What's the name of the famous calligrapher in China? At least three.

To invest in Wang Xizhi's calligraphy, we should learn the history of calligraphy. Comparing his calligraphy with that of Han Dynasty and Western Jin Dynasty, we can find that the most obvious characteristics of Wang Xizhi's calligraphy style are exquisite brushwork and changeable structure.

Wang Xizhi's greatest achievement is to increase and destroy the ancient law and turn the simple calligraphy style of Han and Wei dynasties into exquisite and beautiful calligraphy style. The cursive script is vigorous and eclectic, the official script is smart and dense, and the running script is vigorous and natural. In short, the writing of Chinese characters is introduced from practicality to a realm of skill and taste.

His cursive script is honored as "the sage of grass" by the world. There are no original traces left in the world, but there are many engravings of French books. Some leopard slave posts, 17-day posts, cold cut posts, lower case Huang Tingjing, and Lun He's paintings are praised. Wang Xizhi handed down the ink from ancient times, which can give you a deep understanding of the word "Miao".

2. Wang Xianzhi (344-386)

Wang Xianzhi's calligraphy collection and appraisal can be compared with Wang Xizhi's. Father and son have their own merits in calligraphy. Xi showed his real behavior, while he devoted himself to cursive writing. The most innovative and valuable thing about Two Kings is its elegant cursive script. Wang Xianzhi was not embarrassed by his father, so he was innovative, handsome and brave, and set up his own family, which made people sit up and take notice. Unfortunately, God was jealous of his talent and he died prematurely at the age of 42.

Wang Xianzhi has Cao Zhang's "Post on July 2nd", and its lower case is represented by "Thirteen Lines of Luo Shen Fu", which is extended with a pen, with a well-proportioned and neat structure, like a good family, and a charming and graceful posture. His running script is duck head pill post.

Zhang Xu (675-750? )

Zhang Xu's calligraphy is the highest among cursive scripts. He himself is proud of inheriting the tradition of "two kings" and writes very well. On the other hand, he imitated Zhang Zhi's cursive art and created a unique and unpredictable weed, which shocked the world.

Liaoning Provincial Museum has an ink book of four ancient poems written in cursive script, which is said to be Zhang Xu's wild cursive works. The whole stroke is full, without delicate and slippery strokes. The handwriting is ups and downs, moving and static, full of paper like a cloud, which is really the peak of cursive writing.

Yan Zhenqing (709-785)

Yan Zhenqing's regular script, contrary to the calligraphy style of the early Tang Dynasty, changed from thin and hard to vigorous and vigorous, with broad structure, magnificent momentum, vigorous bones and awe-inspiring spirit. This style also embodies the prosperous style of the Tang Dynasty empire, which is in line with his noble personality and is a typical example of the perfect combination of calligraphy beauty and personality beauty.

His calligraphy style is called "Yan Ti", which is also called "Yan Liu" with Liu Gongquan, and has the reputation of "Yan Liu Jin Gu". His regular script is cast in ancient and modern times, and the ink handed down from generation to generation includes "Sacrifice to My Nephew", "Liu Zhongshi's Post" and "Self-written Confession Post". Heroic and heroic, a picture of the prosperous Tang Dynasty. In particular, the original traces of the manuscripts for offering sacrifices to nephews are hidden in the Palace Museum in Taiwan. His writing style is dignified and stern, but his spirit is flying, his brushwork is round and magnificent, his posture is full of vitality, and his writing is pure, natural and wonderful.

There are many books handed down from ancient times in Yan Zhenqing, which deserve the attention of collectors and investors. Perhaps there will be new discoveries among the people, but we should carefully identify the authenticity.

5, Huai Su (AD 737-? )

When investing in Huai Su's calligraphy works, we should know that his styles are not all the same, which can be roughly divided into three types: First, those who have not completely got rid of their predecessors' styles, such as Notre Dame, Fish Eating, Kuyin, Zangzhen, Zhu Tie, etc., have retained a lot of blond hair, and most of Notre Dame's poems are in Yan Zhenqing style. Second, his own works, such as Pure Classics, Forty-two Chapters Classics and Autobiographical Notes (a standard Huai Su book). Thirdly, following the peaceful writing style, such as the thousand-character writing of Xiaocao, is quite different from his arrogant style and completely changed, which can also be said to be his outstanding point.

We can also refer to the records of Huai Su in the literature of the Tang Dynasty, such as: "The pen is fast, like a whirlwind of showers, going around and changing at will, and the statutes can be obtained."

Huai Su's "Wild Grass" is ever-changing, with endless writing style, which never leaves the statutes of Wei and Jin Dynasties. Such as "self-narration post", "eating fish post" and "bitter bamboo shoot post". He is neck and neck with Zhang Xu, collectively known as the "boss". His Notre Dame and Thousand-character Grass are harmonious and elegant, and they have a little meaning of chapter grass, which can reveal the source of the change of grass law.

There are four great calligraphers in China.

Founder of Yan Zhenqing, Liu Gongquan, Ou Yangxun, Zhao Mengfu, Yan and Zhao Kaishu [trillion pages].