which was a fiery era and a bright moment in Degang Guo. In Degang Guo at that time, classic works emerged one after another, creating a miracle in the history of cross talk in China. This is just a classic joke like this, and now Degang Guo won't talk about it. We can say that Degang Guo insists on writing and constantly contributes new works to everyone, but he disdains to stand still. However, the programs he created in his later years can be seen by anyone with a discerning eye, and the quality is obviously not as good as those classics of that year.

First of all, as we all know, Xi Zheng Meng, Bai Yi's My Life and I'm going to the Spring Festival Evening are all famous works, and people know their lives because of these funny classics. However, I think, although these jokes are the innovative products of many traditional jokes, Degang Guo has repeatedly scrutinized and polished them, making them come to light again. I think it is very difficult to adapt these jokes and increase the new burden that the audience can like. It is more necessary to reinterpret cross talk.

At present, Deyun Society will also have many traditional joke performances. For example, Degang Guo and Mr. Yu Qian baked cakes together, and Zhang Helun both performed "take off your jacket", but without Mr. Yu Qian from Degang Guo, I feel that no one in Deyun Society can finish this cross talk. Although Deyun Society now has 4,500 students and so many apprentices, there are really few actors who can't sell tickets. Only Yun-peng Yue and Zhang Helun have strong originality, while others actually perform more. In fact, crosstalk is not a self-taught thing like Dr. and Mrs. Jiao Tong University, but something from scratch. A cross talk joke, Degang Guo will hand in lines sentence by sentence, and the tone and accent must be in place to get the desired effect, so it is difficult to interpret the traditional joke, let alone add new funny elements.

In the early days, Yun-peng Yue also played Degang Guo's classic songs "Xizhengmeng" and "My Life". Although they have their own characteristics, people have seen Degang Guo's jokes, and Yun-peng Yue's personal experience is that it is too difficult to surpass them! Because Degang Guo Yu Qian is just ahead, and this burden is deeply rooted in the hearts of the people, maybe it will really be bombed! So I don't think anyone dares to try, it's too difficult to surpass. Degang Guo gave up these classic works for many reasons, but nothing more than mental and physical reasons. First, physical strength. In fact, Degang Guo is not yet "the year of destiny", but it always gives people the feeling of being senile. On the stage, I always say that I am not like when I was young.

In fact, nearly 50 years old is the maturity of art and the prime of life. It's a pity that Degang Guo doesn't want to try the long and hard work of "being both civil and military", "dreaming in the west", "eight major undertakings" and "selling cloth ends". However, this is also related to personal mentality. At that time, Degang Guo was in the period of territorial expansion, and its mentality was positive. So, I never feel tired. At this time, boss Guo is already in the stage of persistence, so there is no need to challenge himself.

And with the change of identity, he will no longer be like a stalk who "walks the second ring road" and "eats a vegetarian fried rice paste autumn fat". In other words, even if boss Guo makes such a burden, fans under the stage will not believe it, and there will be no sense of substitution. Among Degang Guo's disciples, only Yun-peng Yue wrote I Want Happiness, and Degang Guo personally gave it to him. Because Yun-peng Yue has suffered, it is credible. If let Degang Guo's little disciples talk about the previous cross talk, it must be a full car accident scene.

Today's Deyun Society can be described as Starlight Glimmer, but when it comes to the real kung fu of cross talk, no one can replace Degang Guo and no one can catch up with Degang Guo. At that time, Degang Guo's classic works left a deep impression on people. Therefore, if there is not enough strength, Degang Guo's disciples really dare not say. On the other hand, Lao Guo's famous disciples each have at least tens of millions of fans, and their annual income is not less than six or seven figures. Now it is even more unrealistic for them to talk about cross talk like "I want happiness", "My life" and "I am a triad".