Joke Collection Website - Talk about mood - Write emotional sentences in classical Chinese

Write emotional sentences in classical Chinese

1. Beautiful classical Chinese, you can write about your mood and feelings ... 1. The eagle hits the sky, the fish is shallow, and all kinds of frost are free.

(* * * "Qinyuanchun Changsha") 2. Lonely, ask the boundless earth, who is in charge of ups and downs? (* * * "Qinyuanchun Changsha") 3. Just a classmate and a teenager, in the prime of life, a scholar called Fang Qiu in high spirits. (* * * "Qinyuanchun Changsha") 4. Do you remember that you hit the water in the middle stream and the waves stopped the flying boat? (* * * "Qinyuanchun Changsha") 5. Mulberry has not fallen, its leaves are fertile.

(The Book of Songs Feng Wei Meng) 6. Swear, don't think too much. (The Book of Songs Feng Wei Meng) 7. I took a long breath to hide my tears and mourn the hardships of people's lives.

(Qu Yuan's Li Sao) 8. Peacocks fly southeast and wander for five miles. (Peacock Flying Southeast) 9. Chinese odyssey with thin steps.

(Peacock Flying Southeast) 10. Raise your hand and work hard, and the two feelings are the same. (Peacock flies southeast) 1 1. Branches cover each other and leaves communicate with each other.

(Peacock flies southeast) 12. After staying in a cage for a long time, you will return to nature. (Tao Yuanming's Return to the Garden) 13. Young people who don't work hard are pathetic.

(Long song) 14. Sing a song about wine, life geometry! (Cao Cao's Short Songs) 15. (Cao Cao's Short Songs) 16. There are few stars in the moon, and blackbirds fly south.

(short song by Cao Cao) 17. Oh, how can I bow and scrape to those people with high status and important positions? They never want to be seen with a sincere face! (Li Bai climbed Mount Tianmu in his dream) 18. However, before she came to us, we called a thousand times and urged her for a thousand times, but she still hid half of her face behind her guitar from us. (Bai Juyi's Pipa Trip) 19. Humming, whispering-and then mixing together, like pouring large and small pearls into a plate of jade.

(Bai Juyi's Pipa Trip) 20. The depth of sadness and the hiding of sadness are more told in silence than in voice. (Bai Juyi's Pipa Trip) 2 1. Night passed, night came, her beauty disappeared, and the pommel horse in front of the door was left unattended.

(Bai Juyi's Pipa Trip) 22. We were all unhappy until the end of the day, when we met. We understand. What is the relationship between acquaintances? . (Bai Juyi's Pipa Trip) 23. Moonlight in the pine forest, crystal stone in the stream.

(Wang Wei's Autumn Night in the Deep Mountains) 25. The bamboo whispers that the laundry girl returns, and the lotus leaves lie in front of the fishing boat. (Wang Wei's Autumn Night in the Deep Mountains) 26. Leaves fall like a waterfall, while I watch the long river roll forward.

(Du Fu's Climbing the Mountain) 27. I came from three thousand miles away. With the sadness of autumn, with my sorrow of a hundred years, I climbed this height alone. (Du Fu's "Ascending the Mountain" 28. Bad luck has formed a bitter frost on my temples, and heartache and fatigue are a thick dust in my wine.

(Du Fu's hiking trip) 29. The third call aggravated his state affairs, and he gave his sincerity to two generations. (Du Fu's "Shu Xiang") 30. But before he conquered, he died, and since then the heroes have been crying on their coats.

(Du Fu's Book of Letters) 3 1. The old country is surrounded by mountains, and the tide is empty. (Liu Yuxi, Stone Town) 32. In the old days, Huai Shuidong, the female wall came late at night.

(Liu Yuxi's Stone City) 33. Zhuangzi daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed in the imperial spring. (Liu Yuxi, Jinse) 34. Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun.

(Liu Yuxi, Jinse) 35. Boats and boats cross Guazhou on a snowy night, and the iron horse is scattered in the autumn wind. (Lu You's Book Wrath) 36. The Great Wall is empty, and the mirror has faded.

(Lu You's Book Wrath) 37. When a teacher is a real name, who is better than a thousand years! (Lu You's Book Wrath) 38. Xiao Lou listened to the spring rain all night, and sold apricot flowers of the Ming Dynasty in deep alleys. (Lu You's Spring Rain in Lin 'an) 39. Short, idle grass, eyes and windows, fine milk tea.

(Lu You's Spring Rain in Lin 'an) 40. How much trouble can you have? Like a river flowing eastward. (Yu Meiren by Li Yu) 4 1. Holding hands and looking at tears, I was speechless.

(Liu Yong's "Yulinling") 42. Affection has been hurt since ancient times, and it is worse than the cold and autumn festival. (Liu Yong's "Yulinling") 43. Where did you wake up tonight? There is a breeze and a waning moon on the bank of Yangliu.

(Liu Yong's "Yulinling") 44. The river of no return is a romantic figure through the ages. (Su Shi's "Niannujiao Red Cliff Nostalgia") 45. Rocks went through the air and rushed to the coast, rolling up thousands of piles of snow.

(Su Shi's "Niannujiao Red Cliff Nostalgia") 46. The mountains and rivers are picturesque, and there are many heroes at one time. (Su Shi's "Niannujiao Red Cliff Nostalgia") 47. Hometown wandering, sentimental Ying Xiao Wo, early years.

