How did the return of Po move you?

In the story, Kung Fu Panda 3 also handed in his homework. Compared with the first one "Endless Telling What to Do" and the second one "Tai Chi", this one "Po" has played Qigong again, and continues to carry out its own "cute and humble style" to the end, which is not less entertaining. The relationship between father and son has always been an important theme of China culture. In the third part, "Po" is finally reunited with his biological father. Along the way, the feelings of the two gradually warmed up, inadvertently ignoring the feelings of the adoptive father goose, causing the other party to be "jealous." Two fathers's slapstick and gag all the way made the audience laugh. In the first two films, Bao, who has been questioning his life experience, finally found his own life experience in this film, met a group of similar people in the Panda Village and finally found the feeling of being a panda. Compared with the first two films, Bao has always wanted to be a martial arts expert. This time, Bao has returned to his true self and regained the happiness of the panda. This has also inspired many parents to find their own position, give play to their own specialties and achieve the best results in the process of educating their children. To some extent, this is also a vivid interpretation of China's traditional educational thought of "teaching without distinction". The success of Kung Fu Panda series is due to the contrast between Po, who is naturally gentle, and Kung Fu, and the fact that China culture can really penetrate into the story in joy, not just the accumulation of several cultural symbols. Of course, the third film doesn't have much new ideas in the plot, and the result is not difficult to guess. The villain "Niu" is too weak to satisfy the audience. However, it is undeniable that the Kung Fu Panda series has become more and more proficient in the development of Chinese style and found more different ways. Foreigners may not know much about China culture, but let people see their determination and sincerity to learn China culture with an open mind. On the other hand, many domestic films blindly catch up with the international trend in image and story, and can only grasp the surface and imitate the image of others, but they can't imitate the real cultural core of others, and finally neither side is pleased. As early as more than 50 years ago, Shanghai Animation Film Studio produced such excellent works as "Make a scene in Heaven", which is still impressive. Last year, The Return of the Great Sage, based on China's classic The Journey to the West, also achieved box office success. Therefore, instead of blindly imitating other people's culture, it is better to tap the treasure of China's traditional culture and launch more high-quality domestic cartoons with China characteristics for Chinese children.

With the gradual expansion of China's film market, more and more foreign films make use of the theme of China to make a fuss. We really have to ask ourselves: how can we give up when others are struggling so hard?