Wang Wei's I'm in Wangchuan after the Rain is very famous. What scenery does this poem mainly describe?

To begin with, Wang Chuan Chang Su is a seven-character poem written by Wang Wei, a famous poet in the Tang Dynasty, when he lived in seclusion in Wang Chuan. This poem is picturesque, and every sentence seems to be a beautiful picture, which can bring wonderful experience and enjoyment to people.

Reading Wang Wei's landscape poems is like enjoying an ink and wash landscape painting. So that after reading Wang Wei's poems, Su Shi, a great poet in the Northern Song Dynasty, issued "There are pictures in poems, which are full of fun; Look at the painting, there are poems in the painting. (Note: Wang Wei, word, no ink book)

After the Rain, Wangchuan Bieye is a classic of "painting in poetry and poetry in painting". What scenery does this seven-rhythm poem specifically describe? In fact, each couplet has a description of the scenery, and each couplet is connected by several moving pictures. The original poem is as follows:

Rain is stored in the forest, smoke comes slowly, and steamed quinoa is used to cook millet.

An egret flies over the quiet swamp, and mango birds sing in the trees in midsummer.

I learned to watch the morning glory in the mountains calmly and eat sunflower seeds with dew under the pine branches.

Why should I scare seagulls, even if I think about it, by giving the honorary position to any clown? .

Look at the first two sentences of the first couplet, "Rain is stored in the forest, smoke is slowly coming, quinoa is steamed, millet is boiled, and it is paid to the east", which is the poet's description of the scenery of Wangchuan. The first couplet is ingenious in conception and layout. First of all, it describes the smoke rising in Ran Ran, which rises in the open forest, arousing readers' curiosity.

It is the rainy season that the rain covers the landscape of Wangchuan. Over the silent forest, smoke curled up, which was when people in the mountains cooked.

The poet further explained the smoke in the mountains: women steamed quinoa and boiled millet, and took the rice to the fields, because the men at home went to the fields to farm early in the morning.

The first couplet shows what the poet saw on the mountain. The poet first wrote about fireworks in the deserted forest, and then he wrote about farmers' early cooking and picnics in the fields, which showed a series of pictures of people's activities, and the happy mood and orderly living atmosphere of rural people jumped from the paper.

The antithesis of couplets is neat, which is a pure description of scenery. "An egret flies over a quiet wetland, and a mango bird sings in a tree in midsummer" are the two most wonderful sentences in the whole poem. The main idea of these two sentences is: a row of egrets flew away in the vast and flat paddy field; The sweet and melodious song of oriole came from the lush Woods beside the field.

Writing natural scenery with couplets is also the poet's visual experience and auditory experience: the vast and empty fields filled with stagnant water, egrets dancing, and their posture is so quiet and unique; In the dense forest, near and far orioles sing to each other, and their voices are so sweet.

In Zhuanlian, Wang Wei only chose oriole and egret with different shapes and habits, and described them in connection with their respective backgrounds, describing egret and oriole from two aspects of dynamic beauty and sound beauty: egret and golden pheasant have their own color differences in vision; Egrets dance and orioles sing tactfully.

Couplets are both dynamic and static, with harmonious colors. Egrets fly leisurely in the vast rice fields. Orioles sing in the depths of lush forests. These two sentences describe the beauty of landscape and countryside, just like a colorful picture scroll, which can be called a famous sentence through the ages and is fascinating to read.

Necklace "I learned to watch the morning glory on the mountain calmly, and I learned to eat sunflower seeds with dew under the pine branches", which means that I cultivate my self and watch the morning and evening on the mountain; Eating vegetables and sunflower dew in Panasonic is integrated with nature.

The poet is immersed in the pastoral scenery of Wangchuan, far away from the complicated affairs of the outside world and the noise of the city. This is a portrayal of the poet's current life, and it is also the poet's immersive experience in Wangchuan: people live in harmony with nature, live in seclusion in the mountains, and feel about life by watching hibiscus and eating mussels.

The couplet "Let the honorary position be given to any clown, why should I be afraid of seagulls, even if I have an idea?" What these two sentences mainly say is: I have already retired from the bustling circle of fame and fortune. Why should seagulls doubt me?

Wild is always the poet's self-assertion, and the poet said happily: I have long been indifferent to fame and fortune, and I have no problem with others. Who else will doubt me for no reason? I can almost get rid of worldly troubles and indulge in the joy of nymphs.

Couplets are actually poets' comments on this life. The wild old man has no quarrel with others. Why do seagulls doubt me? Poets use allusions to show that they are no longer smart, but can associate with seagulls. The poet's enthusiasm for official career seems to have faded, and now he is immersed in landscapes and villages.

Although Wang Wei's poems are light and plain, they use bright colors. In the poem, the rice fields are barren, the summer trees are shady, and the egrets are fluttering, all of which are plain colors of ink.

But the poet ingeniously added a dynamic and light oriole bird to the ink painting, and the color of oriole bird was added as a bright tone, which made the overall tone lively.

Wang Wei's Seven Laws, vivid in image and profound in meaning, show the poet's seclusion in the mountains and get rid of the secular leisure, and are the representative works of Wang Wei's pastoral poems. The whole poem goes in one go, and the poet expresses the meaning of the scene, creating a scene of people, sounds and feelings, which is simple and exquisite.

Wang Wei's "Farewell to Wangchuan after Rain" does not declare Zen, but has Zen meaning, which is integrated into the natural expression of poetry. He treats poetry with the technique and vision of painting art, and he organically combines poetry and painting. This song "Don't Work in Wangchuan after a Long Rain" is fresh and elegant, with a long artistic conception. It presents the aesthetic feeling of "painting in poetry" and has touching artistic charm.

Wang Wei's Farewell to Wangchuan after Rain is a masterpiece of pastoral poetry in Tang Dynasty. The poet combines his quiet Zen life with the pastoral scenery of Wangchuan, creating a harmonious artistic conception between objects and scenery, and presents a leisurely, quiet and Qingyuan artistic style in his paintings, which is touching to read.