(Su Shi's "Niannujiao Red Cliff Nostalgia") 48. When the golden wind and jade dew meet, they will win countless people. (Qin Guan's Magpie Bridge Fairy) 49. If the two love each other for a long time, sooner or later.

(Qin Guan's Magpie Bridge Fairy) 50. Who sent the brocade book? The word goose returns, and the moon is full of the west building. (A Prune by Li Qingzhao) 5 1. There is nothing I can do about this situation, but frown and take it to heart.

(Li Qingzhao, "A Plum") 52. One kind of lovesickness, two places of leisure. (Li Qingzhao, "A Plum") 53. Dancing in the pavilion, the wind is always blown away by the rain.

(Xin Qiji's "Meeting Forever in Jingkou, Gu Beiting Nostalgia") 54. Who can ask: Is Lian Po old enough to eat? (Xin Qiji's ode to Yule Jingkou Gubeiting nostalgia) 55. Du Ming in Huaizuo is a beautiful place west of bamboo, and there were few saddles in the initial journey. (Jiang Kui, Yangzhou Slow) 56. After Huma went to see the river, she abandoned the trees by the pool and went to great lengths to talk about the soldiers.

(Jiang Kui, Yangzhou Slow) 57. Vertically speaking, the dream of a brothel is good, but it is difficult to be affectionate. (Jiang Kui, Yangzhou Slow) 58. The 24th Bridge is still there, and Leng Yue is silent.

(Jiang Kui, Yangzhou Slow) 59. Look at the red medicine by the bridge and you will know who you are born for every year! (Jiang Kui, Yangzhou Slow) 60. Riding a princess and laughing in the world of mortals, no one knew it was litchi. (Du Mu's Crossing the Qing Palace) 6 1. I don't know that I am a guest in my dream, but I am greedy for joy.

(Li Yu's "Langtaosha") 62. It is easy to see when it is difficult, and the water is gone. It is heaven and earth. (Li Yu's "Langtaosha") 63. Ten years of life and death is unforgettable.

(Su Shi's Jiangchengzi) 64. Even if you meet, you should not know, your face is dusty and your temples are like frost. (Su Shi's Jiangchengzi) 65. The yellow flowers on the ground are piled up and worn out. Who can pick them now? (Li Qingzhao, "Sound Slow") 66. The phoenix tree is raining and dripping at dusk.

(Li Qingzhao, Slow Voice) 67. Now I know the taste of sadness. I want to say I still have a rest, I want to say I still have a rest, but I say: it's a cool autumn.

(Xin Qiji's Ugly Slave) 68. The fog is gone, the moon is gone, and Taoyuan is nowhere to be found. (Qin Guan "Treading on the Sand") 69. Chen Qiang was lucky enough to bypass Chen Shan, who got off Xiaoxiang?

(Qin Guan "Treading on the Sand") 70. The grass in the blood is rich and strong, and the ground is cold and spring is warm. (Untitled by Lu Xun) 7 1. Lonely, inseparable.

(Shi Mi's Chen Qingbiao) 72. The sun is setting and the breath is dying. (Shi Mi's Chen Qingbiao) 73. I was the first to die when I was born.

(Shi Mi's Chen Qingbiao) 74. The moon rises from Dongshan and wanders between bullfights. (Su Shi's Poem on the Red Wall) 75. When the dew crosses the river, the water meets the sky.

Let the boat float on the boundless river and cross the boundless river. (Su Shi's Poem on the Red Wall) 76. It's a drop in the ocean to send a mayfly into the earth.

Mourn my life. Envy.

2. The sad sentences in classical Chinese are about mood. Examples of sadness in classical Chinese are as follows:

1, the vast land is broken with one sword. Where is the prosperity?

2. When Long song was crying, for those unfulfilled promises and the deepest love in her life, she finally dispersed into clouds.

3, if you win, you lose, and the time is long. There is wine today, and I will be drunk tomorrow.

4. Fenghua refers to quicksand, and old age is a period of time.

5. The Phoenix once played here, so that this place is named after them. I couldn't keep the appointment and waited all night. From then on, Wan Li cried.

6. Han Xiao is vast, holding prosperity and sadness, frowning, and doomed to become a thing of the past.

7. At the beginning of the world of mortals, mountains and rivers are boundless. Facing the initial heart, smashing nightmares is impermanent, and life is unparalleled.

8, the world of mortals, flashy life is fleeting.

9, you can also quietly drink tea and crush this scene, bustling fireworks.

10, several times lamenting the joys and sorrows of generations, ridiculous life is not up to me.

3. "Birds of a feather flock together" and "self-pity" sentences. An ancient Chinese sentence "Your teacher or textbook has a misunderstanding of the meaning of the problem itself, which is probably derived from the famous sentence" Don't rejoice in things, don't grieve for yourself ". However, the meaning of the article is righteousness and integrity, not to change things (Xunzi's honor and disgrace), not to "pitch with the world (biography of Mi Fei, the history of Song Dynasty)", not to think about helping the poor and the people, and not to learn from the rich (biography of Mr. Wu Liu by Tao Yuanming). What he said is that the benevolent is not bound by foreign things. Things are not just physical things. Second, Gai Lou is magnificent; Answer 3: We are changing the world. First of all, we are already very sad. The road has begun to go wrong, and the ending is wrong after all.